Reviews

Find Yourself.

Another very complicated drama to rate as usual from JDoramaland. If it was me, I'd suggest Shinobu-san to never ever get married – so that then all this pain, and in short the drama itself, wouldn't exist.

When an aspiring manga artist meets a man 12 years her senior, she is caught in a whirlwind romance, culminating in their marriage and a child, Yuta. (Yuta didn't deserve any of this lunacy; I'm glad he reacted the way he did by the end of the show and he kept me curious.)
Now, 15 years later, with her desire to draw what she wants clashing with the public's demand, she once again begins to revisit her passion; now hiring the help of a 22-year-old young man named Tachibana Chiaki, who seems to have ulterior motives towards her.

However, we soon learn that Shinobu's entire happiness was a façade; particularly when Chiaki begins to confront and reveal his own demons.

☆ As I can find no fault with the actors, who excellently portrayed such characters, I'll dive straight into them.

Starting with Shinobu-San and even Chiaki, nobody in this drama is technically a nice guy. All of them had been shaped by their past traumas and tragedies, molding themselves into versions that were either terrible for their future (Shinobu-san) or for the better (Chiaki).
I can tell that the men in Shinobu-San's life (the adults, including the editor) were some of the worst individuals. The editor practically lost all brownie points from my side when he began to seemingly try to bring his fantasy to reality, even if it meant cornering Shinobu-san or overlooking what was best for her.

As for her husband? Chiaki was a pivotal moment in her life, particularly at the end of episode 3, where he openly calls her out for her trying to protect her marriage even if it meant that she was tolerating an insufferable man who had ruined lives, all for the sake of staying safe.

--- There was something about how people succumb to their darkness/harsh reality of life depicted in a rather strange way. Their actions can not be justified, but it gave a sense of 'life' to the characters; may it be Chiaki's mom or even Shinobu-San's husband.

☆ Final Thoughts? This is definitely not for everyone; an understanding of how the brain worked for certain characters is important and difficult to convey through the screen. Also, the overall theme has infidelity as the impetus for the FL, Shinobu-san, and it's hard to digest.
But, as a bizarre JDrama? Yes, you can give it a try.

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NEWTOWN'S THIRD LAW :

Waited 3 years for this and binged it in less than a day. And One word - Loved it so s3 Please? 😂

Weak Hero Class 2 is pretty much a continuation of S1. a story SET IN SIEUN'S NEW SCHOOL WITH NEW FRIENDS AND NEW ENEMIES. EVERYTHING NEW. EMPHASIS ON THE NEW
So you don't pretty much go in expecting the whole atmosphere you got from s1 in here. And that's a mistake we all tend to make when we start this. And sure I made it too lol.

So this drama has a new feel which I find a bit different from s2. New but Not Bad at all. I went in, sadly with the whole mind of S1 here, but we gotta know That Sometimes you can't always recreate the PERFECTION of a dark horse drama ( like WEAK HERO 1) in a follow-up. For a drama like WEAK HERO 1 that no one expected to be a hit like it did, Making a S2 would come with so much pressure ( BECAUSE TRUST me there may not be a S2 if s1 was not as big as it was) But I'm GLAD they served a perfect DRAMA and STORY.

Like it's said "THE ACT OF TRANSLATION IS AN ACT OF BETRAYAL" we actually can't expect EVERYTHING IN THE WEBTOON to be follow-up exactly in it's drama. it's somewhat impossible because they're two different medias with different types of execution media. Just like All in a novel can't be done in a drama ( in terms of execution) So It's expected that changes would be made when TRANSLATING from a media to another to suit each Media standard - That's "that betrayal". But what matters is, Was the changes done nicely?

Even though I didn't read the WEBTOON, I See this as a well executed drama and that's all that matters really. For a first time eye on the work, it didn't feel messy or Bad. So that's good enough for a drama adaptation. Because sure, it could have been bad or WORSE lol. So thanks for a good follow-up

WEAK HERO 2 Has lots of positive sides to it. It was Gripping In terms of its fast-paced storyline which I appreciated. And It made it not feel boring ( trust me, even short drama Can be draggy) it was action packed, Fight scenes were WOW realistic to me sometimes that I closed my eyes most times in fear lol.

For a Short dramas, I'm Surprised this drama was able to perfectly convey The Characterizations of each character. We saw these characters and actually understood them for what they were drawn out to be. Their characters had dynamics and were immersive. And they were as immersive as the Plot itself.

The leads dynamic were fun to watch. Them becoming friends and their friendship was fun and always had me smiling. Especially with Sieun playing the Ice princess and Baku Disturbing the Ice Princess 😂 The hair brushing scene would always be iconic for meeee😂😭 Love their dynamic

The ACTING was It. it was JUST IT. I loved every bit of the acting that I can't even complain at all. I liked the way each actor delivered their roles.

This drama HONESTLY has no bad side from the point of view of one looking for a good drama and Not from ONE WHO READ THE WEBTOON OR CAME WITH HIGH EXPECTATIONS FROM S1.For a drama, It's Great.

But I wished I could have seen MORE MORE depth. I understand it's 8 EPs, 40 min. So yeah that's short for what I crave for. So it's impressive they could fit a lot nicely into it. But yeah, I'm a fan of longer content that explores depth of all. Like deep deep dive into characters, plot line and all. So 8 ep was never enough for that, so yeah that's it. I understand.

All in all, This show was a great watch. enjoyed the 8 EPs and will certainly miss this character. So I have my prayer from today.
NETFLIX GIVE US A S3!! PLEASE I WOULDN'T MIND IT GETTING TO 5 SEASONS! I CAN WAIT!
I Wish we could get a s3 with Suho and Si Euns New Friends. Would be fun. So I'll be praying for that.

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Plot holes and constant scheming mended by the leads good look

The thing about Zhang Wanyi is, even before you consciously register what he’s saying, you’re already paying attention. His voice just has that kind of gravitas — deep, textured, almost like velvet stretched over steel. When he’s serious, it drops into this low, grave tone that feels heavier than the words themselves. You feel the tension just listening.

And when he’s teasing Jiang Si or getting sly? He flips it — suddenly his voice turns light, sardonic, amused, but he never loses that elegant control. Even back in ‘Are You the One?’, that voice had the same presence — delivering dry humor or emotional restraint with just the right tone. His voice alone can layer irony, tenderness, or quiet menace into a scene. That’s why even when he plays "quiet" characters, he never feels passive or bland.

And let’s not lie: the man’s face isn’t exactly struggling either. Striking good looks — sharp, clean bone structure that the camera absolutely loves. Expressive eyes — the kind that can stay cool and unreadable one second, and then hit you with tenderness the next.

But Si Jin was never just about the pretty faces. It digs deeper into the uglier, heartbreaking parts of human nature. Take Second Sister, Jiang Yu. She’s not a villain in the traditional sense. She's a case study in how prolonged victimhood can twist someone’s survival instincts until right and wrong blur beyond recognition. Jiang Yu was trapped in a marriage that was pure misery — humiliated, degraded, constantly reminded that "looking respectable" mattered more than her safety. Living like that long enough does something to you. You start surviving however you can.

And Jiang Yu did the unthinkable, luring her sister into her residence, enabling her husband so that he could abuse Jiang Si as well. When someone has suffered so much, self-justification becomes a lifeline. She had to convince herself Jiang Si was to blame, because if not, she would have to admit to herself that what she was doing — and what she had endured — was wrong, that maybe she should have fought back earlier, that maybe there were choices she didn’t take. And that's a terrifying thing for someone broken down by years of powerlessness to confront.

In societies like the one portrayed in Si Jin, where appearances, chastity, and family honor outweighed a woman’s personal dignity, the idea of "escaping" was often more shameful than staying and suffering. So even victims could become perpetrators of the same cruelty, trying to uphold the illusion at any cost.

Speaking of devils, the Marquis of Changxing’s family isn’t simply rich — they have power and the ability to rewrite the world to suit their sins. Murders? Silenced. Abuse? Brushed aside. Victims? Which ones? It’s not just corruption — it’s morality bending to protect power.

The Marquis and his wife defending their son, despite knowing exactly what he did, shows that when reputation and status are your lifelines, you will protect them at any cost — even if it means shielding a monster and sacrificing innocent girls. The same applies to Second Uncle too. He knew what his daughter had suffered; he knew how monstrous the Marquis’ son was. But in the face of entrenched power, he was paralyzed — not because he didn’t love his family, but because, in that world, challenging someone like the Marquis could cost you everything. Does power really corrupt that badly? Si Jin seems to answer: no — it doesn’t corrupt, it reveals the rot that was always there, giving permission for cruelties that otherwise would have remained hidden.

The Marchioness begging for leniency was a masterclass in shamelessness. Her whole argument boiled down to, "We raised a monster, but please forgive us because, oops, parenting is hard." No acknowledgment of the destroyed lives. No guilt. Just self-pity because their "good name" was at risk. And back then, that was all that mattered — noble family reputation over actual justice. A ruined heir was a tragedy. Dead girls? Barely a footnote, unless it stained the family crest.

Circling back to the leads’ actual love story, Jiang Si came back to this life having flashes of how her love story with Yu Qi had ended in a different timeline, which made her so apprehensive about getting close to him. You could see the reservation and the longing battling in her eyes — and yet, her feelings inevitably got the best of her. It wasn’t something she could stop herself from.

Both her and Yu Qi had been marked from birth as "inauspicious," "unwanted," burdens in their families’ eyes, cast aside because of a prophecy that claimed they would bring misfortune. They didn’t just suffer neglect — they endured the kind of loneliness that comes when even those meant to love you most look at you like you’re a curse. And somehow, despite it all, they found each other.

And honestly? Er Niu — the furry little matchmaking agent — deserves his own medal. In the novel, he’s even better: "General Xiaotian," running secret errands and demanding food in exchange. The emotional heavy lifting he does just by existing cannot be overstated.

At the store opening, Yu Qi — usually Mr. Cool— completely lost his composure, all because he wanted to impress Jiang Si. Smoothing his sleeves, trying (and failing) to look casual, throwing little dagger glares at Lord Zhen every time he dared speak to her — he was a mess. And Lord Zhen? Equally stressed, equally desperate for her attention, playing the polite, charming gentleman while Yu Qi stood there fuming silently, like, “Why is he even breathing the same air as her?” These two men were having a whole invisible rivalry war while Jiang Si was just out there trying to sell fragrances. She 100% knew they were both acting weird and competing like lovesick puppies, but she pretended not to see it because it was too deliciously awkward to interrupt. Honestly, I need more love rivals acting like children over the calmest, most oblivious queen in the room. Jiang Si wins without lifting a finger.

Jian Si’s father daughter relationship was such a warm little pocket of safety in a show filled with scheming. Jiang An Cheng wasn’t just loving — he was unconditionally supportive, even when the world around them kept telling him she was “bad luck”. He never bought into that nonsense. He never wavered in his belief that his daughter was smart, capable, and deserved happiness. He was her quiet shield against a world that wanted to crush her spirit. And you could see how much Jiang Si cherished him too.

During Jiang Si’s emotional conversation with her father about her Second Sister, she says, “She married the wrong man. It's unfortunate,” expressing a very compassionate instinct — seeing her sister’s tragedy as bad luck rather than a character flaw. It was Jiang Si’s way of being gentle, merciful, framing her sister’s fall as fate being cruel rather than weakness on her part. But when her father replied, “We can't control our luck, but when misfortune befalls us, we can at least make the right choices,” he introduced the idea of personal responsibility even in suffering. Jiang Yu was a victim — abused, trapped, powerless — and yet, the father's words draw an important line: being unlucky is not your fault, but how you respond to your suffering still matters. It’s an acknowledgment that victimhood does not erase agency; even when fate is cruel, you still face choices about who you become in response. Bad things happen. But righteousness is a choice, not a privilege of the lucky.

On another note, what is it with Jiang Si’s sisters and abusive husbands? It’s like the Jiang family took out a Platinum Membership at the "Abusive and Deranged Husbands for Daughters Club™" and renewed it annually. Honestly, it’s both depressing and absurd: the eldest sister endured emotional abuse and manipulation, plus a mother-in-law who basically ran a labor camp, while the second sister straight-up married into hell itself — physical violence, humiliation, complete loss of dignity. And the worst part isn’t even just that they’re trapped; it’s that they cherish their chains. Like, “Oh no, I’m suffering horribly... but at least I have a husband...” Hello??? Is the bar in hell? It’s tragic, but it also brutally highlights how deeply women back then were conditioned: staying in a marriage — no matter how degrading — was seen as more honorable than leaving. A broken spirit was easier to bear than the shame of divorce or abandonment. Even the people who loved them, like their own family, sometimes reinforced that mindset. The whole culture was sick — and Si Jin absolutely does not sugarcoat it. Meanwhile, Jiang Si is out here like, “I’d rather live free and poor than die slow in someone else’s prison.” Queen behavior. Breaking generational trauma one defiant stare at a time.

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Although the beginning was a bit weak, the series later recovered and went well. It was a well-thought-out story. However, there were some mistakes while editing. Of course, I am skipping some things because they are fantastic. However, it did not seem convincing to me that a very weak and sickly uncle beat his brother for two episodes. Of course, he has been given hundreds of talents, he knocks him down if he blows. It did not work for me. Secondly, Ren Jia Lun looks very slumped at the beginning, I do not know if it is because of the clothes he wears or the weakness of the actor. His posture is hunched, weary and bored. Here he is supposedly playing a Demon Hunter and is a warrior. He beats up anyone who comes his way. But this posture did not work. The director should have paid attention to this and at least he should have been made to stand upright, if it is about the clothes, he should have been dressed in proper clothes that fit him, this actor has played in most of the series he has played in costume series and is an experienced actor. However, I could not see these here. He is a very good actor, he has lived and gained experience, I expect much better. I had watched a few dramas of our actress Song Zu Er before. She had played dynamic roles. I can say that she had a very exciting and lively performance. She was very good here too. However, it seemed to me that they had a bit of a hard time in the scenes with the male actor. However, she was much better in the scenes apart from him. In other words, no matter how much effort there was between the actors, some things are obvious. The only negative thing I would say about Song Zu Er in this drama is that her mouth is open, it does not suit a star actress. I think she has a problem with her nose and wants to breathe through her mouth, she always looks like her mouth is open. This spoils her image. This is very obvious in some places. Otherwise, the actress is a very good actress with her physique, height and appearance. Her dynamic acting did not suit the immobile male actor. But they still played well. Apart from that, Xuan Yan who played Chief Chu, our Judge Girl Fan Shuai Qi, Rabbit Demon Liu Ruo Gu, Servant Girl Liu Qi Qi, Vinnie Yao were very good. I liked our veteran actors very much. Congratulations to Hankiz Omar as the dancing girl, Zhang Zu Xin who plays the Puppet Demon, Sha Man Li Yu, Wu Chong Xuan as the Snake Demon, and Sun Tian Yu as BanXia's fiancée for adding value to their roles. I also liked these actors. In the end, everyone forgot each other. The girl remembered but they couldn't get together. So it was a sad ending. I didn't like it but it made the audience cry. I think there will be a second season.

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Tension, suspens et amour authentique dans un scénario à la fois complexe et fluide

Regarder Flower of Evil, c’est se laisser happer par un vertige émotionnel où Lee Joon-gi, magistral, nous fait aimer un homme qu’on devrait craindre. Chaque regard, chaque silence est chargé d’un poids qui nous serre la gorge, porté par une mise en scène élégante et tendue comme un fil prêt à se rompre .
L’histoire nous piétine le cœur avec ses dilemmes cruels sur l’amour et la vérité, et la complicité poignante entre Lee Joon-gi et Moon Chae-won nous donne l’impression d’assister à une tragédie belle et cruelle à la fois.

Flower of Evil n’est pas juste un drama : c’est une chute lente et sublime dans les profondeurs de l’âme humaine.

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Addictive & Action Packed, Lacked Depth w.r.t S1

SHORT VERSION

Pros:
The characters are compelling, the action sequences and performances are stellar, and the pacing is so engaging that it’s perfect for binge-watching in one sitting. Just as I did with Season 1, Season 2 was equally addictive.

Cons:
(1) It lacked some depth in Na Baek Jin’s backstory, which was hinted at but never fully explored.
(2) I hoped for a larger role for my favorite character, Wolf (Seong Je), played by Lee Jun Young.

Overall:
Highly recommended if you’re a fan of action dramas centered on school life and don’t mind an appetite for (almost senseless) violence. It excels in action, acting, storytelling, and pacing - otherwise, like its predecessor. So if you enjoyed S1, S2 is of same class!

LONG VERSION:

While I enjoy the show for its stellar acting, gripping story, and thrilling action—much like Season 1—I’m torn between viewing it as simple entertainment or searching for a deeper message. If it’s the former, the series works perfectly as a great action drama. But if it’s the latter, even after two seasons, I’m unclear about its intentions. Does it encourage standing up to bullies by fighting back? Or does it argue that violence perpetuates an endless cycle without true resolution?

This ambiguity leaves me conflicted, as the portrayal of violence feels disconnected from reality. Having experienced bullying—directly and indirectly, though not as intense as in the show—I know that most victims stay silent, endure, and hope it ends with graduation. Rarely do they confront their bullies, a troubling truth despite stricter rules and policies. Bullying persists, spanning schools, universities, and even adult life - EVEN TODAY. This makes me wonder what the show/webtoon (not read) hopes to achieve by showcasing more violence. What message does it want the audience to grasp, and what should I take away from it?

Ultimately, I’ve chosen to enjoy the drama purely for its entertainment value. Its action-packed narrative is executed brilliantly, just like its predecessor, even if its deeper message remains uncertain.

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Cute and Heartwarming??

My Love Mix-Up! is such a cute drama! 😍 I really loved watching the bonding and growth of the main couple, Ida and Aoki. Their relationship felt so natural and sweet, and honestly, their moments together gave me all the feels. 🥺💕 Even the side couple, Aida and Hashimoto-san, were so adorable! 🥰 They were like a little bonus to the story!

Overall, it's a lighthearted and fun show, but I think it could have used more episodes. The ending felt a bit rushed, and I was left wanting more! 😅 But still, it's definitely worth a watch if you're into cute and heartwarming BL dramas! 🌟

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A Fictional Story with a Real-Life Lesson About Suicide and the Value of Life

Death’s Game is fictional; it powerfully reflects real emotions and thoughts about suicide. It shows that suicide might seem like a way to end personal struggles, but in reality, it leaves behind permanent scars on the loved ones who work hard their whole lives to make our lives better. As shown in the final episode, ending one's life doesn’t just end pain — it shatters the hopes and hearts of families and friends who may not even fully understand our silent battles.

The drama teaches a crucial life lesson: we do not get multiple lives like the character Yi-jae does. In real life, we have only one chance. Even when times are unbearably hard, there is always another way to move forward. Taking one’s own life is not the solution to pain; it prevents the possibility of healing and growth.

Death’s Game is a reminder that although our struggles may feel invisible, we are not alone. Others are fighting to give us hope, even if they don't always understand exactly what we need. Suicide is not a way to express our pain — living on, even in hardship, and seeking help are the ways to truly honor ourselves and the people who love us.

The drama’s message is clear and deeply moving we should strive to live our one and only life to its fullest, no matter how hard the journey becomes.

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Love Again

You never fell out of love. It’s just that your significant other had passed. So, you honor your love together by living alone, raising your two children. Until….

As someone in this situation without the until, maybe that’s why I am enjoying the unfolding of the leads story. In my mind and heart like the lead guy, absolutely no. Of course it can happen and seeing theirs is a delightful watch.

Not a new plot line, but these are reasons this is gluing. First, leads are middle aged. Refreshing. Second, because of it, there’s not a lot of cliches. I mean the overused, abused tropes are barely there. The stages of male lead falling in love again is so adorable. As for female lead, she’s the heart of the show, and all the male stars. She’s spontaneous, funny, kind, and lovely. She too has her own story so this unlikely pair coming together is the cutest thing.

The additional casts and their own stories makes this long drama wholesome, to me. The creations of build ups of relationships are great. No nonsense misunderstandings, push and pulls. Instead, the directors gives us these characters that are totally relatable to any of us. How they manage is straightforward.

It might not be for everyone but it can be for anyone. Mind you this review is mid point of this ongoing show, but that’s the flow of it. Will follow with afterthoughts upon conclusion hoping upon hoping it remains good and not fall on kdrama curse of mid point fall apart.

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The premise is much more interesting than what we got. It feels like most of the drama was the same thing, Yuan trying to get closer to Su Yan and her being wary of him. The ending was alright but the flashback to before the story started at the very end felt like it was added to the wrong place. It felt like they had this footage, forgot about it and then tried to stick it in at the end. While it does contribute to the story, the place it's added to feels weird. The footage could've been added in a better place, especially since we just saw Yuan and Su Yan both die. They should've put the past footage in somewhere else and just left the ending where Su Yan poisons herself and the emperor.

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The serie is interesting but it's weak about love between leads so far as I watched

Well as I already said in title its definitely not giving any fluttery in love between leads for the 20 and maybe the whole drama is not giving any fluttery in love at all but I am only on 23th episode lol because I postponed it due to it not very much catching my investment into watching it so eagerly but I do love Ren Jialun in this one and love that he uses his own voice to act this time and loved this act with painting demon...it was somehow so much more interesting more than a puppet act but also gave some strong vibe where it actually felt like a real struggle and like a actual misery which are the kind of feelings in these series that I personally like to have a feeling about if that feeling really appear because it didn't appear in the mirror or the puppet act because the first two acts felt kinda still grounded and had less fear of dying and trapping lol but painting world felt like a doom for leads except female lead did not always appeared affected but even when she regained memories still she wasn't afraid and was not even made a weak character in this painting nor Ren Jialun was a weak character but he could there not fight like FL because FL in painting world was a trained fighter

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Tell me were you sent by my dad to take care of me.....No.....I volunteered.

The First Frost has some of the best lines that will just stick with you. There are so many that I am just going with one. I have never read the novel so I didn't really know what to expect for Sang Yan's story. Even though I do think this focused on more of Wen Yifan's story then his but like I said I have never read the novel. For me this show kept me hooked from the first episode I wanted to know what happened between these two, and what all had she been through that she felt like she had to do everything on her own. Also with the second couple I would of love to see more of their story with less of his grandparents being in it. I loved the best friend of Wen Yifan and would of loved her love story but it felt like it just turned into his grandparents story more than anything.

SANG YAN-
Is probably one of the best male leads to ever be seen. He is just way to good to be true. He never gave up on Wen Yifan and never moved on from her. Even when he believed she had just dropped him because he had a one sided love for her. Sang Yan was never mad at her for her doing this to him either just devastated and still try to find some ways to be involved in her life. (Even though some people may find this a be a bit of a stalker like behavior). He even blames himself for not seeing everything she had been through when he was still in her life.

WEN YIFAN-
This poor girl has just been through so much and even didn't have her family on her side. Her whole world came crumbling down when her dad dies granted she got to stay with her grandmother for a little bit but she couldn't take care of her for very long. Sang Yan was her only light through everything she had been through but to get away from her family she ran from everyone including him. I don't see how anyone couldn't feel for this girl through her story. She did what she thought was best for her at such a young age when her mother wouldn't even help her. She does love Sang Yan and doesn't move on from him either.

ZHONG SI QIAO-
I have to mention this girl through my review cause I really liked her and believe everyone should have a best friend like her in their lives. She is always there for her friends even when the tend to forget about her and she always wants whats best for them and that they are always happy. She doesn't act like other friends in dramas when a boy she likes actually likes her best friend and not her. She doesn't get mad at Wen Yifan doesn't blame her or even turn on her. She will not let a boy stand in the way of their friendship. Like how can you not like this girl through this drama. Even though I thought the whole grandparent story could of been shorter still really enjoyed watching this girl.

The First Frost is definitely going to be a top modern drama for me. I have such trouble with modern dramas so when I do get ones I really do enjoy it does mean something. I have very few modern dramas I have actually loved. Sang Yan and Wen Yifan's story is one that will definitely stay with me for awhile, but as I always say everyone is different and you may not agree but give it a chance and see.

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its chen fieyu?

its a light student to real world struggles..quite slow phase story but keep holding on because its worthy..🥰👌😍🙌🏻😊🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️🙌🏻🙌🏻🙌🏻🙌🏻🙌🏻🙌🏻🙌🏻🙌🏻🙌🏻🙌🏻🙌🏻🙌🏻🙌🏻🙌🏻🙌🏻🙌🏻🙌🏻🙌🏻🙌🏻🙌🏻🙌🏻🙌🏻🙌🏻🙌🏻🙌🏻🙌🏻🙌🏻🙌🏻🙌🏻🙌🏻💪💪💪💪💪💪💪💪💪💪💪💪💪💪💪💪💪💪💪💪💪💪💪💪💪

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