Reviews

NgernOat were the best though

The longest BL I’ve ever watched. I cherish all the seasons and couples, although some were better than others. If viewers don't wanna watch all of it, they can just pick couples with the best ratings.
If the first season was stolen and carried heavily by MaxkyBas, then the second season was carried by NgernOat. They had an interesting story as well as really good acting going for them.
BeverTonliew acted well, just the story was slow-paced. PieGolf had more of a story, but (you can now throw stones at me) Golf's acting was a bit too stiff. And I love Golf, he's literally the most beautiful one in the cast (how do such pretty people exist, what is this magic), but the acting could be improved. And the guy who played Ben didn't help either, I was watching their emotional scenes through my fingers...
I always prefer uncut versions, because I am too old to watch people express their love by holding hands. BeverTonliew and NgernOat killed these of course — very proud.
Anyway, love the show, love the actors, we'll cherish it fourever as one of the classic must-watch lakhorns. Thank youuu

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The First Jasmine Review: Two Broken Souls Who Quietly Became Each Other's Home

As a Bai Lu fan, The First Jasmine was an absolute must-watch, especially with Cheng Lei as her co-star. I had only recently become familiar with Cheng Lei through two of his dramas, and this series convinced me that he is one of the finest actors of his generation.

At first glance, It looks like another historical romance built around revenge and court politics. What makes it exceptional, however, is that both protagonists are deeply flawed. Ye Li is the brilliant granddaughter of the Headmaster of Lishan Academy, gifted in medicine, strategy, martial arts, mathematics, chess, and astrology, yet she quietly carries the survivor's guilt and trauma left by the devastating epidemic that claimed the people she loved most. Prince Ding, Mo Xiuyao, is a legendary general admired throughout the empire, but beneath his calm exterior is a disabled prince burdened by the destruction of his family and years of emotional restraint.

Because both characters spend most of the drama hiding rather than expressing their pain, Bai Lu and Cheng Lei rely on subtle expressions, silence, and body language instead of dramatic outbursts. That restraint is exactly what makes their performances so powerful.

One irony I particularly appreciated is Ye Li's family. Her father is weak, foolish, and easily manipulated, while her mother—the beautiful and intelligent daughter of the Headmaster of Lishan Academy—made the tragic mistake of falling in love with the wrong man. Ye Li inherited her mother's brilliance but possessed the strength, wisdom, and resilience that neither of her parents fully demonstrated.

What I loved most was that Ye Li was never written as someone who simply needed saving. Her intelligence became her greatest weapon. More importantly, she became Prince Yao's greatest ally—initially an unknown one—quietly dismantling enemies through strategy while he fought on the battlefield. Their partnership felt equal, built on mutual respect rather than dependence.

PERFORMANCES
Bai Lu once again proves why she is one of my favourite actresses. Her portrayal reminded me of One & Only—restrained, understated, and emotionally layered. There are no traces of Bai Lu herself, only Ye Li. Sometimes a slight pause, lowered eyes, or a trembling smile conveyed more than pages of dialogue ever could.

The Lishan storyline became the emotional backbone of the drama and the strongest showcase of her acting. The epidemic was not simply a tragedy from Ye Li's past; it continued to haunt her throughout the story. Every return to Lishan, every vision of her grandfather and fellow disciples, and every reminder of what she had lost carried enormous emotional weight. Yet Ye Li never allowed her grief to define her. She continued protecting others, especially Prince Yao, while quietly carrying the pain herself.

Cheng Lei was equally impressive. Playing a disabled, short-tempered prince required remarkable restraint. Unlike his role in How Dare You?!, where he displayed an incredible range of comedy, fierceness, vulnerability, timidity, and even an adorably clingy side, Prince Yao demanded quiet control. His finest scenes weren't loud or dramatic but deeply internal. The sequence on Lishan Mountain, where Ye Li's condition worsened while he forced himself to remain composed despite being consumed by guilt, was heartbreaking. His expressive eyes alone communicated fear, helplessness, and unconditional love.

A ROMANCE BUILT ON TRUST
What truly made Bai Lu and Cheng Lei exceptional wasn't the romance itself but how they acted opposite one another. Great chemistry isn't measured by passionate kisses or intimate scenes; it's revealed in how actors listen, react, and elevate each other's performances.

Even during ordinary conversations or emotionally heavy scenes, they remained completely present with one another. The Lishan sequences, in particular, showed how responsive their acting was. They didn't simply deliver dialogue—they responded naturally to each other's emotions.

I also loved that Ye Li fell in love first. She admired Prince Yao's since her teens, his integrity and kindness long before he recognised his own feelings. Even after they married, it felt as though she fell in love with him all over again, travelling a great distance simply because she missed him. Prince Yao, meanwhile, fell even deeper. Whenever he couldn't find her, he became visibly restless. Every time he returned home, one of the first things he asked was where Ye Li was. Watching the once-feared Ding Prince become quietly devoted to his wife—gently touching her face, hurrying home to see her, or simply wanting her beside him—was sweeter than any grand romantic gesture.

The kissing scenes were relatively restrained, but I never felt the romance lacked intimacy. Their love was expressed through lingering glances, gentle gestures, and unwavering trust. Like One and Only, this drama proves that genuine chemistry isn't built on physical intimacy but on two actors who know how to communicate love through their eyes and silence.

SYMBOLISM
One of the drama's greatest strengths is its use of symbolism.
My favourite is the wind chimes. They first represent Ye Li's true home at Lishan and become one of the few memories she carries after the epidemic. They later appear in her mother's shop, symbolising her enduring connection to her family. When she finally hangs them at Prince Ding's residence, it quietly marks the moment she accepts it as her new home. By the end, the wind chimes no longer represent a place—they represent belonging. Ye Li doesn't abandon her past; she carries it with her until she finally finds someone who makes her feel safe enough to call another place home.

The straw dolls she prepares before leaving Lishan beautifully symbolise the burden of revenge she carries, promising to release them to the wind once her mission is complete. The recurring libation before drinking adds cultural authenticity, while the wild monkeys become a powerful metaphor for Ye Li's trauma. When Prince Yao leads her back to the mountain and shows her there are no monkeys waiting for her, he is really helping her confront the fears she has carried since Lishan.

The final return to Lishan remains my favourite scene. Seeing her grandfather and fellow disciples one last time before hearing Prince Yao call her back to reality felt like receiving permission to let go of the past without forgetting it.

SUPPORTING CAST, PRODUCTION & FINAL THOUGHTS
While a few key supporting performances, particularly the Emperor, Prince Li, and Zuide, lacked the emotional depth their roles required, others were excellent. Lin Muran (Han Ming Xi), Feng Xue Ya (Qing Shuang), Shawn Zhang (Li Fei Bai), and Liu Xing Chen (A Jin) all brought warmth, sincerity, humour, and emotional balance to the story.

The cinematography, costumes, dual-POV storytelling, musical score, and OST beautifully enhanced the emotional atmosphere. Bai Lu also looked stunning throughout the series, even in scenes where Ye Li appeared gravely ill with little or no makeup.

The drama isn't perfect. Some scenes could have been executed better, and stronger performances in a few supporting roles could have elevated it even further. Yet whenever Bai Lu and Cheng Lei shared the screen, I was completely captivated. They never competed for attention—they elevated each other's performances.

In the end, I realised TFJ was never really about revenge. It was about finding home again. The wind chimes that followed Ye Li from Lishan, to her mother's shop, and finally to Prince Ding's residence beautifully capture that journey. Prince Yao didn't erase her grief; he simply became the reason she could finally live with it.

I sincerely hope Bai Lu and Cheng Lei reunite in another historical drama. With another powerful script and a stronger supporting cast, I have no doubt they could create another masterpiece.

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Very comforting but too short

The drama was so good, but after I’ve learned that many episodes were cut I went to watch the novel.
The novel kinda ruined the drama for me, because how good it is.
The drama is cute, comforting and has a good plot, but they’ve changed all of the story.

If you’re searching for something sweet, with loads of fun and a light hearted story, SIL is a good one to go with. Also Lin Yi and Esther have a really great chemistry.

Wei Zhi is way more childish in the show and to be honest it’s even more frustrating knowing that we could’ve had a show we’re Esther wasn’t told to act like a baby all the time.
Also, even though I really enjoyed how soft Shan Chong is, they’ve really messed up his character imo. in the novel you can really notice how much softer he is to Wei Zhi, and how he softens to her after falling in love

the storyline changes make no sense to me bc the original storyline was very cool as well, and could’ve been executed just perfect with the right amount of episodes. SIL’s storyline was good but they kept it kind of childish

I recommend y’all to go read the novel afterwards, it’s even better !

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Great First Quarter, Fell Flat Towards the Ending

Ye Li from Lishan Academy is ordered to descend the sieged mountain to fullfil the Empress Dowager’s decree to marry former-general-now-crippled Prince Ding, Mo Xiuyao, after her past bethrothal to her childhood sweetheart Prince Li, Mo Jingli, fell through. Treated coldly by the brooding Mo Xiuyao who is the only survivor of the battle of Suixue Pass with her brother the general branded as rebel and sentenced to death, Ye Li is adamant on making his life better by secretly dealing with the officials who have been treating him badly and insisting on curing his legs. Her strange behaviour only increases her husband’s suspicion but her crafty nature finally manages to break Mo Xiuyao’s emotional defenses. Both needed to traverse around each other carefully and they each have strategical moves brewing behind them, although unbeknownst to them they actually had the same goal.

Although the story is incredibly slow paced, it managed to keep my interest on as the mysterious backstory of Ye Li took ages to surface. Most of the plot is really flat and the major of it focuses on the growth of the mainleads’ relationship, a typical romance story. Although I did not expect much action, I did anticipate political struggles and manoeuvre but even this fell totally flat. There was not much strategy going on, no backstabbing drama or plot twists, the political play was really flat and straightforward, almost nonexistent strategy like how they had it on Fated Hearts.

My heart goes to Bai Lu’s Ye Li though. As usual she excels in crying scenes, that arc of her life in the academy was really heartbreaking and incredibly sad. This is also the third of Bai Lu’s show that I didnt drop, I am glad she finally came across a good script this time. Her character is the only thing that kept me going to the last episode depite me starting the show solely for Cheng Lei. The plot went rather uninteresting and mundane in the last quarter, and Ye Li was the only thing that made me stick on to it.

My hat’s off for the writeup that despite being more than 50% love story, they managed to exclude erotic bedscenes that is usually a staple for such genre. Even the kissing scene is very few and they ended it as quickly as it started. I really appreciate the modesty in displaying the physical intimacy as many other shows wouldve opted for spicy sexually explicit scenes to cater larger number of viewers. This is what i call an almost real asian values untainted by western style. Gotta give an extra star for that effort.

Basically I can say this is a story of a couple that heals each other, Ye Li by curing Mo Xiuyao’s physical disability and Mo Xiuyao by healing Ye Li’s emotional scars. Despite being portrayed very cheery and sassy as Princess Consort Ding, Ye Li is actually the most pitiful character of all, keeping it all inside while appearing to be normal to the people around her.. The show isnt for those who are impatient, because the writer made sure to take his time peeling the layers of the jasmine flower petals one by one for the audience’s consumption. There are no back-to-back fighting sequences or dramatic arguments to keep the heat up, but instead many uninteresting things that couples do while on a date, generally to show the buildup of their romance. Good thing that I feel the chemistry, so I dont mind those boring scenes and didnt use the FF button much.

Although this isnt my kind of preferable genre, I am still glad that I stick to the end and not drop it midway. For once, kudos to Bai Lu for making Ye Li so mysterious and alive for me to stick on. I finally managed not to drop her show. Hell yeah.

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A Flawless Ensemble Cast That Deserves Far More Attention – Looking forward to Season 2!

I have watched C-Dramas on iQIYI and Netflix, including the recent popular ones. I am seldom so profoundly moved by the acting of an entire cast, but this drama is an absolute triumph. I did not expect the show to capture my attention from the beginning to the last episode and never skipped an episode. What sets this drama apart isn't just the phenomenal leads, but the incredible depth found in every single performance. The acting crew as a whole deserves significantly more attention and recognition than they are getting. Huge kudos to the casting director for assembling a flawless ensemble where there is truly no weak link, and to the writers for a sharp, compelling script for the majority of the run.

That said, the show wasn't entirely without its stumbles. It was deeply disappointing and heartbreaking to see one of the main characters killed off—a decision that felt incredibly painful given how attached we became to the character. Furthermore, the final episode felt noticeably rushed, cramming a lot of resolution into a short window rather than letting the story breathe. However, because the standard of acting across the entire crew was so exceptionally high, the production remains a must-watch. I am eagerly waiting for Season 2 to see how they bounce back!

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Adorable!

This show is absolutely adorable! Now, usually I’m not to into most dramas because of my awfully short attention span but this show had me immediately hooked!

The actors overall did an amazing job! None of the scenes were ever really awkward & the communication was honestly very surprising! Shows like to drag out issues for most of the episodes but problems in this drama were fixed almost instantly! The tension was great, no scenes were boring, and it wasn’t never uncomfortable to watch. I think that even though the plot may seem sort of cliché, it was executed perfectly. Duang’s character was like a breath of fresh air! His determination and lively personality made the show very enjoyable & entertaining to watch. Besides that, the side characters were so hilarious! The friendship between Duang, Pae, and Jamie was the most accurate friendship I think I’ve ever seen in a show! They would make jokes and laugh at each other but you could tell that they never really meant it and they always helped each other out. Qinn’s character wasn’t bad either! He had the typical, “I act like I don’t care, but I do” personality and he played it well! As the show went on it was very refreshing to see him open up over time.

The storyline is pretty straightforward & it doesn’t really beat around the bush. Which makes it even better! Every episode had me kicking my feet and waiting for more! The show is pretty comforting because it displays their emotions accurately and feels like an actual personal experience. It’s a nice drama to just relax to and not have to worry about horrible, stiff acting or boring plot.

I would definitely recommend watching this! It’s a cute, laid-back show & is honestly perfect in every aspect!

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Promising Omegaverse, Questionable Hair Choices

Going into KNOT, I was curious to see how the series would handle the Omega verse concept. Fortunately, Episode 1 strikes a reasonable balance. It introduces the Alpha, Beta, and Omega dynamics without turning the episode into a lengthy exposition dump. Even viewers who aren't familiar with the Omega verse should be able to follow the basic premise.
But the main lead (Phatsa - Oat) was himself not aware of this omega verse and nor is he aware of his secondary gender, I mean 'say what!'. But Phatsa is not your usual meek omega and Oat gives one of the stronger performances among the cast so far.
The introduction scenes of both the leads were fire. Nakhun - Boat is undoubtedly handsome and carries that aura of Alpha even though a expressionless face is yet to coverup for him. The second brother Nakhin - Theme looks like he just walked out a bad hair day vampire setup. The youngest brother Naphitch - Jame is just being typical trouble maker. The obvious tension in the family is reflected in one scene which was a subtle hint to action ahead. The shocker is biting your fated omega on first sight as it is something as natural as love at first sight.
The scent of pheromones like Midnight distillery (Whiskey), Fleur Nocturne (Isabey Paris), No.3 Quiet Heat, Bare petals (Victoria's Secret Bare) seems suiting the characters
The chemistry we saw in 'My Stubborn' is yet to surface. The flashback to the one-night-stand scene already has the kind of impact that will likely dominate fan edits and discussions online.
As a seasoned BL series watcher I could say it would be hasty to judge the entire series by just one episode. The 'ABO Desire' on omega verse Chinese BL even though lit had many plot holes. The concept is in detailed explained in 'Alpha Predator' (manhua) author Shui Qian Cheng.
For now, I'm cautiously optimistic. I'm hoping the storytelling grows stronger as the series settles into its world.

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good but got lost at some point

I started How Dare You expecting a light and emotionally comforting romance, and honestly, the beginning delivered exactly that. The chemistry between the leads was natural, the pacing felt fun, and the story had that addictive “two people who truly understand each other” energy that makes you keep clicking next episode.

But for me, the drama lost momentum once the ML lied about being an actor. The frustrating part is that the conflict felt avoidable. Instead of lying, he could have simply said he would explain when he was ready. That would have preserved both the mystery and the emotional trust between the leads. Since the show spent so much time building emotional understanding between them, the deception felt more irritating than dramatic.

Another thing that weakened the story was the darker turn involving the deaths and constant danger around the MC. The drama started off feeling playful and comforting, but later it began to feel like getting close to the main character automatically leads to suffering. That shift changed the atmosphere in a way that didn’t fully match the tone established at the beginning.

I also wish the flashbacks had been longer and more emotionally developed. Some later plot points would have hit harder if the emotional groundwork had been explored more deeply earlier on. I mean before the ml lied about being an actor his past could have been developed more and not after, cause i feel like it would have hit differently.

Overall, I still think the drama had a strong premise and genuinely enjoyable early episodes. The leads had chemistry, and there were moments that reminded me why I started watching in the first place. But the unnecessary secrecy and tonal shift made the second half less enjoyable for me. I watched until episode 13 and then skipped to the ending.

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This was beyond Great I had to watch more than twice

Really I enjoyed this drama, the acting of Park bo young, Jo Jung Suk, Lim Jun Hwan and even Shin Hye Sun. You will see how all the cast started their acti bff career this well, and it’s just reminds you of how hard you should work and how hard you can work then you will make it. seeing all of them at their young age acting was really great.

Back to the film, I enjoyed the storyline and character development. but I did not like the fact that the ghost got to spend more time in bong sun body even when she knew she could leave and was not trapped especially after the 1st time.

she kept staying in the body and even bong sun herself could not even after time to be with chef. chef and soon ae as a ghost had more time together making the confusion to be more serious as to which he likes.

it was manageable that there was already a small sign that chef cared for bong sun already from the start, seeing the way he spoke to her and the fact that she reminded him of his past, also with the blog thing.

but I was really pissed at the fact that soon ae was always inside her body leaving at night, and not even giving bong sun a chance to express her own feelings outrightly.

that’s on one side

the other part that was not for me is the fact that, it was clear that there was something more fishy about her regret, the fact that she could not remember is enough for her to know that she could have been killed and not even suicide.

I did not enjoy the fact that she was more focused on sleeping with chef every time, it was clearly cute to watch honestly, but NAHH, it even made Bong sun looked weird. the ghost soon as would have tried taking things naturally, instead of just jumping at him saying he wants to sleep with him.

As for Chef realising his feelings, I wasn’t pleased with it. Although it was clearly shown from the start that he was never comfortable with bong sun action when the ghost was in her and he was more comfortable and relaxed with bong sun herself. it wasn’t that deep for him to get confused.

and finally, no matter what, they shouldn’t have let Chef kiss the ghost, it was not necessary for it to have gone that deep, whatever kissing or skinship should have been done with bong sun alone in her right mind.

that’s it for me

the casting, acting and even cameo was really great.

I have watched it twice and I could watch it again and again and I will recommend it for everyone to watch

also, I love the ending for the villain, it was good, because clearly those actions were that of the ghost in him and not his actions. I liked the fact that they made him lose his memory, and it will be possible for him to start afresh with eun hee

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What an absorbing performance from Ji Sung as a man who develops multiple personalities to cope with childhood trauma.

In this role, he’s playing seven wildly different characters (impressive in itself), but the emotional range and depth he portrays — Cha Do Hyun’s devastating loneliness, Shin Se Gi’s fierce survival instinct fueled by anger and defiance, Yo Sub’s quiet despair — are what really stand out.

I almost dropped this due to the female lead’s screaming and hysterics at the beginning. While Hwang Jung Eum is an expressive actress, her character’s over-the-top reactions can be irritating and seem inappropriate considering her profession as a psychiatrist.

But the leads’ chemistry, especially their emotional connection, is palpable. Both are beautiful criers and give performances that will often tug at your heartstrings.

I’ve been working through some older K-dramas on my watch list that I’d heard good things about, and although this one is more than 10 years old and the visual style and effects look dated, the cast (including a fresh-faced Park Seo Joon) makes it worth watching.

Note: Viewers should be aware that child abuse is a recurring topic, though it happens offscreen. Suicidal ideation and other mental health crises are also shown and discussed throughout the series.

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It's good but..

There are little things i want to critique but besides that i loved it. I don't understand how Oats character seems to be the only one (so far at least) unaware about this whole omegaverse happening. Maybe there'll be a reason given at some point but right now i just can't make it make sense. Along with the fact that his secondary gender never affected him until he heard about it.. it was just one of those "wow what a coincidence" moments for me. The editing could also be a bit better. When Boats character and his brother are in the car while the others are fighting, it was a bit too obvious they played the same short fight clip when showing it through the car. I did have a complaint about the terrible translations and fortunately they're fixed now:)! Excited for the next episode.


The complaints on ep 2- I wanna applaud boatoat for their acting. I can definitely understand how the "NC" scene was awkward or weird for some people but as someone who has been reading/watching about the omegaverse for a long time, their execution was perfect. Obviously it's gonna aggressive when they're literally supposed to be animals in heat/rut.

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Refreshingly engaging.

There will be comparisons made between Zhong Mo Yuan and "The Heir". This is a captivating drama by itself, and a must watch if one enjoyed "The Heir".

Different times, different challenges, different perspectives and yet there is an immediate sense of familiarity to the intangible aspect of a thousand year lineage of craftsmanship and culture. In "The Heir", there was pride in their "bǎi nián" (hundred years) heritage. Today it is in 35 generations spanning a thousand years. Its not merely pride but a definite sense of fragility in maintaining craftsmanship with the challenge of modern economics of scale amidst the availability of machinery.

In The Heir, it was all about ink and the challenges of a young woman in ancient China's feudal society dominated by the Imperial court. The script had somewhat liberal leanings in very conservative times where a wrong decision can mean the end of a clan. In this Paper Dreams, its all about paper in the modern socialist, communist republic of China. Just as in the intimately entwined relationship between ink and paper in Chinese culture for art and calligraphy, there is much similarities between Paper Dreams and The Heir.

Xuan paper culture has lasted a thousand years. Will it still be relevant for another thousand years? This is the gauntlet thrown at Lin Yiran as she navigates the politics of both party and civil administration as a newby in town. The xuan paper industry faces the prospect of economic extinction versus the challenge of adapting to another millennia in digital times. Within the industry, there is the challenge of maintaining seemingly unsustainable traditional craftsmanship or bowing down to the the demands of economic survival.

The script is very well written exposing the opposing forces dancing around each other, at times in sync and other times brutally at each other's throat. The interaction of characters are masterfully acted out in their daily life as they coexist in their beloved Peach Blossom Town, TaoHua, finding new angles to preserving culture and maintaining economic existence.

Though the scenery is modern, there's much that is breathtaking and much that lend itself to nostalgia. The ancient arched bridge over the flowing river and the various modern expressways and scenes with rivers adds the link of today to a thousand years ago. The smokiness of the mountain clouds and greens adds an ethereal air and one can easily be transported through the ages. There are modern buildings and yet there are much that remains traditional, blending the times spanning a millenia.

Ma Shou Hua as Xuan Yong Nian nailed the character. Principled, unyielding and ferociously defending the thousand years old legacy at the expense of family, he is kind, stubborn and patriarchal to all who work for him. He is the revered Master to many, but struggles to be the Father of his own son. He struggles to keep the the xuan legacy relevant and yet is cognizant of its fragility, wondering whether it will perish with himself. He is the living legacy yet he may also be the last link. In more ways than one he outshine the ML though he is listed as supporting role. MSH's acting skills in this drama is outstanding and he reprised his roles superbly especially as the Master.

The relationship between wife and husband, revered Master and his closest support, the unconditional love of a mother and matriarch to the company is nicely filled by Wang Qian as Xiu Mei. The factory crew, as the extended Xuan family was warmly portrayed despite many differences. Zhang Du was nicely played as a devoted apprentice who grew into the detestable comeuppance usurper. He puts a new meaning to villainy. And then comes redemption. A stand out is the seemingly outspoken Su Lan, showing a softer side as Xiu Mei's "sister".

Taozi is literally the best BFF one can have. She is loyal. She will be there. She is literally the most dependable friend one can have, with the best shoulder to cry on. The evolution of Director Liao as the stick in the mud HOD to Ambassador Liao, as mentor and fatherly figure is great piece of script writing nicely played out by Yin Xiao Tian. Another outstanding potrayal was Xiong Rui Ying as Secretary Peng.

Zhang Yue as Lin Yiran started of as the strong willed young cadre willing to take on the old stooges of the Party and the establishment because she was principled. As the drama progressed, she began to show her human, and more vulnerable side, manifested especially with her growing relationship with Xuan YN and Xiu Mei. ZY has definitely matured from her days as the General's daughter in "Love like the Galaxy".

Zheng Ye Cheng as the ML is overshadowed by Ma SH. Even Song Yu as Xiao Min played a more substantive role. As the ML he got along with the FL though the fireworks were definitely not there. The FL on her bicycle seem more appropriate than the ML on his irritating motorbike.

The drama started of unassuming but gradually draws one in. There is much to like, the xuan paper industry was enlightening, and the machinations of the CPC was definitely eye opening especially in its relationship with private enterprise in China today. The ending could be better but the overall script was superb.

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Stayed till the end for Wang Chu Ran

Decided to watch this show solely because of Wang Chu Ran. I fell in love with her acting (and her beautyyy) in Fireworks of My Heart and I thought to give this show a shot.

Down to the storyline: Well, it was refreshing to see the banters of the main leads especially at the start when they kept bumping into each other. There was also no old unrequited love plot in this show.

I would say acting wise, the best actors of this show had to be the main leads. Other than that, the other characters didn't really stand out to me. I really didn't like the AI character.. it was way too obvious. I am sure that this was not an easy feat., but there were several if not all scenes where the dude was having zero eye contact with the other cast members. Aside from that, he was also quite emotionless most of the time and his lips were NOT in sync with the dubbings either.

Regarding the relationship development of the main leads, when they did finally get together, I didn't feel a sense of satisfaction - unlike how I feel in some other shows. Somehow their get-together didn't feel as impactful. Maybe because of the indecisiveness of the female lead. I do like her don't get me wrong, but her character here especially the way she handled her relationship with the ML wasn't it for me. I understand that she had previously experienced a failed relationship, but her avoidance was getting on my nerves. And also even after they got together she was not wanting others to find out about her relationship. I was confused at one point if they were actually officially together or not. One moment they're kissing passionately, and the next they act like strangers. I wished the couple was better in communicating their feelings and thoughts and I'm sure that would have reduced the misunderstandings ten-fold.

Business wise, of course, these two main leads have strong personalities and capabilities. What I admired most about these characters was their ability to separate work and personal life. For instance when they were having love trouble, they continued to do what they had to do at work - and performed.

The most touching scene for me in this series was the hug that was shared between the FL and her supervisor/manager. Even though the relationship is of a subordinate-superior dynamic, I appreciated how the FL gradually became unafraid to speak up and be that beacon of light in the superior's life.

"In life and especially in the business world, there isn't always a clear black and white to things, but deep in your heart, you know what's right."

After her final words to the manager, those words continued to linger on in the manager's mind. Although those words still fell upon deaf ears, at the end of the day... she realized her folly. She said something along the lines of 'Although taking the path of righteousness might not be smooth, it's what eventually leads you to happiness.'

Overall, a relatively light-hearted show ~ watch if you have the time and if you like the main leads! There's a decent amount of screen time for them.

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