Head over Heels

Seems promising ♡o♡

I find it hard to fully pinpoint what I need in a k-drama for it to be amazing and I think I’ve come to the conclusion that it just needs to feel right when I watch it so I listen a lot to my feelings and the whole vibe of the drama and within the first 10 minutes of the first episode I instantly felt that. This show seems very, very promising so I’m extremely excited to see where it goes! 🥰🤩

Great acting so far, love the cast, interesting plot, ROMANCEEEEEE AHHH I’m sat 🤭🙂‍↕️

Please don’t disappoint 🥹🤞

update:
6/12 episodes: Can’t wait for the next episodes 🤭

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This is obviously my best drama of the year!

At first, I didn’t expect too much from this drama, but since I love the genre, I planned to watch it anyway. From the very first episode, I genuinely enjoyed the story and the characters. It’s a refreshing and fun storyline about a shaman and a student with school-life vibes — definitely something new. I absolutely love the main cast! Shout out to the director for pairing Cho Yi Hyun and Choo Young Woo — they portray their characters so well. Their acting and chemistry are amazing, I just couldn’t stop watching every episode as soon as it was released. I even kept rewatching the new episodes over and over again. This drama truly warms my heart! I honestly don’t want it to end — 12 episodes feel way too short. But then again, if the director stretched it to 16 episodes, the plot might end up feeling forced. That being said, I really wish there were more scenes showing Seong Ah and Gyeon U falling in love and spending time together. Still, overall, I had so much fun watching this drama!

Please make Yi Hyun and Young Woo work together again!!도와주세요

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So much wasted potential to be a top supernatural romance

Review

8/10 is my rating. Liked the premise. The acting was great. Main couple was cute. But dang! Lots of problems with elements and just the flow of events and how plot and subplot points were not well tied up.

Overall, this is a charming coming-of-age romance that weaves a compelling supernatural thread through high school life. The drama, starring Cho Yi-hyun and Choo Young-woo, blends heartfelt emotions with Korean shamanism, creating a unique narrative that balances youthful love with mystical stakes. The chemistry between the leads, Park Seong-ah and Bae Gyeon-woo, is engaging, but also frustrating because they never do the things that would make it feel like it fully blossomed. She had a dream sequence of a first date but no real first date. They slept in the same room and cuddled and even held hands but that was out of necessity. So, it was never quite there, never reached the emotional peaks that this genre had attained in other shows. The second male lead, Pyo Ji-ho, is a standout, his sweet and loyal nature sparking a strong case of second-lead syndrome that may leave viewers torn. The show’s exploration of Korean shamanism is a highlight, offering a glimpse into its rituals and cultural significance, though it occasionally feels more theatrical than impactful. Not knowing, from a native Korean perspective, how accurate the depiction is, I don't know if it was just lacking in any spiritual depth in this show or if that is the overall view of the practice. But I think fans of romance, supernatural stories, or Korean folklore will find it an enjoyable watch, and it is perfect for those who love a mix of heart and mystery. It’s not a drama I’d rush to rewatch, but it’s one I wouldn’t skip if it popped up on my screen.

Spoilers 

The grandmother, Oh Ok-soon, was a heartwarming presence, anchoring Gyeon-U’s lonely world with her unwavering love. Her death hit hard, and I found it frustratingly unnecessary—her loss stripped away a vital emotional tether without adding much to the story’s progression. It felt like a plot device to deepen Gyeon-U’s despair rather than a meaningful narrative choice.

The villainous shaman, Yeom-hwa, was chillingly manipulative, orchestrating Gyeon-U's misfortunes by convincing his family he was cursed while profiting from their desperation. However, the drama never fully explores her connection to the family or explicitly confirms her schemes, leaving a sense of incompleteness. They touch on Gyeon-U's family, and their poor treatment of him because they think he is cursed, but we never find out if, after Yeom-hwa is no longer able to manipulate Gyeon- U as directly, if there is any level reconciliation with his estranged families. Most families, even selfish families like his, would come out of the woodwork just to claim shines of fame with his archery fame. This lack of closure on his family made that whole loop where they shunned him, seem unnecessary. That could have just been mentioned by one of the characters if there wasn't going to be any follow through.

The possession arc, particularly with the spirit Bong-su, was a gripping twist, but it lost momentum. Bong-su’s initial menace as a child soldier spirit haunting Gyeon-U was compelling, but as soon as he arrived on scene his character turned out to be very different than what we had been led to expect. If anything, he was a character that garnered our sympathy, somewhat endearing, and it was hard to reconcile that with a spirit that had supposedly dispatched nearly 100 lives. And why? Why would he even have done that. There was nothing indicting he particularly desired to be evil. He wanted to be a teenager and have teenage experiences. The two-year plus year time skip after Seong-ah’s possession felt like a cheap separation trope, one I found particularly grating. This was way too long to spend on this one story. It moved what should have been a side story to make it become a main story. And it distanced the leads emotionally and narratively, with Gyeon-U’s search for her via archery-fueled ghost hunting feeling underdeveloped and rushed. They could have added all kinds of intrigue by having Gyeon-U uncover ghost stories based on his new ability to see them. The resolution, tied to uncovering Bong-su’s true identity as a manifestation of another boy’s pain, was poignant but arrived too late to fully redeem the chaotic pacing of the final episodes.

And I mean really why? Why the separation trope? It ultimately accomplished nothing. She hung out with angsty teenage boy ghost, let him possess her, only to have him transfer back to Gyeon-U again later. I mean Seong-ah possessed by Bong-su was amusing. She was way more "sex kitten" than when she was actual Seong-ah (which didn't make a lot of sense because she was possessed by a virginal teenage boy). Which just made this possessed Seong-ah’s arc super frustrating. Her dream of a normal life, including graduating high school, is a core motivation, but the separation trope—her possession by Bong-su and two-year disappearance—robs her of that milestone. I hoped for a poignant moment, like her showing up at graduation to share in the celebration (maybe even grabbing flowers during the ceremony setup), but her absence leaves her arc unresolved and hollow.

The shamanism, while visually striking, often came across as ineffective. Seong-ah’s rituals—lots of dancing and rattle-shaking—rarely succeeded in major tasks like dispelling evil spirits or breaking curses, making the practice feel more performative than powerful. This trivialized the cultural weight of shamanism, which was disappointing, though my daughter, who watched with me, loved the rituals for their immersive dive into the practice, even if their authenticity is questionable. The finale was another sore point: Gyeon-U’s Olympic archery tryouts were a big moment, but Seong-ah’s absence, tied up with shamanic duties, felt like a betrayal of their bond. After losing his grandmother, her not being there for him stung, especially since her spiritual tasks often yielded minimal results. The general’s (Dongcheon’s) death was another misstep—her sacrifice to empower Bong-su felt abrupt, and Yeom-hwa’s unrepentant cruelty as her daughter made the loss feel hollow, with no redemption or accountability for her actions. And what was up with the flower shaman who was so against handing out his talismans and seemed to have a grudge in the first part but then joined the team and handed them out like confetti later. He also seemed like a powerful shaman in the beginning but then, later, when he was really needed made some weird white rampy thing with a lantern maybe that he was trying to push toward the door but couldn't. So weird.

The drama could have soared if it leaned harder into Seong-ah’s empowerment as a shaman, giving her the ability to decisively save Gyeon-U rather than relying on drawn-out rituals and a disjointed finale. Despite these flaws, the emotional core—Seong-ah’s determination and Gyeon-U’s quiet resilience—kept me invested. It’s a story with heart, but it stumbles in tying its supernatural and emotional threads into a cohesive whole.

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Synopsis

Head Over Heels is a 2025 South Korean drama that blends fantasy, romance, and comedy in a captivating tale of love and destiny. There are 12, 60 minute, episodes.

High school student Park Seong-ah (Cho Yi-hyun), secretly a shaman known as Fairy Cheon Ji, navigates a double life, battling spirits by night while blending in with her peers by day. When she encounters the handsome but ill-fated Bae Gyeon-u (Choo Young-woo), whose tragic destiny she foresees in a prophetic vision, Seong-ah falls head over heels and vows to change his fate. As their bond deepens, she faces supernatural challenges, skeptical peers, and the mysterious spirit Bong-su (Cha Kang-yoon), whose presence complicates their budding romance. For those familiar with Korean folklore, this offers a fresh take on the folktale of Gyeon-woo and Jiknyeo.

Note: The Korean folktale of Gyeon-u Jiknyeo, also known as the Cowherd and the Weaver Girl, tells the story of two lovers separated by the Milky Way. Gyeon-u, a cowherd, and Jiknyeo, a weaver, fall deeply in love but are forbidden to be together by the heavens. Moved by their devotion, magpies and crows form a bridge across the Milky Way once a year on the seventh day of the seventh lunar month, allowing the lovers to reunite briefly. This tale, celebrated during the Chilseok festival, symbolizes enduring love and the power of connection despite great obstacles.

#HeadOverHeels #CowherdandWeaverGirl

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Head over heels... the drama captivated me.

The humor was exactly my taste, and the actors were excellent. I laughed a lot, cried bitterly, and rooted for the characters... unfortunately, only until episode 10.

The last two episodes were a disappointment for me personally, not because of the actors, but because of the story, which I found too chaotic, inconclusive at times, and humorless. Until last week (episode 10) I had saved the film as one of the best dramas andI've seen so far and was really looking forward to the last two episodes. It's a tragedy that many series don't have a clear ending because of the script or production, and this is especially true for this one.

To console myself over the ending, I started rewatching the film and am glad I don't have to wait for the sequels anymore. :)

PS: I didn't pay much attention to the music, and it didn't particularly stand out to me. Whether that's good or bad is up to each individual to decide. Since I have to award stars for this as well, I've chosen the middle ground, but that doesn't really count as a rating.

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HAD POTENTIAL BUT THE END F IT UP

The story started so well with exciting and memorable scenes!! The switched between a shaman and a student was exciting then the ML story was also good!!

But at the end, kdrama have an obsession with redemption arc, and whitewashing characters!! let villains be villains!! The mother dying in replace of YeonHwa was so unnecessary!!

Episode 11 and 12 were really disappointing and so unnecessary!! The writer must misplaced her original script cause wtf?? From a dumb boy to a ghost Hunter and a boring episode, what a bleh!!

BongSu story was overstretched and it became unnecessary boring and lost interest!!

Anyways it had potentials but let’s blame the writers and the people that acccepted the last episodes!!

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Literally "Head over Heels" for ChooCho

"Her sleeping habit is... too dangerous" - Bae Gyeon U

I'm writing this review just because I haven't written one for any of Yi Hyun's other dramas. I know that this review will be very positive towards this drama and it can be super biased, but I'll write it nonetheless.

This drama has a unique concept where a shaman really goes out of her way, even putting herself in danger, to protect one of her "client" just because she fell for him at first sight. Both Yi Hyun and Young Woo play a character where both are "cursed" at birth. One being extremely unlucky, and one being able to see ghosts. Seong-A (Yi Hyun) was bullied and mistreated for being a shaman at middle school and was used and abandoned by her own parents, whilst Gyeon-U (Young Woo) was so unlucky that his own parents abandoned him and left him with his grandma. There is of course a usual love triangle, Jiho (Kang Yoon), who is basically Seong-A only friend, and secretly likes her, is one of the best characters I've seen as well. Instead of the usual jealous crush cliche, Jiho actually went out of his way to help her protect Gyeon-U, knowing she really likes him. And as for the so called "Evil Deity" who possessed Gyeon-U, or now called Bong Su, I really love that even with his appearance, the drama still keeps their original flow, meaning that it doesn't suddenly become a horror or super serious drama, yet he's just like a lost little boy. Can't wait to see his backstory, and why he became an Evil Deity. This drama is full of funny and serious moments that always go hand-in-hand, one moment you're laughing and suddenly they go serious. This drama is definitely a light watch, nothing too complicated, yet each episode will definitely make you hooked.

Casting-wise, there's Yi Hyun. What more can I ask for.

Nah I'm just joking, even though there's Yi Hyun, they picked the perfect role for every character. Let's start with Kim Mi-Kyung (Yi Hyun's spirit mother, or General Dongcheon), she is definitely the perfect fit to be Yi Hyun's spirit mother. I loved her in every scene she's in, especially when she's with Yoon Byung Hee (Flower Master), they're always so funny even in serious situations. I hope that she doesn't actually sacrifice herself to help Seong-A or Yeomhwa, her vibe is always to protect them no matter the cost, even though this is just my prediction, hopefully it doesn't happen. Next is of course Young Woo, he's the perfect first crush vibe that is so cold that looks super unapproachable yet is actually not like that when you get to know him. I've even heard that Head over Heels' rating went up after the release of episode 6 since people can't wait to see Gyeon-U but bolder at least towards Seong-A. As for Kang Yoon, the soon to be joining the second lead club. I can't say I relate but he's just like me, can't and won't say our true feelings to our crush, until it's too late. Our difference is that he is attractive and is actually interacting with his crush, even becoming her only friend. Choo Ja Hyun also plays Yeomhwa super good, and as I said before, actors/actresses that successfully made us hate them when playing a villain, is absolutely a good actor/actress. Since I can't really comment for the other casts individually, just know that casting wise, they have done a super great job.

I can't tell you how many times I've rewatched the previous episodes and how itchy it is to wait for 20:30 PM on Monday and Tuesday for the newer episodes to come on Prime. This is definitely one of Yi Hyun's best drama, and is one of the best K-dramas to come out this year. I won't say you will regret it if you don't watch it, but you will definitely be missing out on one of the best K-Dramas this year, at least for now, since we still have 5 months left to go. That's all for my review, I'll continue to wait for 21 July 20:30 PM and rewatch episode 1-8 for now ;>.

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Girl meets cursed boy. Ghost crashes the party. Somehow, its a love story.

Genre: Romance | Comedy | Supernatural | Horror

Head Over Heels is one of those unexpected dramas that slowly sneaks up on you. It starts off a bit slow but once it finds its rhythm, it becomes oddly addictive. The blend of romcom, supernatural horror and emotional drama feels fresh without trying too hard.

The story follows Seong Ah, a sweet young shaman who falls in love at first sight with Gyeon Woo, a boy cursed to die within 21 days. From the start, she decides to save him, no matter what it takes. But Gyeon Woo isnt easy to get close to, he is quiet, closed off and clearly dealing with a painful past. He is been haunted by ghosts for most of his life and wants nothing to do with shamans.

Still, Seong Ah slowly breaks through his walls and just when their friendship starts to grow, the story throws a twist, Gyeon Woo is possessed by an evil spirit named Bong Su, who turns out to be more playful and chaotic than actually evil. He is a wandering spirit of korean young soldier from the japanese colonial era, who now just wants to enjoy life like any other teenager doing study, playing sports, flirting and living freely like a normal person. His scenes were honestly so entertaining and surprisingly, he ends up liking Seong Ah too.

The main villain, Yeomhwa, has a tragic backstory. After losing her baby, she turns dark and starts worshipping a evil deity. She is also connected to Seong Ah’s spirit family, which makes things even more complicated. But her story isnt black and white, by the end, you might even feel a bit sorry for her.

Another standout character is Jiho, the SML of the story. And let me just say, we dont get second leads like him anymore. He is funny, kind, deeply loyal and even though he loves Seong Ah, he always puts his friendship with Gyeon Woo (& Seong Ah) first. He looks out for both of them, supports them silently and brings a lot of warmth to the story. He never felt like a pity character, just someone you genuinely root for.

While the drama stumbles slightly in the E11 with some confusing time skips and unexplained lore, the emotional core remains intact.

The show balances humor and heartbreak in a way that works surprisingly well, one moment you are laughing at a mischievous spirit causing chaos and the next, you are caught up in emotional moments. The shamanic lore adds a unique layer, even if some parts near the end get a little confusing.

The characters are easily the strongest part. The FL is warm and determined, while the ML, though cold at first, grows in a way that feels earned. But honestly, its the SML Jiho, who quietly steals the show. He is funny, selfless and genuinely caring, the kind of SML we rarely get anymore.

Visually, its decent, with some nicely done eerie scenes and the music fits the mood.

👍 What’s Good:

#A fresh mix of romance, comedy and supernatural themes

#Strong character development

#Jiho and Bong Su are scene stealers

#Emotional and heartwarming moments


👎 What Could Be Better:

#Slow start

#Some confusing plot developments in the later episodes

#Lore heavy elements might be overwhelming or under explained for some viewers

Overall Head Over Heels is an unexpected gem. If you like unique stories with heartfelt romance, funny moments and some spooky twists, this one is worth watching!!

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A Mess

What is in the water with Kdramas lately? I can’t remember the last time I actually watched a Kdrama and thought that it started and ended well. The concept of this show is a lot cuter than the actual show. My first issue was putting Choo Young Woo into a high school uniform and trying to sell us the idea that he’s a teenager. I kept looking at him like he was a student that got held back in school and couldn’t graduate and was now still in high school at the age of 25 or however old he actually is in real life.
Cho Yi Hyun on the other hand has such a baby face that I could buy her as a teenager. However now it looked like she was 16 and he was an adult and then my eyes crossed and my moral compass had to be restored by the knowledge that they’re both adults in real life and all will be well.
So back into the drama I went, but what a colossal mess it was. Sure the antics of her hiding her shaman ways while trying to keep him alive were silly and at times heartwarming, I could not fathom why the drama then decided to take a sharp turn and plunge into demonic possession and a pseudo love triangle.
Was I the only one who wondered how for all the dark arts that Yeom Hwa oracticed, she ended up with the most ridiculous evil spirit ever who was unfortunately named Bong Su? It was such a joke! I didn’t find him scary, I didn’t find him entertaining and I certainly didn’t find him endearing.
It was absolutely heartbreaking when he took over Gyeon U’s body and acted like he had every right to. Worse yet, fans of the drama becoming conflicted between Gyeon U and Bong Su like he actually deserved compassion and maybe should take over Gyeon U’s body?
Halfway through the drama it fell off a cliff (very common with Kdramas these days) and entered warped territory. Seong A in all her wisdom decides to let Bong Su possess her instead and this loser of an evil spirit is basically whining because he likes Seong A but doesn’t know how to cross over so in the meantime he’s taking full advantage of being in her body and dressing her up in clothes she would never wear and making fun of Gyeon U who has been looking for Seong A for the last 3 years. She was completely violated, but let’s pity poor Bong Su who cries because he’s taking away moments that belong to Seong A and let’s also make Seong A cool with the fact that Bong Su has done who knows what to her while in possession of her body. If you’re going to hand us this storyline, do it responsibly.
The happy ending was cold for me because I had lost all interest by that point and really was completely checked out from the show.
Like I said, it sounded way cuter than it actually was.

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Story went downfall

i was loving the storyline of how FL tries to save ML, give the lovey dovey creating the highschool first love romance, and the chemistry they were building. but, why why why did the writer wrote the story this way when it suddenly became comedic after he got possessed.

i felt that the stories was starting to go downfall from there and there's so many loopholes in the story - when they simply allow Yeom Hwa to perform all sort of evil spell right under their eyes, and how Ji Ho just handed over the ring that way without consulting FL or ML.

I was hoping to find out what was the history to Yeom Hwa for becoming this way, which was never uncovered at all except the fact she lost her baby. But what made her hate her mother that much, and how did she get to know Gyeon U and why she just hated human so much.

I was skipping so much of the episodes midway hoping that it will get better again, but sad to say - no it did not.

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Head Over Heels: A Strong Start That Trips at the Finish Line

Head Over Heels sets itself up as a rare blend — a coming-of-age tale wrapped in supernatural horror, layered with romance and comedy. For the first two-thirds of its 12-episode run, it holds that promise with both hands. The premise is intriguing, the world-building is immersive, and the visual style is consistently high-quality. By the midpoint, I was convinced I was watching something special.

The series opens with a solid narrative hook: shamanistic traditions, family history, and the intertwining fates of characters who feel genuinely alive. The male lead, tasked with playing two distinct characters, delivers a phenomenal performance. His effortless shifts in tone, voice, and body language make you forget it’s the same actor. The female lead, though slightly less seamless in her dual-role moments, still charms completely — her comedic beats are endearing rather than grating, and her vulnerability invites you to root for her.

The supporting cast also starts strong. The second male lead and the friends have arcs with potential, and the villainess enters with the perfect mix of chaos and purpose. She isn’t evil for the sake of evil — her motivations are layered, her presence magnetic.

For the first two arcs, the tone is tight and balanced: horror elements weave naturally into the romance, while comedy slips in as a light counterbalance. The explanations of shamanistic practices are detailed without being overbearing, adding richness to the world.

Then comes the shift. Around episode 10, the story pivots hard into melodrama. The horror is abandoned, the pacing begins to drag, and the emotional impact of a major death is dulled by endless foreshadowing. Side characters who deserved closure simply… vanish. The second male lead is reduced to a househusband and exits without us ever learning his future. The friends are sidelined into irrelevance. The villainess, previously a force of chaos, switches sides abruptly and disappears without consequences — a resolution that feels like a disservice to both the character and the audience.

The final stretch is still watchable, buoyed by strong performances and cinematography, but the momentum from the earlier arcs is gone. The story no longer builds toward a satisfying crescendo; instead, it drifts to a stop. You’re left feeling that all the ingredients for greatness were there, but the recipe wasn’t followed through to the end.

Still, Head Over Heels remains an enjoyable watch overall. The acting is top-notch, the visuals never falter, and for 12 hours, it offers a world you can sink into. It’s just hard not to think about what it could have been had the final act matched the brilliance of the first.

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