The Princess Royal

Entertaining & intelligent story

The opening scenes don't do this show justice. The cast of 20-something idols clearly struggle with playing 40 year old characters, & the mismatch was so jarring I was actually ready to drop the show before even finishing the 1st episode. Honestly, why couldn't the producers cast age appropriate actors to play the 40 y/o main characters? If an audience is sharp enough to keep up with the story, surely they can differentiate between actors. But luckily those scenes didn't last long & I stuck it out.

What follows is a complex & weaving tale of 2 people given 20 years of their lives back to start over from an horrifically destructive end. They retain their memories & manage to redefine their relationship with each other & reshape their destinies. While this is a simplistic overview, the journey the story takes is exciting & fascinating with enough plot twists to keep your attention. Even though you expect a triumphant outcome at least for the leads, you don't quite know what to expect for all characters involved until the very end, and a satisfying ending it is.

This is only the 2nd time I have seen Zhao Jin Mai, who has already been quite active in the business. My first time seeing her was in the very disappointing Admist a Snowstorm of Love in which she was cast in a very limited & poorly defined role that was a complete waste of her talent. In Princess Royal she takes the role of Li Rong with commanding ease. I noticed a few alumni cast from Joy of Life, all accomplished & skilled actors who enhanced this production.

All in all, Princess Royal was a very entertaining & intelligent story.

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Royal Drama, Scriptwriter’s Favorite Child, and Everyone Else

The Princess Royal is a compelling but deeply uneven drama. At its best, it delivers sharp political intrigue, emotionally intelligent romance, and one of the most solid male leads in recent memory. At its worst, it bends its own logic and sacrifices narrative balance to overindulge a character who does not earn the sympathy the script desperately wants us to feel.

Story
It’s another nostalgic trip to the past: a royal power couple, thoroughly miserable, die due to political betrayal and poor life choices. At least one of them wishes for a second chance, and, generously, half the cast gets one too. What follows is a cycle of fixing old mistakes, making new ones, uncovering conveniently hidden secrets, and reacting to past events with fresh “insight.”
It’s a good story, engaging enough, but hardly a groundbreaking one.

Characters
Princess Li Rong and her long-suffering husband Pei Wenxuan get the coveted do-over. Fortunately, they’re both intelligent, competent adults who actually learn from past mistakes and tackle problems together which in itself is a rare miracle. PWX is easily one of the better MLs in recent dramas. He is consistently supportive, deeply devoted, and capable of something revolutionary called critical thinking. Li Rong, meanwhile, upgrades from mistrustful royal strategist to full-fledged diplomatic powerhouse. Very satisfying.

Su Rongqing gets a second chance - lucky for him, disastrous for everyone else. The drama tries to sell him as a tragic, misunderstood soul - white Cinderella wardrobe, sad violins, the whole package - but let’s be real, he’s evil. Maybe a victim once, but now he’s the mastermind of betrayal, murder, and moral gymnastics, all while whining about his “love” for Li Rong and setting most of her traps himself. He’s not tortured; he’s a delusional, self-righteous killer with a full-blown victim complex. No amount of sad music can save him.

The supporting cast lives comfortably in various shades of grey and black, with the notable exception of Qin Zhen Zhen. As for the real villains? The Emperor and Empress - one an insecure ruler, the other a spectacularly selfish excuse for a mother.

Acting
Zhang Ling He and Zhao Jin Mei - hands down, in that order. These two are the reason the drama works at all. ZLH delivers a performance miles away from Kunning Palace, nailing Pei Wenxuan’s quiet cunning and fundamental decency with astonishing ease. His screen presence alone accounts for most of my positive viewing experience.

Zhao Jin Mei matches him beat for beat, making an authoritative, coldly pragmatic Princess Li Rong not just palatable but genuinely lovable. You root for them instinctively. Frankly, I’d watch an entire drama of just these two thinking their way out of problems.

And now for my controversial take on Chen Heyi’s Su Rongqing: just… no. Maybe he’s a good actor. I’ll reserve judgment until Mysterious Lotus Casebook or Fated Hearts eventually make it off my TBW pile. But here? I’m not impressed. His performance cycles through the same tired, droopy expressions and melancholic smiles as if permanently accompanied by an invisible violin. Unfortunately, it drags down more than a few scenes.

What makes it worse is the script’s apparent obsession with elevating SRQ at Pei Wenxuan’s expense. Several of PWX’s moments from the novel were reportedly reassigned, and the result is painfully familiar.. think Harry Potter films where Hermione gets all the clever ideas, leaving Ron and Harry to play supporting roles.. To manufacture SRQ’s “tragedy,” the drama tells us how brilliant PWX is instead of showing us, while handing precious screen time to a performance that simply doesn’t justify it. If the goal was to inspire sympathy for SRQ, it failed - spectacularly, at least for me. ZLH manages to shine through the script’s neglect, quietly proving his acting chops

The rest of the supporting cast largely does its job. Consort Rou, however, is a mystery. One moment she’s unhinged, the next she’s gloating, followed immediately by a smug smirk, as if she’s auditioning for three different characters at once. Was the director so busy cueing SRQ’s emotional violin that they forgot to ask her to pick a lane?

Screenplay & Script
A full-blown Leaning Tower of Pisa, except less charming and far more irritating. Su Rongqing is unmistakably the scriptwriter’s cherished golden child, while everyone else might as well be fostered extras. Even in the finale when tension should peak, we’re forced to sit through extended montages of his wistful smiles and tragic reminiscing.
His exit is the final indulgence: a glorified self-impalement on PWX’s sword that frames him as noble, untouchable, and conveniently unaccountable. He dies undefeated, unconquered, and entirely unpunished because heaven forbid the narrative deny him one last self-aggrandizing victory.

OST
Brilliant.

Overall
Not a bad drama… if you fast-forward through half of SRQ’s endless pity party and self-congratulatory melodrama. Do I have to? Apparently, yes. Do I wish I didn’t? Absolutely. Skip the indulgence, and what’s left is genuinely good, but choppy, uneven, and an enormous squandered opportunity.

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It is nothing special about this drama. It is predictable and watchable if you want to kill time.

Princess Royal is a historical costume drama about a second chance at one's life destiny through time travel. Li Rong and Pei Wen Xuan misunderstood each other, and through the misunderstandings, with the help of others, they plotted to kill each other; after they were dead, they both awake back when Li Rong was 18. During that period, they discovered and communicated with each other to change the course of their lives.

Synopsis: Li Rong and Pei Wen Xuan married at 18. Li Rong used Pei Wen Xuan's family background to avoid disaster, and Pei Wen Xuan used Li Rong's identity as Princess to establish himself. They married for political reasons without the slightest bit of affection. Later on, she lost herself amid wine, song, and dance. As for him, he had a home yet did not bother coming home because he already had someone in his heart… Husband and wife for 20 years, yet nothing between them but power. In the end, it was hardly surprising that someone turned them against each other, leading them to die under each other's schemes. However, when they woke up, they had returned to the year when they were 18, returning to the most difficult time in their lives. So Pei Wen Xuan went to look for Li Rong. To be married again but with divorce in mind.

My Reviews:
1. The drama is okay to watch. There were some elements of comedic scenes between Li Rong and Pei Wen Xuan.
2. Zhao Jin Mai and Zhang Lin He did a decent job in this drama, and their onscreen chemistry is better than her onscreen chemistry with Wu Lei in Amidst a Snowstorm of Love.
3. The drama is slow and draggy, and the last five episodes were stupid and long. It would be much better if 10 episodes were cut.
4. The plot is predictable and nothing new; hence, it did need to be 40 episodes long. It shows the emperor and his successor (her brother) are useless. It takes until the end for them to realize that she is more than capable of running and leading the country.

I give it a 7.0 rating because the acting and plot are mediocre. Overall, it is not a bad drama since nothing else special or great has aired in Cdrama this year.

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I was fully prepared to love this drama. I really was.

Let's talk about what I liked first.

• The acting:
Most of the cast did not disappoint with their acting. I've watched a few of Zhao Jin Mai's previous works and loved her in all of them. If you've read the synopsis, you know that this is a "reincarnation" story where both of our leads get a second chance at life after dying tragic deaths in their first life. You'd think after turning back to her 18 year old self, the fl would be more immature or childish. But no, she remains poised. She carries herself with the grace of a 40 year old grand princess who's loved and lost a lot in life. I mean, it is to be expected of her since this is her second life, but I feel like Zhao Jin Mai portrayed this perfectly. Her expressions were on point throughout the drama. It's always a pleasure seeing her on the screen.
I've watched two Zhang Ling He dramas before but I didn't really like his acting in either of those. I'm not saying I hated it, but I felt like he could do better. And he DID. His acting here was superb. In contrast to the fl, the ml can be very childish at times. But despite being playful, he knows when to get down to business. Since Zhang Ling He's micro expressions are really good, he too, portrayed this character perfectly.
An actor I feel like isn't getting much praise from the fans of this drama is Liu Xu Wei. He plays Li Chuan and honestly, among the support roles, he acted the best. He plays the same character in both of our leads' lives, but with different personalities. And he acted out both of those personalities wonderfully. His acting wasn't without flaws, but his line delivery was amazing and his expression control is quite praiseworthy. I'd love to see more of him in the future.
The actor playing the emperor also did an amazing job. Even some of the younger cast such as the actress playing the fl's step sister was pretty good.

•The Production:
Loved the production. Though they didn't spend an ungodly amount of money on this drama, they did best with what they had, and I respect that. Cuz the end result was amazing. There were no unnecessary, flashy camera work, which is sadly, VERY common in historical dramas. Also, the costume designer deserves a raise. The fl's costumes are to die for.

Now let's get to what I didn't like.

• The plot and the pacing :
I didn't wanna make a separate point for the pacing cuz I feel like the reason the plot became kind of boring at times was because of the pacing. Also, some things just remain unexplained. For example, in episode 11, ml confesses to the fl and tells her he loved her the whole time. It was very dramatic, with rain and thunder and everything. But the thing is, the show never tells us how or when the ml fell in love with her. The story was so interesting up until episode 21-22. Later on, it started to become draggy. Ml and fl have a fight around episode 24-25 where the ml really pisses off the fl so she decides to go to a festival to 'hang out' with other guys. This felt incredibly stupid to me. It felt like lazy scriptwriting. Nothing significant actually happens at that portion of the drama. The story didn't progress much. The pacing was bad, so I had to watch a few episodes in 2x speed. It got better later on but it still left a bad taste in my mouth.

• Court Drama:
Political intrigue takes up quite a significant amount of the screentime but it really wasn't intriguing, tbh. The leads didn't actually suffer much. Even if they did, it was only for a short time, cuz they had a backup plan all along :). It just didn't feel realistic.

•The characters :
Worst part of this drama. Listen, just because I liked the actors doesn't mean I liked the characters. The fl is emotionally constipated so she doesn't know how to express what she feels. She doesn't WANT to say out loud what she feels. Then again, she has severe trust issues. But it gets quite frustrating at one point. The ml, on the other hand, is down bad for the fl and I won't lie but his down badness was very endearing at the beginning. But with that down badness comes possessiveness. He's very, VERY possessive of the fl. Remember the fight I mentioned? Well, after the fight, he goes to find the fl, sees her with another guy, gets jealous and tries to force himself on her. Yep, you read that right. He apologized after and the fl forgave him ( obviously) but that one instance ruined his whole character for me.

And of course, how could I leave out Su Rongqing? Your typical "I love the fl but I don't have the ability to protect her so I'll do something that totally doesn't harm the fl at all and except her to forgive me but she won't so that'll be my villain origin story and then I'll die at the end while confessing my undying love to the fl and then she'll finally forgive me cuz I'm not evil, I'm just misunderstood" sml. The writer really tried to make him a complex, multidimensional character but failed miserably. He was just annoying for the most part. His reasoning for not choosing to stay by the fl's side even though he also "reincarnated" and opting to support the noble families instead was so, so stupid. "I'm doing this to keep my family safe" ok well you poisoned your own father. What's your excuse now?? He's the type who'd rather blame others than own up to his own mistakes. Having said all that, I feel like I need to defend him too. People have been pointing out that towards the end, he got more screen time compared to the ml, and they keep bashing him for it. Let's put our brains to use for a second. What usually happens in these dramas, towards the end? By that point, the fl and ml have gotten together so the show focuses more on the other parts of the story. The non romantic parts. So it makes sense that he got more screen time because he's the antagonist. You, as a viewer need to be aware of what evil plan he's coming up with. It'll make watching the drama more exciting for you. It'll make you curious to find out how the leads will outsmart him. If you're gonna hate on a character, at least hate on them for logical reasons.

Before starting the drama, I had heard only good things about it. Unfortunately, I was disappointed. Overall, it didn't make me feel like I was wasting my time ( for the most part ) so it gets a 7.5. This could've easily been a 8/8.5 though. Too bad the cons outweigh the pros.

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Time Travel, Betrayal!

The Princess Royal is a Chinese historical drama that takes its time but pays off big if you stick with it. Yeah, it starts a little slow, but once you get into the plot, it’s addictive. The pacing is solid, giving you enough time to actually understand the characters instead of just throwing drama at you non-stop.

The story follows Princess Li Rong, who is basically a female lead with the kind of power and intelligence usually given to male characters. Some people don’t like that, probably because it’s different from the usual male-dominated historical dramas. The plot has a time-travel twist—Li Rong and her husband, Pei Wenxuan, go through 20 years of marriage full of misunderstandings and betrayals, only to die and get sent back to when they were 18 and 20. Now, they have a second chance to do things differently.

The side characters add even more chaos—Crown Prince Li Chuan, Su Rong Qing, Qin Zhen Zhen, and Shangguan Ya all have their own agendas, and they don’t hold back. Everyone’s scheming, and somehow, in the end, all the blame lands on Li Rong.

Neither Li Rong nor Wenxuan are perfect. Li Rong is sharp but doesn’t trust easily, and Wenxuan is just as complicated. The whole story is packed with betrayals, and no one is completely innocent.

The acting is top-tier. Zhao Jin Mai as Li Rong carries the whole thing—she makes every scene hit hard. This isn’t the kind of show you half-watch while scrolling on your phone; you need to pay attention. But if you like strong female leads, political power plays, and messy relationships, The Princess Royal is definitely worth it.

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This drama falling into formulaic patterns

The Princess Royal" (2024) c-drama seems to delve into themes of royal intrigue, power struggles, and personal relationships, typical of many historical Chinese dramas. The premise of a royal princess facing challenges in both politics and personal life could be intriguing, especially if it explores the tension between duty and desire, a common but compelling dynamic.
I’m on episode 23 and I’m thinking, 'Oh wow, I still have so much left to watch...' Yet, I’m speeding through all the storylines :) At first, it was pretty good, interesting even, but after 20 ep till the end it’s getting long, there’s not much left to say. Why so many episodes in these series? The ML is trying to create chemistry. Good acting... As for the FL, she’s sometimes annoying, even though I try to understand her coldness because of her character and as a princess. However, her performance feels stiff. And this indecision and the endless love triangles are ruining everything. I can’t take it anymore with these series..
The SML has a bland face, lacking charisma, which adds nothing to this drama (his performance is the same as usual for an SML in dramas; without overshadowing the ML). Without him, the couple's relationships would have been more interesting, I think, . I find the plot it childish overall. The positive point is the ML, the general idea, and a few episodes from the beginning. And the idea of a second chance in a relationship and the wrong intentions we can have due to the lack of communication

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Not Loveless, Just Bad at Love

Li Rong and Pei Wen Xuan were married at eighteen for reasons that had nothing to do with love and everything to do with survival and ambition. She leaned on his powerful family to shield herself from danger, while he relied on her royal status to build his future. Somewhere along the way, she lost herself in indulgence and he drifted toward someone else. After twenty years of a marriage that seemed hollow on the surface, manipulation and misunderstandings pushed them into becoming each other’s greatest enemy, ending in a tragic death where both believed the other was the culprit. Fate, however, presses rewind. They wake up again at eighteen, back at the starting line. This time, Pei Wen Xuan seeks Li Rong out with a bold plan to marry her again, already thinking about how it might end in divorce.

At its core, this drama sells itself as a second chance romance wrapped in political intrigue, but what it actually delivers is something a bit more ironic. It’s less about falling in love again and more about fixing a relationship that was never truly broken to begin with. The whole “loveless marriage” angle feels like a scam because the deeper you go, the clearer it becomes that Li Rong and Pei Wen Xuan did love each other. They just failed at communication so spectacularly that it cost them their lives. Tragic, but also a little “this could’ve been an email.”

That’s why the emotional reset at the beginning feels both intriguing and slightly off. You would expect resentment, anger, maybe even a proper enemies to lovers arc after what happened. Instead, the story leans into something softer almost immediately. Li Rong keeps her distance, but Pei Wen Xuan wastes no time slipping into what can only be described as devoted husband mode with a hint of jealousy on the side. It’s abrupt, yes, but the more you watch, the more it feels intentional. Their connection never really disappeared, it just got buried under layers of regret.

And honestly, once the two start interacting more, it’s hard not to get pulled in.

Their chemistry carries the drama in a way that feels effortless. They bicker like an old married couple, trust each other like long time partners, and slowly relearn how to love each other without the baggage of pride and misunderstanding. There’s something very comforting about how natural they feel together. One moment they’re arguing, the next they’re sharing a quiet space like it’s second nature. It doesn’t feel like a new romance. It feels like muscle memory.

What makes it even more fun is their dynamic. Pei Wen Xuan is, for lack of a better term, a complete baby girl, affectionate, clingy, openly jealous, yet still incredibly smart and capable. Li Rong, on the other hand, is the definition of a girlboss with a sharp tongue and zero tolerance for nonsense. She leads, protects, and calls people out when needed, but she also softens in subtle ways around him. It’s an unconventional pairing that somehow works perfectly. He supports her without losing his strength, and she dominates without overshadowing him. It’s equal, just… flavored differently.

Of course, their relationship doesn’t exist in a vacuum. The world around them is messy, and the drama makes sure you feel that.

The political storyline is straightforward in concept but dense in execution. At its heart, it’s a power struggle between the emperor and the noble families, but the way it unfolds is anything but simple. Schemes stack on top of each other, alliances shift constantly, and every decision has consequences that ripple outward. It’s engaging, but also exhausting at times. Not because it’s confusing, but because it rarely slows down. You’re always in the middle of something, and missing a single detail feels like a risk.

What’s interesting is how the drama eventually reveals that the real villain isn’t just a person, but the system itself. The obsession with power, control, and legacy creates an environment where trust is fragile and love becomes collateral damage. The deeper you get into the story, especially when past life events are fully unpacked, the more suffocating it feels. Everyone is trapped in a cycle that almost guarantees tragedy.

That context makes the second chance element more meaningful. Li Rong and Pei Wen Xuan aren’t just trying to save themselves. They’re trying to navigate and possibly outplay a system that already destroyed them once.

And then there’s Su Rong Qing.

He enters the story with an air of quiet suspicion, the kind of character who feels important before the plot even confirms it. When it becomes clear that he’s more involved than he lets on, especially with his connection to the past, he adds a layer of tension that initially works well. There’s a melancholic undertone to his relationship with Li Rong, something filled with regret and unresolved feelings.

But the longer the story goes, the more that intrigue fades. His role expands significantly, almost to the point where it feels like the drama forgets who its main leads are. Instead of becoming a compelling antagonist, he becomes frustrating. His actions feel repetitive, his motivations less impactful, and despite how much time the story gives him, he doesn’t leave a strong emotional impression. It’s a strange imbalance where he dominates the narrative without truly elevating it.

Still, the drama has its strengths in how it handles emotional payoff.

Moments of confession, jealousy, and vulnerability hit well because they are backed by history. When Li Rong and Pei Wen Xuan choose to trust each other, it feels earned. When they express their feelings, it carries the weight of everything they lost before. Even the softer, fluffier scenes work because they are not just cute for the sake of it. They are a form of healing.

Pei Wen Xuan’s character shines particularly in this aspect. His intelligence and strategic thinking make him reliable in high stakes situations, but it’s his emotional openness that makes him stand out. At the same time, that same love can become his weakness, pushing him into impulsive decisions. It’s a nice balance that keeps him from feeling too perfect.

Visually, the drama is undeniably beautiful. The golden tones, the soft lighting, the overall richness of each frame all contribute to a very polished look. The opening sequence alone sets a strong impression. That said, the commitment to aesthetics occasionally comes at the cost of consistency. There are moments where lighting and time of day don’t quite match, which can pull you out of the scene if you notice it. It’s not a deal breaker, but it’s there.

Pacing is where the drama struggles the most. Forty episodes is a lot, and you feel it. Some arcs drag longer than necessary, and certain plot points lean too heavily into dramatics. There are also scenes where the writing dips, especially when intense situations suddenly shift focus in a way that feels out of place. It doesn’t ruin the experience, but it does make parts of it feel slower than they need to be.

By the time you reach the final stretch, the story becomes heavier, darker, and more emotionally draining. The full picture of the past is revealed, and it’s honestly a lot. Betrayals, sacrifices, and choices that spiral into tragedy all come together in a way that makes you understand why these characters were given a second chance in the first place.

The ending, thankfully, delivers a sense of closure. Not everyone is redeemed, and that feels appropriate. Some characters face consequences, while others move forward in quieter ways. Li Rong’s final position feels well earned, and the overall resolution reflects growth rather than perfection.

Performance wise, the cast does a solid job bringing these characters to life. Zhao Jin Mai captures Li Rong’s balance of authority and vulnerability, making her feel both powerful and human. Zhang Ling He brings charm and emotional depth to Pei Wen Xuan, making his more affectionate traits feel endearing rather than excessive. Together, they create a dynamic that keeps the story engaging even when the plot wavers.

In the end, this is a drama that thrives on its characters more than its plot. It’s messy, occasionally frustrating, and definitely longer than it needs to be, but it also has heart. When it focuses on Li Rong and Pei Wen Xuan, it’s genuinely compelling. It’s the kind of story where you might roll your eyes at certain choices, question the direction at times, but still keep watching because you want to see these two get their second chance right.

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Could have been great with better writing

PLOT: The first marriage of convenience between the ML, commoner and brilliant scholar, and the FL, imperial princess, smart but arrogant, ended fatally for both. They come back to life, just before their wedding, determined not to make the same mistakes. However, the ML2 (FL's former friend/lover, castrated) constantly intervenes to foil their plans. Eventually, the ML and the FL agree to prevent the tragedy from happening again... Lots of plots, power games within the Court, with the emperor facing the great noble families in the background.

+++ Very good actors (all of them) and an awesome CL. They're the ones who keep us hooked to the series. I really like Zhang Ling He, his acting, his micro-expressions.
+++ The secondary characters are well developed and well interpreted.
+++ The production is effective, with the clues given at the right time and the suspense is maintained until the end.
+++ The sets, costumes, OST are of high quality.

### The explanations about returning to life and sometimes the flashbacks make the situation rather confusing.
### The character of Su Rong Qing (very well played by Chen He Yi) is excessive and his behavior is not very consistent.
### Some narrative arcs are too long and we tend to lose focus a little.
### The ending is a bit abrupt (luckily there is the special episode).

=> A good series despite some flaws, thanks to the talent of the actors.
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PLOT: Le 1e mariage de convenance entre le ML, roturier et brillant érudit, et la FL, princesse impériale, smart mais arrogante, s'est terminé fatalement pour tous les 2. Ils reviennent à la vie, juste avant leur mariage, décidés à ne pas commettre les mêmes erreurs. Cependant, le ML2 (ex ami/lover, castré, de la FL) intervient sans cesse pour déjouer les plans. Finalement, le ML et la FL se mettent d'accord pour empêcher la tragédie de se reproduire... Beaucoup de complots, jeux de pouvoir au sein de la Cour, avec en toile de fond, l'empereur face aux grandes familles nobles.

+++ De très bons acteurs (tous) et un CL génial. C'est lui qui nous tient accroché à la série. J'aime beaucoup Zhang ling He, son jeu d'acteur, ses micro-expressions.
+++ Les personnages secondaires sont bien développés, bien interprétés.
+++ La réalisation est efficace, avec les indices donnés au bon moment et le suspense est maintenu jusqu'au bout.
+++ Les décors, les costumes, les OST sont de grande qualité.

### Les explications sur le retour à la vie et parfois les flashbacks rendent la situation plutôt confuse.
### Le personnage de Su Rong Qing (très bien interprété par Chen He Yi) est excessif et son comportement n'est pas très cohérent.
### certains arcs narratifs sont trop longs et on a tendance à décrocher un peu.
### La fin est un peu brusque (heureusement qu'il y a l'épisode spécial).

=> Une bonne série malgré quelques défauts, grâce au talent des acteurs.

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Who ever love feminist plot will definitely love it....

Dear Readers,

Its been a very long time since I wrote my last review.
So, I'm not sure where I should start ..

Let me start with the drama Plot.

The story line is similar to the drama plot (Story of Kunning Palace) where the FL lead accidentally travel back in time and change her fate from wrong doings. The only difference in Princess Royal is all the three Leads ML ,FL & Anti- Villain accidentally travel back in time. Where the Anti- villain character (We cannot say CHY as Su Rong Qing a villain character but his past life changes him drastically to be bad). There was a bit loop holes in some characters were the director could have given them extra scenes. for Qin Zhen Zhen , Shangguan Ya, Li Chuan as their scenes are much lesser together and the story only centered with the lead actors. Other than that the story was perfect to me.

Character Difference:

At some point I was immersed in the FL character (ZJM) as Li Rong. This is the second drama I have watched under her acting it was really beautiful I'm really impressed by her acting. (There was a scene where Li Rong will come to know who killed her in her past life) She really nailed it.....

There are two ML once is of Hero and the other is like Anti-Villain. Both of their performance was good. Previously I had watched few drama's of ZLH as Pei Wen Xuan but my favorite one was "Story of Kunning Palace". I felt the chemistry between the leads did not fit much seems to be like pretending but I loved their (ML & FL) bickering scenes.

As for our Anti- Villain Su Rong Qing his acting was good but there with flaws like the facial expression's he could have done better. I felt the director could have given him few more scenes where he can show his evil character outstanding.

Other actors also did a good job and I felt the pain of story's Love, friendship, betrayal in each characters.

Even though the drama is big with 40 episodes and slow going it is worth watching.

I wish whoever love FL centered character will definitely love this story.

Thank you for taking the time to read my review. Bye & See you again in different drama review.

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Sweet...but that's it.

This truly female-centric drama is filled with sweet moments between Li Rong and Pei Weixuan, but don't get me wrong—I’m not complaining about that. In fact, it's the only good thing in this drama.

The overall plot revolves around royal politics, but it fails to engage. Why? Because it's the same old story used in countless other Chinese dramas—cliché and predictable. The political aspect of the drama is especially problematic. Rather than enhancing the story, it overwhelms it, making the romance feel secondary. The political intrigue is replete with the usual power struggles, betrayals, and court manipulations seen in many other Chinese dramas. This lack of originality makes the political storyline just feels stale.

When it comes to the relationship between Li Rong and Pei Weixuan, there are many scenes that can make you swoon—scenes that other Chinese romance dramas should take inspiration from, not just for the moments themselves but also for the chemistry between the characters. However, that’s all there is to their relationship. It’s sweet, but as the episodes progress, it becomes bland. It lacks depth.

Emotional depth in a relationship means that the characters connect on more than just a superficial level. They should share their vulnerabilities, support each other’s growth, and face challenges together in a way that strengthens their bond (Which they do show but only at a a certain level). In this drama, the emotional moments between Li Rong and Pei Weixuan are tied to a few predictable elements:

Misunderstandings that get resolved: These moments can create temporary tension, but they often feel contrived and don't lead to any significant character development or deeper understanding between the characters.

Su Rongqing: The presence of a third party can add drama, but it can also distract from the development of the main relationship. Instead of focusing on how Li Rong and Pei Weixuan grow together, the drama spends too much time on external conflicts.

Imbalance in their relationship: It’s clear that Pei Weixuan loves Li Rong more than she loves him. This imbalance can create tension, but it also makes their relationship feel one-sided and unfulfilling.

Politics: While political intrigue can add complexity to a story, in this case, it detracts from the emotional core of the relationship. The characters are often more focused on external power struggles than on each other.

Reflecting on the drama "Queen of Tears," I realize how much Li Rong and Pei Weixuan's relationship lacks in terms of emotional depth. Their love story feels more like a series of plot points than a genuine, evolving bond. They never reach the point where being apart feels like losing a part of themselves. They don’t cry for each other or display the kind of profound emotional connection that makes their love feel essential to their existence. The focus on political intrigue overshadows their personal connection, making it difficult to invest in their romance.

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