Melo Movie

A HEARTWARMING ODE TO HOPE, LOVE & FILM

TROPES: enemies to lovers, second chance romance, childhood friends to lovers, film industry / behind the scenes, grief and healing, slow burn.

Overview:

Melo-Movie follows Ko-gyeom, a man who grew up escaping into film after his older brother would leave him home alone to man their landlord's video rental store, and Kim Moo-bi, a woman who resents cinema and her own name because her director father loved movies more than he loved her. Ko-gyeom becomes a struggling actor turned film critic; Moo-bi becomes a director determined to prove to her late father just how "pathetic" it was to stake his life on his craft. Their paths cross on set, they fall for each other, he mysteriously vanishes without explanation, and five years later fate (and some very convenient next-door neighbor real estate) throws them back together. Around them orbits the tragic, cyclical love story of Ko-gyeom's childhood friends Si-jun and Ju-a, two people who loved each other so completely they lost themselves in the process.

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In More Detail:

I went into this not expecting to be as moved as I was. I was expecting a cute, low-stakes rom-com and came out having been through an emotional wringer. On paper, "enemies to lovers, film critic x director" sounds like it could easily lean twee or gimmicky, but Melo-Movie earns its sentimentality because it never rushes anything. This is a slow, meandering, character-driven show more than a plot-driven one, and for the most part that patience really pays off.

Likes:

Ko-gyeom and Moo-bi's chemistry felt lived-in rather than performative. I liked that the show didn't manufacture artificial obstacles between them once they actually got together. No cheap love triangle, no third party stirring the pot, no miscommunication trope dragged out for 6 episodes. Their conflict came from something real, which is Ko-gyeom's fear of abandonment (rooted in losing his parents young and being left alone with only movies for company) and Moo-bi's fear of attachment (rooted in her father's emotional absence and eventual death). Watching them slowly "unlock" each other, to use the show's own language, felt earned rather than convenient.

The reveal of why Ko-gyeom disappeared for five years (his brother Ko Jun's accident) was such a gut punch, especially because the show plays the long game with it. Episode 7 in particular wrecked me. The structural choice to show us Ko-gyeom's POV first (piecing together that his brother's "accident" was actually a suicide attempt) before flipping to Ko Jun's own perspective and the letter he left behind was devastating in the best way. The tragic irony of Ko Jun finally finding his will to live, because of Ko-gyeom, right before he dies is the kind of gut-wrenching writing that actually earns its tears instead of manipulating you into them. I was NOT ok after that episode.

I also have to commend how the show handles grief afterward. Episode 8, with Ko-gyeom sleeping in his car because he can't bring himself to walk into an empty house, and Moo-bi quietly showing up to sit with him without demanding he explain himself... that's some of the most mature, understated writing about loss. No sobbing monologues, no dramatic breakdowns necessary. Grief just sits there in the background of everyday scenes, which honestly felt more real than most "big cry" scenes ever could.

Si-jun and Ju-a's storyline deserves its own paragraph because it might actually be my favorite part of the show. I am so tired of second-lead couples being reduced to filler or comic relief, and Melo-Movie refused to do that. Their history of Ju-a suppressing her own identity and desires because she thought loving Si-jun meant becoming whatever he needed, Si-jun staying frozen in the past while she moved forward, was genuinely one of the more mature examinations of why a relationship can be full of love and still not survive. Their eventual decision to part ways for good instead of getting back together was such a bold and honestly satisfying choice. Not every love story needs a reunion to be meaningful, and I appreciated that the writers trusted us enough to sit with that.

I liked Moo-bi's arc with her father a lot too. The reveal that she used to lie about him being dead to get his attention, only for him to actually die in a car accident right after she told him to come home "if he could," is such a specific and painful kind of guilt to carry, and I thought the show handled her slow unraveling of that guilt (and her realization that she'd been undervaluing her mother's love this entire time) with a lot of care.

Dislikes:

My main gripe is pacing. This show is deliberately slow, and I mostly loved that, but episodes 3 and parts of 6 did feel like they were treading water a bit with lots of "almost" moments and manufactured coincidences before Ko-gyeom and Moo-bi actually got together. I get that it's meant to mirror the ebb and flow of real relationships, but there were a couple stretches where I found myself going "ok, we GET it, move it along."

I also wish we'd gotten a little more closure on the Ko Jun storyline beyond the funeral and Ko-gyeom slowly packing away his belongings. It's such a heavy, important arc that I felt like it deserved maybe one more scene of Ko-gyeom actually processing it with Moo-bi rather than just cutting to him giving away his brother's cigarettes and asking Jun to visit his dreams. It hit hard, don't get me wrong, but it also felt slightly rushed for how much weight the show had put on it earlier.

Also, minor thing, but Ko-gyeom's whole "orchestrated coincidences" phase in episode 6 bordered on mildly stalker-ish before it read as charming, and I know the show is aware of this because it even jokes about him actually getting arrested for following Moo-bi home. I got the intended cuteness, but it did make me raise an eyebrow more than once.

Lastly, I would've liked slightly more closure on Director Ma's arc. His shift from existential crisis about his career to becoming a producer / investor for Moo-bi's film happens somewhat abruptly in the finale, and given how much of a mentor figure he was throughout, it felt like a slight shortchange.

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Final Thoughts:

Melo-Movie is ultimately a story about people using something else, like film, another person, a persona, to avoid confronting their own grief and fear, and slowly learning that healing comes from finally putting those things down and letting someone else in. Ko-gyeom's arc of literally deciding to stop watching movies because he'd rather live real moments with real people was such a lovely, quiet way to close his character journey. Moo-bi finally making the film she wanted to make, not out of spite toward her father, but because she wanted to, was the perfect way to close hers.

If you need a lot of plot to stay engaged, the slower episodes might test your patience. But if you're the kind of viewer who enjoys sitting with characters and watching them heal in increments rather than leaps, this is such a rewarding watch. It's soft, melancholic, hopeful, and doesn't oversell its emotional beats.

Would I rewatch it? Yes, honestly. This feels like a comfort rewatch for a rainy day type of show.

With all that said, I give Melo-Movie a 8.5/10.

Thanks for reading! ♡

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Fun Facts:

Since the episode titles of Melo Movie seemed a bit too familiar to me, I decided to do some digging. After some sleuthing, I've figured the episode titles in Melo Movie are quotes from different movies.

Episode 1: "It Will Become Scenic When Dawn Comes" | The Secret Life of Walter Mitty (2013)

Episode 2: "Why So Serious" | The Dark Knight (2008)

Episode 3: "Keep Your Friends Close, But Your Enemies Closer" | The Godfather Part II (1974)

Episode 4: "It’s Not Your Fault" | Good Will Hunting (1997)

Episode 5: "No One Can Prepare You for the Love and the Fear" | About Time (2013)

Episode 6: "Happy Ending is Mine!" | The Princess Bride (1987)

Episode 7: "Thanks For the Adventure, Now Go Have a New One" | Up (2009)

Episode 8: "All You Need Is Love" | Love Actually (2003)

Episode 9: "We Were Like Strangers Who Knew Each Other Very Well" | Big Fish (2003)

Episode 10: "Life is a Beautiful, Magnificent Thing, Even to a Jellyfish" | Limelight (1952)

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A Drama So Beautiful.. I Would Rewatch For The Visuals Alone..

Melo Movie might fall under the Rom-Com genre.. But its more than just a romantic story.. The depth it carries evokes strong emotions.. The drama had so many beautiful bonds and I loved how seamlessly they wrapped up the story in just 10 episodes.. Loved the main couple and their dynamic.. They each carried their own baggage and yet they gave each other the space to figure things out on their own.. Choi Woo Shik, Park Bo Young, and Kim Jae Wook all in one drama?? There was no shortage of memorable performances.. They were just too good.. Whenever a drama with Kim Jae Wook comes out I am always dumbfounded by how underappreciated he is.. With the talent he has, he should be far more sought after and have had way more dramas in his career.. He is nothing short of a brilliant actor and Melo Movie just proves that..

"Life seems to have a fixed amount of happiness..
In another sense, there is also a set amount of misfortunes.. "

"Its simple.. If someone suffers a string of hardships, they should believe that good things will come soon.. "

First kiss in the very first episode?? In the snow?? And then the male lead disappears right after?? What a way to end the first episode..

"Just like that the dark night passed.. And dawn arrived.. And Ko Gyeom disappeared just like that.. "

Without any context his disappearance was such an interesting plot twist.. But the car drowning scene hinted at a backstory.. One that obviously had to exist.. Otherwise there is no coming back for him from this..

" I know I sound crazy.. But that day Ko Gyeom looked like someone returning home from a long trip.. I thought I saw a sense of relief and inexplicable exhaustion in him.. "

I didnt like Son Ju A and I hated how she coincidentally met Mubee at a bar and they just became friends.. That was such a cliche.. I didnt like her character overall.. She was honestly annoying.. The way she treated Hong Si Jun after becoming successful was just not what I expected.. And cutting off even the ML who was her friend was just too heartless.. What I hated even more was how she had the audacity to barge back into his life after her success.. I felt sorry for Hong Si Jun.. He had a family who never even tried to understand him and a girlfriend who did everything in the name of love without ever truly opening up to him.. Only to leave him suffering in the end.. She never tried to change him.. Never tried to guide him.. Just kept praising him.. The moment she realized she would drown with him she just left.. He himself didn’t know how to navigate life or how to fulfill his passion.. He lacked a guide.. He lacked any real sense of meaning..

Episode 7 was hands down the best of the entire drama.. In that one single episode the whole story found its meaning..

"Are you busy right now?"
"I have never been busy in my life."

Choi Woo Shik and his comedy were on point.. He is easily one of the best in the Rom-Com genre..

Two of my favorite scenes in the drama were when they finally accepted their feelings for each other and kissed near the sunflower field.. And the hug scene at the park.. Perfectly synced with the scene playing on the screen in the background.. I loved the framing of the park scene so much that I rewatched it several times.. It was just that impressive..

"There’s no one at home.. No one’s home, Mubee."

They portrayed the grief of losing someone so realistically.. The way he tries to act okay.. Yet even the smallest things like returning to a house without his brother bring a wave of sadness.. And the fact that Mubee could resonate with his emotions made it even more heartbreaking.. Its true that Mubee finds Gyeom at his lowest points.. She truly was the luck that followed his misfortune..

'' Visit me in my dreams from time to time.. ''

Special shoutout to Ko Jun.. This has to be KJW’s most tragic character to date.. After losing their parents and becoming an orphan, he took on the role of the provider and guardian to his younger brother when he himself was still young.. Dedicated his entire life to him.. Only to pass away tragically just when he finally realized he wanted to live..

Overall Melo Movie was an emotional rollercoaster.. Heartwarming yet heartbreaking.. It reflects how life itself carries multiple genres.. Its never just suffering and misfortune.. Happiness finds its way too..

The cinematography in Melo Movie was beautiful.. I would rewatch the drama just to take in those visuals again..

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Run-of-the-mill

I was hoping the show would have a quieter and slower touch, and that it would talk about movies more and have some references for film-lovers like me. It ended up being a little bit more high-level, a more general romance drama where the main characters just happen to like melos and movies. We don’t actually see much of the movie or the music our characters are working on. I think this would’ve been the perfect opportunity to reference a different song or movie in each episode.

And so, while I think this drama is enjoyable as a romance, it did end up feeling very run-of-the-mill. Two romances, both second-chance trope, with the characters vaguely in the same industry to facilitate their run-ins.

The romance of the leads was interesting at first but ended up feeling a little flat once the original issue of him leaving her was “resolved.” I don’t think I felt their relationship take the next step after that.

Unlike most people in here, I actually really liked the second couple. They gave the angst that I wanted, though I think it could’ve been paced a little better and I’m not sure it gives me complete closure.

I think another thing that was missing was the feeling of friendship. We have a tiny bit of it, but I was hoping we’d get more of the four leads together, but everyone always felt very fragmented, especially the main female lead. Especially since one of her backstories was that she didn’t have friends because she was hard to get along with, I think the show could’ve focused more on giving her friendships despite how prickly she is. The tidbits we got between her and the second female lead were very fun.

I am also not sure if it's just me, but I felt like this show had an abnormal amount of narration, and once I noticed I couldn’t un-notice it. Oh well, it’s small potatoes.

Overall, this was just fine. It’s a sweet watch but I don’t think I’ll remember much.

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7th Episode was by far my favorite in the Series!

Going in, I did not know that Kim Jae Wook would be starring in the drama, but seeing him was such a pleasant surprise. His character has such depth, it was easy to be drawn in by him compared to the rest of the story. Ko Jun's story was so emotionally charged, it felt that it was the backbone of the drama.

Without it, the entire script would have fell flat. While the story was pretty average, the pacing was quite good. The romance between the leads was pretty decent. Kim Mu Bi as a child was much more interesting to watch. Ko Gyeom was perhaps more relatable to me. As a couple, they did make me laugh at times.

Although I like the push and pull relationship between the second couple, it was frustrating to watch them rehashing the same thing again and again without understanding each other. Glad how it worked out for them.

Another thing that bothered me was the flashbacks that were more like recaps to bring us up to the speed. Too repetitive, especially since all the episodes dropped in a single day.

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Disappointing. A let down.

Melo Movie – One-Word Review: Disappointing.

It’s hard to recall such a poorly written project despite having top-notch production, a superb soundtrack, and solid direction. The biggest flaw lies in the script—it offers nothing substantial, making it a complete waste. If you remove episode 7, there’s absolutely nothing to watch or look forward to.

The movie boasts a cast of top actors, but their performances were underwhelming and felt forced. Despite having all the right elements—high production value, a superb soundtrack, and solid direction—the weak script drags everything down. The only saving grace was Kim Jae Wook, who truly delivered, while the rest of the cast failed to make an impact.

Overall, a huge disappointment.

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Melo Movie - A Tale of Two Couples: When Bad Romance Takes Center Stage

Some dramas promise one thing and deliver another, and Melo Movie is a textbook example of this. Marketed as a poignant romance, it instead became an accidental masterclass in how a secondary couple can completely outshine the main one. While Melo Movie had the ingredients for something great—a stellar cast, stunning cinematography, and an emotionally rich OST—its biggest flaw was the romance it wanted us to root for versus the one that actually mattered.

At the center of the drama is Ko Gyum (Choi Woo-sik) and Kim Mu-bee (Park Bo-young), navigating love and personal ambition in the film industry. In theory, this should have been a compelling pairing, but in execution, their romance felt like watching two puzzle pieces being forced together despite not quite fitting. Their dynamic lacked the natural tension and emotional weight that made the secondary couple shine, and the more the drama insisted on making them the focal point, the more it became obvious that they weren’t the heart of this story at all.

Because that honor goes to Hong Si-jun (Lee Jun-young) and Son Ju-a (Jeon So-nee), a former couple whose love story unfolded like a slow-burn tragedy. High school sweethearts who spent seven years together before an emotionally devastating breakup, their lingering heartbreak and unresolved feelings made every interaction between them achingly real. Five years after their split, fate throws them together again when Ju-a hires Si-jun to write a song for her film. Every glance between them carries the weight of unsaid words, every hesitation feels like a scar reopened. Their love wasn’t just a fleeting romance—it was something they built, lost, and never quite recovered from. And the moment they share their final kiss? It’s not a reunion. It’s a goodbye. A final, bittersweet acceptance that they were never meant to last.

That scene alone carries more emotional weight than anything the main couple managed to muster across the entire series. And it wasn’t just because of the acting—it was the power of silence. No soaring OST, no grand declarations. Just two people standing in the wreckage of what they once had, realizing that love isn’t always enough. It was heartbreak in its purest form, and the fact that this wasn’t the “main” romance is almost laughable.

But if Si-jun and Ju-a were the emotional core of the drama, then Kim Jae-wook as Ko Jun, Gyum’s older brother, was its quiet devastation. Unlike the younger characters entangled in their romantic dilemmas, Ko Jun represented a different kind of grief—the weight of silent sacrifices, unspoken love, and a lifetime of watching others move forward while he stayed behind. Episode 7, which unravels his past, is one of the most gut-wrenching moments of the entire drama, and in just 16 minutes, Kim Jae-wook delivers a performance so raw that it completely overshadows the love story Melo Movie was actually trying to tell.

And therein lies one of the drama’s greatest insults—relegating an actor of Kim Jae-wook’s caliber to nothing more than an emotional crutch for an unlikeable male lead. His storyline had all the makings of a compelling, standalone narrative, yet instead of fully exploring his sacrifices and unspoken regrets, the drama used his pain as a tool to make Gyum more sympathetic. It’s almost absurd how Melo Movie had an actor capable of delivering nuanced, deeply affecting performances and still chose to center its weakest character instead. Kim Jae-wook didn’t just act—he carried years of grief and quiet suffering in every glance, every hesitation, every line delivery. And yet, his purpose in the story was reduced to making Gyum seem less insufferable. A complete waste of potential.

Despite its emotional highs, Melo Movie struggled because it never quite understood what made it special. It marketed itself as a romance, but its true strength was in its exploration of love in all forms—romantic, familial, and self-healing. Some of its best moments weren’t even about romance at all—Mu-bee’s complicated relationship with her mother, Gyum’s dynamic with his brother, Si-jun’s fractured family ties. These were the moments that carried depth. But instead of leaning into them, the drama tried to convince us that Mu-bee and Gyum’s love story was worth investing in. And it just… wasn’t.

The reason? Gyum himself.

Whether it was the writing or the acting choices, Gyum was an incredibly frustrating male lead. His relentless pursuit of Mu-bee—played up as endearing—often felt intrusive and boundary-crossing. Moments that were likely intended to be charming instead came across as overbearing, and at times, outright uncomfortable. And then there’s his biggest red flag: his sudden disappearance from Mu-bee’s life five years prior, a crucial plot point that is glossed over instead of meaningfully addressed. Mu-bee simply fills in the blanks herself, never once demanding actual accountability from him. And that’s the problem—their romance wasn’t built on mutual growth or emotional depth. It was built on persistence, a recycled trope that doesn’t land when one half of the couple is as unlikable as Gyum.

Even the final episode, where Mu-bee and Gyum end up together, feels unearned. Did she choose him because she truly loved him? Or was it just easier to give in after his relentless pursuit? The drama doesn’t answer these questions, and instead, we’re left with a love story that feels more like a script obligation than an organic conclusion.

In contrast, Si-jun and Ju-a’s ending—though painful—felt right. It was earned, justified, and emotionally satisfying in a way that the main couple’s ending never was. Because at the heart of Melo Movie, the most compelling love story wasn’t about getting back together—it was about learning to let go.

Verdict: If the drama had leaned into its strengths—its exploration of unspoken grief, the way it captured love in fleeting moments, the power of silence in heavy emotional scenes—it could have been something truly unforgettable. But instead, it insisted on a main romance that dragged it down, a male lead who was more frustrating than charming, and a narrative that never fully embraced the depth it had in its secondary storylines.

What remains, then, is a drama split in two: one half frustratingly lackluster, the other profoundly moving.

Final Score: 5.5/10 for the main story, but a solid 9 for the secondary couple.

A drama that will stay with you—not for the love story it wanted to tell, but for the one that stole the show.

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Melo Movie – a warm corner for tired hearts

Some dramas don’t arrive with noise.
They don’t chase your attention.
They just sit quietly in the corner of your life waiting for the moment your heart feels tired enough to need them.

That’s exactly what Melo Movie was for me.
Not a drama I simply watched.
But a drama that watched over me with soft eyes, gentle words, and silent understanding.

This story isn’t about grand confessions or loud heartbreaks.
It’s about people carrying quiet pain.
About those who laugh during the day but cry when the lights go off.
It’s about the kind of emotions that don’t shout but sit heavily on the soul. The ones we don’t even have words for sometimes.

In this gentle, aching world ""Park Bo-young is luminous.
She doesn’t act she feels.
Every flicker in her eyes, every breath, every pause it holds the weight of unspoken grief and hope.
She plays Mu-bee, a woman whose past is stitched into her silence, whose relationship with cinema is as broken as her trust in life.
And still—she walks forward. Slowly. Carefully. Beautifully.

Choi Woo-shik, as Ko Gyeom, is the calm to her chaos.
He’s not the type of male lead who rushes in to fix things.
He simply stays.
His presence is like a quiet light a steady kindness that doesn’t demand, doesn’t overwhelm.
He sees her. Hears her. And chooses her, again and again, with the gentlest love.

Their bond isn’t fiery.
It’s not wild or dramatic.
It’s real.
Soft.
Kind.
Slow.
Like two wounded hearts learning they don’t have to be perfect to deserve love.
They just have to stay.

The drama’s pacing might feel slow to some but that’s exactly why it feels so intimate.
Healing is never fast.
Grief doesn’t follow a schedule.
And Melo Movie never forces it.
It gives you space.
To breathe.
To pause.
To sit in your sadness without shame.
To let your heart exhale.

The cinematography is delicate every frame feels like a memory.
Soft tones, warm lights, shadows that feel like a second character.
The OST isn’t loud either it drifts beside you like a lullaby, whispering, “You’re not alone.”

What stayed with me the most was how this story never treated healing like a goal.
It simply said:
“Choose to stay. Even when it hurts. Even when you’re tired.”
Because sometimes, survival itself is brave.
Sometimes, the softest kind of love is the one that doesn’t try to change you it just holds your hand while you find your way back.
Sometimes we don’t need advice.
We don’t need solutions.
We just need someone who sees us.
Someone who doesn’t ask us to smile.
Someone who understands when we fall silent.

That’s what Melo Movie gave me.

Not escape. But comfort.
Not noise. But peace.
Not drama. But closeness.

If your heart feels tired…
If your smile feels heavy…
If you're silently carrying weight no one else sees…
Watch this drama.

Let it sit with you.
Let it remind you:

You’ve done enough.
You are enough.
Let’s rest here, together.

And maybe, just maybe, when it ends,
You’ll breathe a little easier.
You’ll carry yourself a little softer.
And you’ll love your own heart a little more kindly. 🕊️💛

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Good story but not really interesting

I think many will agree with me, but the story isn’t anything to write about. It’s just like a still water, there’s nothing wrong with it being still, meaning the story itself has no problematic element that I feel I can correct, yet that doesn’t make it interesting.

So I will review how interesting it is from the perspective of characters.
Number 1 would be Ko Jun. Out of all character he is the most well-written and compelling. Or maybe it’s because I have tendencies to love tragedy… anyway his story is the most interesting to watch, his struggle and all, even with the minimal screen time.

Number 2 would be tied between Kim Mubee and Hong Sijun.
Kim Mubee story is fairly interesting, especially all the backstory of her dad, and how she tried to ‘win’ over him. Hong Sijun relationship with his family, his background, struggle, and relationship with Son Jua is also fairly interesting. Though to note I said fairly, which means I don’t think their characters are executed to the fullest. Simply speaking it’s just there and there.

Okay lastly would be Ko Gyeom and Son Jua character. Son Jua needless to say, it’s because her story is mostly dependent on Hong Sijun and Kim Mubee. If you notice she doesn’t really have story that’s centered around her. While Ko Gyeom character is dependent on Ko Jun and Kim Mubee. Different from Son Jua, he actually have many independent story, but it’s not that interesting. If I may say, his best plot point was when he keep repeating the car motion in the rain to see whether it was really an accident.

All the actors here are fantastic, they truly deliver best of their roles, but back to the story point, their story isn’t executed well. Even for the best written character Ko Jun, his ending feels very rushed. I know the limit is 10 ep so you gotta hurry up but there was lot of scene I deemed unnecessary so I don’t understand this decision.

There is nothing wrong with the story itself, so I will give it 8. Cast is easy 10/10. Music is debatable, but I’ll give it 10 too. The rewatch value, well there’s nothing to rewatch for me so 7(?)

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Decent Watch

So let me begin my review with the fact that I was pretty disappointed with the way it turned out, the premise had a whole lot more potential and the cast have shown so much more potential before and it felt quite forgettable. Regardless I gave this an 8 because when independently reviewing this drama for what it is (and pretending I was watching it objectively with no external influences like past dramas) I found that it was a decent watch. Not Excellent for sure but yeah.

So just like the summary on MDL, the story revolves around our 2 main characters Kim Mubee and Ko Gyeom and the Actual show is exactly like the summary except with the addition of Ko Gyeom's brother who I think should be mentioned there for sure because of how big an influence he is.

Now moving on to the pros and cons,
PROS:
1. The OSTs were nice
2. Loved the cinematography
3. Pretty good acting and I think the actors did exactly what they were told to do
4. Realistic approach to psychology
5. Pretty good interpretation of surviving a life threatening situation
6. Unique family dynamics

CONS:
1. The biggest con to me is the sheer waste of potential, Ko Gyeom's career as a film critic and Mu-bee's actual unfiltered journey to being a director was not aptly shown imo and it felt like a heap of wasted potential...You get a whole lot of time skips and at times the pacing feels too fast ( could be attributed to the fewer eps ) either way there were many uncharted and interesting ways to approach it that would have made it more unique.

2. The characters: so lets be honest here the characters in my opinion lacked depth. They were too boring and rather than peeling them apart layer by layer over the course of 10eps all we get is the fast spoonfeeding of their psychologies. I personally think that for these type of dramas it is imperative to take things slow and leave hints for the audience to figure out why they are the way they are.

3. Lack of comedy: Sure not every drama needs comedy but there was so many instances for comedy that just got misused in a way that made me cringe (especially the interviews) idk like you either have good comedy or you don't period.

4. Romance, didnt get into the chemistry for some reason, they felt more like friends or siblings and idk rather than what we saw i thought the chemistry should have been more intense but there were no electrifying gazes exchanged or any interactions that made me feel like they were more than just friends

5. It could have been a movie: personally there was no reason to make it a 10eps drama, a 2hr movie would have sufficed as long as the removed the secondary couple who were unnecessary either way imo

All in all if you haven't watched a whole of dramas or you don't get bothered by the feeling of deja vu you will definitely love this but as someone that does not come under either category, I found it to be boring but redeemable to some extent

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nice for a shot of melo or to see a fave actor.

background eps:
awful romantic pursuit... it really feels quite icky even beyond the storytelling intent
character development doesn't end up transitioning well at all
overbearing background tracks

time skip:
- second couple dynamics are painful to watch despite good acting performances. Some sparks of character from the dude defending his feelings, but not worth the screen time as it develops. You hate seeing them and don't get the benefits of the contrasting relationship because there aren't substantial parallels to the main couple. slop that will make many people drop.

- OSTs/background tracks finally find their place, solid, connects the sadness well later on. hits highs instead of the lows I felt in the early eps. occasionally weird still tho lol. main leads' narration sets a nice tone throughout

- some cute main couple moments that make the whole film production background worthwhile. I don't really like how the flirting develops sometimes, but its serviceable to pleasantly fun (PBY <3) they're so much better here than those first couple eps where I don't see the chemistry to form the attachment the plot drops on them.

- brother plot gets a nice handoff from the decently established main couple to land those few episodes of good melo. 5,6,7 but this couple hasn't had the time together to handle the levity of that melo. the tears are real, but the romance isn't.

- individual goals for film production aren't realized well. I get that they all like movies, but do they like talking about movies or their involvement in them? some technical talk would have gave it some substance, but I get defaulting to something basic with how present the second couple is. movie critic and the director 1 on 1 were not enough for me though with how many stacks of vcr tapes we see throughout.

- wasn't interested in most of the side characters interactions with the main cast.

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