Glory

Glory… to the FL’s omniscience lol.

Going into Glory, I already had a feeling romance wasn’t going to be the main point here, despite having romance as one of the main tags. I might’ve started this at the wrong time, or maybe I was just expecting a different balance, but either way, the tone became clear pretty early on.

The opening was rough for me. There’s an overload of names, faces, and tropes/themes all at once, and it took a while before I felt grounded. What did stand out early, though, was how deliberately unsettling everyone felt. No one felt neutral, I didn't trust anybody, including those were introduced to us as close with the leads. Some people were obviously scheming, while others hid behind politeness, filial piety, or concern, which somehow made them feel even more suspicious. There were characters who played pitiful a little too well, people who wrapped manipulation in "good advice," and those whose jealousy practically sat on their faces. I didn’t know yet who would turn dangerous and who just needed context, but the discomfort was very intentional.

What kept me watching was the dynamic between the leads at the start, though I still was confused who were who with the side characters lol. The ML, even with amnesia, was sharp, observant and even sly, not the helpless pawn I was afraid he’d be at the start. And the FL was clearly not someone to underestimate. Watching them quietly test each other, circling with their wits, was engaging and entertaining. Early on, it felt like we were being set up for two intelligent leads on equal footing.

That’s also when I started to see why this drama would be divisive.

It becomes clear pretty quickly that the FL prioritizes herself and her household’s reputation above all else, which on its own isn’t a problem. My issue is that the drama still insists on selling this as romance. But over time, a pattern starts to form: she quietly but boldly advances her plans, uses the ML’s wit and influence when it suits her, reassures him just enough to keep him close, and moves on. When he confronts her about being sidelined or disrespected, the conversation rarely goes anywhere. A smile, a deflection, sometimes intimacy, and the issue is conveniently buried before she ever has to take responsibility. The ML, being smart, knows this. He sees the pattern, calls it out, yet still lets it happen. She keeps making unilateral decisions that affect him deeply, often at moments when he’s most vulnerable, and he’s left to absorb it quietly. And then the cycle repeats.

She does care about him; I didn’t doubt that. But she consistently cares more about control, outcomes, and her family’s reputation. Some argue this makes the show female-centric or "empowering," but I don’t buy it. Emotional manipulation doesn’t automatically become empowerment just because the character doing it is a woman. Independence doesn’t mean making decisions while dismissing others’ feelings when inconvenient. Strength isn’t just dominance. It isn’t always being right, staying one step ahead, or avoiding the consequences of your choices. You can be independent and strong while still making hard decisions without using someone else as emotional collateral, respecting those who trust you, and facing the impact of your actions. Empowerment comes from accountability, allowing vulnerability, and treating people who stand by you with respect rather than tools. This isn’t a critique of women-centered dramas. In fact, I enjoy complex, emotionally responsible female leads, but the way FL's character was written here would have frustrated me no matter who was written this way, even when genders are swapped.

What made it even more frustrating is that, again, the ML isn’t stupid. He knows what’s happening. And yet he keeps running after her. He keeps forgiving. He keeps absorbing the emotional cost. Watching a character that is that capable slowly get reduced to "he endures this because he loves her and she's all he got" was exhausting. It's frustrating because the drama teased something better early on. I wanted to see two sharp leads working together as equals, combining strategy, trust, and mutual respect. Instead, the story increasingly centered the FL as the solution to everything, while the ML’s struggles, history, and emotional weight were sidelined until very late, and even then, rushed. For a drama with two leads, it often felt like only one of them was important.

At some point, despite all the romantic scenes, it just stopped feeling romantic to me. I kept watching anyway, because I’d already adjusted my expectations, and to be fair, the story outside the romance was still entertaining.

Without the romance, the plot would have been at its strongest. The FL's world felt busy, and this was where the writing felt the most confident. The mix of heritage, control (monopoly even) over the tea industry, internal power struggles, and moral compromise was compelling to watch and unfold. You could feel the weight of legacy pressing down on everyone involved, and the consequences of decisions were elaborate. Supporting characters weren’t just there to orbit the leads; everyone had motives and agendas. At different points, I found myself second-guessing first impressions. It kept me alert, and it made the political and familial conflicts feel vital.

And then there’s the grandmother. I understand the narrative role she was meant to play, but wow, she was exhausting to watch. Her control, cruelty, and lack of faith in her own family caused more damage than any external enemy ever did. Instead of protecting the family, she strangled it. She pitted her granddaughters against each other, measured worth through alliances and appearances, and weaponized authority instead of guidance. The fact that she came from a matriarchal background yet upheld some of the most suffocating patriarchal values felt tragically ironic.

There are also other things I appreciated. The sisters, for all their scheming, actually grew on me by the end. Their conflicts were ugly, but there were lines they wouldn’t cross, and eventually even they recognized how much damage the grandmother’s rigid ideals had caused. Also funnily enough, I've felt more yearning and emotion with the sisters' love stories than the leads. I'm happy they got their real happy endings. Other side characters who initially felt threatening were given enough context to make sense in time, even if I never fully liked them.

Unfortunately, with so much narrative weight given to the FL’s arc, the later shift to the ML’s background felt uneven. The conflicts tied to his family were rushed and compressed. We’re introduced to his mentor, his biological father, his blood brother, and his larger “family,” only for everything to be wrapped up in a handful of episodes in the end. His backstory was supposedly sad, but the drama doesn’t even give us enough time to feel it. Even the issues dealt here was supposed to be for the ML, yet the FL had the spotlight. I also wanted him to have a real chance at happiness, especially with reconnecting with his brother, but of course, that was taken away too. In the end, it just reinforces why he keeps running back to the FL: she’s all he has left, for real this time. And that makes him one of the loneliest male leads I’ve watched in a while.

And then comes the FL, trying to end things for what she thinks is for their own good just barely after that arc, as if the ML had just not been emotionally beaten and drained by his family. Telling him to stop their relationship so she can remember him as he was, before the power and ambition that might change him like his father. The irony made me roll my eyes knowing that she's becoming almost as controlling and emotionally rigid as her grandmother, the very person she just confronted to change ways a few episodes back. And yet, despite her cruelty, he still chooses her, giving up his power to be with her. This may be a happy ending in his point of view, but I just see this as an ending that was very much still controlled by the FL's desires.

By the end, I wasn’t angry nor frustrated anymore, I was just tired. I don’t regret finishing this drama, because I was invested anyway. At the very least, it was consistent in what it chose to be. But my final takeaway is that the “glory” promised by the title ultimately belonged to the FL alone. Everyone else, especially the ML, just had to adapt around it. Maybe it would've been better if the poster had only her on it lol.

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Watch only if you like political dramas

This is a highly political drama. If you’re watching it mainly for the chemistry between the actors, this is not the drama for you—even though the leads do have some chemistry. More than having subplots, the drama is a collection of many small plots. There was no lag in between. All 36 episodes were very intriguing, but if you don’t like politics or power struggles, it will feel boring and suffocating.

The cinematography is amazing. Both the ML and FL are extremely scheming, but the FL is dangerously scheming—so much so that she’s a red flag. By the end, I was like, he deserves better. I would have broken up if someone manipulated me this much. I’m all for women in male-dominated fields, but still… she could have left the ML alone.

Must-watch if the above points tick your boxes.

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Tea does not judge itself, people judge the tea

As it's said in the chinese title 玉茗茶骨 (Yu Ming Cha Gu), the core of this story is about tea which it's plantations are ran by the family Rong, more exactly Rong Shanbao, but with appearance with Lu Jianglai, played by Hou Minghao, which is also his 1st billing drama, things start to evolve a lot more than expected.

Let me talk about the story first. As said above & since HMH is the billing for this drama, everything will have to involve him. It started really well, more than I actually expected and it was so well build, from his amnesia to him remembering stuff, to getting his title back up to a point where it got ruined by the intervention of YZ director. From episode 26 to 30 (even a bit of 31), that's when it all started to go down a bit 'cause of the changes he made. The Rong family's story should've ended a while ago, but he added extra scenes that made no sense at all and ruined the story by a lot. Later on, it was slowly recovered by the Duke Mansion's story which was really interesting to see the truth behind Lu Jianglai's (LJL) identity, which he has been always knew about, but he didn't care about it at all because, in the end, he never wanted to take part of it. Once he started to love Bao a lot , he gave up everything for her and even before.
His relationship with his brother was something I was looking up forward to a lot, but even tho it was a bit short, I still enjoyed it. In the end, I wish Bao's grandma was more lenient with her and to stop caring about tea plantation that much, but it's whatever it in the end.

As for acting, it was top notch. As a fan of HMH, who has been following him since Cambrian Period, till even this day, I was literally looking forward to every day to watch him act. My favorite scenes with him are totally in the first episode where he was first shown as Lord Lu, a ruthless magistrate, which is later on getting to realize his love for Bao (btw, they've fallen in love since ep1). Also, his scenes as Lu Fusheng we're so good and I'm glad that they didn't drag his amnesia to 15 episodes or so. It was solved pretty fast. During the time he was filming this drama, even tho he was sick, had stomach problems, these stuff weren't seen in the drama at all. You literally couldn't see it on his face when he was acting. So, I am really proud of his acting & especially for all his hard work on this drama, giving his all to get the best scenes.
As for the other actors, especially FL, I didn't really watch a lot of stuff from them, but I was really impressed by everyone who kept working hard and delivered.

Lastly, if you do want to watch Glory, try to look at the trailer first rather than reviews, because everyone has different views on how they "evaluate" it. But if I made you, even for a little bit, to watch it, then I am glad.

P.S.: Even tho I enjoyed it a lot while it was airing (as of 15th Jan 2026) for S-VIP, rewatching value for this would be 8*. I would simply do it only for HMH and the FL, while skipping other parts, especially Shanbao's grandma.

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Power Plays, Proud Faces, and Romance Stuck on Read ... Still a Solid Watch

I went into Glory 玉茗茶骨 expecting a strong female centric story and for the most part it delivered. I like women led narratives. Women can run businesses think sharper than men and hold their ground without apology. That part I enjoyed. Where it started losing me was when strength tipped into chest thumping pride and the men were written like background furniture or soft headed cheerleaders. Equality works best when both sides keep their dignity intact. A woman does not need to act like a man to be powerful and a man does not need to be reduced to look supportive. Balance matters.

The main leads carried the show well. The male lead was excellent steady charming and quietly competent which made him the most believable person on screen. The female lead was capable and intelligent but the constant granite stare got tiring. Same expression in every room every crisis every win. Strength does not have to look so stiff. Supporting characters did a solid job and felt more natural which made the contrast even clearer.

Story wise it felt like ideas were sprinkled in randomly rather than grown carefully. Very modern attitudes dropped into a historical setting without enough grounding. I dislike clumsy women chasing men and I dislike it just as much when men are written to chase foolishly. Respect and self respect should walk together. Love should feel earned not postponed till the final minute just to prove independence. The fact that they do not get together till the end dragged and made the female characters come off as unnecessarily high and mighty rather than simply self assured.

Overall the acting was good the production was decent and the intent was there. I just wish the message had been cleaner. Strong women yes. Weak men no. Mutual respect always. That is the takeaway I would want the younger generation to see.
Glory had the bones of a solid drama and the leads did most of the heavy lifting. The male lead was a standout and the supporting cast held their ground. The female centric angle was refreshing at first but leaned too far into pride and modernised attitudes, throwing off the balance between men and women. Strength should look dignified on both sides. Decent watch, good acting, but the message needed more restraint and respect to truly land. Rate ⭐ ⭐ ⭐ ⭐ ⭐ ⭐ ⭐ ⭐/10

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HONEST OPINION!!

This is just my honest opinion. Not a hater of any of these actors.

Majority of this drama is great! I just felt that this was somewhat rushed in the ending with the capital drama. Just feel like it should've touched more on the capital part towards the end. However, the storyline of Rong Family is pretty unique. I also like how there's tension between Rong Family teachings and hierarchy compared to "regular" family hierarchy. Rong Shanbao although seems to be a know it all, she is a fair household leader. I'm glad that she is able to find that family peace instead of power struggle. Lu Jianglai also has a interesting background. He's righteous yet also somewhat obsessive. Throughout, there is some cbaracter develeopment. Once again, I just feel like we didn't really touch basis onto his storyline with the Duke. But, this story is mainly based on the Rong family which I can understand. I was expecting a lot more feminine power and things like that, but I am still satisfied with the drama.

Overall, this story has reached my lists of top rewatches. The cast is honestly really good with their acting. Really recommend watching this drama.

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The plot had so much potential, but the delivery and character writing was awful.

Let me preface this by saying I actually LOVED the first 9 or 10 episodes... but it all went downhill for the last 2/3's of the show. Which sucks because the plot and setting of the show had so much potential.

I was actually pleasantly surprised to see a lot of the short web drama or vertical drama actors here and thought they did amazing in the beginning. But once the show moved away from the lightheartedness and tried to get more serious and have that psychological warfare - the gaps in their acting really showed. Even the FL wasn't immune and I could easily guess the plot twist based on her expressions (sister dying, marrying Bai Luo, etc.), maybe this was on purpose but it completely removed any shock value when the plot twist was revealed.

The main gripe I have with this show is the poor character writing and this applies to almost everyone. It felt like the writers just arbitrarily made the bad guys good and the good guys bad. For most of the show I was rooting for the 2ML only for him to have half an episode at the end to be one of the main villians; no build up to it, just a short explanation from him when he was caught and it made no sense how they were acting for just a big plot twist. Same goes for the sister -- the beginning made it seem like they would be the main antagonists and then they just turn around from one moment or conversation. There was no actual character growth before they're meant to be forgiven by the audience.

Same gripe with the main leads. After the first 3rd of the show - I just couldn't root for their romance and found myself fast forwarding through their romantic scenes. I enjoyed it more and only continued watching for the scheming and to see justice for the antagonists (which kept popping up out of nowhere with little to no tie-in from earlier episodes). I loved how smart both the FL and ML were when it came to strategies and execution but it was like they were clueless when it came to strategy and communication with each other. Imagine how much more they could've done if they worked together instead of deceiving each other over and over and over again.

But I'm giving it 5 stars for the beginning and the potential. I love historical dramas around female empowerment and LOVED LOVED the setting around a matriarchal family and culture. The setting around a tea culture was also a fun addition and loved learning more about it in the whole power through wealth and power through nobility set-up. Also loved all the scheming and plot twists (even if done poorly).

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An epic family saga revolving around a matriarchal clan known as the Tea Monarchss…

What an epic family saga…
Riveting main plot and sub-plots - all perfectly tying together- with no unnecessary side-story and character… the heart of the drama is not romance.

The story revolves around a century’s old matriarchal clan, known as China Tea Monarchs.
There will be a lot of scheming, for jealousy, power and wealth grabbing, both internally from sisters and cousins, and from outsiders to this unique matriarchal clan. The rule being that the Head of the clan cannot prioritise anything above the clan’s interests.
All characters are complex, with fascinating depth.

It is far from your classical ROMANCE, with the main female lead being a strong character bearing the weight of her clan’s heritage maintaining, if not survival.
The clan’s interest takes precedence over any self-indulgence…she manages 300.000 tea workers after all. Not a small feat.
That’s why this is a drama,
Love between the leads is present. Very much so. They are both smart, responsible, cold-headed, rightful characters perfectly matching each other’s needs & expectations. But that’s not the point.
If you dont like female characters taking full ownership and behaving as men of power, suppressing their weaknesses and emotions behind a steel armour, you may not like this drama. The main leads don’t need to be seduced or vowed. They need to admire the other as an equal. So that there won’t be heart fluttering moments…

It’s bright and dark at times, but never with stressful unnecessary shallow drama for the sake of easy twists and turns.(unlike Flourished Peony)
Very smart, like a great riveting novel.

The production itself is outstanding,
From the choice of extremely harmonious colors and shades, serving the beautiful costumes, decors and sceneries… to the skilled shooting and montage, an eye-feast .
(Here, the main two chosen colours - like in every Chinese and Korean quality drama- are blue and a reddish orange…never clashing, very soft and soothing with their complementing yellow & green…

The cast is outstanding, perfectly cast for their roles. Both leads are awesome actors. They only need their eyes to convey it all….with all shades of feeling from hard to soft…

A great watch.
For those you love smart psychological dramas in the vein of Story of Ming Lan

Oh, and don’t skip and miss after each episode ending credit the wonderful to watch the great bonus on herbs and teas..

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An ambitious and stimulating starting idea

Glory is built on an undeniably compelling core concept: presenting a world in which matriarchy is not merely a backdrop, but a true social and narrative driving force. The series also highlights the ambitions surrounding the tea trade, its history, and the world of tea growers. This ancestral know-how, carefully preserved for centuries by the Rong family, is transmitted through a strictly hierarchical and matriarchal system.

The series attempts to question power relations, family legacies, and gender roles through a plot that blends strategy, human drama, and struggles for influence and authority within a large family. On paper, the project is bold and breaks away from the classic patterns often found in Chinese historical dramas.

Despite its flaws, Glory remains an interesting series to watch, particularly for its universe, certain character dynamics, and the questions it raises, even though it falls short of its ambitions halfway through.
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Matriarchy: a powerful concept, but unevenly explored
Matriarchy lies at the heart of Glory, yet it is handled in a contradictory manner. On the one hand, it allows the portrayal of women in positions of power—complex, strategic, and sometimes morally ambiguous. On the other hand, especially from the middle of the story onward, the series resorts to narrative shortcuts, where female authority is almost systematically associated with manipulation, extreme coldness, or a total lack of empathy.

Rather than exploring a genuine range of female figures (a fair leader, a tyrant, a hesitant one, a visionary…), the series fails to depict the inner struggles of its female characters, particularly the main heroine. Instead, it suggests that matriarchy is merely an inverted reflection of a caricatured patriarchy.
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Now let’s analyze it in detail
Characters: unbalanced potential

The heroine: a central character weakened by poor writing
The greatest weakness of Glory lies in the writing of its heroine. Although she is portrayed as extremely intelligent, highly strategic, and determined, her decisions often lack empathy and overall coherence. Her success relies more on narrative convenience than on credible development, and she undergoes no true psychological or intellectual evolution by the end of the series.

Instead of emphasizing her radical choices as a consequence of her obligations and personality, the story places her in a romantic context and delivers an ending that is morally unsatisfying. Glory always belongs solely to her: she stands at the center of all resolutions, investigations, and victories. She decides everything—even what her sisters should do and how they should love.

Ultimately, this trajectory echoes the path of her grandmother in many aspects of her behavior. The script insists on portraying her as a victim of the system, yet she remains an all-powerful figure, without properly developed transitions. This prevents the audience from fully connecting with her or supporting her rise.
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Secondary characters: more nuanced than the protagonist
Paradoxically, some secondary characters—especially female ones—are extremely well written up until the middle of the series, creating genuine tension and curiosity about their human trajectories. However, all characters ultimately suffer a dramatic collapse, reduced to childish resolutions for the sole benefit of the heroine.
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The role of male characters in the narrative !
Male characters play an ambivalent role in Glory. They are not entirely erased, but they are largely confined to utilitarian functions: strategic allies, political pawns, or emotional levers used to advance or support the heroine’s journey.

Certain male conflicts (identity crises, family loyalty, ideological opposition to matriarchy) could have enriched the narrative, but they remain superficial. This creates the impression that men exist only to validate or obstruct the heroine’s path, without possessing any truly autonomous trajectory.
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Acting!
he main heroine was convincing in her acting at the beginning, but from the middle onward she became very repetitive and barely showed any emotions or range in her performance. Very limited.
Hou Ming Hao, despite his questionable place in the series, is very convincing and charming, and he understood his role well. He manages to create smooth transitions between a young, energetic, gentle, playful, calculating, kitten-like, and arrogant character.
The other characters are generally decent. One can note Ruo Xuan, who has a lot of unexploited potential, which is a shame, and Zhao Jia Min’s natural energ
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Toward a more coherent ending!
For the story to feel more logical, a more coherent ending should have been chosen—one that confronts the heroine with the consequences of her choices, rather than glorifying her actions. A more convincing conclusion could have shown:

1.Either a deep questioning of the matriarchal system itself, establishing a more balanced and egalitarian structure that includes both women and men. She could have left the family and started a new life on equal footing with a man who is extremely talented and intellectually equal to her.

2.Or a full acceptance of her choice—even with bitterness—by dedicating her entire life solely to tea and the family, accompanied by a genuine personal sacrifice.

Additionally, giving the sisters different endings—some more tragic, others distinct, with real power for certain characters—would have been an excellent choice in my view. Finally, the male lead could also have been granted a life beyond merely serving the heroine and the Rong family.

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Good Story & Plot, but Bad Acting FL ML

I'm a bit disappointed with Neo Hou's acting, it seems a bit stiff and not like usual. Honestly, I expected more, the makeup and style don't suit her.. hmm for the plot, I'm trying to force myself to watch it, but seeing the acting of the two casts, I can't continue even though there are many other casts, I feel like I already know how the ending will be, so I stop watching it.. if people think it's good, honestly, I think it's a bit boring and there are already a lot of plots like this, (I'm not hating, just giving criticism) sorry sorry sorry I can't continue anymore..

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One of the Best Costume Dramas in a Long Time!!

It’s always nice to watch a drama with a fierce matrilineal theme!

“Glory” doesn’t shy away from portraying its women in a courageous manner, as against men who are expected to be docile and submissive. What happens when a fierce tigress meets a fox? Their worlds collide as they adjust to each other and build a world together. Starring Gulnezer Bextiyar & Hou Ming Hao as the main leads, it is only right to say that the show belongs to Gulnezer. Her “Rong Shanbao” is daring, perspective, intelligent, bold and a staunch feminist. In an era of patriarchal society, women from the Rong family rule the city of Linji. They have been leading the tea farms in the mountains, are rich and run a business that grants them incomparable power and wealth. The storyline is crisp, gripping and addictive. If you are into shows with strong female portrayals, then this one should be high on your watchlist!!!

Read the complete article here-

https://kcdramamusings.wordpress.com/2026/01/16/glory-series-review/

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You don't want to miss!

Glory was so intense that although I started it after The Unclouded Soul, I found myself watching Glory far more consistently with each new release. There was something about its scheming and ongoing chemistry that I felt I had been missing, and once I started, I couldn’t stop. I’m only about twenty-something episodes in, and while everything has been great so far, I can’t shake this sense of dread. I’m worried about the direction the story might take, and I fear I could end up dropping it despite being so invested. For now, I’ll definitely keep going for a few more episodes before deciding.

Glory follows the male lead, an imperial court inspector tasked with investigating and solving cases. After being betrayed by one of his subordinates, he is left at death’s door and crosses paths with the female lead again. Having lost his memory, he ends up working for the Rong family at their tea plantation, slowly climbing the ranks from a servant to the female lead’s most trusted companion.

The first half of the series is fast-paced and intense, filled with backstabbing, murders, and morally corrupt characters whose actions keep the story moving at a gripping pace. Eventually, the male lead rises to the point where he is set to become the Rong family’s future son-in-law. However, I’m currently at the part where he exposes his identity by taking in Madam Jiang as a witness to a murder, and I feel like I may have missed something. Did the female lead already know his true identity at this point? So much happens so quickly that it can be hard to keep track of every detail.

What I Love About Glory

The storyline and the intense political maneuvering within the family dynamics are easily my favorite aspects. Every character has their own schemes and hidden agendas, all working to serve their personal interests. This kind of layered plotting is completely up my alley, and it’s what kept me glued to the screen.

The cast is another highlight. Zhao Yi Qin was a welcome sight—I’ve missed seeing him on screen. Cheng Xiao, whom I last saw in Fangs of Fortune, did well in this role, and I’d love to see her continue taking on scheming characters (just preferably not the angry ones). I was also excited to see Richard Li in a major project playing a villain, and he absolutely nailed it—he was that good. Seeing Asher Ma again was also nice; although his character annoyed me half the time, that just means he played the role well. The last time I saw him was in Word of Honor, and his death scene during the wedding left such a strong impression on me.

The screenwriter is the same one behind Story of Yanxi Palace and Perfect Match, and it definitely shows. No wonder I was so captivated—I really love her work.

Overall, the pacing has been strong so far, with one scheme unfolding after another, keeping things engaging and addictive. I’m hooked, but that lingering sense of dread remains. Maybe it’s just me, but I have a feeling something frustrating might happen later on that could sour the final episodes.

This will be an ongoing review as the series continues to air.

Current rating: 8/10

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