They seem like they’re married, they just give me this vibe. You can tell that they know each other for a long…
If you haven’t already, I really recommend watching Century of Love and Love in Translation. Honestly, the couple in these two shows are my absolute favorite.
Really, I see it differently. In the last episode, Pin witnessed the undeniable spark between Prince and Sasin. Her heart must have whispered the truth, that he felt nothing for her and yet she pressed forward with the wedding. She even admitted it herself: “Let’s just marry first, and perhaps feelings will come later.” But how can love bloom when the soil is already claimed by another? She knew, deep down, that Prince and Sasin belonged to one another. She could have stepped away at any moment; even Sasin, her own cousin, warned her. And still, she chose the path of pain. In the trailer, we see the wound she will bear. That is the cruel beauty of a love triangle, one heart pretending hope, while another shatters in silence.
How ironic. For those who remember To Sir, With Love, the main lead Thian had the best brother, Yang. He was caring, supportive, and protective, the kind of brother anyone would wish for. Many even said that their bond was the true highlight of that BL. And now, the same actor, Tongtong, plays Chet in this series… the complete opposite. Instead of love, we see cruelty. Chet tried to murder his own brother Pheem. As children, he even locked Pheem in a dark room, leaving scars of trauma that followed him into adulthood. It’s such a stark contrast, watching the same actor embody the “best brother” in one story and the “worst brother” in another. Tongtong’s versatility shines, and I’m honestly loving this series even more because of it.
Wow… episode 15 was so good. In the beginning, when Hua Yong stood beside Sheng Shao You, their bond was built on lies and manipulation. Sheng Shao You trusted every word, blind to the shadows beneath them. But when Hua Yong finally revealed the truth that he was an Enigma, that all he had ever wanted was to share a child together, Sheng Shao You could not believe him.
And yet, in episode 15, the impossible became undeniable. Sheng Shao You’s pregnancy shattered his world in an instant. Shock, fear, and disbelief tangled inside him, while Hua Yong could only watch in silence, guilt carved into his face, but also a quiet, aching satisfaction. For this was the moment he had waited for since he was sixteen. Long before their future was real, he had already chosen the name of their child, Hua Sheng, tenderly called Peanut. Their entire tomorrow had lived inside him for years, waiting for this fragile bloom of life.
The hospital scenes left me undone, the way they cared for each other, the way every look carried unspoken promises. I cannot wait to meet their Peanut in the next episode, yet the sweetness already carries a trace of sorrow, knowing how little time remains.
And then, our second couple… Shen WenLang, so careless with his words, never realizing how deep they cut. When Gao Tu asked what he would do if an Omega carried his child, WenLang’s answer fell like a blade: he would never want it, he never liked children. For Gao Tu, already carrying that fragile truth inside him, it was like living between two worlds. One filled with joy and hope, the other with fear and loneliness. So he left. Not because he was weak, but because he had to protect himself and the tiny heartbeat within him.
Episode 15 showed us the silence left behind. Shen WenLang reaching out again and again, haunted by memories, crushed by absence. Sometimes you don’t know the weight of love until it slips away. Now that Gao Tu is gone, WenLang is drowning in regret, finally realizing the truth his heart had been hiding. I can only pray their paths cross again before it is too late.
But my heart aches because we only have one episode left. Just one. How can it already be ending next Saturday? It feels like yesterday I pressed play on episode one back in July. After Revenged Love, after Kill to Love, now even ABO is drawing its final curtain. No more Chinese BLs to hold us. All three this year were masterpieces. And yet, the ache remains, a longing for what could have been, for the stories still waiting to be told. One day, perhaps, when the ban is lifted, we will see China return to BL in full light. For when it comes to plot, to acting, to cinematic beauty and breathtaking fight scenes, no one tells a story like China does.
So here I am, counting the days until the finale, already mourning what has not yet ended. These characters, these stories, will stay with me long after the screen fades to black. Saying goodbye feels impossible, yet it is all we can do.
Sansa and Ramsay's rape scene was criticized a lot, I don't understand your point.
That was just an example of a TV show to make my point. Game of Thrones was enjoyed by millions worldwide, even though it had multiple rape scenes. Watching those scenes doesn’t mean the audience supports rape, it means they understand it’s part of a fictional story, often used to show the brutality of a world or the cruelty of a character. We don’t watch Breaking Bad because we support drug dealing, or The Godfather because we support murder. We watch because fiction allows us to explore dark, uncomfortable themes in a safe space. The same applies here, depicting something in fiction doesn’t automatically equal endorsement.
But there is a difference between a rape scene and romanticizing rape.
I understand where you’re coming from and I get your point. But it’s important to remember that sexual assault doesn’t only happen to women, men experience it too, and many never report it because of shame, fear, or stigma. As a guy myself, I can say that plenty of bi and gay men watch BL, so the target audience isn’t just women.
At the end of the day, BL is still fiction. Fiction often simplifies or dramatizes things for the sake of storytelling. We rarely see characters filing police reports in any genre unless it’s a crime drama.
Romantic comedies don’t realistically portray breakups, thrillers exaggerate violence, and fantasy worlds bend morality all the time. If we expected every story to depict real-life consequences, most of our favorite shows would fall apart.
That’s not to say we shouldn’t be critical. It’s fair to point out when something feels careless or harmful. But it’s also worth separating fiction from reality, because stories are designed to explore emotions, relationships, and drama, not to serve as a legal handbook.
But there is a difference between a rape scene and romanticizing rape.
I get where you’re coming from, but I don’t fully agree. Just because a series shows a rape scene doesn’t automatically mean it’s “romanticizing” rape. Context really matters. For example, in Game of Thrones or The Handmaid’s Tale, rape is shown as part of the brutal reality of the world the characters live in; it’s not glorified, it’s portrayed as traumatic and wrong. Similarly, in some BL dramas like Revenged Love or KinnPorsche, violent or morally dark scenes are used to build tension, explore character psychology, and show the consequences of power dynamics, not to suggest rape is romantic. If we start labeling every depiction as “romanticizing,” then we risk shutting down nuanced storytelling altogether. The key is whether the narrative frames it as acceptable or desirable, which is very different from simply depicting it as part of a dark storyline.
Over half way through and so far it's nothing more than a serious political drama without a shred of BL romance…
I’m starting this one soon. From your comment, it looks like it’s more of a slow burn. I just watched the trailer, and it definitely shows a kissing scene and even a NC scene. But I get your point, at the end of the day, we’re watching this for the gay romance. If there’s none, then we may as well just watch a straight drama.
R
OnReview unavailable•Oct 3, 2025
ReviewReview unavailable
While I also don’t agree with the SA, I want to share a different perspective, please hear me out.
Are we really going to dismiss a series entirely just because it depicts rape, violence, or morally disturbing themes? If that’s the case, then say goodbye to half of modern storytelling. Game of Thrones, The Handmaid’s Tale, 13 Reasons Why, Outlander, Law & Order: SVU, Monster, Kill Bill, Gone Girl, and The Girl with the Dragon Tattoo all explore horrific acts, yet they’ve been praised, awarded, and widely consumed.
Watching dark or controversial content does NOT mean we support it. No one watches a serial killer movie and thinks, “Wow, I want to do that.” Fiction is a space where we confront uncomfortable truths. It lets us explore trauma, redemption, and the darkest parts of humanity, not to glorify them but to understand their weight and impact. That’s the purpose of storytelling: to create tension, challenge empathy, and hold up a mirror to society’s ugliest sides.
If we only accepted stories with flawless morals and perfect characters, we would lose Breaking Bad, Dexter, Joker, The Godfather, Scarface. Entire genres would vanish. So no, watching a RAPE scene does NOT mean we support rape or normalize it. It means we understand the difference between fiction and reality, something some people in these comments seem unwilling to separate. Millions watch Game of Thrones, Breaking Bad, or The Handmaid’s Tale, which are filled with rape, murder, assault, and worse. Does that mean all those viewers “support” those acts? Of course not.
If we automatically drop or negatively review a show simply because a rape scene leads into a couple’s storyline, then we would need to call out countless other shows and films that have done the same. Storytelling has always tackled dark, uncomfortable, and even controversial topics.
Personally, I’m just glad we finally have our first Japanese mafia BL. If only a minority of people loudly criticize and down-rate it, production companies might hesitate to explore this genre further, and that would be a real loss.
I’ve seen so many comments here and on other platforms of people dropping this series or giving it 1-star reviews because of the SA in episode 1. While I also don’t agree with the SA, I want to share a different perspective, please hear me out.
Are we really going to dismiss a series entirely just because it depicts rape, violence, or morally disturbing themes? If that’s the case, then say goodbye to half of modern storytelling. Game of Thrones, The Handmaid’s Tale, 13 Reasons Why, Outlander, Law & Order: SVU, Monster, Kill Bill, Gone Girl, and The Girl with the Dragon Tattoo all explore horrific acts, yet they’ve been praised, awarded, and widely consumed.
Watching dark or controversial content does NOT mean we support it. No one watches a serial killer movie and thinks, “Wow, I want to do that.” Fiction is a space where we confront uncomfortable truths. It lets us explore trauma, redemption, and the darkest parts of humanity, not to glorify them but to understand their weight and impact. That’s the purpose of storytelling: to create tension, challenge empathy, and hold up a mirror to society’s ugliest sides.
If we only accepted stories with flawless morals and perfect characters, we would lose Breaking Bad, Dexter, Joker, The Godfather, Scarface. Entire genres would vanish. So no, watching a RAPE scene does NOT mean we support rape or normalize it. It means we understand the difference between fiction and reality, something some people in these comments seem unwilling to separate. Millions watch Game of Thrones, Breaking Bad, or The Handmaid’s Tale, which are filled with rape, murder, assault, and worse. Does that mean all those viewers “support” those acts? Of course not.
If we automatically drop or negatively review a show simply because a rape scene leads into a couple’s storyline, then we would need to call out countless other shows and films that have done the same. Storytelling has always tackled dark, uncomfortable, and even controversial topics. If you cannot separate fiction from real life, that says more about your perspective than about the show itself.
Personally, I’m just heartbroken. We finally have our very first Japanese mafia BL, something so rare and special, yet if only a small group of people loudly criticize and down-rate it, production companies might lose the courage to ever explore this genre again. That would be such a painful loss for all of us who have been waiting and hoping for stories like this.
Peak is the main lead in the bl serries Make it Right and it's sequel. But his acting has improved. This is not…
Thank you for this. I just checked, and Make it Right was made in 2016, so that’s 9 years ago. He’s 25 now, which means he was only 16 at the time, I think I’ll pass, since I hate to watch a BL with actors under 18. But I’m looking forward to seeing him in more BLs in the future.
This is, without a doubt, my favorite Thai BL of the year. It’s everything I’ve ever wanted, captivating, addictive, and so deeply underrated.
The casting is flawless, Prince and Sasin feel like they were born for these roles. Every glance, every touch, carries so much weight that I’ve rewatched the trailer countless times, torn between excitement and fear. I can’t shake the worry that we may not be granted a happy ending, yet even if heartbreak awaits, this series has already carved a permanent place in my heart.
I’m grateful we get two episodes each week, because I don’t think I could endure the wait otherwise. We’re only halfway through, and already their chemistry is simmering, ready to erupt into something unforgettable. I know when their first kiss finally comes, it will be explosive, an aching, breathtaking moment that I’ll carry with me long after the final episode fades.
What made the Omegaverse so different was the freedom. Gender did not matter, love was simply love. You could marry, you could have children, and families welcomed it without hesitation. Even Sheng Shao You’s father, at their very first meeting, had been impressed with Hua Yong and gave his approval. That blessing alone felt like a miracle. In so many other BL stories, coming out meant rejection, heartbreak, and distance. But here, for once, happiness seemed within reach.
And yet, how ironic. In the beginning, when Hua Yong was with Sheng Shao You, their bond was built on lies and manipulation. Sheng Shao You believed every word, blinded by trust. But when Hua Yong finally laid bare the truth that he was an Enigma and longed to have a child together, Sheng Shao You could not believe him.
It is only in Episode 15 preview, when Sheng Shao You becomes pregnant, that the impossible truth reveals itself. Shock turns his world upside down, while Hua Yong can only watch, wearing a guilty yet quietly satisfied expression. For this was the moment he had been waiting for since he was sixteen. In his heart, he had already chosen the name of their child: Hua Sheng, with the tender nickname Peanut. Their entire future had lived inside him long before it could ever come alive.
One quiet afternoon, while driving, Sheng Shao You’s brother called him. He answered casually and said, “I’m bringing your future in-law.” These simple words. Yet for Hua Yong, those words shattered his world open. His hands trembled, his foot slammed the brake too hard, and for an instant he forgot how to breathe. After more than fifteen years of silent love and patient waiting, Sheng Shao You had finally accepted him.
The weight of all those unspoken years lifted in a single moment. What once seemed like a dream of marriage, family, a future suddenly felt tangible, real. Just these words gave Hua Yong’s life meaning. And yet, those same words carried a fragility, a trembling hope that could break at any moment. For love, as sweet as it is in the Omegaverse, still came wrapped in sorrow, sacrifice, and the long shadow of what almost was lost.
commenting on this so that I can refer to this bomb ass summary 👌🏻👍🏻🧎🏻♀️🙏🏻
Thank you for your kind words! I actually do this every week for all the BL series currently airing, it’s one of my hobbies. Let me know which BL series you’re watching at the moment, and I’d be happy to share a few of my thoughts with you.
5 
7 
1 
1 
2 
1 
1 
In the last episode, Pin witnessed the undeniable spark between Prince and Sasin. Her heart must have whispered the truth, that he felt nothing for her and yet she pressed forward with the wedding.
She even admitted it herself: “Let’s just marry first, and perhaps feelings will come later.”
But how can love bloom when the soil is already claimed by another? She knew, deep down, that Prince and Sasin belonged to one another. She could have stepped away at any moment; even Sasin, her own cousin, warned her.
And still, she chose the path of pain.
In the trailer, we see the wound she will bear.
That is the cruel beauty of a love triangle,
one heart pretending hope, while another shatters in silence.
For those who remember To Sir, With Love, the main lead Thian had the best brother, Yang. He was caring, supportive, and protective, the kind of brother anyone would wish for. Many even said that their bond was the true highlight of that BL.
And now, the same actor, Tongtong, plays Chet in this series… the complete opposite. Instead of love, we see cruelty. Chet tried to murder his own brother Pheem. As children, he even locked Pheem in a dark room, leaving scars of trauma that followed him into adulthood.
It’s such a stark contrast, watching the same actor embody the “best brother” in one story and the “worst brother” in another. Tongtong’s versatility shines, and I’m honestly loving this series even more because of it.
In the beginning, when Hua Yong stood beside Sheng Shao You, their bond was built on lies and manipulation. Sheng Shao You trusted every word, blind to the shadows beneath them. But when Hua Yong finally revealed the truth that he was an Enigma, that all he had ever wanted was to share a child together, Sheng Shao You could not believe him.
And yet, in episode 15, the impossible became undeniable. Sheng Shao You’s pregnancy shattered his world in an instant. Shock, fear, and disbelief tangled inside him, while Hua Yong could only watch in silence, guilt carved into his face, but also a quiet, aching satisfaction. For this was the moment he had waited for since he was sixteen. Long before their future was real, he had already chosen the name of their child, Hua Sheng, tenderly called Peanut. Their entire tomorrow had lived inside him for years, waiting for this fragile bloom of life.
The hospital scenes left me undone, the way they cared for each other, the way every look carried unspoken promises. I cannot wait to meet their Peanut in the next episode, yet the sweetness already carries a trace of sorrow, knowing how little time remains.
And then, our second couple… Shen WenLang, so careless with his words, never realizing how deep they cut. When Gao Tu asked what he would do if an Omega carried his child, WenLang’s answer fell like a blade: he would never want it, he never liked children. For Gao Tu, already carrying that fragile truth inside him, it was like living between two worlds. One filled with joy and hope, the other with fear and loneliness. So he left. Not because he was weak, but because he had to protect himself and the tiny heartbeat within him.
Episode 15 showed us the silence left behind. Shen WenLang reaching out again and again, haunted by memories, crushed by absence. Sometimes you don’t know the weight of love until it slips away. Now that Gao Tu is gone, WenLang is drowning in regret, finally realizing the truth his heart had been hiding. I can only pray their paths cross again before it is too late.
But my heart aches because we only have one episode left. Just one. How can it already be ending next Saturday? It feels like yesterday I pressed play on episode one back in July. After Revenged Love, after Kill to Love, now even ABO is drawing its final curtain. No more Chinese BLs to hold us.
All three this year were masterpieces. And yet, the ache remains, a longing for what could have been, for the stories still waiting to be told. One day, perhaps, when the ban is lifted, we will see China return to BL in full light. For when it comes to plot, to acting, to cinematic beauty and breathtaking fight scenes, no one tells a story like China does.
So here I am, counting the days until the finale, already mourning what has not yet ended. These characters, these stories, will stay with me long after the screen fades to black. Saying goodbye feels impossible, yet it is all we can do.
We don’t watch Breaking Bad because we support drug dealing, or The Godfather because we support murder. We watch because fiction allows us to explore dark, uncomfortable themes in a safe space. The same applies here, depicting something in fiction doesn’t automatically equal endorsement.
At the end of the day, BL is still fiction. Fiction often simplifies or dramatizes things for the sake of storytelling. We rarely see characters filing police reports in any genre unless it’s a crime drama.
Romantic comedies don’t realistically portray breakups, thrillers exaggerate violence, and fantasy worlds bend morality all the time. If we expected every story to depict real-life consequences, most of our favorite shows would fall apart.
That’s not to say we shouldn’t be critical. It’s fair to point out when something feels careless or harmful. But it’s also worth separating fiction from reality, because stories are designed to explore emotions, relationships, and drama, not to serve as a legal handbook.
If we start labeling every depiction as “romanticizing,” then we risk shutting down nuanced storytelling altogether. The key is whether the narrative frames it as acceptable or desirable, which is very different from simply depicting it as part of a dark storyline.
Are we really going to dismiss a series entirely just because it depicts rape, violence, or morally disturbing themes? If that’s the case, then say goodbye to half of modern storytelling. Game of Thrones, The Handmaid’s Tale, 13 Reasons Why, Outlander, Law & Order: SVU, Monster, Kill Bill, Gone Girl, and The Girl with the Dragon Tattoo all explore horrific acts, yet they’ve been praised, awarded, and widely consumed.
Watching dark or controversial content does NOT mean we support it. No one watches a serial killer movie and thinks, “Wow, I want to do that.” Fiction is a space where we confront uncomfortable truths. It lets us explore trauma, redemption, and the darkest parts of humanity, not to glorify them but to understand their weight and impact. That’s the purpose of storytelling: to create tension, challenge empathy, and hold up a mirror to society’s ugliest sides.
If we only accepted stories with flawless morals and perfect characters, we would lose Breaking Bad, Dexter, Joker, The Godfather, Scarface. Entire genres would vanish.
So no, watching a RAPE scene does NOT mean we support rape or normalize it. It means we understand the difference between fiction and reality, something some people in these comments seem unwilling to separate. Millions watch Game of Thrones, Breaking Bad, or The Handmaid’s Tale, which are filled with rape, murder, assault, and worse. Does that mean all those viewers “support” those acts? Of course not.
If we automatically drop or negatively review a show simply because a rape scene leads into a couple’s storyline, then we would need to call out countless other shows and films that have done the same. Storytelling has always tackled dark, uncomfortable, and even controversial topics.
Personally, I’m just glad we finally have our first Japanese mafia BL. If only a minority of people loudly criticize and down-rate it, production companies might hesitate to explore this genre further, and that would be a real loss.
Are we really going to dismiss a series entirely just because it depicts rape, violence, or morally disturbing themes? If that’s the case, then say goodbye to half of modern storytelling. Game of Thrones, The Handmaid’s Tale, 13 Reasons Why, Outlander, Law & Order: SVU, Monster, Kill Bill, Gone Girl, and The Girl with the Dragon Tattoo all explore horrific acts, yet they’ve been praised, awarded, and widely consumed.
Watching dark or controversial content does NOT mean we support it. No one watches a serial killer movie and thinks, “Wow, I want to do that.” Fiction is a space where we confront uncomfortable truths. It lets us explore trauma, redemption, and the darkest parts of humanity, not to glorify them but to understand their weight and impact. That’s the purpose of storytelling: to create tension, challenge empathy, and hold up a mirror to society’s ugliest sides.
If we only accepted stories with flawless morals and perfect characters, we would lose Breaking Bad, Dexter, Joker, The Godfather, Scarface. Entire genres would vanish.
So no, watching a RAPE scene does NOT mean we support rape or normalize it. It means we understand the difference between fiction and reality, something some people in these comments seem unwilling to separate. Millions watch Game of Thrones, Breaking Bad, or The Handmaid’s Tale, which are filled with rape, murder, assault, and worse. Does that mean all those viewers “support” those acts? Of course not.
If we automatically drop or negatively review a show simply because a rape scene leads into a couple’s storyline, then we would need to call out countless other shows and films that have done the same. Storytelling has always tackled dark, uncomfortable, and even controversial topics. If you cannot separate fiction from real life, that says more about your perspective than about the show itself.
Personally, I’m just heartbroken. We finally have our very first Japanese mafia BL, something so rare and special, yet if only a small group of people loudly criticize and down-rate it, production companies might lose the courage to ever explore this genre again. That would be such a painful loss for all of us who have been waiting and hoping for stories like this.
The casting is flawless, Prince and Sasin feel like they were born for these roles. Every glance, every touch, carries so much weight that I’ve rewatched the trailer countless times, torn between excitement and fear. I can’t shake the worry that we may not be granted a happy ending, yet even if heartbreak awaits, this series has already carved a permanent place in my heart.
I’m grateful we get two episodes each week, because I don’t think I could endure the wait otherwise. We’re only halfway through, and already their chemistry is simmering, ready to erupt into something unforgettable. I know when their first kiss finally comes, it will be explosive, an aching, breathtaking moment that I’ll carry with me long after the final episode fades.
And yet, how ironic.
In the beginning, when Hua Yong was with Sheng Shao You, their bond was built on lies and manipulation. Sheng Shao You believed every word, blinded by trust. But when Hua Yong finally laid bare the truth that he was an Enigma and longed to have a child together, Sheng Shao You could not believe him.
It is only in Episode 15 preview, when Sheng Shao You becomes pregnant, that the impossible truth reveals itself. Shock turns his world upside down, while Hua Yong can only watch, wearing a guilty yet quietly satisfied expression. For this was the moment he had been waiting for since he was sixteen. In his heart, he had already chosen the name of their child: Hua Sheng, with the tender nickname Peanut. Their entire future had lived inside him long before it could ever come alive.
One quiet afternoon, while driving, Sheng Shao You’s brother called him. He answered casually and said, “I’m bringing your future in-law.” These simple words. Yet for Hua Yong, those words shattered his world open. His hands trembled, his foot slammed the brake too hard, and for an instant he forgot how to breathe. After more than fifteen years of silent love and patient waiting, Sheng Shao You had finally accepted him.
The weight of all those unspoken years lifted in a single moment. What once seemed like a dream of marriage, family, a future suddenly felt tangible, real. Just these words gave Hua Yong’s life meaning. And yet, those same words carried a fragility, a trembling hope that could break at any moment. For love, as sweet as it is in the Omegaverse, still came wrapped in sorrow, sacrifice, and the long shadow of what almost was lost.