I'm a fan of director Xu Bing hence I see this a bit differently. Like Fearless Blood, this is a wild road trip…
While watching the 3rd ep of Zhan Zhao's Adventures (the fight with the venom sect), came here to check certain names and saw your comment... lol, your reference to Alejandro Jodorowsky reminded me immediately of the plot and of what I've liked in the drama. And also of what I've disliked (its distance from the original story), the reason why I've rated it only 8 at the time. Btw., I see you're also at the ep 3 of ZZA.
Yep. She's only terrified that Xin Mei will wander off with Lu Qian Qiao and leave her alone. She has nobody except…
You've misunderstood again. I wasn't complaining about your long explanations but of the fact we are all aware of the picture you've correctly illustrated. That picture however didn't address the issues I've pointed out: your explanation was about the "finger", not about the "moon" behind it.
💯 agreed. I like her character. A Sheng is a survivor and she definitely carries the evil gene in her yet she…
yup, a propos the "evil gene", I found interesting that she didn't acknowledged this Xia as her father, as if she was in a denial (mentally refusing such a terrible fact), it felt very consequential, logical.
Yep. She's only terrified that Xin Mei will wander off with Lu Qian Qiao and leave her alone. She has nobody except…
tnx for your long explanation, but that much we've all got it. In particular, your "When she can't stand it anymore she goes wild (...)". What I've pointed out is "when she can't stand it anymore?" "when she stops being an obedient student-cultivator?" as a question. Besides, her cultivation didn't crash after she killed those officials and Gui master (whom she fought with Golden Core abilities bc. Gui turned the time to the point when she was at her peak), her power level advanced from 4th Qi to Fundamental Core level. Therefore, we have no clue what exactly triggers her shift in "mode/mood" nor it is given for granted that her previous advancements crashed because "she intervened in mortal affairs". This is what she says thinking the regression is a sort of "punishment" for her "breaking bad". And even if it is so, how this "punishment" works, what exactly implement it, is it a "divine intervention", is it carried out by a teacher or seniors of the sect or is it self-inflicted, through some sort of inconscious mechanism? Lack of these elements impede us to have a whole picture of her character, making her inconsistent.
Yep. She's only terrified that Xin Mei will wander off with Lu Qian Qiao and leave her alone. She has nobody except…
Yes, I agree with your statement. ML said today something about A Sheng being unapproachable or distrustful towards people (with the FL being an exception) but very straightforward in expressing her standings. In casual speech today we would say she is very... no bullshit, no nonsense person and this particular trait is actually... charming, relateable in a different way, we know exactly what to expect from her. I also agree with you that the FL is way less fascinating, but unlike you, I don't think it's the actress's fault. The root is in the script and the problem isn't in the fact FL's character contains certain contraddictions (Xin Mei actually lamented several times she is confused, asks for directions or explanations for what she perceives as problematic/confusing and is also aware she is not always in a control of her emotions and temper), but in the fact we've seen more than a half of this drama and still a) have no clue what to expect from this character, b) have no clue what triggers her shifting from rational, meek and goodhearted girl to a badass ready to punish and kill while seeking justice for complete strangers, not only without asking for the other side's opinion (as she would do in her "rational mode") but refusing even to hear the name of the person she is to fight, dismissing his/her presentations as "too much talk" and c) what she lamented (confusion etc.) is insufficient to mitigate OUR confusion about her character. These three facts combined brought me to a logical conclusion: her character is simply inconsistently written (and how the FL is written is not the only flaw in the script). Any other actress in this role would give the same inconsistent vibes. Maybe, before this actress, the role was offered to those who are more experienced in leading roles and they've said: no, thanks, this character isn't properly written.
I don't get why everybody is upset with A Sheng. Her possessive behaviour towards Mei is totally consequential to her persona, abused and traumatised as a child. Yesterday I've noticed there's no normal parent in this drama, almost all characters suffered some form of trauma as children. Yet the only person who behaves consequentially to this fact is A Sheng, who is showing typical symptoms of abandonment syndrome - the thought she could be separated from the only person who gave her warmth and security freaks her out: that's why she went after her in the first place after binding her teacher. Truly irritating is this swarming horde locusts, pieces of sh*t who think they are stars and heroes. "Immortal cultivators" which - what an irony - destroy cultivation, convinced they have every right to do it. I can't stand them any more, must FF each time they appear on screen. Writers should have mercy on us and send them to hell asap
Can someone please explain why those sect cultivators want to stop those wishing people from reading the “unparalleled…
As "protection providers" of the commoners, sects enjoy high privileges, reputation and payments from taxes. If the commoners regain the knowledge to create sophisticated arms and defences, ie. if they become able to protect themselves without special powers of cultivators, the role of the latter will greatly diminish, that's why they see as their vested interest to prevent the commoners to acquire any further knowledge
Spot on about that…childhood trauma, dysfunctional parenting…that’s the typical classic trope.But as portrayed…
Yeah, because that's a separate type of bad parenting and bleak surrounding a (usually narcissist) parent created: the one aimed to create mercilessness, blind obeyance and competiveness espc. in pleasing the parent. Actually, this type is more realistic, while the first one is far from realistic. Once grown-up, traumatized children tend to lack self confidence, as they percieve themselves not worthy of love or responsible for the abuses suffered... not to mention the abandonment syndrome which impedes them to control emotions and manage their daily tasks. I def. dislike the fondness for this trope and it isn't actually only Chinese, I have a feeling that Asian writers in general are convinced that the harsher is one's childhood, the more extraordinary the child will be once grown up. Even in rare cases when such children succeed to excell in something (eg. sports or arts), the past traumas backlash in form of abuse of substances and disfunctional emotional relations.
Not a single normal parent in this drama. C-drama authors seem to be a little bit too obsessed with the idea that all heroes must have had a horrible childhood, as if their extraordinariety is somehow linked with a past trauma. And to make the trope complete, that traumatic experience will always push them to long for a "normal", quite & peaceful life.
The authors must have reached their exhaustion limits in creation of annoying characters after they've written Jiang Ji and Nangong guy with the flute - their only purpose in the story is to irritate the audience with their self-importance. These two left them with no energy to dedicate to a love rival's trope, lol
Heh, repeated push & pulls are also annoying. I imagine the scriptwriters couldn't skip the old sedimented animosity between the war demons and the immortal sects (which we've seen as arrogant hypocrites who don't care about the commoners, a trait typical for the universe built by the original creator), but the particular confrontation between LQQ and Mei should have been toned down, in line with their characters. It isn't the first inconsistency btw.
lol blaming him for the death of all her seniors? Really this is low coming from her in the preview espicially…
That was the lowest dialogue in the entire drama, less believeable than her lecturing sects' chiefs in Chongjing valley. Even the actress's perfect delivery of broken emotions couldn't cover up the lack of logic in her speech and the underlying unoriginal trope ("your clan killed mine, so you're my enemy")
FL has been busted down in her power levels multiple times before this story started because of her inability…
that was a figure of speech, I was ironic. Ofc she didn't advanced tnx for her fight for injustice but the outcome of her fighting was that she advanced although the direct cause was smth else.
The plot may not be perfect, but is quite addictive and engaging, that's why your points are not noticeable..…
He indeed saw people killing for the tokens (required to obtain the pills) issued by the "medicine valley" and there's no question he was angry with Su for it. But when he angrily confronted Su Taiyi he didn't accuse him for issuing the tokens, opening a sort of hunger games among cultivators in order to obtain them, but for the immortality tax which induced people to starvation. I raise an issue only when notice some basic logic seems to be missing, creating an incoherence in the storyline or in a character's basic trait.
The plot may not be perfect, but is quite addictive and engaging, that's why your points are not noticeable..…
She said herself she can't stand injustice when she sees it. It's true she warned him but that man was murdered and it's odd for her character not to be bordered who perpetrated that crime. I don't remember it was mentioned that the immortality tax was applied only in several regions. If it was mentioned, it evidently wasn't sufficiently emphasised to make his not-knowing of it logical to a viewer.
FL has been busted down in her power levels multiple times before this story started because of her inability…
That's what I've said precisely: her advance/regression in levels seems to be unrelated to her fighting for justice. Btw, Qi level is the beginners' level. Yes, the flower gave her extra power, but of a depleteable kind.
FL has been busted down in her power levels multiple times before this story started because of her inability…
Correct, that guy, Gui, used a time reverse technique thinking he'd overpower her turning time to the point when he was at his strongest and she was just a beginner. As you've said, unfortunately for him, she advanced (for the first time) to a Golden Core level when she was 18, so he couldn't beat her turning time to that level of her power. Finally, she indeed said she regressed to Qi level several times bc "she couldn't stand injustice" but that was her explanation which may or may not be correct, we don't have sufficient details how this regression (and the subsequent failure to advance) precisely occurred: is there some sort of a "natural backlash" each time a cultivator "meddles into mortal affairs" or she was punished by her shifu or other seniors (maybe at the time when her teacher still hasn't split from Taiyuan sect) or something else. Only if her regression was due to a "natural backlash" her "fighting for justice" is related to her low level of power. In a particular case of her "revenge of her husband", the sects sent people to punish her, there were no "natural backlashes" when she killed three people
Btw., I see you're also at the ep 3 of ZZA.
Therefore, we have no clue what exactly triggers her shift in "mode/mood" nor it is given for granted that her previous advancements crashed because "she intervened in mortal affairs". This is what she says thinking the regression is a sort of "punishment" for her "breaking bad". And even if it is so, how this "punishment" works, what exactly implement it, is it a "divine intervention", is it carried out by a teacher or seniors of the sect or is it self-inflicted, through some sort of inconscious mechanism?
Lack of these elements impede us to have a whole picture of her character, making her inconsistent.
I also agree with you that the FL is way less fascinating, but unlike you, I don't think it's the actress's fault. The root is in the script and the problem isn't in the fact FL's character contains certain contraddictions (Xin Mei actually lamented several times she is confused, asks for directions or explanations for what she perceives as problematic/confusing and is also aware she is not always in a control of her emotions and temper), but in the fact we've seen more than a half of this drama and still a) have no clue what to expect from this character, b) have no clue what triggers her shifting from rational, meek and goodhearted girl to a badass ready to punish and kill while seeking justice for complete strangers, not only without asking for the other side's opinion (as she would do in her "rational mode") but refusing even to hear the name of the person she is to fight, dismissing his/her presentations as "too much talk" and c) what she lamented (confusion etc.) is insufficient to mitigate OUR confusion about her character.
These three facts combined brought me to a logical conclusion: her character is simply inconsistently written (and how the FL is written is not the only flaw in the script). Any other actress in this role would give the same inconsistent vibes. Maybe, before this actress, the role was offered to those who are more experienced in leading roles and they've said: no, thanks, this character isn't properly written.
Truly irritating is this swarming horde locusts, pieces of sh*t who think they are stars and heroes. "Immortal cultivators" which - what an irony - destroy cultivation, convinced they have every right to do it. I can't stand them any more, must FF each time they appear on screen. Writers should have mercy on us and send them to hell asap
I def. dislike the fondness for this trope and it isn't actually only Chinese, I have a feeling that Asian writers in general are convinced that the harsher is one's childhood, the more extraordinary the child will be once grown up. Even in rare cases when such children succeed to excell in something (eg. sports or arts), the past traumas backlash in form of abuse of substances and disfunctional emotional relations.
It isn't the first inconsistency btw.
I raise an issue only when notice some basic logic seems to be missing, creating an incoherence in the storyline or in a character's basic trait.
I don't remember it was mentioned that the immortality tax was applied only in several regions. If it was mentioned, it evidently wasn't sufficiently emphasised to make his not-knowing of it logical to a viewer.
Btw, Qi level is the beginners' level. Yes, the flower gave her extra power, but of a depleteable kind.
Finally, she indeed said she regressed to Qi level several times bc "she couldn't stand injustice" but that was her explanation which may or may not be correct, we don't have sufficient details how this regression (and the subsequent failure to advance) precisely occurred: is there some sort of a "natural backlash" each time a cultivator "meddles into mortal affairs" or she was punished by her shifu or other seniors (maybe at the time when her teacher still hasn't split from Taiyuan sect) or something else. Only if her regression was due to a "natural backlash" her "fighting for justice" is related to her low level of power.
In a particular case of her "revenge of her husband", the sects sent people to punish her, there were no "natural backlashes" when she killed three people