I caught up to ep 21 and must say I loved the 2nd arc exactly as the 1st. The script is well written to fit into 10 eps per arc, there was no drop in the overall production quality (narrative, acting, directing, camerawork, music...) as it happened in the War of Faith when the story turned from Republican to Communist era in Shanghai. The plot and dialogues, although simplified and some times overdramatised to fit into the format, are credible and sufficient both to characterise persons involved and realistically depict the time and the environment. Probably, the story in the 2nd arc is closest to real historical setting I've seen of this period in a Chinese drama (also because it avoided to deepen certain events and purges in the first 5 years of Communist takeover, while how the Cultural Revolution impacted the story was only hinted and not particularly deepened). Two actresses impersonating Yi Yi are both great and physically alike. Directing and the camerawork in particular mantain the aestethics and shooting frames (which give retro vibes) from the previous arc. If the 3rd arc connects well with the rest, I'll rate this drama at least 9
Yang Xue’s rigidness will soon get him into trouble, think that’s what happened and he was suspended from…
Exactly. Besides, throughout the 2nd arc, it was sufficiently hinted he he had a heavy OCD, combined probably with other mental issues. We don't need to see what (kind of sh*t) exactly he caused, his obsessions naturally isolated him (we see he was disliked by everybody except by Mrs Fang even before) and his state of mind was furtherly aggravated by alcolhol abuse. YQ was checking on him from time to time, out of pity. There are other things in the plot that were maybe oversimplified or remained unexplained because of the short format (10 eps cca per arc), but we've got a sufficient (satisfactory and logical) explanation on his downhill trajectory and how he ended up. This short insert/dialogue with YQ was even a sort of extra, maybe the scriptwriter wanted to explain he was not connected directly with the cultural revolution events which caused hardships to Wen and Yi Yi
A lot of people don't like it as much after ep 10/11 because it moves on from Jelly Lin and Cheng Lei, their characters…
Thank you again. I'll try to catch up and then we can discuss it together. In the first arc, I also like the dynamics among "three brothers", their peculiar entanglement with politics of the time and, although the story is not about politics, I am curious how the different political times/issues impact the overall plot and narrative.
A lot of people don't like it as much after ep 10/11 because it moves on from Jelly Lin and Cheng Lei, their characters…
Oh, I see, thank you very much. Indeed, they make an interesting couple. Could be other actors fall behind as leads, but how's the story in the next arc?
I absolutely loved the portrayal of Jin An slowly showing hints of Prince Annan's demeanor. Its shown really subtle…
It's a piece of cake for this actor to play Annan, his usual roles were all such cold, detached, even cruel personalities. The real surprise here is how he convincingly delivered Jin'an's sweet and playful character and "wolverine" black man transformation, both characters out of his comfort zone. His acting skills truly shine in SL
It looks like the last 10 eps will also be the most interesting ones. I'm definitely curious how he will dispute the classical "battle over a girl" with CP. Given Jin'an's re(g)al identity, CP risks not only to lose the girl, but his kingdom as well
I want to love this and am interested in seeing where the overall story goes. But, I the line delivery of the…
I don't have a hyperacusis but agree with you she was miscasted. She is a proper actress in every sense but isn't inherently fit for every role and the problem is not in her physical constituition, recently we've seen even tinier Zhou Ye in LoFG being more convincing as such, not in acute tone of her voice and neither in line delivery (imo) but in her performance of the "female" side of this character: those traits are too convincing (too normal and in the range of our expectations for a woman) to be combined with her "military side", so this side of the character constantly prevails making the other unbelievable. I suspect this thing isn't even the actress's fault, the script is confusingly written when it comes to several characterisations and she is just the most noticeable.
And I also agree Sandra Ma excellently embodied a female general, with good balance of military roughness and female tenderness (towards her husband in particular), the natural low tone of her voice certainly helped in that endeavour but it wasn't the determining factor
I agree with you 100%. I laughed while reading your review because I had the impression the heroine was about…
Yup, and it's a pity bc. a few departments put a certain effort in their job and the original story did not contain nonsensical details distracting our attention.
Only dramas aired in 2025 are present in this list.It's quite hard to have datas for all the dramas aired in 2021…
Many tnx for your prompt reply. Actually, MHH was a good parody but not the greatest I've seen of the sort... I was trying to figure out what the top dramas had in common to draw such an interest and "heat", but it's difficult to say, maybe all these dramas somehow contain certain original elements and a good dose of humour especially towards its own genre... But must say they greatly differ in quality, so it isn't the quality (and neither the genre) to determine the interest of the audience
Only dramas aired in 2025 are present in this list.It's quite hard to have datas for all the dramas aired in 2021…
I understood that you've worked (tnx for your hard work btw) with 2024 and 2025 data. But where did you find the titles in "Highest Heat Index ranking : (total of dramas over 10k till 2024 - 14) ". I'm curious which drama - with different title - this one may be. Maybe it's possible if your source mentioned the original (Chinese) title, too
The plot and dialogues, although simplified and some times overdramatised to fit into the format, are credible and sufficient both to characterise persons involved and realistically depict the time and the environment. Probably, the story in the 2nd arc is closest to real historical setting I've seen of this period in a Chinese drama (also because it avoided to deepen certain events and purges in the first 5 years of Communist takeover, while how the Cultural Revolution impacted the story was only hinted and not particularly deepened).
Two actresses impersonating Yi Yi are both great and physically alike. Directing and the camerawork in particular mantain the aestethics and shooting frames (which give retro vibes) from the previous arc.
If the 3rd arc connects well with the rest, I'll rate this drama at least 9
There are other things in the plot that were maybe oversimplified or remained unexplained because of the short format (10 eps cca per arc), but we've got a sufficient (satisfactory and logical) explanation on his downhill trajectory and how he ended up.
This short insert/dialogue with YQ was even a sort of extra, maybe the scriptwriter wanted to explain he was not connected directly with the cultural revolution events which caused hardships to Wen and Yi Yi
Indeed, they make an interesting couple. Could be other actors fall behind as leads, but how's the story in the next arc?
And I also agree Sandra Ma excellently embodied a female general, with good balance of military roughness and female tenderness (towards her husband in particular), the natural low tone of her voice certainly helped in that endeavour but it wasn't the determining factor
Actually, MHH was a good parody but not the greatest I've seen of the sort... I was trying to figure out what the top dramas had in common to draw such an interest and "heat", but it's difficult to say, maybe all these dramas somehow contain certain original elements and a good dose of humour especially towards its own genre... But must say they greatly differ in quality, so it isn't the quality (and neither the genre) to determine the interest of the audience