Just remember and keep in mind that this is Mick's first and last BL role, he needed something to get into this business, just like his brother...gosh he is not even suitable for BL, in my opinion...I don't know if his character is written like that or what but there is 0 romance vibe from him....It is not bad to choose BL to venture into other things...after all they re all actors and should do acting...thats there job...but compared to others I do not get any vibes from him that he will be doing any partner type contractual series in future....
This is a great watch—another impressive effort by Saint. He continues to surprise us with qualities we never knew he had back when we all watched LBC.
Pete, who fell off a bike and was picked up by Ae, had us all swooning over them as the iconic hot-and-cold couple. Unfortunately, they didn’t make it to the end, but they were phenomenal—truly the standout couple during the second year of Thailand’s blooming BL industry.
Now, Saint is thriving—not just as an actor, but also as a producer and a man steering his own destiny. He’s in a league of his own and no longer needs a partner to shine.
The ratings are hoax here, and like many hidden gems, this one is rated lower as well...
I am super impressed by Phoom, what a handsome lad and talent he is. Saint is using all his artist perfectly...to them he is not their boss, but a fellow actor, friend and mentor...
Saint giving surmount amount of freedom to his artist is an excellent quality of a leader, his leadership may not be big for now...but hope TIF makes more progress and continues to give more projects like this...
If I am not wrong, isn't the Peace who's first job was to kill Sun's dad? When his dad was killed by henchmen, Peace appeared in that alley, or is it Madam Yao who killed Sun's dad??? If so then what were Peace doing in the alley, and saw Songphoom being killed???
I like got7 but jinyoung shouldn't be an actor tho he isnt good at it all...i dont get it why he keeps getting…
PJY is, without question, an actor, one who chooses stillness over spectacle, and emotional precision over theatrical excess. His journey through different roles paints the picture of a performer who understands restraint and the weight of silence. From the emotionally burdened Lee Ahn in He Is Psychometric to the morally conflicted Kim Ga-on in The Devil Judge, Jinyoung consistently portrays characters who are grappling with something beneath the surface. He doesn't shout emotions, he suggests them, inviting the audience to come closer, to lean in and feel the tension quietly simmering.
In Yumi’s Cells, he mastered ambiguity, becoming a character who appears warm on the outside but leaves viewers uneasy—unsure whether to trust him. That’s a delicate line to walk, and Jinyoung did so with natural ease. Then came Christmas Carol, a pivotal moment in his career. In playing twin brothers—one soft and vulnerable, the other vengeful and volatile—he shed the polished idol image and stepped into something raw, unsettling, and physical. It was not just a performance; it was a declaration. Jinyoung proved he could embody not just presence, but transformation.
His acting may not appeal to those seeking overt dramatics or expressive flamboyance, but that’s not the kind of actor he is. He’s not loud, but he’s deeply felt. He listens, reacts, holds tension, and respects the emotional architecture of a character. In a profession that often rewards visible emotion, PJY’s gift is making the invisible visible—the flicker of doubt, the held-back tear, the quiet choice to walk away.
He won Best New Actor at Baeksang Arts Awards and at Korean Association of Film Critics Awards for Christmas Carol...so they are not blind to hand them award to someone who isn't an actor.
So the question is he an actor?
Yes—an actor by instinct, by discipline, and by choice. One who grows with every role, and who has already begun carving out a space for himself not as a performer looking to be liked, but as an artist willing to be understood.
Whether you like Park Jinyoung’s acting or not is personal taste—it doesn't define his worth as an actor. Trump called Meryl Streep overrated, yet she's hailed as one of the greatest of the 21st century. Katharine Hepburn—who still holds the record for the most Academy Awards for Best Actress—was once called too mannered, too stiff, even unemotional by critics in her time. Were they right, or did time prove otherwise?
I think I have to comment on Pooh's acting here, it's one of the very few performances in recent memory that portrays anger in such a calm and controlled manner. The way Charlie expresses anger, helplessness, and frustration, yet still shows his deep, unwavering love for Babe, it's heartbreaking. He's not angry that he loves Babe , he’s broken because he can't escape loving him, no matter how messy things get, even if his own life begins to fall apart.
The use of the words "mams" and "papa" is deliberate. I always hated it at first, but it fits the characters. Babe is hot-headed, impulsive, sometimes reckless and naive, using force and acting hastily. Meanwhile, Charlie is deeply thoughtful, quiet, always smiling more than speaking. He tries to resolve every situation by keeping Babe happy. In every matter, his choice is always Babe. I don’t blame him, that's just who he is. His life revolves around Babe, and he breathes for him.
So even when he's hurt by the person he loves, Charlie can’t fully express his anger, like a real person would. But even the slightest anger from Charlie feels like a storm has torn through Babe’s world. That’s why, to me, Charlie is far scarier than anyone else when he’s even a little bit angry.
I don’t blame Babe either. He acts on what he feels is right. This isn’t the first time he’s behaved like this. His ability to process things is more limited than Charlie’s. That’s also why Babe is drawn to Charlie, and not the other way around.
ps. I don't understand this big production and they still can't take care of technical aspects, you could see filming crew in the windows mirror, when Uncle and Babe were having conversation.
Where are you seeing those clips ? Or are you talking about the scenes in the trailer ?
no there are several clips, for example the famous one right now, is where Armin practicing his lines with Thada, and Thada being cutie pie and wet dog in front of him, and Armin being the one using Thada the way he want (in a good way, as if Thada is his completely) and Thada let him do whatever he wants....is just over the top...can't wait to see such scenes!!!
I wish she makes him a bigger and bleed him to tears till he understand what he stole from her…her talent can’t be stolen…but power can turn that talent to shit…and that’s the crime of HBW. They can steal her recipes but the power his family holds can block her talent…that calculation and consequences he knew all along…
wow…that was good first episode…recently too many plot with similar concept…but still it felt new and was damn good…basic story but with poignant details, solid acting and writing is good…
it is weird...cold, warm and suddenly dating without saying anything...and then the kiss scene was major, he left a mark on her neck!!! I mean he has to go to come back...so thats why they are not making them say...I like to each other, let get together as offcial dating will start after he comes back or what?
4 
1 
2 
1 
1 
Pete, who fell off a bike and was picked up by Ae, had us all swooning over them as the iconic hot-and-cold couple. Unfortunately, they didn’t make it to the end, but they were phenomenal—truly the standout couple during the second year of Thailand’s blooming BL industry.
Now, Saint is thriving—not just as an actor, but also as a producer and a man steering his own destiny. He’s in a league of his own and no longer needs a partner to shine.
The ratings are hoax here, and like many hidden gems, this one is rated lower as well...
I am super impressed by Phoom, what a handsome lad and talent he is. Saint is using all his artist perfectly...to them he is not their boss, but a fellow actor, friend and mentor...
Saint giving surmount amount of freedom to his artist is an excellent quality of a leader, his leadership may not be big for now...but hope TIF makes more progress and continues to give more projects like this...
In Yumi’s Cells, he mastered ambiguity, becoming a character who appears warm on the outside but leaves viewers uneasy—unsure whether to trust him. That’s a delicate line to walk, and Jinyoung did so with natural ease. Then came Christmas Carol, a pivotal moment in his career. In playing twin brothers—one soft and vulnerable, the other vengeful and volatile—he shed the polished idol image and stepped into something raw, unsettling, and physical. It was not just a performance; it was a declaration. Jinyoung proved he could embody not just presence, but transformation.
His acting may not appeal to those seeking overt dramatics or expressive flamboyance, but that’s not the kind of actor he is. He’s not loud, but he’s deeply felt. He listens, reacts, holds tension, and respects the emotional architecture of a character. In a profession that often rewards visible emotion, PJY’s gift is making the invisible visible—the flicker of doubt, the held-back tear, the quiet choice to walk away.
He won Best New Actor at Baeksang Arts Awards and at Korean Association of Film Critics Awards for Christmas Carol...so they are not blind to hand them award to someone who isn't an actor.
So the question is he an actor?
Yes—an actor by instinct, by discipline, and by choice. One who grows with every role, and who has already begun carving out a space for himself not as a performer looking to be liked, but as an artist willing to be understood.
Whether you like Park Jinyoung’s acting or not is personal taste—it doesn't define his worth as an actor. Trump called Meryl Streep overrated, yet she's hailed as one of the greatest of the 21st century. Katharine Hepburn—who still holds the record for the most Academy Awards for Best Actress—was once called too mannered, too stiff, even unemotional by critics in her time. Were they right, or did time prove otherwise?
ps. I am not his fan, nor I am GOT7's.
The use of the words "mams" and "papa" is deliberate. I always hated it at first, but it fits the characters. Babe is hot-headed, impulsive, sometimes reckless and naive, using force and acting hastily. Meanwhile, Charlie is deeply thoughtful, quiet, always smiling more than speaking. He tries to resolve every situation by keeping Babe happy. In every matter, his choice is always Babe. I don’t blame him, that's just who he is. His life revolves around Babe, and he breathes for him.
So even when he's hurt by the person he loves, Charlie can’t fully express his anger, like a real person would. But even the slightest anger from Charlie feels like a storm has torn through Babe’s world. That’s why, to me, Charlie is far scarier than anyone else when he’s even a little bit angry.
I don’t blame Babe either. He acts on what he feels is right. This isn’t the first time he’s behaved like this. His ability to process things is more limited than Charlie’s. That’s also why Babe is drawn to Charlie, and not the other way around.
ps. I don't understand this big production and they still can't take care of technical aspects, you could see filming crew in the windows mirror, when Uncle and Babe were having conversation.
ps. is Jorn going to do "that" to Chain what I have in mind or probably you all, to get his revenge???
it is weird...cold, warm and suddenly dating without saying anything...and then the kiss scene was major, he left a mark on her neck!!! I mean he has to go to come back...so thats why they are not making them say...I like to each other, let get together as offcial dating will start after he comes back or what?