Arclei

- Historical periods (1930s in GC, Joseon period in Kingdom)
- Rich ML hunted down on the verge of losing everything (Prince in Kingdom, rich socialite in GC)
- Strong FLs (physically strong in GC, emotionally strong in Kingdom)
- Dark and gritty
- Survival
- Investigation
- Supernatural (big monsters in GC, zombies in Kingdom)
- Similarities between how the monsters come to be
- Power struggles

- Gender role reversal (a matriarchy in Ooku, a male courtesan in Homme Fatale)
- ML is a free spirit, FL is reserved
- Very slight romance
- ML hangs out with women often (as a courtesan in HF and as a 'lover' in Ooku (it's more of a favor than a paid service if you catch my drift...))
- Jealous men sabotage ML
- Kinda bittersweet, melancholic vibes

Homme Fatale is more comedy focused while Ooku is darker and somber.

- Matriarchies (few men due to sickness in Ooku, no men due to law in Laplae)
- Important plot point related to pregnancy
- Royalty FL (Shogun in Ooku, Queen's daughter in Laplae)
- Reluctant, free-spirit and kind MLs
- Gender role reversal themes

Laplae is lighter, more romance focused and more fantastical than Ooku.

- Disease that affects only males, making men a rare commodity
- Unconventional and quirky leads
- Story takes place in a safe location where men are kept
- Gender role reversal
- Queer rep
- Social commentary

The stories are vastly different in tone and setting. RSL is a light romcom while Ooku is much darker and melancholic

- All men/women group (In Kuragehime they're all-female housemates, in SnH they're all-male co-workers)
- A place important to said group is about to be bought off and they're poor/in debt (in Kuragehime it's their home, in SnH it's their club/work place)
- Unconventional lead comes in to save the day (ML in Kuragehime, FL in SnH) by making the group grow and mature as people
- Extremely shy secondary lead with social anxiety that can't make eye contact and interacts mostly with nature (FL in Kuragehime, ML in SnH)
- Supporting characters each with their own quirks
- Themes of friendship, healing, finding your place and appreciating life
- Love triangle (subtle in SnH)
- Shady rich businessman in the same industry wanting to get with FL
- Kinda campy
- Gender role reversal elements
- Japanese comedies

- Househusband ML
- Both MLs are writers
- Family focused
- Comedy
- Both are short-length Jdramas

- Social commentary, specifically about feminism and gender roles
- Male focused
- Healthy male friendships
- Gender role reversal (househusbands in SM, mpreg in HKnN)
- Both include a place for these unconventional men to congregate and support each other
- ML who's initially opposed to the reversed gender role situation but learns to accept it and ends up liking it.
- Girlboss x Malewife vibes
- Themes of learning, acceptance and gratitude
- Both short japanese dramas

SM is a fluffy episodic-format minidrama while HKnN is a more serious regular formatted drama.

- Househusband ML x Breadwinner FL (with bonus points of stay-at-home fathers in 2 of the couples in SM)
- Established couple
- Supportive and devoted relationship
- Family focused
- Nurturing MLs
- Adorable and smart kids (only 2 of the couples in SM)
- Easy and fluffy watch
- Slight comedy
- Gender Role Reversal
- Both short Jdramas

SM has an episodic format following 5 different couples while SKwLd is about 1 family.

- Matriarchies (One contemporary (RSL), one historical (LtHT)). In LtHT, it's a women-only town but there are plenty men in the outside world while in RSL the vast majority of men died out.)
- Women trying to win the men's affection
- Female competition (in RSL to win a husband and in LtHT to be able to hunt one, lol)
- Misandry
- Proactive women, passive men
- Secondary couple have the aloof woman / smitten man
- Shady rulers and conspiracy
- LGBTQ+ representation
- Both are Thai dramas from the same year (seriously, what are the odds??)

The tone, setting and plot are quite different tho. RSL is a romcom set in a dystopia while LtHT is basically amazons if they were a cult and less fighting-oriented.

(mostly in the 1st arc of HDJtT)
- FL is an important historical figure (empress in NWBX,YZQEC and a general in MFG)
- FL time travels to the future
- ML is a wealthy heir who supports FL through everything
- Fish out of water situation
- ML takes care of FL

FL is a person of importance in a historical time (empress in HDJtT and general in MFG) who travels to modern times and has to adapt to living as a contemporary woman. She ends up being accidentally found by the very rich ML and they make an arrangement to live together. Both FLs are atypical, strong and rough in a fish-out-of-water situation

- Unique brothers relationship
- Wrongfully accused (ML)
- Serial Killings
- Kind and supportive FL (not a walkover)
- Ride or die dynamic between ML & FL
- Kidnapped children seeking revenge as adults
- Slowburn story (YdMAKnTn is slower)
- Hotheaded but sweet MLs
- Lots of whump and angst

The pacing is quite different and also the MCs position. In Blind ML is a detective while in YdMAKnTn he's a high school student kinda doing this on the side.