Enjoyable
I didn’t think I’d finish this series, but, truth be told, it got better and better as it went along. The mournful Buddhist theme set against the many shots of the beautiful countryside gave the whole drama a rich, poignant feel. I liked and cared about the characters–the secondary ones as well as the main ones. The pacing worked for me, and the plot wasn’t overly complicated.But I do have a few nits to pick.
1. The continual use of crows as omens of evil and doom annoys me. This is a recurring problem in Chinese films (and in some western films too). Can we get away from this stereotype?
Everywhere crows have suffered at the hands of humans. They’ve been shot, snared with wire, tortured and murdered by the thousands, and they don’t deserve it. Crows are curious and incredibly intelligent animals.
Crow families work together to build nests. They show empathy and compassion and will help a friend or neighbor if they can. (Look up the research.) They’re not the evil demons they’re often portrayed as in series like this one. I’d like to see them catch a break with movie makers. Don’t give viewers a reason to persecute them. Please?
2. This drama was supposed to be a romance. Did the main couple even kiss? There was one scene of two shadows on a window screen coming together. That might have been a display of affection--or not. The “seduction” scene between the two second leads had all the warmth of a congealed blob of refried beans.
3. Now and then a character gave a speech that sounded like a sermon or something from Economics 101. For example, I didn’t mind that Mei Xin talked about the financial exploitation of the lower classes by the upper classes, but it went on and on and ON.
4. It was nice seeing Riley Wang in a different kind of role (serious Taoist cultivator), but there wasn’t much juice in that lemon. He didn’t smile once. I like Riley better when he plays a bad boy.
5. As for the ML, he was something of a cipher. His expression never changed, even when he was looking longingly at the FL. But as the story went on, he somehow found ways to express his feelings through subtle glances and gestures. I ended up really appreciating his toned-down character and the actor who played him.
Overall, entertaining and thought-provoking.
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Required a flow chart...
...to really get the details of what was going on. And a spread sheet would’ve come in handy too.The time travel elements were confusing, even for people like me who read a lot of a time travel novels. The trajectory of characters going backwards and forwards in time wasn’t always clear.
Two characters were sharing bodies with other characters in at least three time periods. One character, with two different names but a single identity, was hopping back and forth between decades and even managed to get together with himself at one point–so the two of them (one of them?) could figure out what to do. AAAaaarrgh!
The dubbed English actors all spoke in monotonous voices, and the acting seemed stiff, awkward, and mechanical. It was a noble attempt–with a lot of problems. Five stars.
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Mature and engrossing
No glossy fairy-tale sentimentality here. This series starts as a multifaceted examination of love–showcasing its promise, its challenges, its various manifestations, insecurities, and difficulties.An amazing group of actors show us the pressures, problems, and power games experienced by a group of friends, all young adults, caught up in the ups and downs of romance – and its many complications.
The ML and the FL are both dedicated to discriminating what’s real from what’s bogus–but in different domains. The ML (played by Liu Yuning) specializes in sussing out authentic designer handbags from copies, whereas the FL tests various men to see if their romantic intentions are sincere–or not.
While the ML’s profession is considered reputable, the FL’s methods are a bit sleazy--veering off, at times, into techniques that could reasonably be called entrapment.
As for genuine, long-lasting love–is there any such thing? Or does love eventually deteriorate because of the many unavoidable pitfalls, problems, and contradictions? The drama asks the question, but never really provides an answer.
Edgy and quirky, a variety of experimental techniques mirror the ambiguity of the story telling. For example, indoor scenes are sometimes filmed with a gauzy filter, making it look as if they’re encased in fog
Gao Wei Guang, who plays Old Gong, adds humor and flair. He’s a reckless, creative, and toxic presence in the drama. As it turns out, he’s also someone who has a surprising moral sensitivity and capacity for friendship.
Unfortunately, the last few episodes really drag. For example, one couple’s divorce seem to go on forever. Other couples cycle in and out of their problems a few more times–I stopped caring about who was going to end up with whom.
Also the director completely changes the tone of the last episode–giving the whole drama a weird send off. I much prefer it when the writers choose the ending of the series themselves instead of asking the viewers to figure out what happens.
But altogether a surprising and innovative series.
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A few problems
I’m not sure exactly what’s wrong with WHEN DESTINY BRINGS THE DEMON, but this drama just didn’t land for me–partly because it’s so simpleminded. For example, when the demon army invades the Grandmaster’s stronghold in ep. 20, the demon fighters are all dressed in black. The good guys are dressed in white. Pretty convenient.There are many parallels in this story with LOVE BETWEEN FAIRY AND DEVIL. There’s a dragon buddy in one, a snake buddy in the other. Fairies and demons fight each other in the first. Immortals and demons are at war in the second.
The female leads in each series are different. While Orchid is sometimes irritating in LBFAD, she’s also lovable, funny, and appealing, and she grows into a strong, impressive woman.
But the writers of WHEN DESTINY BRINGS THE DEMON infantilize Tingyan. She pouts and simpers and makes eyes at Jiao. Her goal is life is to eat, drink, and try on pretty clothes. It doesn’t hit home with her until about halfway through the series that her boy is a serial killer. Also, who is this woman? Is she a demon? a reincarnated human? or a fish?
What’s motivating the ML? Power? Revenge? The attainment of higher cultivation levels? Personal animus? The villains seem like a bunch of feckless, bungling clowns. It’s hard to take them seriously. Mostly they seem like a swarm of annoying insects buzzing around Jiao’s head. Every once in awhile he brushes them all away.
Arthur Chen as Sima Jiao is disarmingly handsome, but that’s not always an advantage for someone wanting to be taken seriously as an actor. His looks make him subject to everyone’s projections. Sima Jiao, is a pit of hatred, negativity and despair– in other words, a damaged soul.
The writers need to show us how someone who’s never known a kind word, can reach into his heart and find a boatload of self-sacrificing love for Liao Tingyan, a well-meaning, not-too-bright klutz. But character motivation is missing throughout. They don’t give Chen enough to work with, I’m sorry to say–so Sima Jiao’s transformation into Mr. Wonderful isn’t convincing. Or at least it wasn’t to me.
The comedy scenes in WDBTD are repetitious and not very funny. It’s cute that Liao Tingyan keeps using 21st century lingo and 9-to-5 work metaphors in her “employment” with her “boss,” but after the third or fourth time this device gets a little old.
The characters in this drama are always telling the viewers what’s happening: “Why isn’t the Grandmaster here? Looks like he’s figured out our plan.” Or, “If I can win the Grandmaster’s favor, perhaps I can help Mother through this crisis.” Weak writing.
The special effects and CG make many scenes seem low-budget.
My greatest wish for Arthur Chen is that he can find a substantial role that truly inspires him--maybe some kind of an eccentric character–a role that he can individualize and make his own. This drama doesn’t give him that.
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Awesome
MOVING is just as good as the most of the reviews say it is. It’s basically an entertaining thriller, and almost every episode ends in a cliff hanger. Each character is a complete individual--even the villains aren’t totally evil. Everyone’s more or less a victim of their particular circumstances. While certain characters have powers, their abilities often create as many problems as the solve.The story manages to be surprising in spite of the overworked theme. Unlike some other Korean and Chinese dramas, this one never once made me feel that the writers were making it up as they went along. The story was well-crafted, tightly woven, and believable within a fantasy framework.
The back story was parceled out a bit at a time, and sometimes the writers would circle back and fill in the details of a previous scene adding texture to the plot or more dialog to a previous conversation. The visual effects and ost during the final credits for each episode enhanced and deepened the atmosphere.
Because the plot, characterization, and logical development were so well-done, I have very few criticisms. I’ll just mention a couple. It bothered me that Mr. Electric, who went AWOL twice with disastrous effects to the company’s property, was allowed to keep his job as a bus driver. A few weeks before the school year ends, practically the entire school collapses in rubble and ruin, and yet during the graduation ceremony, a few weeks later, everything looks as good as new.
But I’m being a bit picky--it's really quite good.
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Best Chinese Drama I’ve seen in 2025
I give high ratings to dramas that:1. Entertain me.
2. Teach me something.
3. Or have heart – the rarest.
This is a No. 3.
I can’t say this is a perfect production, but I couldn’t help but fall in love with the two leads (and also with many of the minor characters). This was a MUCH more appropriate role for Yinglu Wang, than her role in WHEN DESTINY BRINGS THE DEMON. She plays a strong woman with sensitivity and nuance. As for Yiran Zhou, he commanded every scene he was in.
Attention to detail really boosted the quality of this drama. The cinematography, the ost, the editing--all were outstanding. I usually don’t like an ending that doesn’t wrap things up neatly -- but, for me, this one worked perfectly. We see all the different sacrifices various characters make for love – and at the end, the most rigid character, makes the ultimate sacrifice. (Although maybe not..?)
Speaking of attention to detail, I read that FOUR orange cats were used in the making of this drama. Cats being cats, that helped ensure that at least one of them would always be in the right mood. Another endearing detail–a woman who’s nine months pregnant is the action hero who saves the day.
Loved it!
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Excellent Drama
The land is truly the main character in this drama. The need for land–the work it entails, the greed it incites, and the love it inspires–is central to everything that happens.This drama is so well acted by so many that it’s hard to know who to single out. But I have to mention, especially, Dahong Ni, who plays the FL’s father, a man so craven that he chooses to subject his daughter to rape and disgrace rather than part with the money needed to save her. It’s not easy to play a villain, someone who’s both utterly despicable–and yet believable and understandable. He’s brilliant in this part.
Also, the patriarch of the Feng family, played by Yongjian Lin, is another character twisted by greed–yet he’s somehow likable, even lovable at times. His wife, in a role played by Chi Peng, is an absolutely kind, simple, and understated human being who’s a healing presence in the family. Both these actors did an outstanding job.
NOTE ADDED LATER: I was so pleased to see that Chi Peng won a Magnolia Award for Best Supporting Actress in this series. She so richly deserves it. For those who don’t know the Magnolia Awards are widely considered to be one of the highest and most respected honors in the Chinese television industry.
Like many people in both China and America, I come from a long line of farmers, many of them miserably poor. I felt a pang of recognition and sympathy for these simple, hard-working folks, some so deprived they don’t even own matches.
Ownership of land is all important in this series--those who don’t have land are at the mercy and whims of their landlords. The constriction of their souls have made some of these landlords rapacious and unscrupulous. The working poor, who exist at the edge of starvation, struggle to grow enough food to feed their families. But many still find it in their hearts to share what they have with their neighbors.
One jarring note–whenever any one of the poverty-striken characters opened his or her mouth, I was greeted with the sight of perfectly aligned, gleaming, white teeth–which kept reminding me that I was watching a piece of fiction. Also, I found it a bit unbelievable that (in episode 29 and 30) marginalized, food-insecure human beings would so easily give up their grain reserves in order to feed a mass of unknown refugees swarming through their village. Maybe this was the charitable thing to do, but not psychologically credible, given that every episode prior to this had shown how prized every morsel of food was.
In many Chinese dramas there’s one character who’s so perfect he or she isn’t quite human. In this series that character is the saintly Wendian. (Hey, Chinese movie makers–may I make a suggestion? You don’t need to do this to drive the point home.)
This is the first Chinese series I’ve seen that focuses on the rural poor. It was a welcome change. THIS THRIVING LAND is a fine drama and very watchable.
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Cartoon cliches
Series writers, directors, and other such craftsmen are masters of misdirection. In THE TRAUMA CODE, we’re encouraged to focus, indeed obsess, about Baek Kang-hyeok, the series’ enigmatic, superman doctor, while all manner of insanity is swept under the rug.What kind of insanity? The buffoonish behavior of a certain hysterical hospital administrator who screams, yells, and bloviates while bodies are piling up in the corridors. The fact that said hospital has such a skeletal staff that minimally trained people are recruited to do serious surgery whenever the head dude isn’t around. The constant catastrophizing as our hero theatrically attends to one patient after another–once under a hail of bullets, once while clinging precariously to the side of a cliff. Each time the viewers are assured that the patient’s chances are slim to none–but somehow they all pull through. (Well, almost all.)
I know. This is standard fare for a medical drama, especially one based on a webtoon. And, I have to admit, it’s done smoothly and almost (but not quite) convincingly here.
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Uneven but worth a watch
As an English speaker, trying to follow the plot through subtitles–I was confused. Why? The series features a set of identical twins with similar names who decide to temporarily switch places and take over each other’s lives. One actress plays both girls as adults. A different actress plays both girls as teens. In addition, there are the male leads who are interested in the two girls.That wouldn’t be so much of a problem if it weren’t for the fact that a lot of back story has to be filled in for ALL of these characters. And the focus jumps back and forth in time and place without clear indication when a switch happens.
It helps that one of the twins has long hair and the other has short hair. The first twin (long hair) has a corporate job in Seoul, while the other one (short hair) works on a strawberry farm. This would work if they both stayed put. But, no, Ms. Office Worker comes home now and then and Ms. Strawberry Farm finds time to visit Seoul. Mi-ji, the twin with the bubbly personality, is likable but immature–she pouts, shrieks, sulks, and throws temper tantrums. It gets tiresome after awhile.
Each girl–when I say girl we’re mostly talking about these two as 30-year-old women–has to fake it when the people around them mention incidents that occurred before the identity switch took place. Viewers have to keep the timeline remember the date of the switch–and also whether or not the short-haired girl is wearing extensions in order to pass for her sister.
Let me add that everyone in this series has psychological issues, including the parents, the grandmother, and another older woman who, it turns out, has also switched identities with someone else. Aaargh!
While the actors do a skillful job with the script they’ve been given, the plot was just too convoluted for me. I could follow it, but it made my brain tired. And in some places, things just weren’t believable. For example, each of the male leads has to convince the viewers that he’s only interested in ONE of the two girls–and that he can not only tell them apart (although their mother can’t)–but loves his chosen girl’s unique characteristics.
Maybe it could be true in the case of the dude who loves the girl who has some verve and personality, but the other twin is despondent, poker-faced, and impassive–and she seldom responds or reacts to her admirer in any way whatsoever. Also, there’s a sexual abuse situation that’s so minimal that if you blink, you’ll miss it. But all the characters talk about it endlessly. I loved the older characters, especially the mothers, played by two amazing veteran actors.
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This review may contain spoilers
Cotton candy with a Buddhist veneer
I was in the mood for a dreamy fantasy, and the first episode of THE UNCLOUDED SOUL looked like it might do the trick. But by episode 2, I began to realize it had turned into a children’s flic with cute little pixies, a demon school for newbies, and a menagerie of talking animals and plants. The meanie demons (not the nice ones) were always dressed in black–so you could tell who the bad guys were. The decor reminded me of Snow White, Cinderella, Peter Pan or even the Wizard of Oz with a dash of Harry Potter thrown in.At first, Demonland ( Valley of Ten Thousand Demons) had a feel-good glow. As for the plot–there were enough contradictions to confuse a quantum physicist. When the FL accidentally tied the match-making red thread around her own wrist and that of the ML, he told her that from now on the two of them would never be separated. They would forever have to stay thisclose to each other. Two scenes later, the FL is back in class with the other kids (her demon besties), but the ML is off doing grown-up demon stuff.
There’s a school “test,” which is described by the “teacher” as having two goals 1) steal a pillow, and 2) make a human child cry. The pillows are duly stolen, but...make a child cry? Really? I was hoping for Darth Vader, but these folks have all the menacing gravitas of a group of trick-or-treaters on Halloween.
The FL learns a spell to make silver, but seems to have totally lost this ability in a later episode when she needs a couple of ingots to pay a merchant. A certain character, supposedly an immortal, is stabbed to death. Other “immortals” are also killable. Little things like this had me grinding my teeth.
On the other hand, the FL is cute and spunky. The ML, in spite of being a demon, is the perfect boyfriend: handsome, protective, warm, and sensitive. He even learns to cook the FL’s favorite foods for her birthday.There’s something sweet and poignant in their relationship that kept me hanging in there. Then there’s the dashing captain whose only flaw is that he takes himself way too seriously – and that he’s a little too bonded with his sword, who is also his sister (don’t ask).
A group of human women (including the FL) are sent to a mysterious island ruled over by a a beautiful immortal who has kidnapped the ML and injected him with poison, in an attempt to break his spirit. These women are forced to cook and clean and dodge magic manifestations in a series of degrading competitions, meant to bring out their greed and selfishness – all for a chance to become immortal. Mixed in with this display of sappy banality is a haunting atmosphere of tragedy and gloom that hangs over everything like a pall.
In short, this series doesn’t seem to know what it wants to be. Is it a children’s story? A romance? A tragedy? A Buddhist morality play? I felt pulled in a dozen different directions at once.
*******************
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This review may contain spoilers
Lighthearted and playful
Fun and enjoyable. But I agree with others who say the plot was awkward and contrived. For example, quite a coincidence that Go Da-rim’s sister informed Da-rim about an emergency at the exact moment she and the ML were going to make love. Quite a coincidence that both team mothers who had been selected to flog the company’s baby product on television couldn’t do it (each because of a problem with her face) right before the show was to go on. And speaking of mothers–quite the coincidence that the two mothers of the two leads just happened to meet and become such good friends that they move in together.It’s not funny when a male boss bullies a female employee by making her do something over and over out of pure vindictiveness. I wasn’t laughing.
Reviewers have been extremely critical of the Ahn Eun-jin in this drama. I think most of that criticism should be directed at the writers who produced an inferior script, a script that Ahn Eun-jin was simply following. Personally, I loved her so much in MY DEAREST (one of my all-time favorites), I can forgive her for not being perfect here.
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No deeper meaning
The first three episodes of THE IMMORTAL ASCENSION were promising – they take place in a gorgeous setting and show a warm relationship between the two boys. Both boys are under the care of a menacing antagonist, in the guise of an old “master.” Yang Yang’s acting was superb in these episodes.Then the series fell apart.
The rest of the drama seemed to be slapped together without much effort or forethought. This version of taoism seems too materialistic to me. Shouldn't the “masters” who represent the epitome of sagacity be looking for truth and enlightenment? Instead they seem to be bereft of any real wisdom and to have no real moral compass.
Han Li was a constant puzzle. Where was the meaning in his life? His goal seemed to be to acquire magical artifacts, to rise in status, and eventually achieve immortality. He's not interested in creating any meaningful connections with anyone--male or female, human or immortal. He did have a few tender moments with an animated mouse. Even his affection for his family seemed almost non-existent.
A number of mostly forgettable women pursue him. Does he have a capacity for intimacy? For love? If he did, I sure couldn’t detect it.
Generic demons and bad guys show up, fight Han Li, and are destroyed. We know they’re evil because, they scream at their underlings, smirk and laugh diabolically, and try to kill the good guys. Monsters include lizards with glowing eyes, a serpent, and a mantis demon or two, each, in turn, dispatched to the great beyond. Lots of spiky golden wheels turn in the sky.
I DID like the ending, and I’ll probably watch Season 2.
As for Yang Yang the actor, I understand he studied dance and plays the piano. I’m glad he’s got other interests. Hope there’s someone around him encouraging him to build a life on something other than his youthful good looks (which are mentioned by reviewers incessantly) so that he’s not totally devastated when they’re gone.
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A Wild, Wacky Romp
STUDY GROUP, based on a webtoon, is fun, exuberant entertainment. Lots of laughs and surprises interspersed with cartoonish, implausible violence. A parade of horribles get their come-uppance from the unlikely, but likeable, study group members.The theme here is very similar to that of WEAK HERO, CLASS I, which has a certain depth and nuance STUDY GROUP lacks. In both series, the ML looks and acts like a wuss, someone who’s a natural target for bullies. The bullies are quick to notice, of course. Big mistake though, because each of these dudes is an incredibly talented and well-trained fighter–whose only goal is to stay out of trouble, get good grades, and go to college.
That’s where the similarity ends. In WEAK HERO, CLASS I, the ML is a superior student who aces all his exams and ranks at the top of the class. Not so with Yoon Ga-Min, the ML in STUDY GROUP. No matter how hard he studies he just can’t seem to get his brain in gear, and he’s ranked at the bottom.
But he has a plan. No spoiler here; the plan is divulged in the first moments of the first episode.
Wild and crazy action ensues. I’m easily bored, but not a moment drags – in either series. I’m guessing you’ll like them both.
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Great idea, not-so-good execution
If you’re going to write a fantasy, especially if it’s a drama, the parts that aren’t magical have to be really believable. Otherwise you lose your audience. The writers make one big mistake along these lines right at the beginning.
Is it possible that someone could be run through by a sword and live to tell the tale? It’s probably happened–but not likely in a situation where antibiotics are unknown and no one understands the basics of hygiene. And, never, I’m guessing, when the patient gets up, resumes his daily activities, and even rides a horse for hours on end.
At least for the first five episodes, the FL comes off as an annoying twit–but she improves after that. This woman is supposed to be cute, appealing, and funny. She’s also supposed to be a respected and knowledgeable medical professional. Unfortunately she doesn’t know how to be all those things at once. But, to be fair, I’m not sure anyone could do it. They made her a more serious person in the latter half of the drama, and that helped a lot. Also the humor worked better as the series proceeded.
Unfortunately, the lighting on the set is not the FL’s friend–at least in the beginning. In almost every scene of the first five episodes she looks older than she is (she was 35 when this series was filmed). Again, they fixed that problem in later episodes, and she starts looking more age appropriate in her scenes with the (10 years younger) ML. Another improvement was the ludicrous wig the pipe-playing white haired guy was forced to wear. The finally got that one under control after a few episodes.
There’s a lot of telling and talking, explaining and pondering and politiking in this series. Both the King and his nemesis, Ki Cheol are waay too philosophical and self-absorbed. The King talks endlessly about his self-doubts and feelings of inferiority, while Ki Cheol is always plotting and carrying on about the future and who should be next on his murder list. I think these two should be forced to live together, where they would undoubtedly drive each other crazy–instead of the audience.
At times the English translation is stiff and barely intelligible. Example:
SCHOLAR: “I had thought this, since a new king is coming, that if nothing should happen, there is no hope. If change were to occur, a bloody storm will blow.”
CHOI YOUNG, ML:“The place I will be escorting you to was put together in haste, hence it will not be too pleasant.”
SCHOLAR: “In an era like this, a warrior as you is pitiful as you have to continue to slay before you are slayed.”
Having listed all the negatives, this series actually isn’t that bad. For the most part, it held my interest. Seven stars.
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Weird
A mostly well-conceived, but weird, drama - 8 starsThe first sentence of FAMILIAR WIFE blew my mind. And not in a good way.
We hear a newscaster proclaim the following: “The planet Wolf, 68 light years from Earth, ahead of its extinction, is rapidly becoming a black hole.”
As a science writer, all I can say is, “NO! NO! NO!” Black holes are never, EVER caused by the “extinction of a planet,” imminent or otherwise. To be clear, large stars occasionally collapse into black holes, but never planets.
Nor are exo-planets given names like “Wolf”. (Look up HD 20794d or K2-18b)
The rest of the newscaster‘s report explains that there may be a “change between the Earth’s and Moon’s calendars,”which--excuse me for pointing this out--is absurd gobbledygook.
Hey writers! This kind of thing should have been tweaked.
BUT...to change the focus a bit here--the rest of this series is mostly quite good. I’d even call it a hidden gem--not counting the last four episodes which seem to exist only for the sake of product placement.
The drama focuses on the daily crush of ordinary life and the toll it takes on well-intentioned human beings. How marriages get destroyed. How people forget to be kind and considerate.
As for the acting, the two leads do a fine job, and a number of skillful actors are showcased in minor roles.
In every office there’s someone who marches to a different drummer, and in this office that’s Kim Hwan. Kudos to the writers for imagining him and to Cha Hak Yeon (N) for bringing him to life.
One of my favorites, Lee Jeong-eun, plays the FL’s slightly demented mother. If you want to see what a masterful actor this woman is, watch OUR BLUES, another outstanding K-drama.
I’ll just mention two weird things about the plot--although there are others:
1) How come (except for one scene near the beginning) neither of the main characters seem at all interested in the fate of their two children. These poor kids have been zapped into nothingness due to the ML’s need to change wives. The fact that they’re never mentioned again is downright weird.
2) From episode 9 or 10 onward, everyone suddenly starts wearing stripes–striped shirts, striped blouses, a striped jacket. Why?
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