The closest I've watched to this is Source Code. Both are about people stuck in a time loop on a public transport…
Interesting. I haven't seen that one but there have been many of these time loop stories. Stargate and Star Trek have dabbled with that particular plot device as well.
I had no idea I was signing up for a fantasy makjang. LOL. But like all makjangs, it does have an addictive quality to it. Yes, it's rather slow moving but I keep coming back for more because I just have to know what happens to all these people and how the karmic curse gets lifted (if it does). It's a protracted manichean battle that's rooted in family dysfunction.
I'm changing my mind about Sang-un -- I can see why all that guilt would lead to confected optimism and an overabundant responsibility for other people's welfare. It seems to me that Sang-un and Hwal are two peas from the same pod but they play out their guilt very differently. He does it with indifference and stoicism. That said, I don't think any kind of romance is necessary in this show.
I personally don't find Ok Eul-tae that sympathetic a villain even though Lee Joon is putting a good performance. He is someone that shows very little remorse. Yes, he feels bad but it feels like even after 1000 years he hasn't learnt his lesson or why he was cursed in the first place.
There's certainly an interesting story in all of this but it's moving unnecessarily slowly with the overuse of flashbacks and backstories. Aspects of it remind me of Uncanny Counter although it lacks the warmth of the latter. The story as it stands doesn't feel like 16 episode material.
Nobody in this show does what they're told. This show seems to be largely driven by people doing reckless and silly things. Except the two Bulgasals who have to clean up after everyone.
Forget the time she straight up says that he is always calculating and she can't trust him. He always ran to her…
Bingo! That's exactly my problem too. I don't think defenders really understand why some of us have such a problem with HOW Deok-im is written. To me she was playing mind and word games until the last couple of episodes. She had plenty of opportunities to keep a low profile but the truth is she likes the danger, she loves the king and she can't help herself but get involved. Which flies in the face of her objections and claims.
The script wanted to make her an extraordinary person so that she would stand out but they also wanted to make her reluctant to lose her independence -- whatever that means in late 18th century Joseon palace hierarchy.
It's made by the same production team behind Longest Day.
I'm not sure if they're also responsible for Tribes and Empires as well. The director of Longest Day directed that but I don't know if he used the same production team on that project. I liked Tribes and Empires but I don't recommend it because it's incomplete. It's beautifully shot but slow moving. Not everyone's cup of tea I imagine.
Song Yi has a very difficult part, that is, trying to seduce the man she's married to. I'm only up to ep 17 and…
I honestly didn't find her all that bad. Maybe it's because I have daughters. :D But I've seen far more objectionable female characters before and some of them bicker needlessly with the male lead and get into far more trouble.
Now I am curious if red sleeve is that good.Even for public broadcasting the ratings are good.Don't recognize…
It's good but some of the writing requires a suspension of disbelief. I don't like how the FL character is written as a modern take on a late 18th century palace maid turned royal consort although Lee Se-young is a great actress. It's fanfiction for the most part.
I think what makes this show good are the performances. The script itself isn't anything special for a sageuk.
I feel like the kdrama community became divided after snowdrop. Its kpopies vs kdrama watchers and every time…
I won't worry about it too much. It's par for the course. The K drama community is often divided over something. Usually it's over romantic pairings or ships. Reply 88 is a classic example. There have been numerous dramas where fans have been noisily and sharply divided. Sometimes it's about idols as well. This whole affair will blow over soon enough.
This is has always been the problem of trying to talk about and denigrate a drama that nobody in the world has…
I have no doubt that's what the fear is. But bad thinking is not remedied by more bad thinking. It is dealt with by good thinking and critical thinking.
Human rights abuses perpetrated by governments are still going on today under the guise of "safety" or "cracking down on political unrest" or "misinformation". Nothing's changed.
I'm changing my mind about Sang-un -- I can see why all that guilt would lead to confected optimism and an overabundant responsibility for other people's welfare. It seems to me that Sang-un and Hwal are two peas from the same pod but they play out their guilt very differently. He does it with indifference and stoicism. That said, I don't think any kind of romance is necessary in this show.
I personally don't find Ok Eul-tae that sympathetic a villain even though Lee Joon is putting a good performance. He is someone that shows very little remorse. Yes, he feels bad but it feels like even after 1000 years he hasn't learnt his lesson or why he was cursed in the first place.
But you're comparing apples and oranges here.
Bai Jingting is great and so is the kid from Reborn.
Nobody in this show does what they're told. This show seems to be largely driven by people doing reckless and silly things. Except the two Bulgasals who have to clean up after everyone.
To me she was playing mind and word games until the last couple of episodes. She had plenty of opportunities to keep a low profile but the truth is she likes the danger, she loves the king and she can't help herself but get involved. Which flies in the face of her objections and claims.
The script wanted to make her an extraordinary person so that she would stand out but they also wanted to make her reluctant to lose her independence -- whatever that means in late 18th century Joseon palace hierarchy.
I think what makes this show good are the performances. The script itself isn't anything special for a sageuk.
This whole affair will blow over soon enough.
Human rights abuses perpetrated by governments are still going on today under the guise of "safety" or "cracking down on political unrest" or "misinformation". Nothing's changed.