I can only find up to 8 eng sub and cannot wait for episode 13. Even without subbing, Zhou Yu Tong displays emotion like I've never seen before in an actress. I love this series so far.
I've been in a show-hole since "Go Ahead" and this one finally got a few episodes with subtitles. I am in heaven because the female lead is intelligent, the male lead is definitely not a push over and their interactions are truly entertaining. Thank you, thank you to the person who is subbing this!
Whilst Du Lei’s current actions and story arc are leading towards an unhappy ending, it is not really that unsurprising.…
I would have been super happy if "Love is Sweet" had ended at episode 30. Episodes 31 and 32 seem like they are in a different drama with a different tone and WTH happened to Du Lei character progression? I love this show but the sudden switch is slightly jarring.
Song Ah and Joon Young are beautifully written characters and the actor and actress portraying them breath a life and chemistry into them that I've rarely seen on the screen. The main couple's interactions and attractions are organic and realistic and because of this, absolutely heart wrenching at times. I've loved this drama so far....it makes me smile, it hurts, it haunts.
Yes. He needs to be honest, with himself (that he wasn't completely over JK when he started with SA) and with…
I really hate to be a juvenile two year old, but I hope he hurts really, really bad. And being the emotional 2 year old at times, if I'd seen JY and JK in that cab together, I would have played an arcade game and thrown a brick through the back window of the taxi. I don't know about her, but it would have made me, as a viewer, feel much better.
Haha ! I thought I will complete record of youth first and then start this one. But I dropped record of youth…
I haven't started Record of Youth and from the few small clips I saw on Youtube, I couldn't see any chemistry between the leads.
This is a good drama and the two main leads have amazing chemistry. But, Song Ah has an amazingly hard time all the way up through episode 12 (haven't watched further). Overall, I've enjoyed it but how it will be rated is in accordance with the story resolution. I can't stand an ending that doesn't make sense.
I watched 10 minutes of the ending and was like .....WTH. I refused to watch any more. The best thing out of this…
You will have to let me know what drama you're going for next. I cannot put into words how enlightening and fun our back and forth conversations were.
This screenwriter has so much potential in that she carefully crafted out her characters. Then she threw horse dung all over them without story justification and her work resulted in a set of very angry viewers. Her next drama is "Star of Ocean" in 2021 and I will put a reminder on my calendar as a definite don't watch. After this, I can't believe anyone would hire her.
I'm also wondering why a writer would dislike her created characters to the point of torture in the story. My guess (and guess alone) is they are based on people she knew or knows and wanted the story arc as "realistically as possible". I'm very much like yourself in that I believe in the fairy tale....I've never lived it, but life itself is a struggle that searches for a version of happily ever after. If not happy, let the ending be satisfactory and with meaning. I found nothing in this drama to credit with either one.
Send me a message and we'll try this again. This has been an awesome fandom experience.
I watched 10 minutes of the ending and was like .....WTH. I refused to watch any more. The best thing out of this drama other than watching the beginning with Zhu Yi Long was the fandom.
I'm going back to Go Ahead also. This screenwriter is an idiot.
I loving the stories of all three women so much right now (after a couple of mini heart attacks when I thought…
I think that I've found drama soulmates and that makes me unbelievably happy.
I'll have to try "Love Affairs in the Afternoon". When I was in school, there was very, very little about Asian history other than Genghis Khan. When I started watching historical Asian dramas with multiple wives, I did a big "whoa". Being a female and knowing the very complicated emotions and reasoning that go through my brain, I couldn't imagine multiple wife situations where they were expected to get along all the while vying for attention. I watched the last 10 episodes of "Ruyi's Royal Love in the Palace" and then researched it via Google to see the reality of the situation. After reading about it in a historical sense, my heart dropped to see that it was a realistic depiction of her life (as much as dramas allow). So very, very sad but then I viewed from a western historical perspective and realized multiple wives were called mistresses back then. Yeah, cheating and being low life seemed to be acceptable trait in the past.
By the way, "V.I.P." brought out emotions in me I didn't even know I had and will never, ever re-watch it. A one time pass really did me in.
I cannot wait for the finale of this show and see where the three ladies land. I also need to watch the other drama Zhu Yi Long is currently in to burn Yi Ming out of my brain. This actor takes a part and tricks my head into believing that it's him. A true gift as an actor, a temporary curse as a viewer.
This is a good drama and the two main leads have amazing chemistry. But, Song Ah has an amazingly hard time all the way up through episode 12 (haven't watched further). Overall, I've enjoyed it but how it will be rated is in accordance with the story resolution. I can't stand an ending that doesn't make sense.
This screenwriter has so much potential in that she carefully crafted out her characters. Then she threw horse dung all over them without story justification and her work resulted in a set of very angry viewers. Her next drama is "Star of Ocean" in 2021 and I will put a reminder on my calendar as a definite don't watch. After this, I can't believe anyone would hire her.
I'm also wondering why a writer would dislike her created characters to the point of torture in the story. My guess (and guess alone) is they are based on people she knew or knows and wanted the story arc as "realistically as possible". I'm very much like yourself in that I believe in the fairy tale....I've never lived it, but life itself is a struggle that searches for a version of happily ever after. If not happy, let the ending be satisfactory and with meaning. I found nothing in this drama to credit with either one.
Send me a message and we'll try this again. This has been an awesome fandom experience.
Zhu Yi Long was the fandom.
I'm going back to Go Ahead also. This screenwriter is an idiot.
I'll have to try "Love Affairs in the Afternoon". When I was in school, there was very, very little about Asian history other than Genghis Khan. When I started watching historical Asian dramas with multiple wives, I did a big "whoa". Being a female and knowing the very complicated emotions and reasoning that go through my brain, I couldn't imagine multiple wife situations where they were expected to get along all the while vying for attention. I watched the last 10 episodes of "Ruyi's Royal Love in the Palace" and then researched it via Google to see the reality of the situation. After reading about it in a historical sense, my heart dropped to see that it was a realistic depiction of her life (as much as dramas allow). So very, very sad but then I viewed from a western historical perspective and realized multiple wives were called mistresses back then. Yeah, cheating and being low life seemed to be acceptable trait in the past.
By the way, "V.I.P." brought out emotions in me I didn't even know I had and will never, ever re-watch it. A one time pass really did me in.
I cannot wait for the finale of this show and see where the three ladies land. I also need to watch the other drama Zhu Yi Long is currently in to burn Yi Ming out of my brain. This actor takes a part and tricks my head into believing that it's him. A true gift as an actor, a temporary curse as a viewer.