No nonsense story of human relations and consequential family adversities. The writer did an excellent job weaving…
What? Her being a sex worker shows that she was pushed to that end by her scum brother. She was cornered. She wasn't the kind that liked what they did. She did it for survival
Looking for character development in a pure comedy show is just idiotic. This drama was pretty fun to watch. If you can get past episode 5, you'll be able to tolerate Lily more.
Wow. This drama really punches you in the dick. It asks you the real questions, namely, "What even is the right way to atone?". If Criminals (for reference, murderers) die, society bashes them for dying selfishly after robbing a person of their future. If Criminals live with the weight of what they did, they still bash them for the same reason as above but for living "carefree". Cruel Truth is that no matter what you do, no one will be satisfied
Sakuraba's character arc here is the best here, wrt a normal, unrelated viewer who don't form their own opinion of the murderer and rather, blindly follow society's branding. What if criminals truly have reformed and are atoning in their own way? It's not like there's a manual for right way of atonement.
Kaname Jun man, wow. I've only seen him in airheaded roles in dramas like Unubore Deka. Here, his acting is stellar. His character arc too is beautifully written. The first episode shows him not ashamed of his past and yet, when u reach for final episode, u see him in a different light. His motive for murder too. Not a classic trope u see often with juvenile killers onscreen. Overall, a wondrous performance that makes you question morality.
I don't think anyone else than Becky could've brought more life to Kusakabe Yoko. At first, I thought she was brought in to keep the focus on Kaname Jun, since she's not that big of a name when it comes to leads. But no, the resolve, kindness and true neutral nature, with which only Mikoshiba's internal workings could be understood, she portrayed it flawlessly.
I'm not sorry for the essay of a review I've wrote. You can never encapsulate what this drama is, even with this much words. The way you experience it with you own eyes and mind. That's how you can doubt everything you know, which is one of the basic principles of this drama.
Overall, watch this. I don't think you can regret watching this one.
Anna Ishii's character is lesbian in this series. She refers to having a female partner a few times. In episode…
That was a pleasant surprise I'd say. She was looking so grim when Mifune-Chef was explaining the "Macarons are Macarons", I wondered why and they showed us her vulnerable side, when she is the most sparkling person in Bistro Pas Mal. It looks like Ep5 centers on her too. Hopefully, we see more of her vulnerable side
:-D
https://youtu.be/dLfvJGnaRFo - Part 2
For the subs, go here:
https://www.opensubtitles.org/en/subtitles/215397/renai-shashin-en
After that, click on these 2 texts in that website (they'll be gray coloured so u can easily identify them):
Collage.of.Our.Life.2003.DVDRiP.CD1-WRD.[kloofy].(subs.2ya.com).srt (29040bytes)
Collage.of.Our.Life.2003.DVDRiP.CD2-WRD.[kloofy].(subs.2ya.com).srt (12443bytes)
Song link: https://www.youtube.com/watch?v=c9mY1alrifY
Sakuraba's character arc here is the best here, wrt a normal, unrelated viewer who don't form their own opinion of the murderer and rather, blindly follow society's branding. What if criminals truly have reformed and are atoning in their own way? It's not like there's a manual for right way of atonement.
Kaname Jun man, wow. I've only seen him in airheaded roles in dramas like Unubore Deka. Here, his acting is stellar. His character arc too is beautifully written. The first episode shows him not ashamed of his past and yet, when u reach for final episode, u see him in a different light. His motive for murder too. Not a classic trope u see often with juvenile killers onscreen. Overall, a wondrous performance that makes you question morality.
I don't think anyone else than Becky could've brought more life to Kusakabe Yoko. At first, I thought she was brought in to keep the focus on Kaname Jun, since she's not that big of a name when it comes to leads. But no, the resolve, kindness and true neutral nature, with which only Mikoshiba's internal workings could be understood, she portrayed it flawlessly.
I'm not sorry for the essay of a review I've wrote. You can never encapsulate what this drama is, even with this much words. The way you experience it with you own eyes and mind. That's how you can doubt everything you know, which is one of the basic principles of this drama.
Overall, watch this. I don't think you can regret watching this one.