3
2
A time travel trope done exremely well
Tomorrow With You (2016) – A Time Travel Drama That Didn’t Fry My Brain (Shocking, I Know)
I’ve always avoided time travel dramas like they’re a bad ex, dramatic, confusing, and likely to give you a headache. Let’s be honest, K-dramas already exist in a dimension of their own, so throwing time travel into the mix usually just feels like asking my last two brain cells to do calculus.
But then came that cursedly addictive TikTok edit (you know the kind, slow-mo stares, tragic music, probably a train involved), and next thing I knew, I was knee-deep in “Tomorrow With You,” wondering if I’d been too harsh on the genre. Spoiler: I had. And I’m kind of mad about it.
The plot? Surprisingly coherent. No wild derailments, no nosebleeds from trying to follow paradoxes. It felt like the writer actually relaxed while telling this story, Like she trusted us to get it without throwing in ten monologues and a PowerPoint. And yes, I said she because I’ve started to believe that women screenwriters just understand the assignment better. Fight me.
What impressed me the most was how clean the time travel was. It wasn’t just some gimmick thrown in for spice. The back-and-forth was seamless, you almost don’t notice it because it’s not flashy; it’s purposeful. Whenever Yoo So Joon jumped to the future, it was to either fix something or gather info to deal with the past. Smart guy. I like him.
Now, the past storyline? That thing had so much depth, it could’ve been its own drama. The kind that gets 20 episodes, a heartbreaking OST, and a beach scene with tearful goodbyes. And yet it blended perfectly into the main plot.
As for the pace, look, if you’re the type who microwaves tea because the kettle takes too long, you might call it a slow burn. But for the rest of us with functioning patience, it moves at just the right speed. Every subplot, yes, even the nosy neighbors, served a purpose.
Special shout-out to the bromance between Yoo So Joon and Kang Gi Doong. That man was loyal to a fault. He found out his best friend was jumping through time and instead of freaking out, he was just like, “Cool. Let me know if I can help in any timeline.” Now that’s a friend.
Lee Je Hoon, this was my first drama with him, and now I’m eyeing everything he is in..my list of his dramas keep growing.The man’s got presence. He doesn’t act; he becomes. I couldn’t tell if I was watching a character or the actor living a double life.
And Shin Min Ah? Queen behavior, as always. I’ve never once worried about her performance. She could play a lampshade and still deliver a show-stealing monologue. She just gets it.
In short, this drama came from that golden age of K-dramas, when scripts had sense, romance had depth, and editing didn’t rely on 50 filters and a drone shot. For someone who avoids time travel like expired milk, I was shockingly hooked from episode one to the end credits. I’d recommend this to anyone who wants a stable, mature story with just enough romance to make you kick your feet and squeal like a high schooler.
Oh, and yes ,it's earned a comfy spot on my “fluffy-feelings-and-butterflies” list. You know the one.
I’ve always avoided time travel dramas like they’re a bad ex, dramatic, confusing, and likely to give you a headache. Let’s be honest, K-dramas already exist in a dimension of their own, so throwing time travel into the mix usually just feels like asking my last two brain cells to do calculus.
But then came that cursedly addictive TikTok edit (you know the kind, slow-mo stares, tragic music, probably a train involved), and next thing I knew, I was knee-deep in “Tomorrow With You,” wondering if I’d been too harsh on the genre. Spoiler: I had. And I’m kind of mad about it.
The plot? Surprisingly coherent. No wild derailments, no nosebleeds from trying to follow paradoxes. It felt like the writer actually relaxed while telling this story, Like she trusted us to get it without throwing in ten monologues and a PowerPoint. And yes, I said she because I’ve started to believe that women screenwriters just understand the assignment better. Fight me.
What impressed me the most was how clean the time travel was. It wasn’t just some gimmick thrown in for spice. The back-and-forth was seamless, you almost don’t notice it because it’s not flashy; it’s purposeful. Whenever Yoo So Joon jumped to the future, it was to either fix something or gather info to deal with the past. Smart guy. I like him.
Now, the past storyline? That thing had so much depth, it could’ve been its own drama. The kind that gets 20 episodes, a heartbreaking OST, and a beach scene with tearful goodbyes. And yet it blended perfectly into the main plot.
As for the pace, look, if you’re the type who microwaves tea because the kettle takes too long, you might call it a slow burn. But for the rest of us with functioning patience, it moves at just the right speed. Every subplot, yes, even the nosy neighbors, served a purpose.
Special shout-out to the bromance between Yoo So Joon and Kang Gi Doong. That man was loyal to a fault. He found out his best friend was jumping through time and instead of freaking out, he was just like, “Cool. Let me know if I can help in any timeline.” Now that’s a friend.
Lee Je Hoon, this was my first drama with him, and now I’m eyeing everything he is in..my list of his dramas keep growing.The man’s got presence. He doesn’t act; he becomes. I couldn’t tell if I was watching a character or the actor living a double life.
And Shin Min Ah? Queen behavior, as always. I’ve never once worried about her performance. She could play a lampshade and still deliver a show-stealing monologue. She just gets it.
In short, this drama came from that golden age of K-dramas, when scripts had sense, romance had depth, and editing didn’t rely on 50 filters and a drone shot. For someone who avoids time travel like expired milk, I was shockingly hooked from episode one to the end credits. I’d recommend this to anyone who wants a stable, mature story with just enough romance to make you kick your feet and squeal like a high schooler.
Oh, and yes ,it's earned a comfy spot on my “fluffy-feelings-and-butterflies” list. You know the one.
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