Great action film: visually breathtaking, brutal, and explosively message-driven
Watch this if you:
• love wartime action
• appreciate great cinematography
• want to check out some underwater wire fu
• are up for epic statements about inhumanity and war
• are willing to go with iconic characters and broad symbolism
• want to see Zhu Yi Long’s amazing acting and 9.5% body fat abs
• want to see Wu Lei's wonderful acting and his ability to embody goodness and justice
• want to watch Ni Ni's awesome acting and her character's role as a force for change
• are curious about why “propaganda” is not an insult in the Chinese filmmaking industry
Don’t watch this if you:
• can't take brutal violence
• prefer realism and naturalistic character development over powerful message delivery
• are never okay with demonizing villains
• are sadly insensitive to the awesomeness of Ni Ni, Zhu Yi Long and Wu Lei.
• always judge a film by the same standards as those of Oscars voters
• think “propaganda” is only and always a bad thing
This is a powerful action movie that made me cry buckets. It's a:
Stunning visual experience
Enraged condemnation of a Japanese war crime
Grueling, devastating ride
Hymn to justice and kindness
After seeing it, I needed a few days to move out of the loss and sadness.
A week or so later, I started getting curious about where Dongji Island's filmmaking style fits in Chinese filmmaking history. Because it's quite strongly message-driven. I mean, I usually notice ideological content in films and tv shows, whether that's a cultural stance in Hollywood products or political messaging in cdramas. And after some preliminary internet searching, I learned that being propaganda is not a movie flaw in China the way it would be in my country. It seems like within Chinese filmmaking, propaganda can be art.
Anyway, in my opinion, Dongji Island has elements of extremely well made propaganda, but overall it's great art.
Because of its propaganda side, though, I don't have much hope for it to become popular in the West. I think Oscars voters go for stories with realism, psychological growth and complexity that privilege the individual. Dongji Island is fueled more by the message than it is by psychological arcs. While its characters have individuality and uniqueness, their symbolic weight is emphasized. And the movie subordinates the individual to the collective.
What’s stayed with me the most are not only the deep emotional impact and the amazing visuals, but also the performances. Besides the leads, Wu Lei, Zhu Yi Long, and Ni Ni, who are all on fire, I keep remembering moments from supporting actors, especially Chen Ming Hao, Ni Da Hong and Yang Hao Yu.
I’m really grateful for the limited American release, because I was able to see this on the wide screen! The lowest score I gave it was for rewatch value, because I would have to take a lot of deep breaths before I walked into a theater to see this a second time. But it will remain with me from just the one experience.
• love wartime action
• appreciate great cinematography
• want to check out some underwater wire fu
• are up for epic statements about inhumanity and war
• are willing to go with iconic characters and broad symbolism
• want to see Zhu Yi Long’s amazing acting and 9.5% body fat abs
• want to see Wu Lei's wonderful acting and his ability to embody goodness and justice
• want to watch Ni Ni's awesome acting and her character's role as a force for change
• are curious about why “propaganda” is not an insult in the Chinese filmmaking industry
Don’t watch this if you:
• can't take brutal violence
• prefer realism and naturalistic character development over powerful message delivery
• are never okay with demonizing villains
• are sadly insensitive to the awesomeness of Ni Ni, Zhu Yi Long and Wu Lei.
• always judge a film by the same standards as those of Oscars voters
• think “propaganda” is only and always a bad thing
This is a powerful action movie that made me cry buckets. It's a:
Stunning visual experience
Enraged condemnation of a Japanese war crime
Grueling, devastating ride
Hymn to justice and kindness
After seeing it, I needed a few days to move out of the loss and sadness.
A week or so later, I started getting curious about where Dongji Island's filmmaking style fits in Chinese filmmaking history. Because it's quite strongly message-driven. I mean, I usually notice ideological content in films and tv shows, whether that's a cultural stance in Hollywood products or political messaging in cdramas. And after some preliminary internet searching, I learned that being propaganda is not a movie flaw in China the way it would be in my country. It seems like within Chinese filmmaking, propaganda can be art.
Anyway, in my opinion, Dongji Island has elements of extremely well made propaganda, but overall it's great art.
Because of its propaganda side, though, I don't have much hope for it to become popular in the West. I think Oscars voters go for stories with realism, psychological growth and complexity that privilege the individual. Dongji Island is fueled more by the message than it is by psychological arcs. While its characters have individuality and uniqueness, their symbolic weight is emphasized. And the movie subordinates the individual to the collective.
What’s stayed with me the most are not only the deep emotional impact and the amazing visuals, but also the performances. Besides the leads, Wu Lei, Zhu Yi Long, and Ni Ni, who are all on fire, I keep remembering moments from supporting actors, especially Chen Ming Hao, Ni Da Hong and Yang Hao Yu.
I’m really grateful for the limited American release, because I was able to see this on the wide screen! The lowest score I gave it was for rewatch value, because I would have to take a lot of deep breaths before I walked into a theater to see this a second time. But it will remain with me from just the one experience.
Was this review helpful to you?
