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The Goddess is a superb example of what storytelling can be through the medium of the silent picture. Ruan Ling Yu who played the mother driven to prostitution to feed her child gave an emotionally compelling performance. It was one of the best performances I've seen from any era, and she does it without the audience hearing one sound from her. Her performance alone is a convincing reason for movie lovers to watch this story of love, shame, and prejudice.
The mother runs afoul of a gangster known as "The Boss" one evening and he lays claim to her as his property. She takes her child and runs but he finds her. She manages to hide enough money from him through the years to send her child to grade school. Her desire is that her child have a better chance to find his way out of poverty with an education. Not only does "The Boss" create problems for her but parents in the school have learned what she does for a living and are determined to have her child removed from the school so that he's not a bad influence on their kids. The school's principal sees her love for her son and tries to stand up for her, but his integrity goes unrewarded.
Depending on the version you watch, there may be no music, only piano, or orchestral music playing during the scenes. I saw the latter and thought the music fit perfectly.
The Goddess is a movie showing social realism. Subjects that are still relevant today like prejudice and tolerance were on full display. The story was timely when it was filmed. It is estimated because of the poverty and political conflicts in the country that up to 1 out of 13 women in Shanghai had committed prostitution during this turbulent period.
The story and performances were heartrending. My heart clenched when the little boy sang about a child working and his parents not knowing if they could buy food. I couldn't hear a word he sang but it was moving. This mother showed the most physical affection for her child that I've seen in any Asian movie, the love tactile and palpable. Ruan displayed a wide array of emotions without delving into sentimentality and overacting.
The Goddess requires a high level of attention to follow the silent story and to immerse yourself into the facial and body expressions of the actors. The reward is an engrossing story of a mother's love and sacrifice for her child and the need for tolerance and open-mindedness. I highly recommend it.
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The miniatures were more intricate and had more detail than other Godzilla movies. This movie did a good job of interspersing people with the miniatures to give us a vested interest in their lives and sorrow when an unforgiving monster sent them to their doom. When Godzilla unleashed his atomic breath, the results were tragic and all too real whether it be on humans or property. As the citizens and military waited for Godzilla’s arrival, the tension was palpable. The carnage was unflinchingly shown as Godzilla cut through the city with his slow, unmerciful gait.
Dr. Serizawa, played by Hirata Akihiko, had developed his own terrifying weapon and refused to use it for fear it would fall into the wrong hands. Ultimately, he had to decide whether to deploy his weapon to stop the immediate destruction being rained down on his country or to withhold it for fear of unimaginable destruction that could take place if people were to use it as a weapon against other people.
The movie is not perfect, there is a love triangle even in Godzilla. The story can bounce around. The acting style is dated, but didn’t distract from the actors expressing the emotions the characters were feeling. The special effects were exemplary for 1954, viewers expecting spectacular CGI will be disappointed.
Whether conveying the urgency of people fleeing or ominously announcing the arrival of Godzilla, Ifukube Akira’s score was spot on.
My rating reflects how I rate movies and dramas. Only my first love in a particular genre receives a 10, the one that all other movies in that genre will be judged against. Godzilla who meshes the prehistoric with the modern and forces us to look back on the consequences of society’s actions is far deeper than a giant lizard destroying a city. Thus far, no other Kaiju has measured up to the original Godzilla’s standard.
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This review may contain spoilers
"Our mouths can tell lies, but our hearts don't believe it"
Analog Squad was a heartwarming made family and biological family drama that reached inside and touched me. Execution can make or break a story that’s been told before in different ways and this story nailed it. Without becoming maudlin the characters all faced secrets that they were keeping or were being kept from them.“We lie to make other people happy”
Pond is a mysterious character when we meet him. He’s hired his ex-girlfriend to play his wife, a guy who works at a pager company to play his son, and a young woman whose family owns a video rental store to play his daughter. They head south to visit his dying father whom he hasn’t seen in over a decade. When his father makes a miraculous recovery the fake family has some tap dancing to do to keep the charade up.
“Everyone lies for their own sake”
Each of the family members is hiding a secret or several. Pond keeps secret why he left home, why his wife and children left him, and a host of other problems. Lilly/Mam is hiding a health problem. Keg/Mon hides the fact that his mom whom he adores is a nude model and that he’s going to the United States. His mom is hiding a whopper of a secret from him. Bung/Mag is hiding the fact that she’s a lesbian from her family, plus a family member is hiding a devastating secret from her. Pond’s biological daughter discovers a secret as she’s preparing to be married.
“Because when you compare it to death, anger is literally nothing”
The secrets could be overwhelming at times but most of them were dealt with a loving and forgiving hand as the characters worked through their complex feelings. This made family became deeply entwined with Pond’s parents and with each other. Just as real families struggle to communicate and confront complicated problems, the fake family found themselves dealing with many of the same issues. As they worked together and spent time with the “grandparents” they began to untangle some of the knotted challenges in their own lives.
“You have to accept that mistakes are a part of life and you deal with them”
The made family began to develop deep feelings for each other and the couple they were lying to, including love and guilt. The journey that took the longest to traverse was the one that had started the convoluted mess everyone found themselves in-Pond’s. Running away from the truth had caused him to make decisions that went from bad to worse over three decades and brought him to a place where he was ready to take his own life.
“Sometimes waiting is its own form of happiness”
For those of us old enough to remember the 1990’s and Y2K, this will bring back some memories. People were afraid that computers would stop working and planes would fall out of the sky. The fear was that it would be similar to an EMP blast that would cause technology to cease. Some of the technology on display included portable CD players (the darn skipping!), videos and video stores, and ancient looking computers that held less than your cell phone and were slow. Then there was the now almost obsolete technology of pagers and phone booths. Pond’s dad owned a photography studio and used cameras with film. They did a good job of taking us back to 1999 after the financial collapse and the devastation it caused people. By setting most of the story in a small village it was believable that it was 24 years ago. The best part of the cinematography were the shots of the gorgeous Thai scenery. The forests, water, and islands were stunning.
“There are no real or fake bonds. If we feel it, we feel it.”
This story of healing, reconciliation, forgiveness, and growth both in the family and made family was satisfying on several levels. Not every problem was neatly tied up in a bow, but most were resolved satisfactorily. Each member of the newly expanded family discovered something that filled an empty place in their heart. The family might have been fake but the love was real.
9 Dec 2023
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Ditto
Somewhere a screenwriter was watching the movie Ghost for the fifth time and decided it would make a great drama. Just trade out a police officer who can see ghosts for the clairvoyant Whoopi Goldberg and Satoh Takeru for Patrick Swayze. The title I Should Have Told You a Million Times was even reflected in the 1990 movie. If you've seen the movie, nothing in this drama will come as a surprise. Having said that, the characters were all likeable enough to keep my interest throughout the drama.The story opens with a Sixth Sense beginning, but if you've read the synopsis, the suspense fell flat. Thankfully, they didn't drag it out. Yui and Naoki were childhood friends who reconnected and began dating. On her birthday, he disappears. Along comes Detective Uozumi whose latent spiritual sight evolves just in time to see Naoki. Uozumi works to figure out what happened to Naoki while he's embroiled in another murder investigation. The three become friends as they dig through the past to see how old relationships and old crimes are playing havoc with the present. There were also some Ghost Whisperer moments where they helped a couple of wandering ghosts with their regrets.
Despite some repetitious scenes and obvious borrowing from other sources, I enjoyed the story as it unfolded. The bromance that developed between Naoki and Uozumi helped cover over some of the weaker writing. The suave Satoh Takeru and nerdy Matsuyama Kenichi had a nice chemistry. Inoue Mao showed how hard it is to let go as Yui held on tight to a man she couldn't see. With all the extra time they were given and a translator as well, it was frustrating that Yui and Naoki didn't work through their emotions and regrets. In some ways, their relationship came across as fairly shallow instead of an intimate love---words matter.
The supernatural murder mystery came to its natural ending in episode 9, but then they decided to tack on a wish fulfillment ending for the last episode that almost completely ruined this drama for me. With one little tweak they had the opportunity to showcase the perfect ending for a tearjerker drama but by dragging it out, took all of the emotional punch from the previous episode. In time, I will block out the last episode, grind through the five stages of grief and remember the other episodes and engaging characters fondly.
7/5/23
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"When raising a blade and bringing it down, just think of nothing"
The Double was a wild ride revenge lollapalooza that didn’t seem to take itself too seriously at times. There were plot holes deep enough to bury bodies in and 30-year-old actors playing teenagers. I didn’t really care that it was messy for the most part as the two leads were engaging to watch and I love a good case of comeuppance for evil doers.Long story short, Xue Fang Fei has to take the identity of Jiang Li in order to avenge both of them and right injustices. Despite looking exactly like XFF, everyone seems to accept the new identity since the real Jiang Li had been hidden away for 10 years. Duke Su is hard to fool and initially uses XFF as a pawn though he also enjoys “the show” that usually surrounds her as she takes down her enemies and Jiang Li’s one at a time, occasionally asking for his help. XFF’s compassion and intelligence help her make allies and friends along the way. A constant fighter for justice, she also makes numerous enemies prepared to end her life.
I enjoyed Xue’s calm demeanor as she plotted and planned. Her relationship with the equally scheming Duke Su who also needed to right wrongs and protect the country was a delight to watch. Xue Fang Fei was fairly well developed and while not realistic in some cases, I was happy they let her solve many of her own problems with an occasional assist from the Duke. She was laser focused, fiercely protective of those around her, and never stooped to her enemies’ methods in her desire for revenge and justice. Duke Su lacked the complexity of other characters but Wang Xing Yue’s performance at least made him moderately interesting as the fan waving mastermind. The murderous and increasingly deranged Shen Yu Rong was given more writerly care. However, I never connected with Liang Yong Qi’s bland portrayal of the cowardly, whining, court officer who simply could not cognitively accept responsibility for his heinous actions. Li Meng as the Princess Wan Ning made up for his stone face as she chewed the scenery when she wasn’t throwing it. Several of the villains were given all sorts of reasons for becoming the way they were which did not give me one ounce of sympathy for them. They made choices to pass the buck and pass on the pain.
For whatever reason, I’ve never had a problem with cross-dressing. I was even able to go along with everyone buying that Xue Fang Fei was Jiang Li. Where my brain seems to have drawn the line is 30+ actors playing 15–17-year-olds. The hardest part for me was in the early episodes when the writers kept reminding me that Jiang Li and her friends and sisters were teenagers. When the Jiang family said Li looked different, that was because the seven-year-old they sent away ten years ago came back a grown-ass woman! Despite some of the other actors playing up being immature, Wu Jin Yan didn’t look or carry herself like a teenager. The character was also written with a wealth of knowledge and experiences that seemed beyond her age. When they finally stopped mentioning how young she was it helped me to accept her as the crafty, complex, elegant adult she acted like.
This drama loved its overly dramatic moments. So much twirling, whirling, and cape wearing. The drama world also suffered from insane climate change as one scene had petals falling from the sky, the next had snow, then back to petals, and for most of the drama, Duke Su’s tree at his mansion was ever autumn. Very few scenes passed without something falling from the sky or the Duke flying in for a visit. The wind usually only blew on the one showing emotions, even when characters were standing side-by-side! There were magic pigeons who always knew the address of the current villain- not exactly how carrier pigeons work. The non-disclosure agreements were lethal. And there was no shortage of knockout karate chops, people going insane, princess carries, and amazing guyliner! The only thing underdone was the anemic white makeup for the women.
While I enjoy corrupt officials and lying, murderous family members being brought low, the story had a tendency to become redundant in order to fill the episodes as XFF righted wrongs in the Xue family, the Jiang family, and in the country. Characters, conflicts, and backstory were being added right up until the last four episodes. There were times I lost interest as the villains (so many villains!) monologued about how they were going to bring XFF down. Maybe if they’d cut down on some of the villainous plotting there would have been time for a more well-crafted ending. It felt like they had a closing scene they wanted to show and tried to twist the plot to make it happen which came across artificially. I would also like to have seen more meaningful scenes with the leads. XFF and the Duke suffered physical and emotional wounds that were often forgotten the next day. I will not even get into that coitus interruptus candle.
If it sounds like I didn’t like The Double, that would be wrong. While it was deeply flawed, it was also fun and I have a high tolerance for cheese, especially with a truly strong female lead. Wu Jin Yan and Wang Xing Yue had great chemistry and I enjoyed many of the side characters, especially the bickering and loyal Wen Ji and Lu Ji. I liked Xue Fang Fei and thought she was a memorable heroine for being intelligent, resilient, and compassionate if not a little too perfect. What would have made it a better “show” is if the writers had developed Duke Su to be as memorable a player in the revenge tour ensemble as his leading lady.
7.75
26 July 2024
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"Humans don't recognize an opportunity even when it's handed to them"
Death’s Game Part 2 came out of the gate strong, stronger than part one. The question continued to be whether Choi Yi Jae would win the game and what did that really mean?Starting the second part with Kim Jae Wook playing an evil artist is never a bad place to begin. He has a dangerous intensity hiding behind that chiseled beauty. Once again Choi Yi Jae is thrown into seemingly disparate lives with the orders that he cannot kill-others or himself. This ultimatum becomes more difficult with each life he leaps into. As he discovers the deadly tentacles of Taekang Group’s Park Tae Woo and how it has affected his life and of those he loves, he ventures near the precipice of hell.
The guest stars in Part 2 were even stronger than Part 1. Kim Mi Kyung finally had a chance to shine in the drama as Choi’s mother. The strong older actors threatened to outshine Seo In Guk as the lives he was reincarnated in. The production values were once again high as well.
I was completely absorbed in this tale of what seemed like revenge more than a journey into the soul. The elements of the revenge story were tied together nicely as Choi used what he learned in each life to bring down Park. Ultimately, the game was about Choi Yi Jae’s life. With the pieces finally in place to end a murderer’s reign of terror I still wondered if Choi had learned anything about himself and what the point of the reincarnations was. He was a difficult character to like. Self-absorbed, self-pitying, and arrogant he took a long time to understand that his actions had consequences for others.
***Spoilerish comments below***
Finally, the story took a turn into a path toward enlightenment. He hadn’t learned much in 11 of his lives, only in the last one did he understand what true pain was. I was actually quite disappointed in the final minutes of the drama that undid everything prior to it. And I’m not sure about the message on suicide. Torture people into understanding how their actions have effects on others and that some people have it worse than them? When a person is seriously depressed and suicidal, they may not be able to see that. Therapy and medications, interventions and social/financial assistance may be more helpful than the threat of a worse hell than the one they are in.
The ahjussis and ahjummas did an amazing job bringing their characters to life as well as Kim Jae Wook. The story brought all the revenge pieces together in a satisfying manner although they never did answer who the woman was that died at the bottom of the building with Choi which was disappointing. I honestly thought her death was one of the reasons he was being punished. The last episode was deeply moving in regards to a mother’s enduring love and sacrifice. Having learned how to live his life without being in constant fear of failure and rejection, I only hope Choi Yi Jae took what he learned about the people with their lives in the balance and reached out to help at least a few of them or else it feels like everything he went through was for nothing, to say nothing of the murderous Park Tae Woo being on the loose again. Death’s Game P2 progressed in a strong, emotional gait to the end and then left me disillusioned with the final outcome.
5 Jan 2024
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Kill me, love me, just don't bore me
I knew nothing about Kill Me Love Me when I started it. The beginning intrigued me with a black-hearted prince and a tough as nails female assassin. It didn’t take long to figure out that they were both working on the same side in the first episode. If you are a fan of red flag male leads, you’ll be disappointed. If you are a fan of badass assassin female leads you’ll be even more disappointed. Honestly, this is the type of drama that I normally wouldn’t write a review for, but I promised myself this year I’d review everything I watched, so here goes.What I liked/disliked:
I’ve liked Liu Xue Yi since Ancient Love Poetry and Wu Jin Yan since The Story of Yanxi Palace. The two had a nice chemistry whether adversaries or lovers. I’m not a fan of red flag leads, but have seen that most of the time they are a bait and switch and rarely stay villainous so I expected him to lose his fangs. I’m also used to badass female leads being defanged but was still disappointed when Mei Lin became pretty window dressing.
Baron Chen is a fave and even with his chocolate cupcake frosting hair, he was still handsome. The Crown Prince came across more whiny than menacing though.
I’m a sucker for bodyguards and Qing Yan was the pretty, loyal bodyguard I’ve come to expect. He proved his loyalty in an explosive manner moving him closer to the front of the line of dutiful bodyguards. No notes on him.
Speaking of baddass females, I had high hopes for General Yin, but found her to lack the gravitas and stage presence such a role required. Her one facial expression regardless of the situation began to wear thin. Also, her 180 on her love interest defied logic as well as her devotion to him. Apparently, getting laid made her lose not only her sense of independence but also her reason-at least for a time.
I didn’t mind the romping through the countryside for Jing He and Mei Lin but when the badly dubbed side characters later started taking center stage, my fast forward button or mute button came into frequent use.
The Xiyan characters were mostly useless. Prince Yue Qin could not have been more bland. The kooky Xiyan royal family and retainers were mind numbingly boring to me. Zi Gu looked and acted very, very young which made her relationship with grandpa Yan Emperor creepier than sweetly romantic.
The story went off the rails with the detour through Xiyan when the characters became bogged down in border trade talks after the natural ending to the drama. The writers vastly overestimated my attention span for ancient economics.
In the end, I did find around two-thirds of this drama entertaining, mainly because I enjoyed the performances of LXY and WJY. Despite the red flag transforming into a white flag and the assassin turning into a baker. 7.25 rounded up to 7.50
14 November 2024
SPOILER NOTES:
The most disappointing part to me was Mei Lin. She suffered and trained for 10 years to have her revenge. When the time came, she was shuttled off screen. This happens too many times in dramas. If anyone deserved to deal the final blow, it was her. Also, “If this is the price I have to pay for meeting you, I have no regrets.” Really?? Jing He poisoned Mei Lin with a poison that had no antidote. Who does that? Everyone knows the Puppet Master for assassins holds the antidote for compliancy. Especially a guy trying to prove he’s not a monster. So, she’s dying, suffered brutality for 10 years, didn’t get to take part in bringing down the Big Bad, and she has no regrets. Girl, no matter how rich or good looking he is, I’d have a list of regrets. When they took away her martial arts ability, I just rolled my eyes. Why can’t badass female leads stay badass to the end? And apply their lipstick only to their lips and not in the dip above them? If she was reduced to baking cakes and offering moral support she should have had time to check her lipstick in a mirror. But I’m not bitter. lol
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"Some secrets have no room for so many people"
The Victims’ Game brought Fang Yi Ren back for a second helping of pain and murder. This time Fang would find himself the prime suspect when his mentor’s case from 15 years ago was re-opened and the bodies started dropping around him.Fang is called into police HQ by Prosecutor Chang, who is new and takes an immediate dislike to Fang. Another fresh face is Dr. Hsueh, a medical examiner who also has no love for the retired forensics investigator. The case in question involved a teen couple in a murder-suicide which was closed by Fang’s mentor, Lin Ching Jiu. When civilians involved with the old case start dying, Chang is all too willing to point the finger at Fang. Intrepid reporter Hsu Hai Yin quits her job after her boss sensationalizes a teen addict case she worked on. One of the teens in the story ends up at Sevensleeves rehab. Handsome Lin Meng Cheng runs the rehab and home for teenagers from troubled families. When Hai Yin visits, he hires her right away as the foundation's PR rep. Her inquisitive nature tells her there is more to Lin than meets the eye. Fang’s daughter Xiao Meng feels suffocated and not understood by her dad and moves out. She coincidentally ends up living at Sevensleeves. Someone who was familiar with her problems from S1 offers her a job cleaning up crime scenes which leads to insights on her part.
I enjoyed the dynamics between Fang, Hai Yin, and Xiao Meng. Hai Yin and Xiao Meng were so sure that Fang wasn’t trying to understand them that they failed to see they might not have been trying hard enough to understand him. Fang and Xiao Meng struggled to determine if they could build a relationship while Hai Yin was feeling shut out from Fang’s thoughts. Whether Joseph Chang’s portrayal of a man with autism was accurate or not, is not a judgement I’m qualified to render. Chief Chao returned from S1 with his steadfast belief in Fang, a relief since Fang was being bombarded on all sides. I didn’t find the “who done it” part very suspenseful. I was quite certain who killer #1 and serial killer #2 were by the second episode. The heavy-handedness of Prosecutor Chang always trying to bring Fang down got old quick. He was a shady character with connections to an even shadier organization.
Warnings---If you are squeamish, there were numerous gruesome scenes of murder, torture, and decomposed bodies. The body count was high and bloody. Revenge was not a dish served cold but at the average body temperature much of the time. There were also a few gross scenes with insects. Tiffany Hsu’s Hai Yin smoked almost continuously in S1, so if smoking is a trigger you’ll be pleased to know that she didn’t light up once in S2 that I can remember.
The main theme of S2 was “What would a parent sacrifice for their child?” Some of the parents were willing to sacrifice lives, reputations, and peace of mind. As determined characters searched for the truth, others tried desperately to bury it. Despite its shortcoming, I found The Victims’ Game S2 engaging and binge-worthy.
23 June 2024
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Powerful and inspiring short film
Beautiful Run was a powerful and deeply touching short film. I have watched it twice and cried twice-something quite unusual for me. I’m not sure how realistic it would be, but I hope with all my heart it could be.A young girl with a disabled leg who uses crutches cares for her bedridden father often missing school. Short on food and medication she applies for the most menial of jobs but is rudely turned down as people glance at her leg. She happens upon a flyer for a marathon with a cash reward and enters it. At first, she receives the same disdainful side-ways glances from the other runners, but during the arduous journey as she determinedly perseveres with one leg, her efforts begin to change the hearts of the other runners.
At less than seven minutes long the story is told with almost no dialogue. Only the careful editing and expressions on people’s faces tells the story. Near the end there is clarification through group messaging, but other than that everyone is silent. The music also nurtures the audience’s feelings. The nameless young woman never complains, never breaks down in tears, she just relentlessly keeps moving forward with her committed resolve.
This girl’s selfless persistence in a grueling physical act of love broke through people’s prejudices and began to bring out the best in others. The film stopped short of being patronizing. Beautiful Run made me believe that good does exist and people can open their minds and hearts to others. “Gratitude makes the impossible happen.” Let it be so.
10 June 2024
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"This battle is a fight to live for our future"
When I saw the Toho logo my heart jumped with joy knowing Godzilla was back home where he belonged. In Godzilla Minus One he was no longer a comic character playing catch with a giant lobster or the King of the Kaiju restoring balance to the Earth. He was a destroyer and an indictment on humankind’s hubris and a reminder of the horrors of war. If Japan was at level zero after WWII, Gojira put them at minus one when he surfaced from the depths of the ocean with a terrible judgement.Near the end of WWII, Shikishima Koichi is a kamikaze pilot who lands his plane on a small island held by the Japanese ostensibly for engine trouble. It’s not long before the mechanics realize he has run away from the fight. They don’t have long to berate him when they are attacked by a monster the locals call Gojira. When Shikishima freezes once again, he is labeled a coward by the only other survivor. Back home he is reviled by a sister for returning alive, as she blames the country’s problems on his failure. Koichi takes in a woman with an orphaned baby, unable to throw them out when Noriko makes herself at home. The war isn’t over for Koichi as he is paralyzed with regret, guilt and PTSD and unable to move on with his life. When Gojira heads for Japan, the pilot will have a second chance to redeem himself and his honor.
Godzilla Minus One succeeded in two areas. Firstly, they went back to Gojira’s mythology and his evolution from nuclear testing. Gojira was personification of the fear and memory of atomic weapons, something the people of Japan had suffered horrifically from. He was also a punishment for Japan’s militaristic era and the damage done to others and their own people. This monster claimed his territory with a fearsome rage. Capable of regenerating, modern weapons were all but useless against him. Secondly, for one of the first times since the original, there were compelling human characters with interesting stories seamlessly woven into Gojira’s appearance and threat. Too often, the humans were dead weight in Toho’s Gojira films saddled with mediocre actors and dialogue. Koichi was a complicated character and his boat buddies were developed enough to remember them. Noriko as a character was thinly but heroically drawn. Even the characters who reviled Koichi came around to being more well developed.
If there was one flaw, the horrors of the war were laid solely at the government’s feet, which categorically absolved the rank and file from atrocities committed during the war. And yes, the government had the “best ability of spinning and hiding information from the masses”. The government also, “...treated our lives too cheaply...Tanks with insufficient armor, poor supply chains-leading to starvation and disease…and fighter planes without ejection seats…as well as kamikaze and suicide attacks.” The characters emphasized living for their country and its future instead of dying for it even as they bravely faced a seemingly indestructible foe.
For a film made for 15 million dollars (USD), it looked far richer. The special effects were excellent whether it was Gojira’s atomic breath, miniatures, ships, or buildings crumbling like houses made of cards. Gojira himself, was frighteningly majestic and terrifying. Able to regenerate, he did come across as a vengeful god. This film deservedly earned an Oscar for Visual Effects. One last little production note--Sato Naoki is credited as the composer but much of the score was a reworking of Ifukube Akira's iconic Godzilla theme.
Not since the original Godzilla (1954) have I enjoyed a Big G film this much. Gojira was a merciless, destructive force, created by unnaturally splitting atoms. The people of Japan united not to fight to the death against this formidable opponent but to use all of their abilities in a battle that would ensure that they could live for their future. In the face of this harbinger of death, there were those who found redemption, love, and healing. Good job Toho! You made a film worthy of the original and a wonderful way to celebrate Gojira’s 70th anniversary.
2 June 2024
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Hidden Motives, Crouching Fire
The Longest Day in Chang’an is a drama that can make you rave and rage. The production values were excellent, building a world that seemed real. For the most part the acting was also above average. What was rage worthy were all the characters from the ruling class that lied, cheated, stole, tortured, and murdered to move up or keep their vaunted positions. Completely out of touch with the people’s reality, the more they talked about the great Tang or serving the people, the more they ignored the truth, often seeking to find scapegoats for any problems that arose.“Humans have always acted differently than their words”
The basic template was simple. Bad guys were in town to cause problems and the Crown Prince was about to be passed over for the Right Chancellor. Li Bi, a young prodigy, headed up the Peacekeepers Corp which had a database of information to draw from. The database picked death row inmate, Zhang Xiao Jing, to solve their problems. All he had to do was track down the bad guys and round them up before the Emperor’s giant lantern is lit at 2:00am on the night of the Lantern Fest and make the Crown Prince look good in the process. This being a drama filled with political intrigue, nothing was that simple when everyone was vying for position and trying to be on the winning side, especially when being on the losing side of power could mean death. Much of the action also occurred because of a military squad’s loyalty and near annihilation due to bad military management ten years prior.
“Kindness must be repaid, vengeance must be served”
Ex-soldier and ex-Sleuth Hound Commander, Zhang Xiao Jing , was a hardened warrior who was completely devoted to the surviving 9 from a disastrous military campaign and the daughter of their leader. He also held to the dream of what Chang’an could be for all people and would fight to protect the commoners with his last breath. Lei Jia Yin gave a strong, if not varied, performance as the super fighter who seemed to always be fighting large numbers or having to sacrifice to gain information. I was curious how a prisoner confined in a tiny cage for months would have had the stamina to run across Chang’an over and over all day and night as well as fighting almost non-stop.
“If I can’t save the present, I can’t save the future”
Jackson Yee as Li Bi, was more limited in his range as the leader of the Corps who found that despite his intelligence, he was often outplayed by people outside of and within the Peacekeepers. Rayzha Alimjan as Li Bi’s servant, Tan Qi, at least gave a strong female presence in a largely male cast. I was surprised and pleased to see Djimon Hounsou in the role of the Underworld Lord. Feng Jia Yi played the much older and retired on duty Emperor, with his white beard and eyebrows reminding me of Lo Lieh’s iconic character from Clan of the White Lotus. The most mesmerizing performance, however, was from Zhou Yi Wei as Long Bo. His every move was captivating in a nuanced and menacing performance that in lesser hands could have been ham-fisted.
“Numbers are the truth”
How many times did someone pull out mint to chew on? I stopped counting at 17 times. How many times was Zhang accused of being the perpetrator of a crime? Around 1,756, 230. The Emperor has indigestion. Dang that Zhan Xiao Jing! How many times did someone promise protection and then renege on it? The odds were not good for the person being promised. Pinky swears didn’t count for anything in Chang’an. How many characters did I wish would erupt into flames, but didn’t? Around 10. “A good man will be rewarded” or blamed by the bad man who will then be rewarded in his place. How many times were the good guys captured? Let me pull out my calculator.
“Truth doesn’t matter as much”
What Longest Day in Chang’an did well was world building. The excellent sets, teeming streets of extras, and costumes that looked worse for wear as the day went on, transported me back in time. The multi-layered narrative, intriguing characters, and well-choreographed action scenes were engrossing. Again, Zhou’s Long Bo was captivating and Zhang’s dogged determination was admirable if not exhausting. Where it didn’t work as well was when it became bogged down in the details and desire to give small history lessons. By giving many minor characters important screen time it side-lined others. Certain elements also became redundant. And a character that was talked about often, the Crown Prince, had relatively little screen time making it hard to tell if all the hearsay stories about him were true. Whereas, the despicable Right Chancellor's every loathsome move was shown. Despite focusing on numerous characters, the big reveal at the end was rather anti-climactic as the “mastermind” divulged pages of exposition regarding his evil plan in order for it to make sense and even then left a golden clue dangling.
“Human beings need to hold onto some kind of dream. That is what will drive them forward.”
Zhang and his buddy Wen, both knew Chang’an was not an ideal place, but both hoped it could be. There were people who fought to protect the citizens, even a Catholic priest who could do parkour! The suffering was largely due to the corrupt political system. The royalty and officials constantly looked for a way to destroy their rivals and rise in power with little thought for anyone else. Commoners, soldiers and servants were expendable and interchangeable. Even the terrorists who desired to set the system on fire had no compassion for those who struggled to make a life and living in Chang’an. The Longest Day in Chang’an was gripping and well worth the time even when I was ready for the day to end.
17 January 2024
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"Put the family first!"
Cue the violins and bring out the box of tissues because Ode to My Father will shamelessly and successfully pull at your heartstrings. This film is not only an ode to one father, but two, as you follow a boy from childhood to old age selflessly working to provide for and keep his family together just as he had promised his father he would do.The film follows Deok Su as a child in 1950 fleeing Hungnam as the Chinese were overrunning the city. His only task was to hold his little sister's hand as the family sought shelter on a US ship, the USS Meredith, accepting refugees. In the stampede to find a way onto the ship, his sister was lost. When his father turned back to find her, he tasked Deok Su to be the man of the family and always put the family first if he could not return. Deok Su took his promise seriously when they arrived at his aunt's shop in Busan. Accompanying him on his various entrepreneur ventures was his best friend, Dal Gu.
Deok Su would later go to Germany to be a coal miner, a dark and dangerous job, in order to pay for his brother and sister's schooling. There he would meet his future wife, a Korean woman studying to be a nurse, Young Ja. He and Dal Gu returned home when the Germans stopped renewing their work visas. After his aunt's death, his uncle wanted to sell the Kkotbun Shop. Once again, Deok Su stepped forward, this time taking Dal Gu with him to Vietnam to earn money as "technicians". The two friends would face the same choice the Americans did at the North Korean port when as they were fleeing Saigon women and children begged for them to let them onto their boat. In 1983 Deok Su and Dal Gu would go to Seoul in the hopes of finding his father and sister when the Korean Broadcasting Services showed families being reunited through their programs.
Deok Su's grown children cannot understand why he won't sell his shop or change the old-fashioned name. Deok Su who so easily sacrificed his own dreams and took dangerous jobs to provide for his family, privately confessed to his father's image how difficult the struggle had been. After promising his father he would always put the family first, the last words he heard his father speak were that he would meet them at the Kkotbun Shop. Never saying his purpose aloud, Deok Su kept the shop open in case his father survived so that he could find his way to them.
This was a nostalgic look back for older Koreans who after surviving the Japanese occupation were devastated by the Korean War. Their country divided and some families divided by the new boundaries, dealing with political and economic upheavals, mothers and fathers worked hard to feed and shelter their families among the continuing changes around them. The main character in this film shined shoes, dug coal, traveled to Vietnam during that war, and later ran the family shop. He did all this to make things easier for his family and children. In a letter to his wife, he told her how grateful he was that it was he that suffered and not his children. And of course, his children, as children are wont to do, did not fully understand the hardships and struggles their parents went through for them.
Lest you think it was all melodrama, fear not for there were gentle moments of humor that lightened the mood. As much as the film was about family and sacrifice it was also about friendship. It was heartwarming to watch Deok Su and Dal Gu stand by each other from childhood to old age.
A small historical note: The USS Meredith was credited with one of the largest humanitarian rescues when the ship dumped its cargo and took on 14,000 refugees in a ship designed for 12 passengers and 47 crew.
I am not a crier, but this movie moved me to tears on several occasions. I knew the director and music director were setting me up for the big emotional moments and did everything but present a cue card that said, "Cry now!" It didn't matter, the milestones in this film though far removed from my life still reminded me of the sacrifices and relentless hard work my parents and grandparents went through to make my life easier. And like the director, who made this film as a thank you to his father, it reminded me to say thank you to those who went before me. The desperation during times of political upheaval for people who have nowhere else to run is truly heartbreaking. I cried for the families around the world who have been separated by war, death, and poverty and felt gratitude for the ones left behind who have fought tenaciously to hold the survivors together and refused (and still refuse) to give up.
The film could swell emotionally and had an ambitious overview. It helped that the acting was on point and didn't boil over into being overwrought which kept the characters grounded. With all of the time jumps it could have been easy to become lost as we were given a personal tour by Deok Su through pivotal points in Korean history. Though the story covered decades and several countries, Ode to My Father was at its heart a simple and intimate story of a man keeping a promise to his father. Unabashedly melodramatic? At times. But this film was also inspiring and uplifting and a lesson in the power of tenacity. If you are looking for a movie to touch you, look no further.
4/24/23
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This movie felt like a Frankenstein's monster of movie ideas that the writer even lost track of-flying guillotines (1975 movie), a compass that doesn't point north (Pirates of the Caribbean), Fire Benders and Water Benders, a Tiger Gargoyle(?), and as always in these types of movies there's a glowing orb of destiny. Finally, I honestly thought at one point they might quote, "One ring to rule them all and in the darkness bind them." (LOTR) Making everything more confusing because of new censor requirements the writer had to do some writing gymnastics to not use mythological characters making the monsters wanting to take over the world aliens instead. This movie included a lot of CGI characters. There might have been a love triangle or square but that was also not made clear.
The cast was very likeable and did a good job with what they had to work with. Ridiculous as it seems, I enjoyed the ride they took me on even if I didn't understand it half the time. Fortunately, the movie focused more on the human characters than on the creatures. The story all boiled down to the old end of the world ploy that the band of heroes had to find a way to divert. Not a great movie by any stretch of the imagination but not completely worthless in terms of entertainment value either.
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How to write a review on a 3-minute short movie? Make it short as well and hopefully meet the MDL word requirement. She Brought Colour into My World pushed the boundaries of censorship with this story of love and friendship between two women. A lovely young woman resides in a world of stony black and white. The new neighbor has just returned from studying abroad wearing an ethereal white dress. Dressed in beautiful clothes both traditional and Western, the two neighbors meet and have an instant rapport and the young woman's world is filled with color. The woman in white regales her with stories from outside the walls and gives her a gift. They explore the city, dance and hold hands. In 3 minutes a whole relationship blossoms free from censorship or at least for a while and a choice must be made. Stay in the world of color or return as before to cold stone.
I enjoyed this short film that pushed the boundaries with its open subtext and told how love can bring color into our lives and just as easily take it away.
29 January 2024
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Will someone please think of the children!
When your introduction to a movie is a mad scientist and then an alligator wandering in the ruins of the city, you know you are in for a wild ride. Badland Hunters won’t be remembered for its riveting plot but when you have Ma Dong Seok swinging his mighty fists and a giant serrated machete it really doesn’t matter.Three years after an earthquake that leveled Korea, Nam San along with teenagers Choi Ji Wan and Su Na live in an encampment called the Bus District. Due to a devastating drought, water is the most precious commodity. Nam San and Ji Wan are hunters for the people. They trade meat for whatever their neighbors can spare. A well-dressed group comes to the encampment looking for teenagers. The newcomers promise Su Na and her grandmother all the fresh water they can drink, shelter, and food at the only apartment complex to survive the quake. In a dystopian future when armed men come promising “heaven on earth”, best to be suspicious. It doesn’t take long for everyone to realize that heaven is not all it seems to be when a mad scientist is running the place. Nam San was ready rain down hell on the complex to rescue Su Na.
It would have been nice to have some background info on our main characters, but in this sort of movie it’s not overly necessary. Though it stumbled about in regards to narrative, the fights were right on point. Nam San had to take the scenic route on the way to the apartment complex so that he, Ji Wan, and newcomer Eun Ho could battle their way through two gangs. While the story didn’t add anything new to the genre except for maybe the whole “I am the Lizard King” angle, the fights were well choreographed. Most of the hand-to-hand combat was in close quarters and bloody. Very bloody. Lots of dismemberments and decapitations. The big draw to a film like this was watching Ma Dong Seok do his stuff. I love this big ahjussi hitter.
The production values were fairly high though some of the destroyed city sets looked familiar from other dramas and movies set in the dry ruins of Korea. Badland Hunters didn’t set itself apart in this genre but it was entertaining. I could have used 25% more ahjussi hitter. I’m just happy Ma Dong Seok is still making this kind of fun action film at the age of 52. If you are looking for a taut script with new thrilling elements in the ruins of the future, you might need to look elsewhere, especially if you’ve seen a number of this type of movie. But if, like me, you enjoy watching the big guy pummel his way through baddies, even ones with long forked tongues, you might want to give this a try.
26 January 2024
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