The Butterfly

"I'll check the shark fins"

Johnnie To’s Exiled was a thrill a minute ride with four gangster friends + 1 exiled ex-gangster friend who had to choose between triad loyalty to the boss or to each other. Throw in a wife and new baby making the stakes even higher.

Wo left the gang years ago after an assassination attempt on the boss. He came back to Macau with his wife and new baby where four old friends are waiting on him. Two are determined to protect him and the other two are assigned to kill him. After a gun fight in his apartment which led to moving furniture and dinner, friendship won out but that left them all in a precarious position with not just one gang, but two.

This is one of those films that I rated on the genre as well as the film itself. The gangster genre can be a lot of lather, rinse, and repeat with double crosses and triple crosses. I was pleased that the friends’ bond was stronger than their triad bond. Of course, that meant copious amounts of blood and flying lead and bodies. The cinematography, music, and lighting were all well above average. The acting was perfect for the characters. Anthony Wong reined in his scenery chewing abilities as did Francis Ng while still making their characters edgy, unique, and decidedly human. Roy Cheung with his gorgeous long hair and Lam Suet made for loyal backseat friends. Given their profession, all of the characters had made acquaintances with Death and found the gallows’ humor in their strange situations.

Wo’s wife played by Josie Ho had an important role to play as did Ellen Chan’s “Hooker.” Simon Yam came to life as the ruthless crime boss. Benz Hui’s retiring cop showed up occasionally to inject humor into scenes and explain why the police never swarmed the buildings being torn apart by gunfire and littered with dead bodies. A Red Bull product placement might have been the best commercial for it ever as that can definitely proved it had wings. The fight choreography was often highly stylized and at other times straight forward yet always highly effective.

I loved the look and feel of the film but it was the friendships that sold me. I had no illusions about how this film would end but still cheered when Ng closed the door. If you enjoy bloody buddy adventures and a different approach to a gangster flick this might be one to try. Probably an 8.0 but I enjoyed it to the end so I gave it an 8.5.

28 February 2026
Trigger warnings: Sexual content, brief nudity, graphic operating scene, lots of blood and violence.

Read More

"That kind of thinking justifies anything"

Rarely do I find every film in a trilogy compelling. Even more rare is when the whole is greater than the parts. The Human Condition III: A Soldier’s Prayer brought the total of 579 minutes to a proper and fitting ending for a devastating and insightful story.

Kaji and two other survivors of the Soviet onslaught, struggle to find their way out of enemy territory. When they enter a seemingly endless forest, they discover a handful of Japanese evacuees. Kaji shares their meager supplies with the starving people. “It’s like meeting Buddha in hell.” The little troop dwindles as starvation and suicide whittles away at their numbers. After Kaji’s crew finally escapes Fangorn Forest, they stumble across a group of soldiers and are rebuked for surviving the annihilation of their squad. The men must later face Chinese armed militia and Soviet soldiers on the road home, even literally jumping through fire to survive.

Nakadai Tatsuyo, like Kaji, carried this trilogy on the back of his extraordinary performance. Throughout the films Kaji fought for all people to be treated with respect regardless of which side of the barbed wire fence they were on. Nakadai immersed himself in Kaji’s hope, determination, resiliency, flaws, and desire. This trilogy would not have succeeded so well in the hands of a less talented actor. Outside of Black River’s ensemble this was his first real main meaty role and he devoured it without overacting.

In the first film, Kaji dealt with how the Japanese inhumanely treated their prisoners. In the second film, Kaji sought to overcome the Japanese military culture of violence on Japanese soldiers. In this final film, the humanity lesson came full circle only this time it was foreign violence perpetrated on Japanese prisoners. Regardless of the power structure in charge, Kaji never backed down from demanding fair and humane treatment for everyone. His idealistic views were shattered when he discovered that the Soviet’s “promised land” of socialism was every bit as capable of inequality, cruelty, and exploiting prisoners as slave labor. Kaji came to understand that socialism being better than fascism wasn’t enough to keep his men alive. The only thing keeping him alive was Michiko and his promise to return to her. “I’m still walking on.”

The film was based on an autobiographical novel that resonated with director Kobayashi’s own view of the military and war. If you are planning on watching it strap in, as with the first two, there were no moments of levity. Although I did take perverse pleasure when Kaji gave the sadistic Kirihara a graphic demonstration of Jayne Cobb’s (Firefly 2002) chain of command philosophy.

Kaji found that whatever political or social philosophy one adhered to, human nature was the great contaminator. Wherever he went the strong preyed on the weak, and the weak did whatever was necessary to survive. Starvation and desperation drove people to lose sight of societal norms. How would they ever return to their old way of life after the ethical compromises made? “We’re all ruined.” The Human Condition films were long and harrowing, exploring what it meant to be human when the veneer of civilization had been stripped away and brutality was rewarded. Could one still find ways to be kind, show respect, and have courage in a pit with the merciless? What did it truly mean to be human? This was an extraordinary trilogy that grew stronger as it progressed with the message that ultimately, war has few winners and the price for most is catastrophically high.

26 February 2026
Trigger warning: Corpses with bugs, suicide, and rape off-screen.

Happy place note in a trilogy centered on pain and deprivation: Favorites Ryu Chishu and Takamine Hideko led a group of refugees in a Japanese settlement. Poor Ryu was only 57 but they made him up to look like 87.

Read More

"In my boring life a chance for adventure has arrived"

There are some films that resonant not because of extraordinary acting or a compelling story, but rather the way the director wields his brush and paints a film alive with deft and mysterious strokes. Such was Labyrinth of Dreams for me.

Tomiko is jarred when her friend Tsuyako, a bus conductor like herself, is killed in a tragic accident. Tomiko and her other friend, Chieko, do not believe it was an accident. Rumor of a bus driver who is a serial killer has been making the rounds for some time. When he tires of a conductor romantically, he kills her, making it look like an accident. When Niitaka Tatsuo is hired at Tomiko’s bus line, Tomiko becomes determined to avenge her friend. The only problem is…she falls in love with the handsome, and possibly deadly driver.

The movie was filmed in black and white and based on a story written in the early 1930s. Due to the clothes, hairstyles, and bus model, the setting was ambiguous, but suffice to say it was set in the days of yore. Much of the “dialogue” was in letter writing form between Tomiko and Chieko and prior to her death between Tsuyako and Tomiko. A young Asano Tadanobu played the enigmatic Tatsuo. A man of few words he was served up as a sizzling sexy entre with a side order of menacing eyes. Seventeen-year-old Komine Rena wasn’t as strong in the acting department but did her best as the bored conductor who had a sexual awakening in the dangerous arms of Tatsuo. As Tomiko said, “Life was miserable and lonely. I wrestled with fate until the end.”

Director Ishii Gakuryu created a gauzy dreamlike film often obscuring the audience’s view with darkness, rain, clouds, even forest leaves. Blurred frames swirled the changes of scenes. The film was filled with symbolism. Battered moths struggled to free themselves from a vase or were attracted to a hot light impotently bashing their wings against it. There was little music and what there was of it was simple. Most often the natural sounds of rain, wind, or surf filled in for the lack of score. Several times complete silence or a blank screen were used to jar the viewer. Ishii kept the audience guessing whether Tatsuo was a cold-blooded killer or a figment of an overactive imagination.

Labyrinth of Dreams was an odd story of love, lust, and the intoxication of danger. Dreamily shot, the monochrome format only added to the mystery and claustrophobic atmosphere. This art house film will not be for the broader audience, but if you enjoy a film that is more experience than narrative it might be one to try. I’ll be looking for more of Ishii’s films to be sure.

“If both held their courses, then they would collide in 9 seconds and catastrophe would be inevitable.”

6 February 2026

Read More

Black River aka Kuroi Kawa reminded me of one of my least favorite Kurosawa Akira films, The Lower Depths. Like Lower Depths, this film is centered in a decaying tenement filled with unlikeable people. The underlying theme of the society decaying as well after WWII became lost for me in the toxic “love” triangle and reprehensible view of women. Please forgive me if I change up my normal review style for diary writings of the main characters. Warning-A disturbing event that happens early in the film is mentioned.

Dear Diary,
I recently moved into a slum with a cranky landlady. She’s probably that way because only one tenant pays the rent. The local communist tries to talk the tenants into paying their fair share of the electricity bill and poop removal, but no one seems very interested in it. I just want to be left alone with my books while I’m studying civil engineering. Holes in the wall and nosy neighbors make it difficult. The house husband next door constantly bothers me. His wife works at a “salon” and is always coming onto me in her slip. I think she might be a prostitute. In fact, most of the women wander around in their slips and are either hitting on me or watching others have sex through the holes in the walls. Thinking I might be living in a house full of perverts. I have fallen in love with a beautiful waitress who picked up one of my books that had fallen in the street. New entry-she ditched a date we had for her to “borrow” some books to hook up with the local gang leader, Joe the Killer. Heartbroken, will continue to focus on my studies. Believe one of my pervy neighbors is stealing my things.—Nishida Kenzo

Dear Diary,
Work as a waitress is going well. I take the same route every day with my parasol. I picked up a book a fellow dropped and kismet! I think I’m completely in love. I have a date to “borrow” more books. Latest development-last night on my way to see the student, I was roughly kidnapped by a group of men. Another man beat them off and saved me! Then he threw me on the ground, declared his love for me, and brutally raped me. I, of course, went to him the next day and demanded he marry me. Joe the Killer laughed at me. Guess I’m stuck with this loser after losing my virginity to him. What a ridiculous name for a gangster, must get him to change it. Maybe Joe the Delusional Rapist? Will play the part of a tart and dress more seductively. I should leave him but I am strangely attracted to his brand of violent affection…Think I will write a love letter to that book nerd to keep my options open. Love, Shizuko

Dear Diary,
Things are going my way. Have talked the crooked landlady into hiring me to drive out her tenants so that we and my business partner can build a “Love Hotel.” Last night I wooed the good girl in town and convinced her that violence is how I show affection. Women are so stupid. I also take particular delight in tormenting her and that idiot student she loves. Everything is great! Yay me! –Joe the Killer

Black River had some important insights into life after WWII outside an American military base that became uselessly bogged down in the “love” triangle. Rape as foreplay will never sit well with me. Despite strong performances from Nakadai Tatsuya and Arima Ineko and a somewhat satisfying ending, the whole triangle premise left a bad misogynistic taste in my mouth.

1 February 2026
Trigger warnings: Implied rape and sexual situations though nothing shown. Physical abuse of women which was shown.

Read More

"If the sky falls, the tall will hold it up"

I stumbled across Forget You Not and to my utter delight found a hidden gem dealing with the joys and pitfalls of family, friendship, marriage, and work. Hsieh Ying Xuan and Chin Han gave beautifully realistic performances of a daughter and father distanced through their own faults and misunderstandings. Every chapter was meaningful and gave insight into their lives and loves. As only Taiwanese dramas can do, the characters were flawed and real, relatable guides on this journey into aging and life.

Cheng Le Le’s life is shaken when her marriage falls into trouble and her “unreliable” father is diagnosed with dementia. Her rocks are her two best friends and her job as a stand-up comedian.

Each chapter in Forget You Not focused on a different aspect of Le Le’s life-her father, the mother who abandoned her, her friendships, her husband, and circled back to her father as his illness progressed and he became completely reliant on her. The episodes wove flashbacks with the present, never wandering afar and always giving insight into everyone involved. Aside from Le Le, we also peer into the stress of Zhang Kai’s privileged life, Cheng Kuang Chi trying to provide for his family working aboard ships, and Hsiao Fang’s pressure to raise a child largely alone.

The writing was thoughtful, showing people’s strengths and foibles. As in real life, marriage was a work of balancing expectations and needs, some not always fulfilled. Friendships were forged with people who were imperfect and faced their own crisis at times. As people aged, they suffered the loss of friends and family, whittling down their social circle we all depend upon. Parents were fallible, some capable of the job, others not. Children, even adult children, focused on themselves often shuttling parents’ needs aside. And ultimately, some children came to be caregivers of aging parents reversing the roles of a lifetime.

Forget You Not never shied away from the difficulties in relationships and caregiving. One of the most thankless and difficult jobs is caring for a loved one, often without any help. Even when done out of love and familial responsibility, it can bring a person to the breaking point physically, mentally, and emotionally. And financially. It is consuming and exhausting with the person always haunted by guilt with the questions of, “Am I doing enough?” Often followed by, “Will this ever end?”

This drama was heartbreaking and heartwarming. Following Le Le on her journey of self-discovery and a new relationship with her father was a deeply emotional journey for her and me. I tend to call out dramas that work too hard to manipulate the audience through cheap tricks and maudlin music. Forget You Not had absolutely gut-wrenching moments earned through authentic storytelling and nuanced acting. It was not all sorrow, for there were moments of levity, joy, and laughter. Sometimes when it seems the rain will never end, all you can do is dance in it.

28 January 2026

❤PSA-If you know a caregiver, please drop off food, ask to run errands, or find a way to relieve them so they can rest, shower, get out of the house/hospital for even a small amount of time. Anything so that they know they aren't alone. Sometimes caregiving takes a terrible toll on people's physical and mental health.

Read More

"Unified desperation"

The lure of a female serial killer played by Go Hyun Jung was too much of a lure for me to avoid. Jang Dong Yoon as her estranged detective son was the final bait to make me sit down and watch Queen Mantis.

Serial killer Jung I Sin was given a sweetheart deal in exchange for her confession. She lives her life in relative luxury for someone on death row. Everyone but a handful of people think she died in prison. So when a copycat begins using her playbook to gruesomely off their victims Choi Jung Ho cajoles Cha Su Yeol into joining his investigative team, as I Sin will only to talk to the feisty detective, who also happens to be her son.

The format felt overly familiar and parts of it were reminiscent of Alias when Spy Mama was incarcerated and would only talk with Sydney or Silence of the Lambs, etc. “I’ll only talk to…” is a worn-out trope. If you are going to use a classic recipe, execution is key. This was where QM was hit or miss. I Sin was hands down the most compelling character and her screen time was limited in the first 6 eps. I wasn’t heavily invested in the side characters or the numerous scenes of Cha yelling or crying. There was a great deal of repetition which could have been fixed by tightening the script.

The drama served up a whole can of red herrings which diluted the intensity. Despite the numerous killings, QM lacked urgency. Keeping Cha’s past a secret seemed more important than hunting down the killer(s). The cops’ feelings and abilities were often fickle. And Cha’s marriage only served to offer up more man pain, with Lee Jung Yeon being particularly underdrawn. The lovely Lee El’s Kim Na Hui was a basket of contradictions. She couldn’t just be a competent cop, she also had to be alluded to as a bad mom numerous times and unable to stand up for herself when passed over for a promotion.

QM attempted to show how traumatic abuse and sexual assault are often ignored by society leading to broken people who keep the torturous cycle spinning. Authority characters made excuses for men beating and sexually assaulting women and children, because isn't there always an excuse? In this drama, I Sin became judge and executioner, a grotesquely twisted super hero for the weak and unheard.

7.5/10.0 is my rating for an average drama. Watchable but nothing too memorable. What will be memorable was Go Hyun Jung’s understated performance. She wasn’t afraid to go “ugly”---no noticeable makeup or hair styling. Because she was often seated at a table or shackled, she couldn’t gesticulate with her hands or go the glam route with hair acting. She conveyed a wealth of feelings subtly and meted out her emotional explosions when they made the most impact. I Sin was smart, resourceful, and badly damaged--- a lethal mantis---capable of attacking cruelly without remorse or pity. Not a role model by any means, but fascinating to watch.

25 January 2026

Trigger warnings: Severed body parts and heads. Torture. Child abuse. Sexual assault alluded to and in its most cruel form. Bugs in the form of beetles if you are super sensitive to them.

Read More

"What kind of place this?"

Kyojo 2 had a new crop of recruits studying to become police officers under the watchful eye of Kazama Kimichika. Kimura Takuya returned as the no-nonsense Kazama who seemed to know everything happening in his purview.

Once again Kazama had to deal with students who shouldn’t have been able to pass a psych eval or physical fitness test in order to get this far. He ferreted out their secrets and exposed their weaknesses. Some would be allowed to continue, others were shown the door.

Kazama was extra hard on his students because of the death of an unprepared graduate that also resulted in the loss of his eye. This fact alone made it harder for me to understand why certain students were allowed to stay in the program. **Minor spoilers to continue this thought are below the date. **

Kimura Takuya, the silver fox with the worst prosthetic eye since the wooden one from Pirates of the Caribbean, is always compelling to watch. Unfortunately, for me at least, most of the students were completely forgettable or memorable for all the wrong reasons. Kazama’s past had a small reveal, the biggest reason I watched this second part. If you enjoyed the first Kyojo, it’s likely you’ll enjoy this second one as it followed much of the pattern of the first.

17 December 2025

Minor spoilers below:



**
Steal a computer mouse? You’re out! Steal the ingredients to make a bomb? All is forgiven. Lie to a superior? No prob. Can’t tell time? No problem. Sexual harassment? No problem. Bullies are okay. Skittish students are okay. I dropped my score when near graduation a student at the firing range was so delighted at hitting the target they actually looked down the barrel of their loaded gun! To quote Zootopia, "You're dead bunny rabbit!" No wonder they have to have a constant flow of new students!

Read More

"Let love be your guide!"

I was in the mood for a heartwarming story and the synopsis for Little Q drew me in. That and a beautiful Labrador retriever on the poster was all I needed to watch this film. While it portrayed the value of the guide dog program, it also failed rather spectacularly as well.

Temperamental pastry chef and general all around jerk, Li Bao Ting, is losing his sight which makes him even crankier with everyone around him. At the same time, a family agrees to foster a lab puppy, Little Q, for a or the Hong Kong Seeing Eye Dog Organization. Despite the rules, the little girl largely attempts to undo Little Q’s training so that she will fail the stringent training and Chan Tsz Kiu/Chan Yu Qiao will be allowed to keep her. Q prevails and is paired with Li who wants nothing to do with the dog. When not sitting at home drinking he’s berating his apprentices at his pastry shop. He repeatedly tries to rid himself of the dog until he realizes Q’s value and attempts to get his life back on track.

So far, this general synopsis of the first part of the film plays out like many other redemption stories. The only problem is, Q would never have been given to Li in real life. There are far more people in need of guide dogs than there are guide dogs. Even if he had received one due to his family connections, the minute they discovered his mistreatment of the loyal pup, Q would have gone to a deserving person. For the first 49 minutes of this film, I have never hated a movie character more. Li’s 180 in outlook was enough to give him and me whiplash. There was no gradual buildup, just an unearned personality change. And in the final quarter another action happened that had me spitting nails I was so angry**.

I had a friend in college with a guide dog. Dennis was a beautiful black lab that was all business when my friend and I walked about campus as we shared several classes. But when he was off duty, I was able to pet him and give him treats and play with him. In the film there seemed to be a real concern that guide dogs lead a too serious life. When Dennis wasn’t working, he played with his golden retriever sibling and his human parents just like any other dog. The thought of someone treating one of these highly trained dogs so cavalierly was infuriating, even if it was just a film. Especially with a need greater than a supply of these loyal friends.

Yes, there was a nice little middle with happy, bonding moments with Q, but they were bookended by actions that were reprehensible. I appreciated that the film gave a shout out to the importance of guide dogs as it appeared to be a fairly recent program. Yet I was also appalled that Q was left with someone completely unqualified for receiving such a gift despite movie magic turning him into a loving caring person in a matter of minutes.

As a work of art, the writers worked hard to manipulate the viewer into feeling sorry for the little girl and eventually the owner. Due to the callousness and utter stupidity of the humans, my only concern was for the ever faithful yellow lab. If ever there was a film that showed we don’t deserve dogs, Little Q was it.

10 November 2025

**Spoiler comments below! **











When Li prepares to go to the US, he takes Q off the leash and throws the ball down a city sidewalk for Q to chase to distract her. What? He can’t see where he’s throwing putting Q at risk in an urban environment. Then Q chases his van down the road. The driver and Li’s sister see Q but do NOT stop the car and get Q out of harms way. Only when Q was physically blocked from following did she finally give up. Who would let a dog run down the middle of the street in a city?

Another problem was when Li decided to walk into traffic to commit suicide. He caused a multi-car accident which might have injured drivers and passengers as well as the financial cost. If he had succeeded, a driver would have been traumatized for causing a pedestrian’s death. Somehow, right afterwards he was able to smile-about everything. I’m guessing all those people in the cars weren’t smiling much.

I'm not sure what else they could do to try and gain sympathy for Q as they put her through numerous physical ailments. I love organic moments that create sympathy and even sorrow for characters both two-legged and four-legged alike, but the writers used a sledge hammer with little nuance to try and create emotions.

And the less said about the Dog Meat Festival the better.

Read More

"Sexy food"

A Nation of Tteok was the fourth installment in this delightful franchise. Mimi, Ryu Soo Young, and Heo Young Man returned as our guides, this time walking us through the history of, making of, and variations of tteok.

Tteok preceded cooked rice in the diets of the people as cooked rice required more sophisticated milling processes. Having been around since the Bronze Age, this has given people plenty of time to come up with almost endless variations on preparing the rice cakes. At last count South Korea has more than 250 types of tteok.

In episode 1, our guides went to a Buddhist temple in the mountains of Cheongdo to see how they prepared their vegetarian rice cake soup. The First Full Moon Fest came next with a huge bamboo bonfire. From there they explored the different kinds of tteok made with seasonal ingredients from different regions.

Episode 2 visited the historical and current use of tteok for the Mid-Autumn Harvest Festivals. Early royal banquet tteok recipes were shown. Provinces that had little access to rice found ways to make tteok out of potato starch or pine tree bark. And last but not least, the famous tteokbokki shown in so many school dramas was explored with many of its varieties.

During the 2 episodes the guides helped knead, pound, and form different kinds of tteok. They also sampled tteok made with chestnuts, pumpkin, kudzu, ginko nuts, jujubes, seaweed, different kinds of leaves, and just about anything else you could think of. It turns out tteok is quite versatile. Soups, “burgers”, wraps, treats, side dishes, and a host of other forms were showcased.

Tteok was said to bind the people together and eaten in happiness. Used for celebrations and milestones, it’s a food that historically was meant to be kneaded, pounded, and shared together with neighbors and family. Enfolded in the beloved food were the blessings and good wishes of the preparers and givers. Each version had its own form, texture, aroma, color, and taste whether rustically made or artistically created by fine dining chefs. For the most part, ajummas were the stars as they foraged for ingredients and then lovingly made the specialties from their regions. These special rice cakes showed the patience, persistence, and resourcefulness of the Korean people who discovered ways of making delicious food, even when it was scarce. If you have enjoyed the other three installments of this show, I could easily recommend this one. Sweet, comforting, and informative, this tteok went down easily.

3 November 2025

Read More

"See you after the victory!"

I often enjoy Ann Hui’s meditative style and Our Time Will Come was no exception. In this film her quiet introspection was focused on Hong Kong’s resistance movement in 1942 during the Japanese occupation.

Fong Lan (aka Fong Lam aka Fang Gu) lives with her mother. They have rented a room to a writer and his wife who have mentioned they will be moving out soon. What they don’t know is that Mao Dun (aka Mr. Shen) is working with the resistance to safely leave Hong Kong with other hunted intellectuals. Fong is called upon to help the Maos when their plans are disrupted. Blackie Lau (aka Liu Hei Zai) recruits her for their Urban Unit afterwards and soon Fong is delivering messages and printing flyers. Blackie Lau heads up the Firearms unit taking on dangerous and deadly missions. Fong’s ex-boyfriend works undercover at the Japanese surveillance office for General Yamaguchi. All three plus Fong’s mother do their part to hamper the Japanese wherever and whenever they can.

While the film did show the three-pronged attack on the Japanese, intelligence acquisition, guerilla attacks, and information sharing, much of the film centered on Fong Lan and her mother. Despite living in an occupied city filled with danger, especially for women, life went on. What little food they could grow or access had to be prepared and eaten, people still married, and when possible, people continued their businesses to earn a living. I could have watched the film with just these two women playing off of each other.

OTWC’s cast was loaded with quality actors. Deanie Ip gave a lovely and understated performance as Fong Lan’s mother. Mother Fong worried for her daughter, assisted where she could, reacted fairly nonplussed when stumbling upon a body, and stood tall in the face of death. Zhou Xun’s Fong Lan grew from a bunny loving young woman to one who courted death daily as a member of the resistance. Eddie Peng was at his charismatic best as Blackie Lau providing the film with a few lighthearted moments. Wallace Huo’s Lee Gam Wing was as expected suave and cool as ice. Pau Hei Ching showed up briefly as Fong’s aunt at a wedding with a rationed budget and one where the silverware was counted when the guests left.

Our Time Will Come was a well-crafted film. The cinematography was lush and saturated, the framing and composition of shots-gorgeous. Recently I watched a film that looked like it had been shot on a cell phone while riding in the back of a truck on a gravel road making this film’s quality seem even finer. Stories of the different cells and characters unfolded slowly though all were interwoven in mission and sentiment. True to war, the fighters had successes and failures, lives were saved and lost. Films such as this can overly rely on in-your-face patriotism and heavy melodrama. Hui managed to avoid these tropes while also showing people working together from the young to the old, women and men alike, to protect their home and neighbors from the horror all around them. OTWC was not filled with fingernail biting suspense or heart pounding action yet it was compelling all the same.

"The wind which carried the rays of the setting sun has died down. It's as if it melted away...Night's black curtain is falling, but glimmers of light remain..."


16 September 2025

Read More

Kim Bo Ra created the short film The Recorder Exam as a student. It came across as a precursor to her House of Hummingbird (2018). Yet this 28-minute film set in 1988 was beautifully, achingly complete, more so than many films three times the length.

Nine-year-old Eun Hee is preparing for her recorder exam. She’s using her brother’s hand me down recorder and wishes for a new one. More than a new recorder she desperately wishes for affection and attention from her family. Both parents are checked out emotionally. Big sis is seeing a boy behind their backs and staying out late. Her brother is doted on and orders her around, unafraid to hit her. As the youngest and a girl, there’s not much leftover for her from her stressed out mother and a father who is seeing another woman. When Eun Hee hears him whisper “I love you" to the mistress, how she longs to hear those words for herself. Her sister having realized she will never hear those words has sent her searching for acceptance elsewhere.

This film will make you want to give Eun Hee the hug she needs. It will also make you want to shake her disconnected parents. Much like HoH’s Eun Hee, this girl was trying to find a way to feel wanted by her family, loved. The shock she exhibited when a friend’s mom treated her kindly spoke volumes. Eun Hee also had a stubborn, defiant streak that broke through when she was being treated poorly which usually only led to more punishment but must have felt powerful in the moment.

The Recorder Exam focused on Eun Hee as the exam approached, her strained relationship with her family, her friendship with a classmate, and a need to feel like she belonged and was cared about in her own family. Even a few crumbs of kindness could set her free to soar if only for a few moments, if her parents could look outside themselves and see her. This film was well-written, well-directed, and well-acted with young Hwang Jeongone giving a heartbreaking and compelling performance. Definitely worth 28 minutes of your time.

8 September 2025

Read More

"Fine dust is hard to see, we forget about it, though it's everywhere"

Fair warning, Dust-Man is the type of film I enjoy--independent, centered around art, and involved redemption. The filming, music, and acting were not polished, but somewhere it just hit that sweet spot of theatrical enjoyment for me.

Tae San is homeless and looks out for Mr. Kim, an older man, and Do Joon who is in his 30s like Tae San. One night Tae San observes a young woman painting a mural in a small tunnel. When he returns the next night, the city has painted the walls white. Mo Ah passes by and tells him it’s okay, she does these murals to force the city to clean up these spaces. Tae San shows her how to create art on the fine dust collected on cars and other surfaces. The two develop a friendship over art that is only held back by the darkness of Tae San’s past.

I enjoyed the impermanent art created by the two, art that would eventually be blown, wiped, or washed away. The two understood that art didn’t have to be permanent to be meaningful. Their images showed what was, what is, and what could be, hampered only by their imagination. Though Tae San’s art was unbounded, his life was a cage created by his memory. Until he found the key to unlock the door he was stuck on an “endless journey.”

Homelessness was portrayed as a life choice with the three men shown which was not very accurate. Most homelessness is caused by unaffordable housing, unsustainable wages and poverty, substance abuse, health issues, and mental illness. For women, abusive relationships can drive them out to the streets with children. Despite the white washed version, the director did try to show that homelessness, like fine dust, was everywhere, but often invisible. Once you see it, you can’t unsee it. And like personal problems and pain, it needed to be faced. Tae San’s art and friendship with Mo Ah revealed the key he had hidden under mounds of dust and ash. Dust-Man was gritty and unpolished but showed that dreams could be carried by the dust in the wind*.

28 August 2025
*Apologies to Kansas/Dust in the Wind for applying the same term

Read More

"It seems a bit vague, your face"

I Love Camping aka Do You Like Camping was a short film by and starring Kim Kkot Bi. The film had little dialogue and was more of a relaxing vibe than plot driven story.

Kim joyfully rides her motorcycle on Jeju Island, having to deal with rude sightseers and influencers. Setting up her tent and chair, she’s more into her book and camera as the wind whips her hair around than the man filming next to her. Rebuffing the influencer, her interest lies in the woman whose tent is next to hers--another seasoned camper who enjoys hiking and reading. What’s a girl have to do to get her neighbor’s attention instead of the influencer and his followers?

I Love Camping was a gentle campers crossing in the night story. The rough setting with the sea in the background, the nimble efficiency of pitching a tent, happy sighing while riding a motorcycle, all lent to the authentic feel of a woman enjoying her time on the road and perhaps wistfully wishing she didn’t always have to travel alone.

26 August 2025
Note: Listen to the closing tune for a deeper insight into the motorcyclist's feelings

Read More

"Happiness is always remembered"

Show Me Your Love showed how poor communication and even poorer choices can lead to years of unnecessary unhappiness and resentment.

As a child, Nin and his mom move from Hong Kong into her father’s house in Selangor, Malaysia. Sze Nga works long hours at odd jobs trying to pay off debt. One day she leaves for work abroad, giving Nin to her sister, and doesn’t return for 10 years. Upon her return, Nin is readying for university in Hong Kong. This time he is the one who leaves without a goodbye or forwarding address. Years later, married and with a child, Nin is told his aunt has died. His mother who has become a stranger and who is in deteriorating health becomes his unwanted responsibility. Mother and son struggle to bridge the chasm of misunderstandings lying between them.

The strength of this film lies in the performances. Pau Hei Ching was given a role that older actresses salivate over. Sze Nga was a complicated character with a wide range of emotions, all of which Pau covered admirably. Raymond Wong kept Nin’s emotions tucked close to his chest like the perfect hole card while holding a royal flush. All of the supporting characters added to the story without detracting from it. I honestly thought I was going to hate Nin’s wife after her opening scene but she ended up coming through for Nin and her mother-in-law like a real trooper. The biggest faux pas was Sze Nga’s return after 10 years but looking 34 years older as they swapped out the actresses too soon. Michelle Wai should have had those crucial and painful reunion scenes.

*****Depending on your idea of spoilers, this paragraph might hold one. Skip to the next paragraph if you are super sensitive to any plot elements. *****
My problem with this film was the basic premise. Sze Nga left her son to be raised by her sister which crushed him. The film implied there was very little, if any, communication between mother and son through the years, even after she returned. Did they not have mail service where she was working? No postmen in Malaysia or Hong Kong? Nin felt abandoned and deeply hurt and rightly so. It was only at the point of being too late he came to understand her behavior. Her cruel disappearance was all in service of fabricating a false memory of his father—who in reality was a deadbeat dad who had buried his family in debt. Her decision cost her time with her precious son. Losing his beloved mother for the majority of his childhood and adult life hurt Nin far worse than finding out his father was a jerk. Dude never showed up or contacted him once, pretty obvious he was not worth all this effort.

Show Me Your Love pulled all the strings available to manipulate tearful responses from the audience. None of the overtly sentimental tropes worked on me. My heart was broken for Nin who had been a happy child until he lost both parents for all practical purposes. Sze Nga’s actions deprived her of seeing her son marry, hold her newborn grandchild, and revel in her son’s adoration of her. Words matter, words children need to hear-often. The synopsis says that mother and son patched up their differences, a broken heart can be mended but the cracks, especially those created by regret, will always show and be felt. To quote an old saying, "Time wasted, is time lost, never to be regained."


23 August 2025
Trigger: Noble idiocy

Read More

"Where is she?"

Shanghai attempted to be a noir murder mystery set against the turbulent time leading up to the attack on Pearl Harbor. The film boasted famous international stars and faces that would become more familiar. Shifting alliances and spies behind every door made finding a killer when thousands were being killed difficult if not meaningless.

Intelligence officer Paul Soames arrives undercover in Shanghai to meet up with his best friend who is also an agent only to discover that he was recently murdered in the Japanese quarter. He goes to work as a Nazi sympathizing journalist in order to keep his German contacts. Within a short time he makes the acquaintance of a Chinese resistance member who is married to the head of the Shanghai triad who have a tenuous relationship with a Japanese officer. Soames becomes embroiled with all of them and their various activities while searching for the killer.

The murder mystery was honestly hard to care about. The Chinese were suffering astronomical losses due to the Japanese occupation. It didn’t help that John Cusack’s character was bland and uninteresting. His acting was equally uninspiring and lacking in depth. Gong Li was another story. She gave a strong and more nuanced performance as Anna Lan Ting. Her role as a resistance member was far more compelling and the movie would have benefited from focusing on her more instead of forcing the viewer to see nearly everything through Soames’ bored eyes. Chow Yun Fat played a supporting role as Anna’s husband. He did the best with what he could but was sidelined most of the time. Watanabe Ken’s Tanaka walked a fine line between nemesis and sympathetic character. Benedict Wong (Dr. Strange’s Wong!) played a Japanese informant and Hugh Bonneville (Knotting Hill and Downtown Abbey) took on the role of a newspaper editor.

Perhaps Shanghai was trying to do too much or maybe not enough. The film showed another angle of how vital strategic information that could have foreshadowed Pearl Harbor was not forwarded though it was more of an Easter egg than key plot point. The characters’ lives came to coalesce around a Japanese mistress and spy, that ended up being all but irrelevant. The implied chemistry between Anna and Paul simply did not work. Gong Li was believable but John Cusack sucked the life out of every scene he was in.

Shanghai had potential but failed in nearly everything it tried to do. The story and direction weren’t taut enough to be thrilling. The Shanghai matches had more sizzle than the sexual chemistry. And the murder mystery wasn’t much of a mystery. What was worth watching was Gong Li. She was gorgeous and mesmerizing as the mysterious and unwavering Anna. Chow Yun Fat and Watanabe Ken also pulled focus when they were onscreen. And it was fun to see Benedict Wong in an earlier role with that deep gravelly voice of his. Overall, Shanghai was watchable yet equally forgettable.

6 July 2025

Read More