4
This review may contain spoilers
Under a veil of snow everything appears sparkling, even the puddles.
The most remarkable aspect of this drama is how quickly it goes from an original story with intriguing characters to a jumble of unlikely events and dubious purposes.
Gradually, my overall opinion of it has also diminished. Today, about a month after I've finished watching it, it's almost as if I'd never watched it: it left me with nothing meaningful. This happens when an exaggerated emphasis is placed on the exterior of things, rather than their substance.
There's no doubt that this show is aesthetically satisfying; in fact, it's all about pleasing the eye.
Starting with the male protagonist. Constantly bathed in a soft, almost mystical light, with strands of hair blowing in the breeze from permanently open windows—in the dead of winter—his expression somewhere between stoic and impenetrable, the Marquis of Wuan offers a picture of beauty as perfect as it is pointless.
I won't deny it, I was initially fascinated by him too: the mystery surrounding his character had great potential. Instead, not only did this mystery take an astonishing and frustrating amount of time to unravel, but when it did, it had more holes than a Swiss cheese. He is a warrior who is never warrioring, a husband who is never husbanding and a leader who is never leading.
In some ways, all the male leads in this drama suffer the same fate: all damned good-looking—did they find them in a catalog?—they make questionable choices driven by obscure motivations.
By the final episode, it's painfully clear why: the entire drama revolves around the heroine, Everything else is a byproduct, and an often confusing one.
So we have this super pretty, lively and independent butcher who finds herself a husband of convenience and - according to the synopsis - slowly falls for him. Unfortunately, she suffers the same fate as the viewer: she falls for his outer appearance, nothing else. She knows nothing of him, he doesn't give anything away and she is too busy bossing him around and going on with her pigs slaughtering to even raise the slight doubt. And I was left there grinding my teeth in frustration.
There are 2 different scenes that threw me out of this romance for good:
[SPOILER]
the first when he kisses her and she slaps him as a result, accusing him of harrassment. Girl! You've just packed his things and decided on a divorce, he even asked you to go with him, you've previously plotted to seduce him by washing your feet in the same basin (awful moment) and now you're suddenly all indignant that your husband dared locking his lips to yours! Gahwd. Not to mention that with one slap she could have sent him flying to Japan.
The second happens when they reunite in the battle camp, where he is YET again injured and he misses YET another good occasion to reveal his identity. And Fan Changyu is still oblivious, since her strength is not in the brain. I threw something.
[END OF SPOILER]
By then, I couln't care a dry fig what happened to them or their frustrating romance, where they are married one minute, then they are not by the law, then they are again, then...
It troubles me that I found myself more invested in the second couple's story. This is indeed problematic inasmuch as the male character is nothing short of a psychopath. Far from me to find it romantic, nevertheless Yu Qianqian and Qi Min made me feel something, they were complex, twisted and tragic.
What is left is a convoluted, never fully explained plot of a petite beauty who becomes a stronger version of Princess Xena, a Marquis of Wounds and a palace intrigue that was revealed early on but for some reason was treated as a mystery till the end.
I'm not going to rewatch this drama. Even worse, I haven't even rewatched single scenes - yes, I do it when I fall in love with a couple. It didn't happen here.
Next.
Gradually, my overall opinion of it has also diminished. Today, about a month after I've finished watching it, it's almost as if I'd never watched it: it left me with nothing meaningful. This happens when an exaggerated emphasis is placed on the exterior of things, rather than their substance.
There's no doubt that this show is aesthetically satisfying; in fact, it's all about pleasing the eye.
Starting with the male protagonist. Constantly bathed in a soft, almost mystical light, with strands of hair blowing in the breeze from permanently open windows—in the dead of winter—his expression somewhere between stoic and impenetrable, the Marquis of Wuan offers a picture of beauty as perfect as it is pointless.
I won't deny it, I was initially fascinated by him too: the mystery surrounding his character had great potential. Instead, not only did this mystery take an astonishing and frustrating amount of time to unravel, but when it did, it had more holes than a Swiss cheese. He is a warrior who is never warrioring, a husband who is never husbanding and a leader who is never leading.
In some ways, all the male leads in this drama suffer the same fate: all damned good-looking—did they find them in a catalog?—they make questionable choices driven by obscure motivations.
By the final episode, it's painfully clear why: the entire drama revolves around the heroine, Everything else is a byproduct, and an often confusing one.
So we have this super pretty, lively and independent butcher who finds herself a husband of convenience and - according to the synopsis - slowly falls for him. Unfortunately, she suffers the same fate as the viewer: she falls for his outer appearance, nothing else. She knows nothing of him, he doesn't give anything away and she is too busy bossing him around and going on with her pigs slaughtering to even raise the slight doubt. And I was left there grinding my teeth in frustration.
There are 2 different scenes that threw me out of this romance for good:
[SPOILER]
the first when he kisses her and she slaps him as a result, accusing him of harrassment. Girl! You've just packed his things and decided on a divorce, he even asked you to go with him, you've previously plotted to seduce him by washing your feet in the same basin (awful moment) and now you're suddenly all indignant that your husband dared locking his lips to yours! Gahwd. Not to mention that with one slap she could have sent him flying to Japan.
The second happens when they reunite in the battle camp, where he is YET again injured and he misses YET another good occasion to reveal his identity. And Fan Changyu is still oblivious, since her strength is not in the brain. I threw something.
[END OF SPOILER]
By then, I couln't care a dry fig what happened to them or their frustrating romance, where they are married one minute, then they are not by the law, then they are again, then...
It troubles me that I found myself more invested in the second couple's story. This is indeed problematic inasmuch as the male character is nothing short of a psychopath. Far from me to find it romantic, nevertheless Yu Qianqian and Qi Min made me feel something, they were complex, twisted and tragic.
What is left is a convoluted, never fully explained plot of a petite beauty who becomes a stronger version of Princess Xena, a Marquis of Wounds and a palace intrigue that was revealed early on but for some reason was treated as a mystery till the end.
I'm not going to rewatch this drama. Even worse, I haven't even rewatched single scenes - yes, I do it when I fall in love with a couple. It didn't happen here.
Next.
Was this review helpful to you?
