What are you talking about? That is not even slightly related to the main idea of the show.
I accept your point of view and your arguments. However, I do not agree with the idea that the series does not want to show emancipation in a patriarchal context. In this sense, allow me to explain: historically a type of social organization in which men monopolize power and dictate the rules. Women had virtually no official rights: they could not participate in politics, administration, or hold high-ranking positions in the military right?
In this sense, isn’t she remarkable for holding the title of General? Were all women generals at that time? Isn’t the author showing her uniqueness in this context? This is what I would call the current subtle feminist wave, which appears in almost all series nowadays.
Regarding the other points ( 2,3,4) I mentioned, they have nothing to do with feminism (What objectives are they trying to convey through her...) but rather with her character and the arc of her story, as I believe I emphasized. And as you and I agree, even though the author wanted to align with the contemporary trend “with this feminism,” the series shows us in many ways that it is not very feminist? ex: neither the images that depict equal violence between men and women, nor the fact that it is still thanks to the man she loves that she can regain her rank as general.
In short, it’s subtle and leaves room for debate, but I also share your opinion.
What are you talking about? That is not even slightly related to the main idea of the show.
Yes, there are several messages in the series, and I can present them all from my point of view. There is also the arc of betrayals, love, and many other intrigues… But here, the main role belongs to Li Qin. What, then, is the author’s intention through this character? What objectives are they trying to convey through her journey? — (I’m sure each person has their own understanding of this.)
If you want more in-depth and detailed way, here it is: a)Feminine emancipation in a patriarchal context – This is the most important point for her. b)Resilience in the face of adversity c)The complexity of human relationships – trust, reconciliation, love, enemies versus allies d)The importance of personal identity – rediscovering her lost identity e)Critique of power structures – explored through multiple heroes, not just her
Wich General Mistress ? feminist ? i believe we don´t watch the same drama ? Fu YiXiiau has a strong will and…
The main message of the series is feminist: in short, it shows that a woman can be equal to a man through her strength, willpower, and ability to fight in an army at a time when this role was traditionally reserved for men. The author clearly aims to convey that equality can exist, even in a historical context dominated by men.
However, my previous message was intended to point out the flaw in the execution of this idea. ;)
However, I would also like to emphasize that several scenes (even those depicting torture, etc.) portray more realistically the relationships between enemies, the historical context... (which I love) This makes the series a relatively less sugar-coated work than what we would typically accept in our era.
23.Today I’m watching this episode, and it made me reflect on this topic:
General’s mistress there, general’s mistress here… Is this a package? How to become promptly general… Here, let’s be honest, everything is shown crystal clear. And of course, we watch and understand the characters’ feelings ❤️❤️(and i love the characters) , but if you look from the outside? — that’s exactly how it is: Without their bonds of love, would she have a chance to become the general in enemy territory, with no social status and no friends? And by the way, this series is not feminist at all, even though the girl is a general . . I think the main idea of this serie was to show that a woman can be a general, even in a time when it was men who ruled
So this series? The kind of “CONVICTING ABSURDITY ” that reminds you reason always loses against a good dose of relaxation. . feels like a school break between intense classes and routine: (I’m watching the series Fated Heart — it’s beautiful!) It’s cool here, I like the actors too, they’re so charming. We’ll see what comes next…
Honestly, the plot is simply superb — each character carries a tragedy 💔 hidden deep within their heart. Chen Zheyuan’s acting is brilliant🥇, down to the finest nuances🔥, and the rest of the cast is just as impressive. I couldn’t take my eyes off the screen — it’s the first time this has happened to me while watching a Chinese historical drama - For once, the plotlines are actually interesting — they keep you engaged, and every twist feels meaningful, not just decorative.(and the first time not only for the romance! lol).
What’s especially important — and truly unique — is this: usually, we hear phrases like “God of War” or “Lord of Death,” but soon those characters turn into soft teddy bears. Here, however, the protagonist stays true to himself until the end — his cruelty, rooted in the culture of that era and his own nature, remains ever-present. This gives the film a striking authenticity, making it not just entertainment but a serious work.
Luo Yunxi, for me, is the best — a truly mythological figure, the embodiment of symbolism and inner strength of Chines dramas. Meanwhile, Chen Zheyuan has now officially become the BEST PRINCE in the entire realm of Chinese dramas. 🎯👑 best female general title definitely goes to Li Qin
Diary of a Passionate Viewer: Watching Episode 19 – Step by Step... in comment
The opening song — even after twenty episodes — remains incredibly fresh. It keeps coming back, like a familiar breeze, yet I never get tired of it. This Chinese neo-classical style fascinates me: the voice is both airy and strong, with those traditional glissandos, then soars into splendid high notes supported by a more modern orchestral refrain. Sadly, there aren’t enough songs in the series — such a pity!
4:24 — Mamma mia, the kids are here. And they’re hungry. A tragedy. I’m scared ....
7:12 — What I admire most about Sun Ge is his sharp honesty. He speaks straight, without circling around — whether it’s a love confession, a confrontation with his father, or a heroic moment of protection. A true general, a true man. And I Siao even pointed it out — thank you for saying it for me!
17:15 — I Siao’s outfit is stunning: white with red embroidered ornaments — red is her color, obviously. She looks magnificent. The masked man’s costume is also gorgeous. 20:15 — Oh, Suj Ge changed his look: black, blue, with brown rhinestone embroidery. The color grading of this series is breathtaking — the dominant tones (blue, brown, red) create a coherent, sumptuous palette. The rival prince’s costume stands out — more exotic, nomadic, inspired by the steppes. A clear contrast between the two realms.
25:42 — Back to the plot. Poor princess... her problem is that she doesn’t understand emotions. Zero empathy. She misses every interaction, either with her affected sweetness or misplaced smiles: — “This trip will bring back many memories,” she says. But, my dear, this isn’t a honeymoon in the Maldives! Read the room!
32:32 — Ah, the scene with the horses and Suj Ge in the lead — and right after the kissing scenes — my favorites!! 33:00 — And here comes the signature shot: the tight close-up on the clenched fist before cutting to another angle. That little gesture — in every Asian drama — says more than a thousand lines of dialogue. Everything is in that fist!
37:00 — The director loves close-ups, especially of eyes. And it’s wonderful. Once again, Suj Ge’s friend gave me chills — his eyes carry more menace than the fallen prince, who seems devoid of emotion, caught between determination and despair, like a tired wave.
39:00 — The fight scene! Fast-paced editing, choreography synced with the music. It’s neither realistic nor cartoonish — a charming in-between, a kind of martial ballet. Even the horses gallop in rhythm! I love this ballet, especially with that music.
43:00 — And the final choreography, almost a ballet with Suj Ge, is magnificent. Honestly, it could be recreated on stage — I’d love to see that live, especially with him! The directors of this series have style — lots of it. And I say: cool, I love it.
I haven’t read the novel, but after all the little excerpts, I feel like they’ve kept almost only the characters’ names from it. Is that somewhat true?
That’s a step above criticizing the “originality” of a critique… thank you, I’m genuinely touched by the attention. My intention, really, was just to create a good vibe by myself lol. However, you somehow “guessed,” signed, and stamped it I have no chance for the next post
2 
1 
1 
1 
In this sense, isn’t she remarkable for holding the title of General? Were all women generals at that time? Isn’t the author showing her uniqueness in this context? This is what I would call the current subtle feminist wave, which appears in almost all series nowadays.
Regarding the other points ( 2,3,4) I mentioned, they have nothing to do with feminism (What objectives are they trying to convey through her...) but rather with her character and the arc of her story, as I believe I emphasized. And as you and I agree, even though the author wanted to align with the contemporary trend “with this feminism,” the series shows us in many ways that it is not very feminist? ex: neither the images that depict equal violence between men and women, nor the fact that it is still thanks to the man she loves that she can regain her rank as general.
In short, it’s subtle and leaves room for debate, but I also share your opinion.
If you want more in-depth and detailed way, here it is:
a)Feminine emancipation in a patriarchal context – This is the most important point for her.
b)Resilience in the face of adversity
c)The complexity of human relationships – trust, reconciliation, love, enemies versus allies
d)The importance of personal identity – rediscovering her lost identity
e)Critique of power structures – explored through multiple heroes, not just her
However, my previous message was intended to point out the flaw in the execution of this idea. ;)
However, I would also like to emphasize that several scenes (even those depicting torture, etc.) portray more realistically the relationships between enemies, the historical context... (which I love) This makes the series a relatively less sugar-coated work than what we would typically accept in our era.
General’s mistress there, general’s mistress here… Is this a package?
How to become promptly general…
Here, let’s be honest, everything is shown crystal clear. And of course, we watch and understand the characters’ feelings ❤️❤️(and i love the characters) , but if you look from the outside? — that’s exactly how it is: Without their bonds of love, would she have a chance to become the general in enemy territory, with no social status and no friends? And by the way, this series is not feminist at all, even though the girl is a general
.
.
I think the main idea of this serie was to show that a woman can be a general, even in a time when it was men who ruled
.
feels like a school break between intense classes and routine:
(I’m watching the series Fated Heart — it’s beautiful!)
It’s cool here, I like the actors too, they’re so charming.
We’ll see what comes next…
What’s especially important — and truly unique — is this: usually, we hear phrases like “God of War” or “Lord of Death,” but soon those characters turn into soft teddy bears. Here, however, the protagonist stays true to himself until the end — his cruelty, rooted in the culture of that era and his own nature, remains ever-present. This gives the film a striking authenticity, making it not just entertainment but a serious work.
Luo Yunxi, for me, is the best — a truly mythological figure, the embodiment of symbolism and inner strength of Chines dramas. Meanwhile, Chen Zheyuan has now officially become the BEST PRINCE in the entire realm of Chinese dramas. 🎯👑 best female general title definitely goes to Li Qin
4:24 — Mamma mia, the kids are here. And they’re hungry. A tragedy. I’m scared ....
7:12 — What I admire most about Sun Ge is his sharp honesty. He speaks straight, without circling around — whether it’s a love confession, a confrontation with his father, or a heroic moment of protection. A true general, a true man. And I Siao even pointed it out — thank you for saying it for me!
17:15 — I Siao’s outfit is stunning: white with red embroidered ornaments — red is her color, obviously. She looks magnificent. The masked man’s costume is also gorgeous.
20:15 — Oh, Suj Ge changed his look: black, blue, with brown rhinestone embroidery. The color grading of this series is breathtaking — the dominant tones (blue, brown, red) create a coherent, sumptuous palette. The rival prince’s costume stands out — more exotic, nomadic, inspired by the steppes. A clear contrast between the two realms.
25:42 — Back to the plot. Poor princess... her problem is that she doesn’t understand emotions. Zero empathy. She misses every interaction, either with her affected sweetness or misplaced smiles:
— “This trip will bring back many memories,” she says.
But, my dear, this isn’t a honeymoon in the Maldives! Read the room!
32:32 — Ah, the scene with the horses and Suj Ge in the lead — and right after the kissing scenes — my favorites!!
33:00 — And here comes the signature shot: the tight close-up on the clenched fist before cutting to another angle. That little gesture — in every Asian drama — says more than a thousand lines of dialogue. Everything is in that fist!
37:00 — The director loves close-ups, especially of eyes. And it’s wonderful. Once again, Suj Ge’s friend gave me chills — his eyes carry more menace than the fallen prince, who seems devoid of emotion, caught between determination and despair, like a tired wave.
39:00 — The fight scene! Fast-paced editing, choreography synced with the music. It’s neither realistic nor cartoonish — a charming in-between, a kind of martial ballet. Even the horses gallop in rhythm! I love this ballet, especially with that music.
43:00 — And the final choreography, almost a ballet with Suj Ge, is magnificent. Honestly, it could be recreated on stage — I’d love to see that live, especially with him!
The directors of this series have style — lots of it. And I say: cool, I love it.