My Inner Student and the Perfect Gumiho
I watched this series with great pleasure. The actors are excellent, and the chemistry of the main couple works beautifully.Jang Ki-yong appears strikingly different from his previous roles. Here, he is gentle and tender, almost ethereal. He transforms himself with each project — even his manner of walking and his facial expressions change. His performance is subtle and refined. Romance is strongly present and brings a warm glow to the story. The couple truly works, which is essential for this kind of series.
Lee Hyeri is bright and full of energy, faithful to what she does best. She plays naturally, without visible transformation, an endearing character with whom many can identify: honest, friendly, sometimes a little clumsy, yet carrying the fresh innocence of a carefree student — neither exceptionally brilliant nor lacking. The idea of the series seems to be that the “student within us” can still dream of a perfect gumiho.
Jang Ki-yong’s character almost embodies perfection, perhaps too much — but as he is a mythical being, this excess is forgivable. He rarely shows anger, which only emphasizes a very human trait he has yet to acquire — something he still needs to learn.
The secondary characters are also charming, and their storylines are engaging. I found the interactions between Jang Ki-yong and Kang Han-na particularly captivating. Their more mature, less “student-like” dynamic created an oddly unsettling contrast when placed next to Lee Hyeri’s character, and there was a hint of flirtation that made me feel slightly uncomfortable.
This is a positive and light-hearted series, one that does not aim to explore profound themes, yet perfectly fulfills its role as pleasant entertainment, free of pretension and poor taste
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Beyond Cunning: The Hidden Burden of the Chinese Heroine
I can see that around this drama—one of the most-watched in 2025 and perhaps the most beloved—an extraordinarily intense discussion has unfolded. As for me, I wanted to look at the female heroine through different lenses: Chinese cultural tradition, historical context, and modern perception.After all, the central theme here is “Female wisdom as a stratagem in the struggle against enemies.” This is an ancient legacy of Chinese culture, where feminine cunning was understood as an indirect strategy: in China’s literary traditions, the intelligent, resourceful heroine appears constantly, and there is nothing new about it. Once again, we see an old motif—the indirect path, ‘salvation through a detour.’
But why is this scheme fully justified in a historical context, yet far more problematic in a modern one?
Because in that era, social structures severely restricted women’s capacity for direct action; cunning then became a parallel form of power, an expression of intellect, and sometimes an ideal of a heroine capable of seeing deeper than others. It was not cunning for the sake of vice, but a way to restore a disturbed balance of forces.
From a feminist point of view, one could put it differently: cunning is not celebrated for the manipulation itself, but because historically it was the only domain of action left to women. When the direct path was closed, strategic thinking became a mode of political existence, a soft form of resistance, a subtle counter-movement against power.
This trope is still alive in contemporary dramas—extremely often. The problem is that the context is almost never articulated.
Hence my main question regarding the heroine’s interpretation: the actress had to embody a character rooted in deep emotional and intellectual layers. Yet, unfortunately, I did not see in her the emotional competence required for such a role: her diction is pale, and her gaze lacks the necessary inner intensity.
However, the entire success of the drama rests on something else: the romantic storyline and the chemistry she creates with the male lead. The scenes are sensual, the visual aesthetic is dizzyingly lavish, the costumes magnificent, the budget impressive—all of this forms its resounding success.
Add to this the incredibly charismatic Liu Yu Ning, who changes the energy of a scene with a single calm yet piercing look—and popular adoration is guaranteed. Liu Yu Ning’s transition from singer to actor is remarkably successful, and the soundtracks work flawlessly.
So, I have noted both the strengths and the weaknesses. The main challenge—the profound interpretation of the female stratagem—remains unresolved for the actress. Everything else is accomplished.
I would like to add one more thought: the theme of cunning and manipulation is glorified extremely often in Chinese dramas. But it is important not to allow it to become a cliché. One must remember the historical context and the real conditions in which women lived.
The question is: whom does her cunning serve, and at what moral cost—to herself and to those around her?
Cunning can be a virtue of survival, but it should not be thoughtlessly normalized for audiences who watch dramas at 2× speed or “just to relax.”
In another mode of perception, this trope changes radically: what was historically the only available path of action for women can, in modern contexts, be interpreted as an endorsement of everyday manipulativeness, as a justification for emotional pressure, as a banal ‘effective strategy’ in relationships
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beautiful serie but : Bold Beginnings, Restrained Endings
A very touching drama. The director did an excellent job — honestly, even better than the novel, of which I read a few chapters in English.Both actors perform beautifully. Their acting is restrained but full of deep, meaningful glances. The topic is heavy. I cried several times — it’s deeply emotional.
The ending is beautifully filmed — incredibly moving. I want to see this actor in another project — he’s extremely promising.
The actress also plays very naturally — this kind of role fits her perfectly. There’s real chemistry between them — not a passionate or physical one, but deep and comforting, which suits this kind of story and theme.
What stands out most is that the series shows how young people process and accept difficult, even tragic situations.
It underlines how adults shouldn't just protect them by hiding the truth, but rather guide them, explain things clearly, and support them emotionally.
It captures that unique phase of adolescence when a child begins to think independently from their parents, and slowly starts becoming an adult.
Regarding the subject matter — the series touches on very sensitive issues: the patriarchal system in some parts of Asia, the suffering of women, and how rumors can destroy a life.
This drama deserves to be classified as serious artistic work.
However, it’s unfortunate that from the middle of the series, censorship and propaganda start to dominate — too obviously. (All the “study, study, and study again,” go abroad but come back, family values, forgiveness, etc.)
I understand the ideology might serve a societal purpose, but it takes away from the artistic depth and the space for reflection and analysis.
In the end, it remains an enjoyable series to watch and dream through — thanks to the happy ending.
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Start-Up: A Light Yet Flawed Drama About Ambition and Entrepreneurship
The story revolves around the high-stakes world of tech startups in South Korea, featuring characters who aspire to build their own companies in the competitive landscape of Silicon Valley-like settings. The series focuses on the personal and professional lives of its protagonists. It’s a drama that remains enjoyable to watch, offering a 'American Dream' vibe that aims to motivate young people to succeed in their business ventures. However, the treatment of this theme is often quite light and sometimes childish. Despite the interesting cast, and my liking for all the actors in it, the series suffers from issues with its storyline and character development.The main problem lies in figuring out who the central character of the series is. Is there more than one? Is it Nam Do-san? If it is supposed to be Nam Do-san, he’s quite a passive character who lacks leadership qualities as a startup entrepreneur, and we can’t quite judge his intellectual genius either. Despite this, he remains likable thanks to the actor’s performance.
Seo Dal-Mi (Bae Suzy) is a character within this feminist trend, fighting for her place in the world. However, I find it hard to imagine a CEO with no studies or experience managing such delicate technical and budgetary issues. She comes in and quickly takes Nam Do-san’s spot with just a few ideas—having a couple of ideas doesn't mean she’s ready to lead a future company specializing in AI with significant investments. Nonetheless, she remains likable due to her gentle performance.
Now, Kim Seon-ho’s character, Han Ji-pyeong, is where the writer made a fatal mistake by not emphasizing his role as the sole main character. This could have elevated the series to the level of serious dramas, giving it real depth. While the story is centered around him, and he is the one who drives the plot most of the time, his background is not developed enough. He’s the one who built everything from nothing, and his character is complex with touching relationships, especially with the elderly lady. It’s a shame that this wasn’t explored in depth. He could have been a kind of Gatsby in certain ways. The actor, however, plays the role perfectly.
Despite the interesting subplots and attempts to add depth to the story, the writer didn’t manage to nail the stakes. Nevertheless, it remains an enjoyable and light series to watch.
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The series is light and romantic
The series is based on the real stories of athletes—the lives of champions, their struggles, and doubts. It also explores the topic of female athletes, femininity, authenticity, self-acceptance, and the desire to be both a woman and a dedicated athlete, as well as how society perceives all of this.At the same time, it contrasts with a sport often considered more "feminine"—gymnastics. It’s a very interesting and refreshing subject, touching on sensitive issues but without delving too deeply. The storyline lacks boldness and feels somewhat watered down to appeal to a broader audience. It's a shame, but in terms of popularity, it works.
The female lead acts well—I think she managed to portray an interesting character despite not fitting the role perfectly. The male lead is likable, with moments of strong acting and others that are less convincing. Their love story is enjoyable.
The biggest flaw is the choice of the main actress, who does not fit the role. She is very pretty and not "big" at all, yet the script repeatedly insists that she is, which really bothered and annoyed me. They should have either acknowledged that she is attractive but simply less conventionally feminine or fully committed to the idea by casting a more convincing actress for this concept.
Secondly, the constant eating does not add much value to the story. If it was meant as a critique or had a deeper meaning, they should have explored it further.
Thirdly, the friendship dynamic between the FL and ML is unbalanced (at least until episode 15). The FL constantly shares her struggles, but the ML also has problems, and she never asks how he is doing. Even at the end, she encourages him to win so he can join her, but in a way, it’s still about her. Yet, at the beginning, the ML criticizes his ex-girlfriend for being selfish.
The series is light, romantic, and overall pleasant to watch, especially for younger audiences.
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This drama falling into formulaic patterns
The Princess Royal" (2024) c-drama seems to delve into themes of royal intrigue, power struggles, and personal relationships, typical of many historical Chinese dramas. The premise of a royal princess facing challenges in both politics and personal life could be intriguing, especially if it explores the tension between duty and desire, a common but compelling dynamic.I’m on episode 23 and I’m thinking, 'Oh wow, I still have so much left to watch...' Yet, I’m speeding through all the storylines :) At first, it was pretty good, interesting even, but after 20 ep till the end it’s getting long, there’s not much left to say. Why so many episodes in these series? The ML is trying to create chemistry. Good acting... As for the FL, she’s sometimes annoying, even though I try to understand her coldness because of her character and as a princess. However, her performance feels stiff. And this indecision and the endless love triangles are ruining everything. I can’t take it anymore with these series..
The SML has a bland face, lacking charisma, which adds nothing to this drama (his performance is the same as usual for an SML in dramas; without overshadowing the ML). Without him, the couple's relationships would have been more interesting, I think, . I find the plot it childish overall. The positive point is the ML, the general idea, and a few episodes from the beginning. And the idea of a second chance in a relationship and the wrong intentions we can have due to the lack of communication
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Suspicious Partner: Entertaining Cast, But a Flawed Investigation Drama
At first, I watched *Suspicious Partner* seriously, but eventually, the storyline came off as childish, with numerous unrealistic and illogical details—especially when it came to the so-called investigations and crimes. It was clear that the writer seemed to lack knowledge in this field. For instance, what kind of criminal lawyer would set up an office at home, inviting clients and even criminals to share meals with him? It was absurd!Throughout the show, characters constantly learn about new developments from the TV, as if there's no connection between police, prosecutors, and investigators. It's almost as if criminal investigations are being conducted by attorneys. This depiction doesn’t align with real criminal justice systems, where investigations are based on strict hierarchy and defined roles. Typically, the police handle on-site investigations, gather evidence, and conduct initial questioning following established procedures. Specialized investigators take charge of particular cases such as homicides or organized crime, often coordinating with various agencies.
The attorneys, on the other hand, have a different role. They represent parties in court but are not directly involved in gathering evidence. Here, however, these roles are blurred, creating a portrayal that feels disconnected from how investigations truly work.
And the romantic storyline lacks depth and fails to captivate.
All in all, two stars for *Suspicious Partner*—and only because of Ji Chang Wook and Ji Eun Hyuk, as well as Byun Young Hee and Jung Hyun Soo, who kept the show engaging despite the script's flaws.
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Bankable stars and romantic scenes can’t save this series from inconsistent characters ?
The director, known for previous successful dramas like "Love Is Sweet " and more..., had set high expectations.Visually, the series is undeniably appealing. The styling, and aesthetics are well done—even “hot” at times. Both leads are attractive and have good on-screen chemistry. Esther’s acting, while often repetitive, suits a broad audience with her naive, childlike, and bubbly charm. However, her range is extremely limited in nuanced, emotional, introspective, or demonstrative scenes. Still, she fits her role visually; she looks beautiful and very young. A lot of effort has clearly gone into the visual aspect of the show.
From EP1 to EP 13
Yet, one of the most striking issues lies in the characterization of the main heroine, which feels completely inconsistent. She refuses to accept her mother’s decisions about her personal life—which is understandable, perhaps—but at the same time remains cold toward the woman who is kind to her, the stepmother. Her father, although shown only in a limited and underdeveloped way (which is disappointing), appears to be caring in the past despite his flaws: he cooks for the children, shares a passion for cars, and spends time with them. He feels more human than the mother, who struggles to accept another boy in her home. The heroine, meanwhile, never takes a moment to talk to her father, understand what’s happening, or reflect on her place in the family.
Up until episode 12, we see a girl who comes to live with her father’s family after years apart and settles in as if this is completely normal and her place is legitimate. She doesn’t seem to consider whether it’s convenient for the family or if she has the right to stay. At just 18, she decides, “I’m staying here…” without consulting anyone. Her only focus appears to be her boyfriend and her teenage romantic impulses.
Her behavior towards the male lead is particularly immature—like a spoiled 9-year-old: “make me tea, cook for me, I don’t like this, bring me that, drive me there,” and so on. She claims to stay “to help him,” but what exactly does she offer? Her actions revolve almost entirely around romance, instead of using the opportunity to connect with her sister, family, or contribute in a mature way. Perhaps her character will develop later, but I personally wanted to see these essential traits early on to understand, empathize with, and support her.
There are also subtle moments that struck me as surprisingly sloppy in writing: for example, a scene where the female lead is drunk with a friend of the male lead, and the male lead comes to pick up the girl, leaving the other girl almost" unconscious" without saying or doing anything. So Everything in the series centers ONLY for the main female lead. It’s an incredibly small, human detail, yet it speaks volumes in the context of a film where every second should help the audience understand a character.
The chronology of events is also confusing. When did her love first begin—at nine years old? The timeline is unclear. Did it happen later, perhaps instantly under the shower, as the show suggests? Similarly, the male lead’s intentions are barely conveyed, with only one line to explain his feelings, yet their interactions suggest something very different. A romance allegedly starting when he was 13 seems implausible, especially given the complex family context. The story asks the viewer to suspend disbelief to accept these developments. From the very first episodes, there are many highly provocative adult scenes, and at the same time, there are brother-sister relationships or depictions of a vulnerable young girl, which is unsettling
Overall, the plot emphasizes romantic drama at the expense of consistent, believable character development. I suspect the series will follow predictable patterns: a few kisses, some tragic obstacles, and time for the heroine to grow—possibly during university—before exploring mature relationships.
By “visual,” I specifically mean styling—wardrobes, looks, cars, the city—rather than directorial choices. The styling is very successful. Lighting, however, often misses the mark; for instance, please avoid that whitish glare on the male lead’s face in close-ups. The racing scenes are well-executed but may feel technically weaker compared to Western standards. For comparison, even the “Fast & Furious” films, despite being commercial, display strong action dynamics cinematography, and big budget
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if one wishes to explore the artistry of South Korean cinema, this series is a must-watch!
So, what can be said about this magnificent series, one of the masterpieces of Korean cinematography? Let's start with the incredible Lee Eung-bok, such a brilliant screenwriter! I am absolutely a fan of her work. The script is the heart of any film or series—if the foundation is weak, what can be built upon it? Here, the plot is breathtaking, and the character development is masterfully handled with precision and depth.We grow attached to all the protagonists, and despite the dramatic and often tragic themes, the series beautifully portrays love and sacrifice. It shows to what extent true love can give up everything for the survival of the beloved—whether it's a child, a soulmate, or even one’s homeland. Sacrifice is at the very core of this story.
Through three male characters from different social backgrounds, we see contrasting paths:
One, a former slave who became an officer—a righteous man, yet one who denies his cultural roots and struggles with his identity.
Another, born into poverty, who took a harsh road and became hardened—a mercenary, valuing neither his own life nor that of others.
And the third, a noble-born, a wealthy libertine who seems carefree at first but rebels against his family in his own way and lacks true purpose in life.
All three are tied by a red thread to a courageous, idealistic young woman who fights for her country’s independence.There is also a metaphor through the heroine, who represents Korea and its people (rather the ideal): educated, fighting, loved by all, and for whom people are willing to die. As the series unfolds, we watch her grow, losing some of her naïveté while inspiring change in these three men.
The entire cast is phenomenal, with even the supporting actors leaving a strong impression. The dialogues are well-crafted, and, of course, a special mention must go to the highly talented director, who masterfully balances emotional moments with lighthearted and touching scenes. The cinematography is stunning—the colors, the transitions, the framing—all beautifully executed.
And finally, the music! Absolutely breathtaking. The instrumental pieces, the piano moments, the songs—all perfectly harmonized with the story.
In short, if one wishes to explore the artistry of South Korean cinema, to understand what they excel at, and to discover a historical drama with a feminist touch, this series is a must-watch!
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young audience drama
The series is originally aimed at a young audience, roughly 18–25 years old. While this demographic focus could work, the script itself is rather flat and features some problematic or irritating character mindsets. The primary emphasis is on aesthetically appealing characters rather than narrative depth and emotionally flat.In contrast, in another project, Jun Young proved to be far more compelling, demonstrating how the choices of a director and screenwriter can significantly shape a series’ quality. The same applies to Lee Chae Min
: there is a clear distinction between his two most recent projects, highlighting how thoughtful direction and strong casting can make a substantial difference. And Roh Jeong Eui the same thing.
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Stunning work that immerses the viewer in the destiny of a Korean family
Pachinko is a moving and visually stunning work that immerses the viewer in the destiny of a Korean family across several generations, from the 1910s to the 1980s, against the backdrop of tensions between Korea and Japan. The series explores themes of identity, resilience, sacrifice, and the fractures left by colonial history.One of the series’ greatest strengths is its writing: every character is carefully developed, with narrative arcs that captivate and move the audience. The cast is outstanding. Youn Yuh-jung, Jin Ha, Kim Min-ha, and Lee Min Ho deliver powerful performances, embodying both the strength and vulnerability of their characters. The series goes beyond portraying suffering, also exploring moments of tenderness, courage, and hope that span generations.
Visually, Pachinko is breathtaking. The cinematography captures both the raw beauty of Korean landscapes and the urban life of Japan, with remarkable attention to historical detail. The soundtrack, subtle and emotive, perfectly complements the narrative rhythm, enhancing the impact of key scenes without ever being overpowering.
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What The Atypical Family Reveals About Us: A Heartfelt Analysis
The Atypical Family tells, with extraordinary delicacy, the story of immobility — the lives of two families quietly diverted from their natural trajectory. It is a remarkably accomplished drama, built upon solid narrative foundations, subtle writing, and profoundly human characters.The series revisits the figure of the superhero with intelligence and restraint. Here, no one saves the world; instead, the extraordinary is anchored in the everyday, embodied by ordinary people whose powers are nothing more than exaggerated versions of the flaws and sensitivities we all carry within us. For the Bok family, these abilities are not gifts but burdens. They are exhausted by contemporary ailments: screen addiction, alcoholism, eating disorders, emotional withdrawal. Through this supernatural prism, the show mirrors our own intimate fractures — the invisible wounds of ordinary human beings.
The Bok family, despite having everything to be happy, remains trapped in a past that keeps them from truly living. They no longer speak to one another, no longer share meals, no longer share a life. Their bonds have dissolved into silence. Meanwhile, another group — not a real family but a collection of strangers bound by questionable activities — displays stronger familial ties than those who share blood.
Unable to inhabit the present, the Bok family drifts forward like shadows of their former selves. Each has buried themselves alive in their own way. And the drama excels at portraying this slow sinking with astonishing finesse, never resorting to heaviness or pathos.
Then comes Do Da-hae (and her family), whose arrival changes everything. She shakes the family awake, gathers them, listens to them, and becomes the catalyst for their unexpected rebirth.
The casting is outstanding.
Jang Ki-yong delivers one of his finest performances to date, revealing a nuanced emotional palette, full of gentleness and restraint. Chun Woo-hee is superbly precise in her role. The teenage trio — Park So-yi, Moon Woo-jin, and Kim Soo-in — already known from other promising projects, is nothing short of remarkable, performing with disarming maturity.
The series weaves slow-burn humor, family drama, introspection, and fantasy with graceful mastery. It delicately explores the weight of the past, the struggle to reconcile with oneself, and the possibility of finally living. Each character — and each family — embarks on a deeply moving redemption arc. Both families end up helping each other heal, step by step.
The OST is breathtaking, and the piano motifs that are tender, precise, and perfectly placed.
The only real weakness of the series lies in its ending, which leaves a few questions unanswered. I would have loved a Season 2 with a lighter tone, exploring the collaboration between the two families now beautifully redefined. Even if the final moments feel slightly rushed, even if the narrative loop is not fully closed, none of this diminishes the emotional richness of the series.
The Atypical Family is nourishing, heartfelt, and deeply human — a story whose true power lies not in its conclusion, but in the journey it offers.
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drama you put on to relax or have in the background while doing something else
Okay, this drama feels a bit outdated to me. It’s funny at the beginning, and the introduction and development are quite enjoyable to watch. The second couple is actually much more entertaining and endearing (the lawyer who falls in love way too often is hilarious!).Now, back to the main couple… A shy lawyer in his 30s who doesn’t dare to do anything? Honestly, I don’t find his character believable at all. But in the end, we like the actors, so we keep watching.
This is the kind of drama you put on to relax or have in the background while doing something else.
As for the plot and the female lead, it really feels like it was written to glorify and idealize an actress: she’s smart, learns quickly, cooks well, has never been in a relationship before, doesn’t even know what love is (even though she has acted in romantic comedies!), and so on… Not to mention how they portray the agents, producers, and entertainment industry in such a sweet and innocent way. Ah, of course, they never forget to remind us that the audience is way too harsh with their comments! And let’s not forget the golden rule: everything we read about actors is just baseless rumors, pure fiction, completely made up! How could we ever doubt the absolute perfection of the entertainment industry?
That said, the actress plays this role very well! But I highly doubt that the film industry is as pure and harmless as they make it seem 😉.
Anyway, it’s a nice little drama to unwind with!
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A Popular Rom-Com and All the Classic K-Drama Clichés
A very popular and successful romantic comedy. All the credit goes to the actors, who are extremely charming and fun. It’s a light, romantic series with all the K-Drama codes and clichés that K-Drama fans love. A series that can appeal to both international and local audiences.Kim Se Jeong is perfect in this funny, authentic, and sincere role. She’s beautiful and forms a perfect couple with Ahn Hyo Seop, with one of the best chemistries you can see in K-Dramas. She’s hardworking, intelligent, kind, sincere, and of course, funny.
Ahn Hyo Seop perfectly embodies the stereotype of the narcissistic, brilliant, handsome, and intelligent SEO. We also see the evolution of his character throughout the episodes. It’s impossible to resist AHS’s charm, a talented young actor who is among the best of his generation.
The second couple is funny as well; the guy sometimes plays more in the background, as if he wants to give space to the lead actor and hi is a little stiff in his gestures. The grandfather is also funny.
As for the storyline, it’s effective, romantic, and dynamic, but there’s a certain naivety in its treatment, which shouldn’t be taken too seriously. This is especially the case with the double character of Shin Xa Ri. The series starts extremely strong, with the best moments in the first three episodes, which adds to the charm of the series, with very funny dialogues and situations. In the second part, it becomes conventional and calm. The last 3 episodes could have been better in terms of writing, as I found a few circumstances excessive (probably to fill time), and that could have made the series truly perfect.
The music is very effective, and the soundtrack fits the characters perfectly, with a group offering a simple song with a touching voice in Korean style, which stays in your head. One of the most beautiful songs of 2022 for dramas.
If you’re looking for a romantic rom-com written and produced in the traditional Korean rom-com style, funny (even if with a few awkward moments), full of the genre’s clichés, and with perfect chemistry, this is the one. It’s one of those series you can watch and rewatch.
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Emotional, Inspiring, and Full of Heart Drama: And great Choi Hyun-wook !
So far, I’ve only had two absolutely perfect K-dramas: this one and *Reply 1988*.It's definitely worth watching, even just for the character of Ha Lee-chan, one of the most charming and endearing characters I've ever seen. He's charismatic, positive, energetic, simply perfect! Everything about him blends harmoniously: his cheerfulness, tirelessness, immaturity, yet at the same time, his sensitivity, tenderness, and incredible charm. And his actor, Choi Hyun-wook, is just amazing! I’m truly in awe of his performance! He’s a really promising actor, and I will follow his career with great interest. His love story is also very touching, in my opinion, much better and more successful than the main couple’s.
Against his backdrop, his partner Ryeoun shines a little less, but that doesn’t make him bad at all. The female roles are also wonderfully played, especially the energetic Seol In-a, who always knows how to bring brightness and warmth to her character.
As for the story, it’s very touching, showing a son’s perspective on his father and the unique bond they will have to form. It’s also a reflection on family in general, on parents and grandparents (with the magnificent Ko Du-shim) and on what we only understand as we grow older.
The entire cast is excellent, the plot is dynamic, the script is well-written, and the characters are well-developed.
The only small drawbacks the fairytale motif of "Cinderella" with the overly evil mother seemed a bit exaggerated.
Overall, this drama is very touching and proves that in life, we need to fight, despite difficulties, stay positive, and keep going to the end to make our dreams come true.
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