definitelynotnabi

Both dramas are about ex-lovers who reunite years later and get another chance at love. Each one also has a single parent — in Ban Saran Land: Seuk Rak Kam Rua the female lead is a single mom, and in Second Chance Romance the male lead is a single dad.
Both dramas focus on grown-up romance, with real-life stuff like responsibilities, regrets, and parenting. That gives both series a more mature, slice-of-life kind of vibe (though Ban Saran Land: Seuk Rak Kam Rua is a sitcom while Second Chance Romance is more serious.)

Both dramas are Thai remakes of popular Korean series, each offering a distinct genre blend. Let’s Fight Ghost is adapted from the 2016 K-drama "Bring It On, Ghost", mixing horror, romance, comedy, and supernatural elements. Happiness, on the other hand, is based on the 2021 Korean drama of the same name, combining survival thriller and apocalyptic themes against the backdrop of a viral outbreak.
Saint Suppapong and Orn Patchanan reunite as the lead pair in both series. In Let’s Fight Ghost, they portray a ghost-exorcist duo in a quirky supernatural rom-com. In Happiness, they take on more intense roles as young police officers navigating a dangerous lockdown inside a quarantined apartment complex.
While the genres are vastly different, both stories challenge their characters’ resilience and highlight the deepening of emotional bonds forged through extraordinary circumstances.

Both Jao Sao Prissana and Ra Raerng Fai revolve around revenge driven by deep emotional and familial wounds. In Jao Sao Prissana, Rada takes her friend’s place at the wedding as part of a calculated plan to avenge her sister’s suffering. In Ra Raerng Fai, Shakrit seeks retribution by seducing Yada’s sister and abandoning her at the altar, only to later target Yada in a tense game of emotional manipulation. Central to both stories are strong, resilient female leads—Rada remains calm and determined despite the chaos she causes, while Yada confronts betrayal with strength and engages Shakrit in a battle of will and pride.

Both Tie Me (K)not and 101st Marriage Proposal showcase how authentic, unwavering love can help heal past traumas and empower a strong woman to reclaim her emotional strength. Both dramas center around a female lead deeply wounded—Lalita from abuse, Kaoru from grief—whose emotional healing comes through the steadfast, caring love of the male lead. In Tie Me (K)not Lalita finds empowerment through her journey and Toey’s support; in 101st Marriage Proposal Kaoru learns to move forward and embrace love again through Tatsuro’s persistence.

Both Lhong Ngao Jun and Jamloei Rak follow revenge-driven plots fueled by mistaken identity, where the male leads target the wrong women for past tragedies. Ae blames Pim for his friend’s death, while Harit blames Soraya for his brother’s suicide. Both men later realize the women are innocent, and their hatred gradually turns into love. The dramas blend themes of revenge, romance, and emotional growth, with both female leads suffering mistreatment from their families.

Game Rak Ao Keun and Loneliness Society are Thai romantic dramas that explore themes of complicated love, emotional entanglement, and unexpected connections born from loneliness. Both feature female leads—played by Nune Woranuch—who become emotionally involved in unconventional relationships: Arisa seeks revenge and falls for a young escort, while Meena pretends to be someone’s girlfriend and unexpectedly bonds with his brother. In both stories, love develops under pressure, driven by personal turmoil, deception, and emotional conflict. The dramas also share production ties, airing on GMM25 and featuring Joss Way-ar as the male lead.

Both Fah Jarod Sai and Tam Hua Jai Pai Sood Lah feature strong female leads who face love under cultural or familial pressure. In each story, romance grows from difficult or unwanted circumstances—Michelle is forced into palace politics and sent to the desert as a royal concubine substitute, while Danielle is pushed into an arranged marriage by her stepfather. Despite these challenges, both women show resilience and independence, ultimately choosing love on their own terms. Set against exotic, culturally rich backdrops, the dramas blend emotional depth with escapist storytelling through royal intrigue and foreign traditions.

The plots are actually quite similar: both feature an arranged relationship where one of the leads pretends to be well-behaved, while secretly hiding a mischievous side out of fear that their partner won't accept the real them. The main difference is that Cutie Pie is a BL, whereas My Wife’s Gunslinger God is a straight romance.

Both series feature a female lead with multiple personalities, central to the plot’s emotional complexity. In Objects of Affection, Jesse exhibits multiple alter egos—like Pinky, Jenny, and Joey—especially following trauma. Similarly, in I Love ‘A Lot Of’ You, Sairung has five distinct personalities, each needing affection to reintegrate into one. At the heart of both stories is love — portrayed as transformative and healing. In Objects of Affection, Q-10, the gentle repairman, falls for Jesse across her personalities, healing emotional scars through his care. In I Love ‘A Lot Of’ You, Sun must win over each of Sairung’s five personalities so they can unify, using charm and sincerity as tools of healing.

Both F4 Thailand and Meant to Be are romantic comedy-dramas that mix humor with emotional depth. Each features a strong, assertive female lead—Gorya and Billie—who becomes the center of attention for multiple male suitors, creating romantic tension. Gorya challenges the elite F4, while Billie navigates complex relationships with her family and four love interests. In both stories, these romantic dynamics drive personal growth, especially for the male leads, who mature emotionally through their interactions with the heroine.