Modern Chinese short length series never fail to leave me speechless🤦🏻♀️, if it’s not a crazy storyline or unexplainable unfolding of events, there’s always something else😂😭
I think one of the biggest missteps was selling this drama as a sequel with a very young, underage protagonist – it's a shame the drama is suffering a lot because of it.
its feels like li yun rui is a dad bringing his kid to play. and honeslty none of the princess agents cast could be replaced,especailly li qin, her acting is A LOT better and more in depth than the actress in rebirth
Wow...some haters turned up to toss mud, but Lee Min Ho has BIG fans in our family. We began with City Hunter, watching Faith now, and Legend of the Blue Sea coming up. Different strokes for different folks I guess, however if you have a favourite actor/star & there was an article about him on MDL...dollars to donuts, you'd find some haters buzzing around here just to disagree. It's a thing. Can't wait for his next drama...love him.
2006 to 2026 = 13 years??? Am I so bad in math that it seems it's more than that?
Just to be clear, I won't say that Lee Min-ho is the most technically versatile actor in Korea. But staying relevant in an industry that constantly replaces its stars is not something you can fake.
Yes, some of his recent projects didn’t land as well critically, and yes, he has played similar roles in the past. But that’s about project choices and typecasting, not his overall impact or career. It’s fine if his recent dramas didn’t work for you, that’s subjective. But calling him “over” or “irrelevant” just ignores how the industry actually works. Lee Min-ho has been consistently leading high-profile projects for over a decade, from Boys Over Flowers to Pachinko. You don’t get that kind of longevity, global recognition, and commercial value without real impact. Criticize his roles if you want, but dismissing his career entirely just sounds biased.
Also, being a “commercial star” isn’t an insult in this industry. It means brands, producers, and global audiences still trust your name. That level of consistency for almost 20 years is extremely rare.
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Just to be clear, I won't say that Lee Min-ho is the most technically versatile actor in Korea. But staying relevant in an industry that constantly replaces its stars is not something you can fake.
Yes, some of his recent projects didn’t land as well critically, and yes, he has played similar roles in the past. But that’s about project choices and typecasting, not his overall impact or career. It’s fine if his recent dramas didn’t work for you, that’s subjective. But calling him “over” or “irrelevant” just ignores how the industry actually works. Lee Min-ho has been consistently leading high-profile projects for over a decade, from Boys Over Flowers to Pachinko. You don’t get that kind of longevity, global recognition, and commercial value without real impact. Criticize his roles if you want, but dismissing his career entirely just sounds biased.
Also, being a “commercial star” isn’t an insult in this industry. It means brands, producers, and global audiences still trust your name. That level of consistency for almost 20 years is extremely rare.