My Liberation Notes

Dark and Gritty but so Good

Bait is a very well-plotted drama that, in only two episodes, has cleverly evolved, and if it stays its course of successfully telling the story in the coherent way it has in the next four episodes, it will be one of the best crime/thrillers of 2023. It's dark, gritty, and an in-your-face kind of crime/murder thriller that's intensely captivating. A successful strategy for keeping a mystery captivating is to maintain the core of the mystery episode-by-episode while at the same time nimbly tying in the larger picture as the other elements unfold, and Bait does it so well in just two episodes.

Everything from the cinematography, the lighting or lack of it, the set, the actors, and the theme is so well thought of it is hard not to get sucked into the drama and the story. Additionally, there's some strong acting from the ensemble cast, with Jang Geun Suk, in particular, carrying the material. He looks terrific. I didn't recognize him. I am hooked. And what a cliffhanger of an ending for the first part of this drama. Everything worked, from the serial killing mystery to the cat and mouse chase and most of all Jang Geun Suk. He is just fantastic in this drama.

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Beyond Evil -- Beyond Well Done and Deserving of its Awards

I knew from the intense start of this drama that it would be a memorable one. And if anyone watching it has any doubts about the kind of drama Beyond Evil is, the opening scenes clear it up pretty quick. I was quite thrilled to have Shin Han Kyun and Yeo Jin Goo in a drama together. The last drama I watched Jin Goo in was The Crowned Clown, and he was excellent. Shin Ha Kyun, well, he's a beast of an actor and more than deserving of his best actor award in how he portrayed the tormented Dong Shik, but I think the best part of this drama was how Yeo Jin Goo and Shin Ha Kyun played off each other in their respective roles. Their chemistry on-screen is absorbing, and the fact that the drama is shrouded with mystery and hidden secrets added to its enjoyment. And as they say, a good actor is only as good as a well-written screenplay and direction, and without a doubt, Beyond Evil had that in droves. It's what made the drama as captivating as everything worked perfectly, from the dialogue to the storytelling and directing.

But as much as I loved both Shin Han Kyun and Yeo Jin Goo, I would be remiss not to mention Choi Dae Hoon in the role of Park Jung Je; his character that touched me the most, and it's probably in the way Dae Hoon portrays him and in the sadness that seems to always be in him, with him, and around him. The credit definitely goes to Choi Dae Hoon (I love the way he talks) for portraying Park so effortlessly, for making me care for him as much as I did. I felt his hopelessness every time.

All the important characters within this drama go through so much, and the best part is that they each had great development throughout the show, especially Dong Shik and Joo Won (Shin Han Kyun and Yeo Jin Goo). They go from practically hating each other to having complete trust in one another as they each lay their lives for the other, and in the process, learn the toughest lessons from each other. That punishment is not for revenge but to lessen crime and reform the criminal and that children are not responsible for their parent's actions. I love a drama with a message, and this one's major in it that out of adversity comes opportunity and sometimes the best of relationships and that one must stand up to the truth no matter who steps on it. Beyond Evil is beyond well done and is one drama worthy of the watch over and over again -- a perfect ten. I am not surprised this drama won best drama and screenplay of the year nor that Shin Ha Kyun won the best actor -- it was in the writing and the acting already. A standing ovation and thousand congratulations.

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Hell

Cyber Hell is intensely powerful and not in a good way, it's horrifying and mind overwhelmingly maddening. I couldn't stop crying, actually bawling tears of rage. I have never felt the way I did as I watched this, and that says a lot as I am an avid true-crime documentary watcher. The thought that human beings can stoop so low as to terrorize other humans (children not older than eight years old, teenagers, and women), the way the criminals depicted in this documentary did is unimaginable to me -- words fail me.

A true-crime documentary recounting a South Korean case in which chat room operators blackmailed young women (more like teenage girls) into sending explicit videos between 2018 and 2020 is tormenting. The thought that while I watched and filled my eyes with beautiful k-dramas, adolescent girls and women were experiencing the horror of this documentary is unspeakably horrific to me.

The synopsis described this case as a sexual slavery ring, an understatement. That it took place almost exclusively over Telegram, where thousands watched, shared, and reshared images of girls and women forced to send demoralizing pictures of themselves so a bunch of cowards could advertise and sell them for money is hard to accept even as one watches it unfold. To say that a bunch of soulless men and boys, for that matter, thought that it was perfectly okay to humiliate and demean someone's sister, daughter, cousin, and friend is what I struggled to reconcile as I watched the events of what I can only describe as ineffable.

Just thinking of this case fills me with rage—shame on the blackmailer(s) who started such an atrocity. But God heavens, those who participated, enjoyed, and perpetuated the actions are the actual monsters -- the depravity is unimaginable. It leaves me thinking about how, why, and when such young people lost their humanity to the extent that they believed inflicting the type of atrocities as the likes depicted here was fun. It's beyond anything that I have ever heard of or could imagine.

I commend everyone involved in bringing this case to light. Those who produced it to the whistleblower, reporters, tv producers, civilians, well-intended hackers, and the police who worked tirelessly to shut down this demeaning crime. But most importantly, the victims who endured the degradation and humiliation of their souls. If this documentary highlighted anything, it's that women are dramatically less safe and private on the internet than men, the mothers, sisters, aunts, cousins, and daughters of society. They are the true heroes of this documentary.

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Human Evolution

What a fiery opening scene to LUCA. I have to say everybody looks exceptional; Kim Rae Won, in particular; he looks fantastic; I've missed him and his captivating voice, truly glad to have him back. The same goes for both Lee Da Hee and Kim Sung Oh; they look great, if not better than the last time I saw them. Good to have them back as well. An explosive first episode with amazing OST. The OST reminded me of the drama The Cursed. I've had my eyes on LUCA for a while now, and I am pleased to see it was definitely worth the wait. And the fact that this drama is based on Charles Darwin's proposed theory of evolution, that species can change over time, and that new species come from pre-existing species share a common ancestor -- descent with modification. Now, if this premise is not interesting, I don't know what else it would be. I, for one, am beyond exhilarated; I get the feeling this will be an action-filled, roller-coasting great ride. I like that it also gives me Awaken vibes; it feels good to have the continuation of sorts as I was not ready to bid Namgoong Min farewell in that drama.

LUCA is impressive not only in its visual effects but also in its storytelling, and despite it only being the first two episodes, it does promise to be outstandingly good. The fight scenes are so very well-choreographed, especially those in tight spaces like elevators, and great directing and editing. I like that Ji-ho (KRW) has a nemesis in Choi Yoo Na (Jung Da Eun looks fantastic, I love the red on her). And there is no denying that Kim Sung Oh is a formidable villain; he looks imposingly great. That said, he will forever remain the creepy younger brother from The Man from Nowhere to me. I guess it's a good thing Ji Chang Wook turned down the role as Kim Rae Won surely owes it. I cannot wait to explore the fated connection/relationship between Ji Oh and Gu Reum (Lee Da Hee is brilliant in her role too) and how they change, if not better, each other's lives. I am already on pins and needles until the next episode.

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The Strong Prey on the Weak

The strong prey on the weak, that's what the President believed his whole life, but he never once accounted to one day being the weak. Life is but a series of learned lessons, and if one pays close attention, they might be blessed enough to understand its power and the fact that every weakness contains within itself a strength. For me, the biggest takeaways from this drama are that one should focus on character, not reputation, and count their blessings rather than their misfortunes. In the end, revenge was a proper fuel to get Sae-yo-ri to where he needed to get to, and once he got there, he understood it was time to let it go because revenge only makes wounds fester. The value of life is in the people you choose to have around you. It is too short to waste on people who don't respect, appreciate, and value you.

I enjoyed this drama a great deal, with all its subtle difference in, or shades of meanings, expressions, and actions. Most importantly, I appreciated the writer, director, and actors for tackling sensitive matters such as racism, transgender, relationships, and love in all its forms. True love is to love with all of one's being -- provide support and love to that person through anything and everything. Love hard, with everything you've got. I also appreciate this drama for all the heated and passionate discussions and for helping me understand that the meaning of life may mean different things to different people. Still, we are all just trying to live to the best of our abilities.

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Oh, Wow -- I cannot wait for Season 2

Oh, wow, I have enjoyed this drama. At first, I wasn't sure where the story was headed, but this episode settled me in and has me wanting more. The premise of it is so different -- a village full of the dead, waiting for someone to find their bodies so they can find eternal peace -- interesting but profoundly sad at the same time.

I quite fancy Go Soo (he looks amazing) as Kim Wook; he's like a modern Robin Hood, conning the conners to help the conned. I can't even imagine how it feels, seeing the dead—but providing them closure and peace, even if burdensome, must be rewarding, like finding the little boy's body and getting his killer. I love Jang Pan Seok (the role suits
Heo Joon Ho) even though I don't envy him his task of scavenging for the dead to give the everlasting peace.

I also enjoy Joon Ho (good to see Ha Joon again after Black Dog) as the hardened type cop whose only mission is catching criminals. I figured the girl Kim Wook saw with the phone was JH's finance. That ending scene where she sees JH, but he couldn't see her was heartbreaking. And I can already tell Kim will have his work cut out trying to convince the girl she's dead, to begin with, let alone telling JH. Whatever this village is, I am sure it's where Kim will find his mom.

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Not Enough

Weirdly, the ending was the best part of this drama. I am surprised to say this, especially since I thought and still think this is one of my worst experiences in K-drama. None of the actors, or actresses did justice to their roles except perhaps Han Chae Ah as Yoo Yoon Young. She made me hate her, so kudos to her. The other was Mi So, Seo Jung Won, and Seol Jae Woo's little girl. She was adorable; she stole the show. Everybody else was a mess, even Kim Ha Neul; she was at her worst as Seo Jung Won. It's sad, as she is a gifted actor. I can't put all the blame on the actors. They didn't have much to work with in the story-telling, the directing, or the editing. An actor is only as good as the storyteller and director, and both could have done better. The drama had potential; it might have been a big hit with another writer, director, or even actors.

I was glad to see the end of this drama. As bad as it was, I couldn't bring myself to drop it. I felt committed somehow, and I am not sure why. If there is anything I appreciate, it is the message the drama tries to leave us with—that power lies and corruption leads. As the saying goes, the problem with absolute power is that it corrupts even when exercised by kindly souls. But no matter how far wrong one goes, one can always turn around. I want to think the drama tries to bring awareness to the idea of not normalizing criminal behaviors and accepting twisted ideologies for fear of public criticism. Humans are better than that. At least, this is what I would like to take from this drama.

This is the lowest rating I have ever given a drama and 5 is being generous.

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Intriguingly Controversial yet Complicatedly Satisfying

A longer-than-usual review to a very complex drama. The simile between the mouse and the killer's sneakiness was definitely not lost on me from the drama's opening scene, which dictated the nature of the drama. Well done, show. I love crime shows, and to have Lee Seung-gi back as what seemed like a kind, honest rookie police officer in Jung Ba Reum after Vagabond (still waiting on season 2) was a wonderful treat. And as unassuming as Jung Ba Reum's character sounded, it's what happens to him when he one day comes face to face with the evil he probably didn't recognize at the time that completely impacts him, his life, the people around him, and career path that makes him interestingly complicated to watch.

On the other hand, having Lee Hee Joon as Ko Moo Chi; was my first encounter with Hee Joon as an actor, seeing how he navigated the persona of a hardened detective whose life was motivated by the tragedies he suffered as a young child and subsequently as an adult was intriguing to watch; a job beyond well done. I am a fan. I completely understood his obsession; guilt is a terrible burden.

As great as it was to have Kyung Soo-Jin in another reporter role after the outstanding splash she had with her short but powerful role in Hush but this time as Choi, Hong Joo a tenacious and a dedicated journalist who gives her all to her work as disappointing for not using the full potential her character could've made in the flow of the drama.

Park Joo Hyun was another new face for me, but the synopsis on her role as Oh Bong Yi, a troubled high school student scared by a decade-old incident who lives with her grandmother and would rather go to the gym than study, piqued my interest. All the characters had the most interesting development as the drama progressed in a very complicated kind of way, but then the same could be said of all the characters.

Everybody has a story, and from its first episode, Mouse gave the vibe of a drama, willing to take the dark path to not only capture a horrific serial killer but raise and explore the complex issues around psychopathic behaviors through the use of fetal genetic testing to predict or detect antisocial behavior and psychopathic traits in the womb and the suitability of bringing such a child into the world. Ahn Jae Wook as the demented Han Seo Jun was splendid, and he does for sure give credence to the issues the drama raises. Talk about the controversy and the drama stayed true to its complicated tone throughout its run and brought to the forefront the preconceived notions a society may have on what it means to be born with psychopathic traits and its effects on those labeled as such.

By the end of the drama, I understood how everybody felt broken for Yo Han (great acting by Kwon Hwa Woon) for the hopeless life he lived and how he died, but I am more broken for Jung Ba Reum. He never had a chance of becoming anything other than what they all perceived him to be from when he was born; everybody who crossed his life failed him desperately. The one good thing Ba Reum's father ever did for him was to give him part of Yo Han's brain, and that in itself was ironic. I am glad his end was at the hand of the very son he so willfully tried to save. Daniel Lee, in my opinion, was the culprit that started the whole mess that miserably directed Yo Han and Ba Reum's life. He planted the most atrocious seed in everybody's mind with the psychopathic gene.

And even if Daniel Lee wasn't responsible for how everyone behaved after, he was for sure responsible for the power of the suggestion. Not all psychopaths are criminals. It's a fact that some psychopathic traits link to success. So, rather than work so hard to try and pass into law aborting fetuses and whatnot, wouldn't it have been more meaningful if they'd worked just as hard at ensuring they became upstanding members of society as they did, making them into predators. All Ba Reum ever wanted was for someone to love him, hug him, and let him know he wasn't a monster. Kudos to Lee Seung Gi for a job beyond well done in one of the most complicated roles I have ever seen him do. And if Seung Gi was excellent, Lee Hee Joon was phenomenal. Despite how complicated this drama gets, I enjoyed it to the fullest, and I highly recommend it.

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Excellent -- Genius

Best time travel drama to date as far as I am concerned. I loved how the director transitioned between the two worlds, pristinely done. And even though all the characters had the same names and, in some cases, the same jobs with slightly different life choices, it didn't once get confusing. I enjoyed Yoon Shi Yoon in both worlds but more so as he crossed to the 2nd world, becoming calmer, centered, focused, and more thorough. On the other hand, I pitied drug addict Do Won for his choices; I am sure it wasn't easy living with the stigma of being labeled a son of a murderer. I found myself wondering how long he had been one and what drove him to it, as it didn't seem like he’s always led that kind of life. And liked how the drama seamlessly reveals the little aspects of how the two worlds formed. My guess is the killer may be a woman, but time will tell. I didn't want the episode to end, and I don’t want to wait a week for the next one, but as they say, beggars cannot be choosers.

Train as a drama excited me to no end. I couldn't stop thinking; now, this is how one does a parallel world drama. As they say, genius is making complex ideas look simple, and that’s precisely what the writer, director, and cast of Train gave us. I loved how cleverly transparent the show was in its build-up and delivery. I've enjoyed Yoon Shi Yoon as an actor in all of his roles, but I am beyond impressed at the ease by which he portrayed the dual roles of Do Won -- two similar yet somewhat wholly different and complex characters. Indeed great casting, as I doubt any other actor would’ve fit as perfectly to the role as he did. I am in awe of him. I think what I love most about this drama is how the writer seamlessly created two worlds, which at the core had the same people yet who acted so radically different separated mainly by the choices they made. Highly recommend this short but delightful to watch drama!

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The Best Ever Made

It cannot be overstated, how masterful the acting performances were in this drama. Each and every actor, no matter how large or small their role had moments where they moved me in some way. IU may as well have been Ji-an, she so perfectly embodied Ji-an’s misery and loneliness which eventually gave way to acceptance and peace. The way she let go of her unhappiness after Grandma’s funeral was so subtle yet so powerful, I had to stop and collect myself before I could go on watching. Jang Ki-yong as Kwang-il made a similarly deep impression on me, somehow making me care even for such a violent man, even if it was mostly to mourn for the loving person he could have been if he hadn't trapped himself in his unfortunate circumstances. And of course, Lee Sang-hyun, Lee Ji-ah, and the rest of this amazing cast gave what I would call performances of a lifetime, each bringing something special to the characters that made me fall in love with each and every one of them (Okay, maybe not Joon-young). But even he did a stellar job with his role.

It may seem overly dramatic to those who haven’t seen My Ajusshi, but I think that those of us who have been graced by this beautiful drama will understand when I say that this drama is a precious gift. It reminds us that what’s important in life isn’t material things, or appearances, or even whether we find perfect happiness. It’s the relationships we share with others, whatever shape they may take, and how we treat those around us that give our lives meaning. As Grandma said: “If you think about it, each and every interpersonal relationship is quite fascinating and precious. You must repay them. Live a happy life. That’s how you can repay the people in your life.” I don’t think it can be said any better than that.

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An Amazing and Much Needed Journey

As sad as I was to see Extraordinary Attorney Woo come to an end as exhilarated to have been a part of this beautiful drama's journey that was very personal to me, and knowing a second season is on the way makes me bubble over with excitement. I enjoyed everything about this drama, from the different case stories and practical solutions and wins to the subject matter presented to the different personalities we encountered throughout the journey -- each bringing something special.

Without question, Park Eun Bin was beyond exemplary in this role. She deserves every award, as do her co-actors, and so does the drama. From the heartthrob Kang Tae Oh to Joo Hyun Young (Dong Geurami was one of my favorites) to Ha Yoon Kyung and Joo Jong Hyuk -- a real-life-like character that tries very hard at all the wrong things but isn't scared to admit his mistakes because it is never too late to do the right thing. But the one that touched me the most was Kang Ki Young as Jung Myung Seok.

But the one that touched me the most was Kang Ki Young as Jung Myung Seok. He won me over every time he came on screen -- a very special standing ovation to a fantastic actor. Kudos to the production staff but especially to the brilliant storyteller, director for bringing the story to life, and editor for the excellent choices, the animation/CGI, and cinematograph.

I love the message this excellent drama leaves me with: our choices and our past always have a way of catching up to us, no matter how hard we try to make them go away. Words are powerful. They can create, or they can destroy so choice them wisely. And just because someone is different doesn't make them weird, it makes them extra special. So treat others the same way you would like to be treated.

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Compelling cat-and-mouse Game

I just finished watching it, and if you are into psychological thrillers with a dark edge and a compelling cat-and-mouse game, this one is an absolute must-watch. The plot is where this drama truly excels. It centers on Seo Se-hyun, a brilliant forensic pathologist portrayed with chilling intensity by Park Ju-hyun. Here is the twist: she grapples with an antisocial personality disorder, immediately establishing her as a profoundly fascinating and unpredictable character. Her life takes a brutal turn when a routine autopsy unearths undeniable evidence linking her own father, Yoon Jo-kyun, played by the masterful Park Yong-woo, to a series of gruesome murders. The shocker? She believed him dead. Now, to safeguard her deeply buried past and dangerous secrets, she embarks on a relentless race against time, determined to apprehend him before the police can. It is a high-stakes, visceral game of hide-and-seek, where both the hunter and the hunted are locked in a desperate struggle for survival. The show brilliantly weaves intricate forensic procedural details with a raw, unflinching dive into psychological tension and escalating crime. You are relentlessly compelled to question every motive and loyalty, as the suspense ratchets up with every single episode.

The characters are not merely complex; they are meticulously crafted and expertly portrayed. Seo Se-hyun defies the typical protagonist mold; her antisocial personality disorder injects layers of unsettling unpredictability and profound ethical ambiguity into her every action. You will find yourself simultaneously captivated by her sheer brilliance and unnerved by her ruthless methods. Park Ju-hyun delivers an utterly incredible performance, embodying this intricate character with a chilling precision that exposes both her cold detachment and her underlying trauma. Then there is Park Yong-woo as Yoon Jo-kyun, the father. He is terrifyingly effective as the serial killer, a truly menacing presence that fuels the drama's relentless tension. And let us not forget Kang Hoon, who embodies Jung Jung-hyun, the detective initially collaborating with Se-hyun, only to slowly, agonizingly, begin to suspect her. His performance introduces a crucial layer of external pressure and moral scrutiny to Se-hyun's desperate, dangerous quest.

The actors do not just bring these roles to life; they inhabit them with remarkable depth and authenticity. Park Ju-hyun's portrayal of Seo Se-hyun is an undeniable standout; she perfectly captures the character's detached brilliance and inner turmoil with flawless precision. Park Yong-woo is genuinely unsettling as the antagonist, his performance a masterclass in quiet menace, and Kang Hoon provides a strong, grounded counterpoint as the detective ensnared in this twisted web. The chemistry between the leads, particularly the subtle, simmering tension between Se-hyun and Jung-hyun, is palpable and adds another compelling layer of intrigue.

At times this was not an easy watch, given its dark themes and intense subject matter. Still, the compelling performances, especially from Park Ju-hyun, and the truly unique premise made it an undeniable standout. Will it win awards, maybe not but I liked it nonetheless. What I liked best was the episode release format of four episodes a week, rather than the standard two, which maintained a consistent, high-energy pace. However, with that said, the drama would have delivered an even more potent impact if it were a tighter 10 or 12 episodes, avoiding any unnecessary plot dragging. Despite this, if you are looking for a drama that will keep you on the absolute edge of your seat, delve into profoundly complex characters, and offer a truly fresh take on the crime genre, then you absolutely must check this out. It is a fantastic binge-watch for anyone who craves a gripping mystery with a sharp psychological twist.

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It shouldn’t be acceptable to be abusive to someone just because they’re different

I loved what this movie addressed, how it addressed, and why it addressed. It was bold, without being vulgar in the sense that would offend anyone. More importantly, it cleverly manages the stigma and shame associated with non-traditional practices, and the risk it poses to practitioners who wish to disclose their interest in a closed and judgmental society. Desipte it only scratching the surface, I appreciated that it made the attempt. It emotionally drew me in how the two leads interpreted and approached the complexity of the practice in the non-dating situation, where they both try to balance their desire for appropriateness with the desire for connection and honesty. I liked the writer's approach of humor in handling such a serious and complicated issue. It especially worked well in some of the more sensitive moments of the movie. Great writing, directing, editing and storytelling.

As for the actors, I have to say this movie would not be the same without Seo Hyun and Lee Jun Young, and particularly Lee Jun Young a thousand and one kudos for his brilliant, brilliant acting — everything from his facial and bodily expressions and how he uses his eyes, and practically all his senses. I was totally and completely drawn to him from the minute he gets on screen. I was reminded why I fell for him in the drama Avengers Social Club. I commend them both for taking on such bold roles and giving it their all. They were both fantastic in how they interpreted their individual characters and in their chemistry together on screen. They made a life-long fan out of me. As much as the drama was centered on our leads, I have to give kudos to Baek Hyun Joo as Ji Woo's very progressive mother. I loved her character and mother, and Lee El as a friend and kindred spirit. A job well done on both fronts.

I commend this movie for the message it sends to the many who feel they don't belong or think they've done something wrong because of their non-traditional practices. It lets them know loud and clear that they are not alone. They didn't do anything wrong, and being different doesn't mean they are bad, so what if people call them perverts. What’s wrong with being a pervert; come to think of it, what is a pervert? A pervert is defined as “a person with unusual or abnormal sexual tastes.” But that doesn’t necessarily mean they’ve done anything wrong. Someone with a shoe or hand-fetish can be seen as a pervert. It doesn’t make them evil, just different. So in that sense, I like that the movie brings awareness to the deplorable acts of discrimination against those who are different for simply being different, while assuring them they are not alone. We must be the change we want to see.

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Hello, Me!

I like that Hello, Me! is simple, funny, and fun all in one. One can never go wrong with Choi Kang Hee in a fantasy rom-com drama. I enjoy her narrating in her head what she wouldn't dare say out loud. It works so well. But what works more is that she's opposite Kim Young Kwang in the drama; I had forgotten how tall he is. He plays the spoiled, bratty 30-year-old who's never worked a day in his life rather well. The drama is off to a fun start. Despite reading the synopsis, I hadn't realized Ji Seung Hyun would have a part in this drama; what a pleasant surprise. However, I did know Eum Moon Suk would, and boy, am I loving him and his knack for the grandiose; it suits him perfectly. He had me smiling from ear to ear. And how about Jang Ki Yong and Lee Soo Hyuk's cameo, and in the first episode, nonetheless. That was a treat.

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The Life of a Mobster

I went into this movie completely blind, it came up on my feed on Netflix, and I thought I would give it a try, and boy, was I hooked. It's a movie with the least amount of dialogue between the male and female leads, Park Tae Goo and Jae Yun, but their body language was more than enough to captivate me. I think the one line in the movie that best described it to me was when Jae Yun told Park Tae Goo he was a dead man walking because, in a way, everybody in the movie was a dead man walking. To me, it encapsulated the sheer hopelessness and cutthroat underworld life of a gangster— a hard and high-stakes world fueled by fear, the survival of the fittest, strongest, and the fastest to betray or be betrayed, and, of course, mass murder. But when one has lost everything that ever meant anything to them, and there's nothing left for them to lose; what could they possibly be afraid of; absolutely nothing. I will admit I am not familiar with Uhm Tae Goo at all, this is my first anything for him, and I was blown away with him. And the same goes with Jeon Yeo Bin (she was brilliant), Cha Seung Won, Lee Gi Young, and Park Ho San. I loved the movie's slow pace, the unlikely connection of two lost souls with nothing left to lose, and most importantly, the banging end -- well done!

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