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We Can’t Always Measure The Other Person’s Love For Us By Our Love For Them
I am not going to say I appreciated Nevertheless's mixed ending, but at the same time, it's quite realistic in that there are many out there who fall for people they know will not make them happy in the long run but can't help but be with them. In that sense, it was as realistic as can be. I know, I've been there, and it was real for me, but it also didn't last that was real too. If I can commend Nevertheless for anything, it would be the compelling way it shows viewers that relationships aren't easy. It also clearly described each couple's fear of loss, the conflicts regarding freedom and possessiveness, honesty and deception, trust and jealousy, togetherness and separateness, satisfaction and sacrifice, and even judgments of unconfirmed love.It was relatable in the way it portrayed the all-consuming experience from that magical match that includes: sexual attraction, mutual enjoyment, emotional knowing, social compatibility, sensitive consideration, physical affection, friendship feeling, and romantic excitement, all combining to create a sense of caring, commitment, and completeness that make that other person the only one for you even if not the most ideal. Still, it failed to deliver the overarching message because it is a fairytale ending at best, following one's heart when undoubtedly knowing it won't lead to happiness. I say this because I know how it ends from a personal experience, but maybe that was the point, and if it was, then I guess it delivered.
In a way, it made sense that Nabi ends up with Park Jae Eon despite everything or maybe because of it and that she chose to be with that magical love even if it wasn't one she believed would give the eternal happiness she wants. Because in the end, and this is the message I chose to take from the drama since I wasn't really sure if it had one -- is that love is risky because the person we love the most can hurt us the worst. Love that feels forever does not necessarily last forever, but it's worth the risk. And we can’t always measure the other person’s love for us by our love for them.
As for the cast, I think they all did a great job in their individual roles, some more than others. Yoon Sol's character completely and utterly overtook me, which is a testament to Lee Ho Jung's acting. Nam Kyu Hyun was another character that had me invested in his story, and again it speaks volumes to how Kim Min Gwi portrayed the role. Kudos to him for that. Chae Jong Hyeop was a blessing, a much-needed breath of fresh air from the heaviness of Nabi and Park Jae Eon -- again a great testimonial to Han So Hee and Song Kang. A job well done to the whole team.
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Through The Darkness Comes Light
I loved that this drama focused on the profiling techniques to identify and help capture vicious criminals, and the heavy weight and darkness the profilers carry with them. Kim Nam Gil had me deep in my emotions. I can hardly imagine how it must be to live day in and day out with the viciousness of the crimes we've witnessed in this show in real life -- the secondary stress, compassion fatigue, burnout, post-traumatic stress, and everything else in between. As someone once said, the expectation that one can be immersed in suffering and loss daily and not be touched by it is as unrealistic as expecting to walk through water and not get wet. Ha Young reaching that burnout point and wanting to escape the darkness is only natural, but wanting and actually being able are two completely different things. Kim Nam Gil and this drama make all the other current dramas pale by comparison.Just like how I enjoyed the depth Kim Nam Gil brings to his role as Song Ha Young. I loved the passion Kim So Jin brings to Tae Goo. A top-notch police officer disregarded her for her gender. The more I watched Through the Darkness, the more respect I gained for Kwon Il Yong as the first ever South Korean criminal profiler, and for pouring his all into looking inside the hearts of monstrous criminals at the time when the term criminal profiling and the idea of serial killers was nonexistent. And what I like more is that the drama focuses more on those who chase serial killers, rather than the serial killers themselves. I liked that the drama was unapologetic in its realistic depiction of the events at that time, the overt contempt and ingrained prejudices of male police officers at all levels towards their female counterparts even more than I did the serial killings, and I abhorred those. I understand the behavior is reflective of the times, and despite it having gotten somewhat better, the sad truth is that the battle between feminism and deep-seated misogyny continues to this day and is perpetuated by historical practices. I love that this drama doesn't shy away, nor skims through the dark issues.
What affected me most as I watched the events of this drama unfold is how Kook Young Soo, Yoon Tae Goo, Jung Woo Joo, Reporter Choi Yoon Ji, and particularly Song Ha Young struggled to come to terms with the senseless abuses and murders each case and interview brought to the forefront. I would be remiss not to mention Kim Nam Gil's brilliance in the role of a man and police officer who feels too much, so much so that he distances himself from everyone as a way to cope. There were many scenes that touched me deeply, and in particular the scenes where the team desperately searched for a murdered child's missing fingers. When Ha Young wishes in his sleep, he could've puffed her killer away before he committed the most atrocious act against. What I like most about Ha Young is that he doesn't fit nor does he try to fit. And the more I watched the drama, the more I realize that serial deviant behavior flows from a hard heart. One choice leads to many, many choices until the conscience is so hardened that the predators forget they even have one. and no longer in operation.
When one is fully immersed in a show 12 episodes seem so short. The end came a lot faster than I expected or wanted, and just when I started to get used to Ha Young's smiling face. I loved the rapport and camaraderie Song Ha Young, Kook Young Soo, and Jung Woo Joo persistently built together, helping each other through what may have seemed like endless darkness. They went from being marginalized for their grandiose ideas to becoming the most sought after criminal profilers. My biggest takeaway from this drama is that through the darkness comes light, through fear comes love, and through pain comes triumph, as someone once said. No doubt Kim Nam Gil, Jin Seon Kyu, Kim So Jin, Ryeoun and the many other brilliant and talented actors made it seem a lot simpler and sexier than in real life -- the true heroes are the likes of Kwon Il-yong, who encountered evil time and time again and persevered through it all. Kim Nam Gil in The Fiery Priest was awe-inspiring, so much so that I thought he wouldn't be able to top that role, but I was wrong. He did again, and I am sure he will do it again and again. A thousand and one kudos to those who penned, directed, and brought this profound drama to life -- a job beyond well done. Kim Nam Gil definitely leaves a void, and I pray this is not the end, but the beginning of many seasons to come.
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Unexpectedly Delightfully
I am a huge Kim Ok Bin fan. The first time I saw her was in The Villainess, and she was brilliant -- a true villainess. And I have since enjoyed her in everything she's done, especially Children of the Lesser God. I have seen her master all kinds of roles, from an assassin to a future foreseeing police officer, to playing Tan Ya in the Arthdal Chronicles series, to a zombie-fighting detective. She is perfect in all of them, and what I love most is that she always plays a strong, badass female lead. Having read the premise of this drama, I wasn't sure if the role of Yeo Mi Ran would suit her, but I needn't have worried. She plays her so naturally that it is almost hard to separate the actor from the character.Yeo Mi Ran is similar to many other female roles Kim Ok Bin has played in many ways. She is tenacious, headstrong, and righteous and does not let any man walk all over her or get too close. She is a lawyer, and by all accounts a very good one, but in her personal life is a true philanderess, never faithful to one man, and it goes back to her home life more than anything until she meets Nam Kang Ho (Yoo Teo), a famous actor in South Korea due to his handsome appearance, intelligence, and kindness. He is sought after to work in romantic movies but doesn't trust women, and he cringes at the mere thought of their touch to the extent that it leads to severe panic attacks controlled only by subscription medication.
Love to Hate You is a romance drama about a woman who detests male chauvinists and meets a borderline misogynist with a prejudice against women who at first hate each other, but as they slowly get to know each other, they are drawn to each other. Before they know it, they fall in love. And in many ways, their difference brings them together to make them the perfect couple. In a way, it's the typical hate-to-love drama, with a twist of a contractual relationship that leads to a full-blown romance. But what's different about Love to Hate You is that it intelligently handles sexism and prejudices against women, whether in the workplace, at home, or in relationships, and how society disguises it as culture or tradition, making it socially acceptable to keep women at a lower social status than men.
But what's intriguing about Love to Hate You is that it not only addresses misogyny but also brings awareness to manizing (women who pursue multiple casual relationships with different men) and the sexual double standard of a patriarchal society that glorifies, rewards, and even praises men for their womanizing way. In contrast, women are derogated and stigmatized for similar behaviors. Love to Hate You doesn't just stop there; it also sheds light on the complex landscape of the cancel culture and how fans are crucial stakeholders in the entertainment industry. Their passion, excitement, and involvement are pivotal in making or breaking the celebrity they have a significant hand in creating. In a way, holding them accountable for their actions, but in some cases, it can be extreme.
Many celebrities deserve to be canceled, mainly if the wrongs they engage in or have engaged in the past reflect their character (sexual assaults, bullying, prostitution, sex trafficking, emotional, mental, or physical harassment, abuse in the workplace or at home, etc.). Other than that, in my opinion, who a celebrity chooses to sleep with, love, marry, spend their time with, or how they live their personal lives is their business. As such, I loved how Love to Hate You addressed Yeo Mi Ran's manizing past and how Nam Kang Ho stands up for his love and doesn't give in to the pressures of his agency or fans. I hope some celebrities similarly and unfairly impacted by the cancel culture could learn a few things from Nam Kang Ho.
It would be a real mistake to assume that Love to Hate You is just another rom-com; it's far from it. Yes, it has some silly and funny moments, but it also has some profound moments that refreshingly push the boundaries in K-drama to question ridiculous, if somewhat offensive acceptable social norms; this elevates the show from your typical, expected rom-com to delightfully unexpected. Aside from the powerful message it sends, Love to Hate You brings some beautiful visuals in actor Kim Ji Hoon as Do Won Joon Nam Kang Ho's agent, protector, and friend; Go Won Hee as Shin Na Eun as Yeo Mi Ran best friend and fierce protector; Lee Joo Bin as Oh Se Na Nam Kang Ho's first love and many others who did a fabulous job portraying their different characters. Highly recommend it.
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A Seemingly Fun Drama Addressing Family Pressure on South Korean Kids to Succeed Academically
My take on this drama now that we are almost to the midpoint.I love, love watching Jeon Do Yeon. She is a natural and has this way about her, making me believe her in every role she takes. Here she is funny, fun, and almost over-indulged as a mom trying to keep up with other moms way over-involved, if not obsessed with their children's education. I adore Jung Kyung Ho; he is such an expressive actor and so much fun to watch. He is my third favorite South Korean Actor. I have to admit I wasn't sure what to expect from him in this role, but I love this fun side of him, and his love and dedication to math and teaching make me want to go back to school and re-do all those math exams I took as a senior in high school -- who knew math could be so appealing.
The twist I didn't expect from this drama is the murder/crime/suicide aspect. It makes sense to have that twist, seeing how much pressure parents, schools, and the education system puts on these kids. I am all for pushing your kids to excel in school, but it shouldn't be at the expense of their mental health or life, for that matter. One of the biggest tragedies of the Korean education system is that children and teenagers must always study. They have little time left over for fun, relaxing, vacations, or enriching themselves in non-school-related activities. It's not forced on them, but they are given few options for success; if they do not excel, it's as good as forced on them. Some kids study 18 hours a day, spend 10 hours at school, go to cram-school classes after school, and spend their time studying at home to secure a good college and standard of living, and acceptance is beyond tragic. I wish the parents, especially the moms, would put as much time into providing their children with a more balanced life as they do with their education. It would amount to a much happier society with students/children who aren't as stressed or pressured to study all the time and wouldn't need to cheat, lie, scheme, or bully to be accepted, feel good about themselves, or stay ahead.
Not only Koreans but most Asians see education as a way of gaining success and bringing esteem to one's family. And what's even more bewildering is the extent these mothers would go to secure that success for their children even at the expense of other children, resorting to cheating, lying, and scheming -- which in turn leads to bullying others and harming others and themselves, even murder and suicide. I don't even know if a solution exists. Still, I think the system itself needs a massive overhaul, and so does the role of the family and education-crazy mothers who believe their child's life is not about freedom, personal choice, or happiness; it is about production, performance, and obedience -- life is so much more than that and just because one birth a child it doesn't mean then own them.
I appreciate this drama for bringing up the many issues related to the education system in South Korea, particularly the pressure families put on their kids to succeed academically and the consequences of those actions.
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Preliminary Review: Taxi Driver 3 and the Real-World Crises That Make Its Fantasy Hurt More
Wow, three seasons in and still strong, still as impactful, if not even more, than ever, and it's only the first episode. While watching the first few opening minutes of Taxi Driver 3, I couldn't shake the feeling that this season, or at least the opening episodes, were going to hit closer to reality than ever, especially when I think about what's happening right now in Sudan, Somalia, South Africa, Haiti, the DRC, the Central African Republic, and others. These aren't places I'm mentioning lightly; they're places where sexual violence and trafficking of women aren't just issues, they're ongoing emergencies. And honestly, as I watched the first episode of Taxi Driver 3 swoop in to save victims the world has forgotten, I found myself wishing something like that actually existed where it's needed most.The opening of Season 3 lays everything bare as we see women lured by false promises, transported across borders, and trapped in a system that feeds on their vulnerability. The police shrug, the authorities stall, and everyone who should help seems either compromised or overwhelmed. It's chilling because we know that, in some parts of the world, this isn't a plot; it's daily life. This is precisely why Taxi Driver, from the very beginning, felt so cathartic and so heartbreaking at the same time. The team doesn't wait for permission. They don't get bogged down in bureaucracy. They don't tell victims to come back when they have more evidence. They act. They care. And they treat each person like a human being whose suffering matters, not just another case file.
In places like Sudan, Somalia, or Haiti, where institutions have crumbled and conflict has swallowed entire communities, the idea of a group like Taxi Driver feels like a fantasy we shouldn't have to wish for, but I do, especially since I grew up in Sudan; the atrocities currently happening there are like daggers to my heart. When justice systems collapse, women pay the price first. When corruption rises, traffickers thrive. Watching the drama, I kept thinking how many real women would be saved if even a fraction of this kind of coordinated, victim-centered intervention existed.
But here's what the show also reminds me: its power isn't just revenge, it's protection, it's restoration, it's exposing systems that prefer silence over accountability. And while the drama always wraps it all in stylish action, the emotional truth at its core is painfully real. Of course, vigilante justice isn't the answer in the real world. It can easily spiral, and it doesn't rebuild the structures that survivors actually need. But what isn't fantasy is the heart of Taxi Driver, the parts rooted in care, extraction, and showing up when no one else will. In the real world, that looks like survivor-centered NGOs, rapid-response rescue networks, trauma-informed support, and international pressure that actually has teeth.
For me, the first episode of this third season landed so hard because it showed what justice could look like if it prioritized victims instead of protecting systems. It reminded me that humans are the worst types of monsters. When I look at the places suffering the most from sexual violence and trafficking right now, I find myself wishing that a brightly colored taxi could pull up for the women who desperately need it. The truth is, they deserve that kind of rescue, and the world should be doing far more than it is.
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The Beautiful and the Sexy
I loved the transitionally yet commendable growth in Su Yeol through his alter ego K. The best part of them was that even in their splitness, they remained an extension, rather than two separate entities fighting to dominate one another. Everyone needs a heroic figure who, in spite of weaknesses, and not always knowing the right answers, helps them overcome life's adversities, and maybe even even help them recover a piece of their humanity that they may have lost along the journey of life. And K is exactly that for Su Yeol. I enjoyed every aspect of the Bad and Crazy, it solidified my admiration for Lee Dong Wook as an actor and not just a beautiful face, while at the same time introducing me to a different side of an amazingly brilliant talent that is Wi Ha Joon. Additionally, I enjoyed the many talents we met while on this journey, but the two that stood out the most are Kim Hi Eo Ra as Boss Yong and Won Hyun Joon as Andrei Kang, her henchman. I am forever a fan. I will miss this fun drama, but look forward to seeing Lee Dong Wook and Wi Ha Joon in their upcoming projects later this year.Was this review helpful to you?
The King's Affection: a Sageuk Done Right
I decided to watch this drama firstly because it's a sageuk, and secondly because of Rowoon and Park Eun Bin, and the story at its opening did not fail me. I don't think I felt this much admiration for a character in a historical drama, as I did for Yeon Seon/Lee Hwi/Dam Yi, and all the credit goes to Park Eun Bin. She was brilliant in this role and worthy of an award. The King's Affection wasn't only a good script, but also riddled with many brilliant talents.From the Crown Princess/Queen Jang Sun, played by Han Chae Ah, who is beyond impressive in her limited but impactful cameo appearance, to Bae Soo Bin as Jung Seok Jo and Jung Ji Woon's (Rowoon) father in how brutally and precisely he fulfills his duties to the royal palace, and the same goes to Yoon Je Moon, who is phenomenal as the demon grandfather. So is Choi Myung Bin in the dual role of young prince Lee Hwi and princess Dam Yi, but the actor who stole the show for me was Nam Yoon Su in his unshaken stance to protect those that mean the most to him, regardless of who he had to go against to do it.
As I continued to watch the drama, I wasn't sure if I should be enraged at the royal place for believing twins were abominations, or for the measures they took, or laugh at the ridiculousness of it all. But then I reminded myself of the era and the deeply knitted beliefs of the times, and felt utter sadness for the many lives that must have been lost because of those beliefs. Some elements of the story reminded me of Mirror of the Witch, but unlike it, this one was cruel with its carnage. But it stayed true to the idea that choices make people who we are -- people are the culmination of their past actions, which have a way of creeping back up to them unannounced and when least expected in their present. No evil deed goes unpunished.
At the core of it, this drama is a story of courage in face of adversity, but also about immense cruelty, betrayal, treason, and unconditional love. The most impressive parts of this drama have been in its loyalties. From misplaced loyalty, to firmly edged subject to royal loyalty, to loyal love and brotherhood. Even the unrequited loves in this story are engulfed in loyalty. At the same time, the story is also about greed, fear, and the injustices committed in the name of loyalty. But most of all, it's about courage and how an unsung hero born out of circumstances rose to the occasion when she could no longer coexist with the hypocrisy that was the royal palace, and gained the respect and loyalty of many, even her enemies, but also the love of her life, hence the title: The King's Affection.
The King's Affection is a drama that stayed solid to the end, which was fitting to the story it told, from suppression to betrayal, love, and the fight to be acknowledged, as a human being worthy of the life she was born into, a twin and a princess, who through her trails and tribulations came to understand her worth, which made her powerful. Her world gravely needed a hero, so she became that, a strong woman disguised as a man who took no nonsense from anyone. A thousand and one kudos to the writer, director, and all the cast, production team for a job beyond well done. A drama worthy of your watch!
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Real and raw -- not a fluffy rom-com
Something in the Rain. Where do I even begin with this one? It's a drama that sticks with you, but not always in the ways you might expect. First, the premise is simple: it's a noona romance, older woman/younger man, and what complicates their relationship besides the age factor is that the younger man is the older woman’s best friend’s brother. What I loved at the beginning was how natural their relationship felt. It's a slow burn, watching them go from being friendly acquaintances to realizing there's more there. The chemistry between Son Ye-jin and Jung Hae-in is undeniable. They capture those little moments of connection – the glances, the handholding, the way they talk – so well. It's all very sweet and, honestly, kind of swoon-worthy.The drama does a great job of portraying the everyday aspects of falling in love. It's not all grand gestures; it's also about the intimate moments that make a relationship feel real. The title, Something in the Rain, is quite fitting because rain often features in these pivotal, romantic scenes. However, this is where it gets a bit tricky; the drama isn't all sunshine and roses (or should I say, sunshine and rain). It also delves into some heavy stuff. We see their challenges due to their age difference, especially the disapproval from Jin-ah's family. Korean society can be quite traditional, and this drama doesn't shy away from showing how societal pressures can affect a relationship and burden it and the people involved in unimaginable ways. At times, it was hard to watch how intrusive and borderline abusive Jin-ah’s parents were, particularly the mother. We also see the difficulties Jin-ah faces at work, including issues of sexual harassment. It's a stark reminder that even in seemingly modern settings, these problems still exist. I appreciated that the drama addressed these issues, even though they sometimes made it a bit tough to watch.
The pacing of the drama is something to note. It's quite slow, especially in the beginning. Some reviews found this boring, but I think it helps build the emotional connection between the characters. It gives you time to really invest in their relationship. Later in the series, the pacing shifts, and it can feel a bit uneven.
Overall, Something in the Rain is a drama that shook me because a grown woman is stripped of her adulthood and choices regarding who she can love or live her life. The drama is almost perfect for its realistic portrayal of falling in love, heavy plotlines, and pacing. It’s not for everyone, but I recommend watching it, especially if you're a fan of romance dramas. Just be prepared for a bit of a rollercoaster ride. The acting is superb, the chemistry between the leads is amazing, and it offers a glimpse into some of the social issues in South Korea. And maybe I like this drama because it is not a light and fluffy rom-com. It’s a real, gritty experience.
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Here We Are Again -- Impressed!!
My much-anticipated Weak Hero Class 2 is finally here. As we all know, following the traumatic events of the first season, Yeon Si-eun transfers to Eunjang High School, hoping for a fresh start. However, he soon faces a new wave of violence and more formidable enemies. Haunted by his past inability to protect his friends, Si-eun is determined to confront the escalating dangers head-on while navigating new friendships. Together, they face a ruthless gang known as the Alliance. This new season delves deeper into Si-eun's emotional scars and his determination to protect his new friends, adding significant emotional weight to the action. Every fight feels personal, raising the stakes. Similar to the first, I kept thinking, how are these high school kids; where are their teachers, parents, families -- how do the adults around them not know what their minor children's are involved in; just overwhelming but I understand we as viewers were given the view into these students lives from their prespective. If I was irritated with anyone in this drama, it was Si-eun's mom. She seemed to be clueless about her son's emotional and mental state, or maybe she was desperate. Regardless, I found myself wondering what had happened to his dad.The introduction of Park Hu-min, Seo Jun-tae, and Go Hyeon-tak, with their distinct personalities and growing bonds with Si-eun, makes a strong impression. I was drawn to Park Hu-min's unique and even comedic approach to fighting, which brings a new dynamic to the series. And I must say that Park Ji-hoon's portrayal of the evolving Yeon Si-eun is award-worthy, showcasing his character's intelligence, emotional depth, and strategic acumen. This second season stays true to its predecessor, with even more intense action. It delivers visceral and impactful fight sequences that leave viewers feeling every blow.
I know this is an adaptation, but I welcome the changes from the Webtoon. The drama takes some creative liberties as an adaptation, particularly with character backstories. I like that this season strongly emphasizes Si-eun forming new bonds, especially since his first season was a nightmare, especially with O Beom Seok's betrayal. I like that it is more grounded, restrained, and thoughtfully shaped by his past, in a way. I felt this season was more methodical. One can see that he had matured, and that is a testament to the writing and, of course, the acting.
This second season is a worthy successor to the first, delivering intense action and exploring deeper emotional themes, albeit a bit more subdued than the first, which I believe is intentional. The new cast members are well-written and acted, but Park Ji-hoon remains the standout, consistently delivering a compelling performance. I have seen a few reviews concerning the changes from Webtoon this season and how it affected the overall impact, but I disagree. Despite the changes, the drama remains an intense action drama, featuring impactful storytelling and compelling character dynamics. This season, just like the last, took me on another gripping and emotionally charged journey through the brutal world of high school violence, highlighting the power of friendship and resilience in the face of overwhelming odds.
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Revenge is indeed best served very cold
The Glory; what a drama. I am not much of a Song Hye Kyo fan. But was this drama well written or what; I mean, not a boring moment. The first episode was rough, and I have to admit I skipped through a lot of torture and violence. It was just overt and too much to reconcile or bear. That, the world harbors kids (I mean they were children really) who felt so entitled and thought the world revolved around them, that it gave them the right to inflict such animosity and hate on another child just because they are different, or was is it "just because" they felt like it was uncalled for, inexcusable and shame on everyone that stood by and watched and did nothing, they as good as inflicted the violence and pain but more than anything shame on the teachers, the parents, the caretakers, the friends or so-called friends, well there was no love lost between any of them so I can't even call them friends who thought it entertaining and okay to humiliate, demean, deface, another human being.By the time we got to Moon Dong Eun as an adult, I was fully invested in her journey. Everything from how she lived her life in narration to Park Yeon Jin (stellar acting) was so captivating. I found myself hanging on to every word she wrote, even the way she spoke/wrote her words. That first encounter after 17 years at the gym of their old school was so fulfilling, especially when she clapped for Yeon Jin as she walked up the stage for her award. But the best part was Yeon Jin thinking the past was fully forgotten and dead in the past. That she could not even recall her monstrous acts made her an even more awful human being than she already was -- that she didn't realize the decisions and choices she made would follow her to her grave is very telling of her arrogance and malignant miserliness. Her audacity to think MDE deserved everything that happened to her, not only that she in some way is to blame, was exhausting to watch. That her young child, not even 5 or 6 years of age, instinctively knew how awful burning someone or beating them or torturing them was and she an adult never even considered it was telling for me. It was the moment I realized Yeon Jin deserves everything coming her way -- everyone involved or who stood idly is also deserving.
It was not all gloom and darkness with The Glory; many funny moments peppered in throughout the episodes. I especially enjoyed the, at first, very professional relationship between Kang Hyun Nam and MDE, and even more so as they started to warm up. Yeom Hye Ran did a great job making me feel the pull/push relationship and the slow drawing in of MDE, and even the love and admiration between the two. And, of course, Lee Do Hyun was consistently excellent in how he personified Joo Yeo Jung; how he grew to accept and live with his painful past, despite it being part of him daily. His patience and acceptance of MDE for what she was, not trying to make her into what he thought she should be -- never pushing or probing, just hoping. I loved how he didn't judge or question when she told him her story, but readily accepted his role as her head swordsman.
I would be remiss if I didn't mention how amazing Jung Ji So was as a teenage Moon Dong Eun. She is such a great talent; I am in awe of her. Can I say Jung Sung II was brilliant in his role as a have-it-all rich husband, father, and man -- he was admirable - not too entitled or arrogant, just a man used to getting his way, not by force, but because it was always available. Unlike the inherently entitled, self-absorbed, and cruel Jeon Jae Joon (Park Sung Hoon, who was brilliant in his role), who obviously lived his life believing the world owed him everything, but then growing without love or self-worth, can do that to a kid.
What's intriguing about The Glory is that it takes its time with everything. Nothing is rushed, not even the conversations. So it went without saying that the revenge plot would take its time, almost painfully so. But I think that was the point; for the culprits to know, sense, and feel the revenge coming, but not know how, when, where, and through whom it would come.
Watching the Glory was like peeling back the layers of a big fat onion; the more you reveal, the twisted it gets. Kudos to the writer for such brilliant scriptwriting, the director, and the actors for gripping the writing alive. I look forward to the second half and the actual revenge plots unfolding.
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Love is a Learned Behavior
When I first started watching this drama, I wondered why the title "Mine," pretty soon it became clear why; despite all its riches, nothing this family owns is truly their own, not even themselves. More than Mine's premise, what drew me to it was an article I read where the writer Baek Mi Kyung explained why she cast the two female leads in their respective roles. She said that “As a writer, the fact that I’m able to work with the unfailingly talented actresses Lee Bo Young and Kim Seo Hyung is an honor in and of itself." “Because they’re actresses who are powerful in terms of both their acting and their auras, I think the script was even more empowered after they were cast. Also, they’re so well-suited to their roles that they leave nothing to be desired in terms of matching up with their characters. I think of [their casting] as a blessing.” True to the last word.Many elements made this show, everything from the high-end production design, the set, the beautiful outfits and styles, and even the OST, sets the tempo and brings character to the drama, Kim Seo Hyung, though elevates Mine with her performance. She thoroughly embodies the layered character of Seo Hyun so brilliantly that without her, Mine wouldn't be as good as it has become. And the same goes for Ok Ja Yeon in the role of Kang Ja Kyung / Lee Hye Jin, who was thrilling to watch in The Uncanny Counter but even more so in this drama. I loved how this show depicted women - fearless, kind, compassionate, capable of giving and receiving love, but most importantly, admitting to one's mistakes. As they say, never underestimate the power of a kind woman; kindness is a choice that comes from incredible strength. There is nothing more thrilling than strong wounded women steadfastly facing their demons and winning, even if it's just the beginning of the fight.
Mine was a great drama to the end; kudos to the screenwriter, director, and actors for bringing this fantastic story to life. However, as sad as I was to see it come to an end as appreciative of the important message it left behind in that one can ever truly own anything if they don't own themselves first, and to love others, one must first love themself. And that just as love is a learned behavior, if one never learns how to receive it, they will never know how to give it back.
Mine could've been a multitude of stores, but I liked that rather than be a story about sexual minorities, it was a story about love and finding one's true self in themself. And what elevated it to the status of brilliant was the way the drama portrayed Jung Seo Hyun and Seo Hee Soo’s relationship not as sisters-in-law fueled by jealousy or hierarchy but as sisters who find themselves stuck in a world filled with hatred but learn through it all to care and protect each other to the end deeply. Brilliant drama! I enjoyed and relished all the actors who did a great job making me believe them each in their own way but Kim Seo Hyung the most.
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A frank and direct movie
A frank and very direct movie that's most probably not for everyone, but if you like your movies with a little edge, then you might have found what you are looking for in Call Boy. A story about a young man who ventures into the world of prostitution to find out who he is and what he stands for. I like that movie for how it presented sex, in particular paid sex. I think for me, it wasn't about the graphic sex but more the actor's portrayal of it and what leads him into the world, to begin with, and how he comes out of it. It doesn't vilify prostitution but rather uses it as a stepping stone or the lead does as an emotional discovery and transformation from who he was to what he became by the end of the movie. He goes through experiences that he may not have expected with each client he meets and manages to find his place in life at the end of the journey. Learning life lessons the hard way.Was this review helpful to you?
Present vs. Past -- good first outing
I like Times' concept of a reporter with a president for a father. For as long as I can remember, people have said politics has no relation to morals. Still, I think Seo Jung In's father ( Kim Yeong Cheol) may have been the last honest politician. But that's not all that Times' about; it's more about the desperate need of a daughter played by Lee Joo Young to save her father's life, which leads to the uncovering truths that shake her and the country. In that sense, I completely understand why, when presented with the opportunity to turn back time, save her father, and reveal the truth, she jumped at it regardless of time and space. Who among us given that opportunity wouldn't take it.There's always a reverence to watching time-crossing/travel dramas; if not done right, they can be downright confusing, and most of such dramas except for maybe Signal and Karios as time-crossers and Train as time-traveling have fallen in that pit. It's too early to pass judgment on Times as of yet, but I will say I was a bit confused halfway through the first episode as it wasn't clear to me whether the female lead was suddenly transported to the future or if the first half was a flashback from the past. That said, I liked Times' first outing, and I am interested in seeing how Lee Seo Jin plays into things but more so how the show will work the time-crossing element compared to the dramas I noted.
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Kim Nam Gil should be enough to make one want to watch anything he's in -- Fiery indeed!
The Fiery Priest is everything from action to comedy to suspense and thrills. Nothing about this drama is wrong, from the acting (Kim Nam Gil and all other actors) to the writing to the directing and the fight scenes just fantastic. I've been following Kim Nam Gil for quite a while now. Not only is he a talented actor but a great person. I've enjoyed him starting from his "When Spring Comes" days to date and loved everything about him as a catholic priest with a fiery temper and a twist. To say that he was perfect for this role and the drama is an understatement. His acting is on point, be it in the comedic moments or the sad ones. Finding out he and most of his teammates filmed all their fighting scenes themselves made me appreciate the drama even more but Kim Nam Gil even more. He made me swoon more than I already do, something I didn't think possible. He more than deserved the award he received as best actor for the drama.To that, credit must be given where due. The storyline, script, character development, and backstories were so well done. The comedic moments were so good I couldn't stop laughing, and I especially loved all the church scenes and characters with Father Kim leading the fray to affect the change he wanted not just for his district but the nation. As great as Kim Nam Gil was in his role, he couldn't have done it without his other leads in Kim Sung Kyun, Lee Ha Nui, Go Joon (he melts me every time he is on screen), Geum Sae Rok. And the support he received from Jeon Sung Woo, Ahn Chang Hwan, Baek Ji Won (Sister Sarah) I have to say I couldn't get enough of her and Eum Moon Suk in his role as Jang Ryong, what unique talents they all are-- I was in awe of them.
There's nothing I didn't like about this series; I even loved the OSTs. I was thrilled to know there may be a second season and patiently, or should I say impatiently await its release, either way, I'm beyond psyched for it and Kim Nam Gil for reprising his role as Father Kim.
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