3
2
Was this review helpful to you?
My Obsession with The Rise of the Phoenixes
I was absolutely captivated by The Rise of the Phoenixes on Netflix! This drama quickly became an obsession, drawing me in with its intricate plot, stunning visuals, and compelling character arcs. While the final three or so episodes left me feeling incredibly disappointed with the ending – a common sentiment, it seems – I still wholeheartedly believe it's a series that demands to be seen. What truly sets The Rise of the Phoenixes apart is its incredible atmosphere and meticulous attention to period detail. It’s a grand, complex, and mature narrative, deeply steeped in rich culture and historical flourishes. The creative team behind it is undeniably talented, and the exuberant cast brings every character to life with remarkable depth. Zhao Lixin as Military Academy Headmaster Xin Ziyan, Chen Kun as Prince Ning Yi, and Ni Ni as Feng Zhiwei were all phenomenal, delivering truly memorable performances. And let's not forget the standout, Hai Yitian, who was absolutely brilliant in his portrayal of the Crown Prince, perfectly capturing his weak and conniving nature, making him a character you loved to despise.At its heart, this drama masterfully weaves together the cutthroat world of royal politics, inner strife, raw greed, consuming obsession, unbridled power hunger, and intricate psychological games. Yet, beneath all the strategic maneuvering and betrayals, The Rise of the Phoenixes is fundamentally a heartbreaking story of an unattainable, forbidden love. It's the kind of love that simultaneously shatters you into pieces and then, paradoxically, glues you back together – a truly agonizing yet beautiful depiction of romance. Despite its twisted and complicated narrative, the series is exceptionally well-acted, directed, and intellectually written, making it, by far, one of the most beautiful dramas I've ever seen. I thoroughly enjoyed the nuanced character development across its 60+ episodes, as well as witnessing the lengths Prince Ning Yi went to protect those he loved and, of course, to exact his meticulously planned revenge. These elements made for an exceptionally engaging viewing experience.
While I'm not typically a Chinese drama watcher, especially not the lengthy historical ones, The Rise of the Phoenixes was a fantastic exception. The music was also incredibly immersive, adding another layer of depth and emotion to the viewing experience. Despite my reservations about the ending and the convoluted romance, which I suppose also made it feel incredibly real in its complexity, I highly recommend this drama. Its flaws, perhaps, are part of what makes it such a uniquely compelling and unforgettable journey.
Was this review helpful to you?
Liberating and Worship Worthy
My Liberation Notes is a drama that resonated with me in many ways. Just watching it made me feel like I, too, am being liberated, and I wasn't even half as deep as where the characters were, if at all. But then, who can't relate to the struggles of fading youth, wanting to love and be loved, managing mounting responsibilities to the extent of losing the will for idle talk, and the unavoidable frustrations and challenges of daily lives when even living itself is burdensome, not many.I loved how the story handled itself, and the message that liberation is realizing the voices in our heads aren't who we are, and only when we see that can we indeed be free. I felt liberated by how this drama depicted human relations, giving me the sense to appreciate the people in my life and opening me up to accept those to come in the future, something my old self before My Liberation Notes wouldn't have done. Every relationship in this drama mattered no matter how small, which made it so special.
I loved how real this drama was in expressing real people's thoughts and actions; how it addressed the fact that some people put others down, not because they are evil or rotten human beings, but because sometimes it's the only way they know how to feel better about themselves. And that sometimes all a person needs is the knowledge that someone cares to make a difference.
More than any other drama, My Liberation Notes made me realize how blessed I was in my life rather than the life I think I should've had. I would not have had that without going on this fantastic, silent yet deeply touching and meaningful journey with Gu, Mi Jung, Ki Jung, Chang Hee, Tae Hun, and everyone else who was part of this story, whether in a prominent or supporting role. There were many touching and emotional moments in this drama, but the Yeom children gathered for their father's birthday, and him finally opening up to them is one of the best. The geninue moments between Gu and Mi Jung, Ki Jung her boss and Tae Hun, Chang Hee at work and with his friends -- all of the little nuisances in the storytelling made this drama one of the best if not the best of 2022. A thousand and one kudos to the writer who excelled at making me feel and live each step of this drama's journey. The director for bringing it all to life, and the actors for quietly yet forcefully imparting to me the message that life is what we make it, always has been, and always will be; we just need to believe that. I felt worshiped just watching this drama.
I will miss My Liberation Notes. As much as I already enjoyed Lee Min-Ki and Son Seok Koo's acting skills in other projects, their natural way of depicting their roles in this one made me realize how talented they are, and the same goes for Kim Ji Won, Lee El, Lee Ki Woo, Chun Ho Jin and the rest of the cast. Next to My Mister and Lost My Liberation Notes will remain with me for a long time to come for silently making me hear the things I unconsciously and sometimes consciously ignored. Ignore what you may have heard or read about this drama; watch it you will never be disappointed; on the contrary, you may learn something about yourself you didn't know before.
Was this review helpful to you?
This review may contain spoilers
Raw and Heart wrenching as it Should Be
To give an introduction to this, astutely eye-opening six episode drama, Higashino Keigo Samayou Yaiba is adapted from the 2009 Japanese movie, The Hovering Blade (Samayou Yaiba), about a father played by Terao Akira, who, after finding out the identities of his only daughter's murderers, avenges her horrific death, and the police who try to stop him. The 2021 drama version, Takenouchi Yutaka, plays Nagamine Shigeki, an architect who raises his daughter Nagamine Ema (Kawai Yuumi) on his own after his wife's passing. Ema is now a high school student with a part-time job. One day, she is called out to work the late night shift and does not return. The next day, she is found dead.Samayou Yaiba's opening scene of a father and daughter sweetly teasing each other belies the harrowing scenes of three teenage boys parked in front of a metro station, sizing up females as they walked down the street akin to ambush predators laying in wait to trap and capture the perfect prey. One got the feeling that they had definitely done this before, and unfortunately for Nagamine Ema, who was at the wrong place at the right time, to the sudden and overwhelming pouncing attack by Kaiji and Atsuya, while a third boy Mokota (Inoue Mizuki) stood powerlessly watching, paralyzed by his fear of the scene that unfolded in front of him, feeling weak, vulnerable and defeated, while helping subdue Ema. Not to excuse his behavior, but from the little I glimpsed of him, I got the sense that he was being bullied by Atsuya and Kaiji, forced to do all kinds of things he didn't want to, but doing them nonetheless, to survive himself, which he was being bullied.
Words cannot describe how dreadful it was watching the vivid cruelty of humanity as Astuya and Kaiji drugged and carelessly, loudly and brutally rapped Ema, filming their horrific actions to death and discarding her like garbage while her father does everything a parent is supposed to do, helplessly searching, passing out fliers, and even reporting his daughter missing the police to help find her. All the while not knowing the evil, ill fate that had befallen his daughter. My heart ripped for him and the sorrow that awaited him, and especially that moment he had to identify her at the morgue. Shigeki's despair at his daughter's loss was so palatable, and what an amazing job Ichikawa Riku does to have me as the audience feel his loss.
Violent acts are always choices that individuals make. Yet, it is the people who are harmed by violent acts that often receive negative responses from the police, as well as from various social institutions. I know it is the police's job to suspect everyone, even the victim and family members, and Samayou Yaiba does a great job of showcasing the prevalent issue of victim blaming. Even Mokota is prey of it to some extent by his unrelenting abusers. But worse than all that was how the law in Japan viewed juvenile delinquents who committed serious crimes versus how they viewed the victims and their families. Prior to November 2000, the Japanese Juvenile Law affirmed that juveniles under twenty will not have their cases transferred to the Public Prosecutor to impose criminal disposition. Even those who possess criminal capacity must be treated with protective measures in principle, and punished criminally only in some exceptional cases.
Even though the revised Juvenile Law, passed in November 2000, partially modified the system. The revision included three points: partially expanding the range of possible punishments of juveniles; adjusting the fact-finding process in Family Court; and protecting the victims of juvenile crimes. So it is with this in mind that I understood the police's apprehension of discussing the crime, or even eluding to the fact that a minor or minors may have committed the crime without clear cut evidence. But I also empathized with Shigeki completely, for rightfully thinking only those who've experienced loss, the way he did, could fully understand him. The scenes where he explodes at the police station, and later when he discovered his daughters' last moments, had me in goosebumps. Everything Shigeki does after that moment, the rage he unleashes, didn't only seem justifiable, but righteous. What parent confronted with what Shigeki was wouldn't take the same course of action he did, I would imagine none.
A lot unfolds in the first episode of this drama, alone, but the real story doesn't begin until Mokota, riddled with guilt, disguises his voice, calls Shigeki, and names Atsuya and Kaiji as the killers, gives him the address to the apartment where the murder took place, and tells him where to find the key. There, Shigeki discovers his daughter's clothing and pictures, as well as the video detailing Ema's brutal rape and her final moments as she lay dying while Atsuya and Kaiji laughed their heads off. And at that moment, Atsuya returns home to Shigeki's attacks. Unable to contain his anger, he mercilessly stabs Atsuya, who doesn't show any remorse, but only after he tells him where to find Kaiji, and the rest is history as they say.
Same as the movie Higashino Keigo Samayou Yaiba, the drama depicts a father's journey to avenge his daughter's brutal murder by two careless thrill seeking teenage boys, Atsuya (Namura Shin) and Kaiji (Ichikawa Riku), and the varying opinions of the public and media about the validity of his quest for revenge, including the Tokyo policemen investigating his case, and an inn-keeper and his daughter where he takes refuge as he tracks down the main culprit who instigated and actively participated in the murder of his daughter. I personally think that no one can genuinely say or even think what they would do if placed in Shigeki shoes and that is what makes this drama so raw, so real, and so gut-wrenching.
Was this review helpful to you?
And we saw time and time again Nam stay persistent and determined not only to make the Dreams into a winning team but one that valued the person standing next to them as there is no “I” in “team”. I struggled to understand PF's analogy in not taking Nam on as the general manager (if you haven't watched this drama you will understand what I mean once you do) but took it for what it was – a negotiating compromise to a winning situation – a happy home for the Dreams. It was good to see the CEO despite their (his and Nam's) differences finally have the courage to stand up to his uncle and realize he is nothing without his ideals and in the process gained a friend. Love that the episode was light and fun mingled with a bit of sadness but goodbyes are always sad.
I loved this show, the writer, director, cast, Kang Du Ki (my hero) and Nam, always Nam for showing us week in and week out that patience and insistence have a magical effect before which difficulties disappear and obstacles vanish. That’s what dreams are made of, persistence and determination. With that in mind, I resolve to keep my dream of a season 2 alive, the ending surely left it open to interpretation.
Was this review helpful to you?
Even those who commit the most despicable acts are worthy of love.
When I first started watching, I was really confused. I couldn't understand why a wife would force her husband to enter into a contract marriage with someone else just so they could get back together. It seemed convoluted and almost diabolical. As the story unfolded, I realized that it truly was twisted and diabolical. The wife wasn't the only one with issues; many of the characters were emotionally damaged or traumatized, suffering lasting negative effects. And I think this is what humanized them and drew me in to the story.One key takeaway from this drama is that a broken person can easily break you. However, it also highlighted the importance of genuine human connection and empathy—like a kind word, a comforting hug, or simply being present for someone; these can help heal a broken spirit if not completely change a person's life. But I think the most important message was that even those who commit the most despicable acts are still worthy of love.
Behind every great drama is a talented writer and director, and that is so true in Seo Hyun Jin (my favorite actress of all time), Gong Yoo, Jung Yun H and all the other cast member's great performances. Well done!
Was this review helpful to you?
This review may contain spoilers
A drama Worthy of the Watch
Cross has been on my watch list since I officially started watching South Korean dramas in 2018. When I started the drama as is typical, I wasn't sure what to expect but loved that it's a medical drama, one of my favorite genres in Korean dramas. Hence, it was only natural that I was interested and intrigued by it, but more it's the concept. A dark, suspense medical drama-thriller tells the story of a gifted young man, Kang In-Kyu (Go Kyung Pyo), who becomes a doctor out of a desire to avenge his father's murder -- a victim of an organ trafficking syndicate in South Korea fifteen years ago. Finding out Go Kyung Pyo, Jeon So Min, and Heo Sung Tae was part of the cast was the icing on the cake, so to speak. I had previously seen Go Kyung Pyo in Jealousy Incarnate, a delightful drama; Jeon So Min in Something About 1 Percent, a drama worthy of the watch; and Heo Sung Tae in various dramas none as impactful as WATCHER. At its, onset Cross seems like any other revenge drama, but as the story unfolds, one realizes it’s about more than just revenge. It's guilt, love, hate, blame, responsibility, illegal donor trafficking, and much, much more.Right after Kang In-Kyu's father is murdered, a renowned surgeon Dr. Go Jung Hoon (Jo Jae Hyun), adopts him and his sister, who suffered from long-term heart disease. At a very young age, Dr. Jung Hoon's kindness and skill as a doctor inspires In-Kyun to become a doctor, but eventually, his sister succumbs to her illness; after her death, Kang In-Kyu discovers Dr. Jung Hoon donated her organs without his knowledge, which causes a strain in their relationship, rifting them completely apart. His sister's passing and the circumstances of his father's death start to sow the seed of revenge in Kang In-Kyu, and he grows determined to uncover the truth at all costs, even if it meant him becoming a doctor that takes lives rather than saves it.
The are many reasons why I loved this drama and why it worked so well, but the main one is its predictable characters in a most unpredictable plot. Most times than not, it's pretty easy to figure out who the hidden villain(s) are in a Korean drama. The transparent body language such as movement of the eyes and brows, side glances, hand clasps, sudden lean on the chair provided apparent hints of a person's real character. I commend the writer, director, editor, and actors for transforming the intensely suspenseful elements in the story to uncover the many hidden intentions.
Secondly, the suspense was more than worth it. The story's build-up from episodes 1 to 4 and the escalation thereafter made the drama an excellent watch. Thirdly, the outstanding cast: the actors and actresses in this drama performed brilliantly with the utmost care and talent. Fourthly I liked that Cross, despite alluding to a romance between Go Ji In (Jeon So Min), In-Kyu, Lee Joo Hyuk (Kim Ji Han), and Son Yeon Hee (Yang Jin Sung) it doesn't force it. I think it's probably what made it even more potent, the undercurrent in those relationships and the flow of the story.
Last but not least, Go Kyung Pyo. Cross was not the first time I had seen Go Kyung Pyo in action before, but his acting and the way he delivered his dialogues are what made me continue watching the drama. Still, episode four is when I realized, above anything else, that I made the right decision when added and decided to watch Cross. I would be remiss in not mentioning Heo Sung Tae for his brilliant depiction of Kim Hyung Beom as a man totally devoid of human empathy, morality, and understanding or even reasoning of right and wrong.
What makes Cross unique is that despite it being about a young boy who devotes himself to becoming a top medical officer and finding a way to slowly and painfully kill rather than save those who were responsible for his father's death, it quickly morphs into a dilemma that ranges from the ethical to the moral of treating all patients regardless of their status or background to the best of sworn medical officers’ ability, and to the preservation of life. The revenge part of the drama and the events that unfold because of it and its effect on the lives of all involved throughout the dark and, at times, the lonely journey is what makes this drama and those in it so special. It is a drama with an unequivocal message that it's not how the journey starts that matters but how it ends. As they say, sometimes it's the journey that teaches one a lot about their destination, the crossroad of choices, and the consequences thereafter.
Was this review helpful to you?
Not Perfect but Better than Most
Professor Yang's ending narration of the law is an imperfect justice. Still, it must be perfect for those who teach and learn it alike, for there's nothing more violent than an unjust law is the ideal ending to an imperfect drama that was better than most. I am sad to see it come to an end. I enjoyed it. I was more than grateful to have Kim Myung Min grace my small screen; he is one of those actors I genuinely appreciate, from his voice to his facial expression and mannerisms. I will miss him and the unique way he approached the role of Professor Yang, who gave his all to his students while demanding the best, wanting his students to know they have it in them to be the best. As Maya Angelou said, if you are always trying to be normal, you will never know how amazing you can be. And how fitting that in the end, he had Han Joon Hwi and Kang Sol A by his side.I liked all the actors, each for their very individual approach to their roles, from Lee Jung Eun as Professor Kim to Lee Soo Kyung as Kang Sol [B], and Lee David as Seo Ji Ho. Go Yoon Jung as Jeon Ye Seul, Hyun Woo as Yoo Seung Jae, and the rest of the wonderfully talented cast who clearly articulated that as much as the choices they each made changed them. It didn't define them except for Sol B, but she is a work in progress. I will, of course, be remiss in not giving a special mention to the fabulous Kim Bum in how he portrayed Han Joon Hwi, who never once let the circumstances around him sway him away from his principles. And much-gained respect to Ryu Hye Young in the role of Kang Sol [A], who, despite all odds, perceivers if not shines in an environment that wasn't set up to help someone with her background succeed.
In its unique way, the drama touched and addressed some aspects of the many dilemmas it brought up very nicely, especially the issues it presented in date rape, sexual assault, physical abuse, corruption, political manipulation, and crime and murder. But at the same time, it was vague in addressing the consequences of the more prevalent issues that plague everyday life, such as bribery, hacking and cheating, plagiarism, eroding principles, and the fragile lines between good and bad -- evil done in the name of good, or evil done in the name of evil, which is worse, isn't it the same in the end. I am not entirely sure the show lived up to its motto of truth and justice only by the law. As someone once said, law and justice are not always the same; justice is an ideal, and law is the tool. I enjoyed it highly recommend it.
Was this review helpful to you?
This review may contain spoilers
Daily Dose of Sunshine Indeed --- This is why I am drawn to K-dramas
Wow, just wow, I am overwhelmed by this drama. What a gem! The story, the acting, the cinematography, the imagery, the colors, the brilliant and creative visuals inside the minds of those who have mental illness and those working so hard to help them reach that healthy spectrum and how it affects them mentally but most importantly emotionally. Where to start: I will begin with the story and the message and then talk about the different actors who touched me throughout the journey. I loved how it loudly and clearly called to attention how thin the line is between mental health and mental illness and how important it is to understand that mental health is a scale, and there is no clear-cut line between what is considered normal and abnormal. We all experience various emotions and struggles in life, and seeking help is not a sign of weakness but rather a courageous act of self-care. I read somewhere that has stayed with me where the writer said that mental health is a continuum, and we all fall somewhere along the spectrum. Another thing that this drama did very well is bring much-needed awareness to the importance of quality health caregiving, spending time with patients, listening to them, interacting with them, and not just giving out prescriptions to maximize time.I was particularly drawn and impressed by this message -- asking for help is not a weakness, no matter how much a taboo it may be, and debunking the idea that mental health is only relevant when one is struggling with a mental illness. I loved the message, I loved the delivery, and I loved the importance of clarity of the message. I also loved how it raised the question of who cares for mental health carers, from doctors to nurses. The show did a great deal of showing snippets of this with trainee Nurse Ji Seung Jae and others. But the best was how it gradually showed the bond caregivers create with patients while helping ease their mental illness and the constant exposure to human suffering, and sometimes death can lead to mental illness. Jung Da Eun's loss and how she tethered the mental health scale was, to me, the core of this drama. And how her mind naturally decided to lean into Kim Seo Wan's world for her grief was a touch of brilliance. Just because someone (doctor, nurse, layman) may seem perfectly normal on the outside, it doesn't mean they aren't suffering from a hidden mental illness, and it doesn't mean they are crazy; it just means that life has become so difficult to handle that they lose touch with reality for some time and need help finding their way back. How long that takes doesn't matter; what matters is that they make it back all the way.
Now, actors Park Bo Young, Yeon Woo Jin, and Jang Dong Yoon were brilliant together; their friendship with each other separately and eventually together was uplifting to watch, as was Chang Ryul as Doctor Hwang Yeo Hwan—his struggle with love and acceptance along with Nurse Lee Hye Won. Her mother is an entirely different story. It seems every K-drama must have one of those; I have come to accept it. I wish the message with those types of mothers, fathers, and siblings is to cut ties with the toxicity. Just because they are family doesn't mean they deserve to be in your life. I wish to see this loud and clear in kdramas and pray it translates to life, back to Bo Young, Woo Jin, and Dong Yoon, among others. I loved the bond they had as kids and how they built on that and, in adulthood, worked in the same field more or less and cared for each other's mental health, be it in a professional or personal setting. I don't typically like how kdrama depicts love triangles because it doesn't do it correctly. A love triangle is when one person in a romantic relationship with someone is at the same time pursuing or involved in a romantic relationship with someone else. It is not a love triangle when one person loves a second person, who loves a third person; to me, that's just unrequited love. But that's just how I see it. That said, I loved how neither of them, especially Song Yu Chan, let it come in the way of his friendship with Jung Da Eun but, more importantly, Dong Go Yoon.
All the actors were impressive, but three stood out to me the most: Jeon Bae Soo as Nurse Yoon Man Cheon and, last but not least, Lee Jung Eun as Head Nurse Song Hyo Jin. The care and reserved passion Nurse Yoon showed to the patients and his colleagues, especially Da Eun, won me over each time. What a great actor, indeed. The other was Noh Jae Won as patient Kim Seo Wan, a fantastic actor. How he articulated Kim Seo Wan's struggles, bridging the world in his head with the reality on the ground, was utterly brilliant. Kudos to the writer; ingenious. He had me all twisted up in him and the world he created for his peace of mind. I was also totally impressed by his physical changes as he took us on that journey with him, which is why losing him was such a blow. I understood how and why Da Eun's mind decided to deal with it the way it did. As for Head Nurse Song Hyo Jin, she was a rock throughout everything that happened despite having to deal with hurtful stigma on her sister and, ultimately, her. Nothing is worse than defining one by one's illness rather than who they are as an individual. The same goes for Da Eun; having to deal with discrimination from the families of mentally ill patients, she was trying so hard to help for being on the spectrum herself. That was hard to watch, but I loved her determination more than anything, not letting it trigger or pull her back. I pray this drama is a stepping stone to overcoming the stigma of mental illness, helping many of us speak out against stigma, and instilling courage in others facing similar challenges as outlined in Daily Dose of Sunshine. I highly, highly recommend this drama!
Was this review helpful to you?
Elaborate and Intricate
My favorite characters in this series were Jung Jae Heon (Kim Nam Hee) with his samurai sword, Han Du Sik (Kim Sang-Ho) with his makeshift crutch gun, Cha Hyun Soo (Song Kang) with his electric spear/knife sort of thingy, and Pyeon Sang Wook (Lee Jin Wook) with his sheer anger and power. I love the creativity, innovation, and detail put in the storytelling, the characters, and the monsters alike. The monsters are not only elaborately done but quite intricately. It's almost like they mirrored each character's fear and apprehension. And in that sense, I liked that all the characters were flawed, each fighting not only literal monsters but the monster within, scars of life, scars if left to fester could turn them into the very monsters they fight in all its forms, be it the fear of loneliness, biases, anger, selfishness, grief, loss, injustice, prejudice, and everything else in between.They say, sometimes human places create inhuman monsters. That's so true in that each of the characters starts out trying to survive the best way they know how individually, even if it meant using others for their own benefit or furthering their own survival. Still, along the way and in their fight to survive, they come to realize that they as humans are capable of the worst things possible and that they weren't just trying to survive but fighting for the survival of humanity, to not turn into the very monsters they were trying to survive. As said, it’s not the strongest or the most intelligent who survive but those who can best manage change. I truly enjoyed this show and the accompanying OST; very well done.
Character-wise:
Lee Shi Young was exceptional in her role, but that's nothing new as she’s always great at whatever role she plays, but I have to say I was very impressed by how fit she looked as Seo Yi Kyung, the firefighter fighting her own demons. There were quite a few hard to stomach characters; Lee Eun Yoo (Go Min Shi) and Eun Hyuk (Lee Do Hyun) were among those. The two of them were the most selfish, each for their own struggles but at the same time, were the ones with the most character development, in my opinion. However, I must note Eun Hyuk embodied the leader role very well towards the end; seeing that development in him made me realize he was so selfish but more pragmatic in his bid to protect their only shelter from the dire world outside.
The most inspiring character was Jung Jae Heon both for his grounded belief in what's right but also for his courage and conviction in not once wavering between what was right vs. what was wrong. In a way, Sang Wook was a mirror of Jae Heon in his determination paid or otherwise to brutally dispensing justice. The two characters that brought the most depth to the series other than Sang-Ho were Kim Gab Soo as Ahn Gil Seop and Go Yoon Jung as Park Yu Ri Gil Seop's caregiver. Indeed a great source of inspiration and motivation to the struggle. On the other hand, Sang Ho's character was the most profound, not just for the powers he amassed from being infected but also for breaking the chains and labels society consciously and sometimes unconsciously puts on everything and every one different out of fear or ignorance. He was the doorway to the true examination of human monstrosity and humanity's embodiment from a monsters' perspective.
Was this review helpful to you?
Lustful Demons and Kim Nam Gil what else can a girl want -- nothing!
I was hooked from the moment I started watching. I am a complete sucker for anything Sci-fi and/or fantasy. Those two genres combined in a series featuring Kim Nam Gil in any character, let alone a fantastical dagger-wielding demon slayer hunting soul-seeking lustful demons, is more than a girl can ask for --- Island is almost a cross between a Korean Odyssey and Dark Hole, where humans breed monsters and evil from their own selfishness and hate that ultimately hunts them. It's like they say humans are the real monsters, and to defeat that monster/demon/evil, whatever one chooses to call them, one must become a monster. But let me say; this opener was brilliant. The cinematography hooks me, the lustful demons' makeup, the music score, the flying, jumping, chasing, running --- I mean, edge-of-your-seat attention-grabbing stuff. All the actors are nailing their parts so far and complement each other greatly. Of course, one cannot dismiss Lee Da Hee; she was terrific in Beauty Inside and WWW: Search. Nothing she's done since compares to this role, which she plays perfectly. I commend the Manhwa writer for such compelling work, the script writer for mesmerizing it, and the director and actors for breathtakingly bringing it all to life.Was this review helpful to you?
Compelling Drama
First off, let me say it was good to have Lee Min-Ki back on the small screen; he was missed. Secondly, what a first episode.. boy is this show going to be good... it starts so simply, a random woman falling to her death, seemed like suicide... a detective fed up with city life and looking to move back to the country to be with his mom only to find himself involved in a twisted case where a father and son in law are both dead five days apart ... what looked like a simple accident spiraled quickly into murder with the possible culprit (son in law) very much involved but also dead. As events unfolded, one gets a hint to the fact that not all is well with the JQ Group (son-in-law family), and the assemblyman's death is looked upon as a problem that took care of itself .. like what. I understand trying to eliminate a problem like the assemblyman who seemed to oppose JQ but how about their own son... was he killed because he found out they took out his girlfriend, and why was she killed; was it just for being in a relationship with a JQ son, its these types of questions that the drama raises that made it even more compelling to watch, with so much to reveal and find out. I enjoyed finding out alongside Lee Min-Ki and the rest of the cast -- one twist after another, a drama worthy of the watch indeed.Was this review helpful to you?
Not Meant to be as Good as Season One, but rather as impactful
This second journey of Taxi Driver and our beloved team of Avengers reprised by the ever so enigmatic Lee Je Hoon, Kim Eui Sung, Pyo Ye Jin, the dynamic duo of Jang Hyuk Jin and Bae Yoo Ram, and the addition of Shin Jae Ha as a villain motivated solely by his distaste for humans, in general, is one that I wanted so badly, as I was a massive fan of the first leg of the journey, which touched me deeply. I knew I would like the second season, and I did, but on a different scale than the first. The second is brilliant, and as I continued to watch it week after week, I realized it was as good as the first, and in some cases even better, even if it was not as awestriking as the first. But as the journey neared its end, I understood it wasn't meant to be as good but rather as impactful, and it is indeed.Even as I say this, the first season was dynamic. The differences to me were in the punishments. The first journey was meant to serve as a loud message to society and the law enforcement and justice community. And that was evident in how daring, loud, elaborate, and grandiose the punishments were, befitting of the cruel and, in some cases, unfathomable crimes. The team dynamic was terrific in the first journey. In this second one, I felt, for most of the first half, and much into the second, the team lacked the chemistry that made them so great. Their interactions could have been more fluid and less forced. But still, I loved this journey for the message it was trying to share.
Yes, the punishments this season seemed subdued and sometimes felt incomplete or a walk back, not befitting the level of crimes. At first, I thought maybe it was because the first journey was heavily criticized for how cruel the punishments were, which I disagreed with entirely, as all the penalties befitted the horridly overwhelming crimes it brought to light. It was daring and brilliant, not only in how it showcased but also addressed some overwhelmingly mammoth issues. From labor and mental health abuse to significant workplace harassment, pornography, organ trafficking, and thrill killings, the statute of limitations, and the biggest and most challenging to reconcile the abuse of an almost lawless justice system, seemingly instituted to preserve the rights of the powerless, yet somehow ended up shielding the lawless and the criminals.
Still, I think this leg of the journey was clever in how it incorporated real-life crimes and stories straight from the headlines, like the Burning Sun Sex Scandal, which brokered innocent women to wealthy VIPs, politicians, and chaebols, as well as the crimes of child trafficking, modern slavery, elderly scamming, criminal medical malpractice of the poor, and religious cults as recently portrayed by Netflix in the Korean religious leaders' sex cult expose: In the Name of God: A Holy Betrayal, which uses religion to justify the application of violence for personal gain, power, and control of those who innocently follow and believe in them. The Crimes were indeed atrociously unacceptable. It highlights how some people have become so devoid of humanity, so emotionally detached, that they are okay with brutally taking advantage of vulnerable children, women, and older people.
The last two episodes of the second journey are the best. What this second season does well, as it came to its end even more than the first season, is how beautifully it brings what we, as viewers, thought were crimes each committed by one villain or groups of villains was admirably directed by one masterful villain, Bishop (Park Ho San), disguised as a holy man of the cloth, easily and craftily manipulating the many villains we so vehemently disliked along the way. Even more brilliant was that as much as this master villain and his followers believed himself/themselves to be smarter than our Taxi Avengers, they didn't even come close. As they did the first time, our Avengers proved always to be not one or ten steps but a million steps ahead. I loved that about this team.
Again, Taxi Driver succeeds in its second leg to make us question our humanity. Well, at least it did to me. It made me question: where do we as individuals find meaning in life; is it in communing with nature, or could it be engaging in philosophical or religious contemplation, or is it in attaining societal acceptance, or the pursuit of riches and power, or is it something entirely different; ultimately, what it comes down to for me is we as humans gain much of what shapes us from our social environments. Daily we are impacted by experiences and lessons we learn from our family life or lack thereof, our peers in school or as adults in other group settings, our community leaders, and so forth. These influences drive who and what we become.
I think Taxi Driver's message this time is similar to last time. This leg of the journey emphasized imparting solutions to achieve wide-ranging reforms across the board, not just judicial reforms but, more importantly, human forgiveness. Revenge may be sweet, but it is not an answer, nor is locking up criminals and throwing away the key. Human beings must work on becoming socially inclusive rather than practicing social exclusion based on societal status or class. Because ultimately, we as human beings are meant to find the purpose of life in each other. All the actors were great in their respective roles, and the dynamic between Lee Je Hoon and Shin Jae Ha, the righteous vs. wicked, is well done. Shin Jae Sha deserves praise for how well he has evolved as an actor, especially as a villain, from his role as the creepy CEO of Babel Research Center in Welcome 2 Life, followed by Crash Course in Romance, and now this. Kudos to him and the whole production team.
Was this review helpful to you?
Love it
I already love this drama. It melds the perfect balance of eeriness, mystery, and humor. And, oh, my Lee Dong Wook, he’s breathtakingly good looking in this jarringly well-done drama. Be it real or not, the little girl was impressive; the way she handled those imposters, I doubt I would’ve had her courage. The fight scenes are so well choreographed it’s beautiful to watch. The sword scene reminded me of Pop up Mystic Bar.I like Jo Bo Ah as Ji Ah (I bet she’s the resurrected one); she has grit, and to top it off, she is smart. I’m also glad to see Hwang Hee again after Doctor John. I enjoy him a lot. What can I say about Kim Bum; he'ss so handsome and mischievous. He seems to be holding a grudge of some kind, and I cannot wait to find out everybody's story and what connects them. Everything about this drama is fun; I laughed out loud at the afterlife and undocumented spirit signage. But the best part is that the dialogue and acting are top-notch. I am hooked.
Was this review helpful to you?
Quietly Snuck Up on Me!!!
Dear Hongrang is one of those dramas that quietly sneaks up on you and lingers long after the final scene. It’s a historical genre, one of my favorites, that manages to blend rich storytelling with restrained elegance, never overdone yet deeply affecting.The plot unfolds slowly, but deliberately. Set in the Joseon era, it follows a young nobleman navigating a forbidden love, personal identity, and societal expectations. The pacing may feel deliberate at first, but that’s part of its strength—the story gives each moment space to breathe. Nothing is rushed, and every scene feels purposeful. Instead, what could’ve easily turned into melodrama becomes a layered exploration of longing and restraint.
Acting-wise, the cast delivers some truly standout performances. The lead actor brings a quiet intensity to the role, and so much is conveyed through subtle expressions and silences. It's the kind of performance where you feel the weight of unspoken words. The chemistry between the leads isn’t explosive but simmering—tension, vulnerability, and deep emotional undercurrents all come through in beautifully nuanced ways. Supporting roles are equally well-cast, grounding the world with emotional authenticity.
Cinematography is another strength of this drama. The use of light, shadow, and natural settings is breathtaking. Scenes often feel like moving paintings, with soft colors and elegant composition heightening emotional weight. There's a poetic quality to the visuals that perfectly matches the tone of the story. Costume and set design are subtle yet detailed, immersing you without being showy.
Emotionally, Dear Hongrang hits in a quiet but powerful way. It’s not about dramatic declarations or sweeping moments, but the ache of things unsaid—the kind of love that’s more about presence than action. By the final episode, you're not just watching characters—you feel like you’ve lived their sorrow, tenderness, and hope. It’s haunting in the best way.
This drama isn’t for those looking for high-speed plot twists or flashy romance. But if you appreciate storytelling with emotional depth, strong performances, and visual grace, Dear Hongrang will stay with you.
Was this review helpful to you?
