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- Last Online: 3 days ago
- Gender: Female
- Location: Inside the circle they drew to keep me out… or in
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- Birthday: September 19
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Episode 2:
“I don’t even know what’s making me this angry. The accountant’s rudeness? Sangyeon’s stubbornness in never showing weakness? Or my own incompetence; this helplessness? So I write. Whatever story this becomes, let’s not be afraid of it.”
→ From her teens to her forties, it’s always Sangyeon who comes to find Eunjung. Yet Sangyeon has never shown her true feelings, not once. Even now, when she comes because she’s hurting, it’s the same.
Episode 8:
“That rigid, proper face that stubbornly refused to ever look back at my feelings. I could hear the sound of something breaking, the sound of my heart going cold.”
→ The 40-year-old Eunjung is reflecting on what her 20-year-old self once thought. The younger Eunjung wanted to know Sangyeon, to truly understand her. But Sangyeon never answered her in their twenties, and that’s when Eunjung’s heart broke.
→ I keep thinking of this scene: when they reunite in their twenties. Eunjung thought they’d have so much to say, but the meeting ends up awkward. As they part, Eunjung stops her and asks directly,
“Sangyeon… back then, when you moved, why didn’t you tell me? Were you mad at me?”
Sangyeon says no, and keeps denying each question until finally, Eunjung laughs.
Even in that reunion, they both smile, but during their later reunion, it’s Sangyeon who feels pure joy. For Eunjung, this earlier moment, the one where she could finally laugh again, was the real reunion.
→ To go deeper: teenage Eunjung thought Sangyeon was angry because
“I thought if I waited, you’d answer me. But you never did.”
That line, to me, defines Eunjung’s lifelong feelings for Sangyeon.
From childhood, Eunjung is described as talkative... chattering endlessly to her friend, to her mom. So of course she wants the person she loves to talk back, to share. But Sangyeon is someone you can only wait for, and even waiting doesn’t guarantee she’ll respond.
Episode 9:
“You wouldn’t even show me you were in pain, so why bother touching someone’s life at all?”
“That’s why I came. To show you. Because I already know what you must think of me.”
(“What do I think of you?”)
“That I’m obsessive, prideful. That I’d make a whole show about dying before I’m even dying, Switzerland and all that nonsense.”
→ The 40-year-old Sangyeon comes in with this bold, unfiltered energy; her new persona is practically “I’m done pretending.”
It’s fascinating that this version appears right after the show finishes sorting through the 20s-era memories.
40-year-old Eunjung sees Sangyeon and thinks, she still won’t show weakness, even now.
But this time, Sangyeon’s here to reveal herself.
→ She says, “What you think of me…” and that’s key. Eunjung has always been transparent, easy to read, while Sangyeon is the opposite. For years, Eunjung longed to understand Sangyeon but never could. Meanwhile, Sangyeon had understood Eunjung from the start.
That line from their 30s makes this clear too:
“How is it that you never once surprise me?”
And that deep, bitter self-loathing Eunjung feels, "I could never be like her," that only comes from knowing someone intimately.
→ Sangyeon’s words here echo what she says in episode 14, after reading Eunjung’s writing:
“You caught me at a very unfair time, you know? Can I keep reading? This is just your version of me.”
To Sangyeon, Switzerland was a comfort, a death unlike her mother’s or brother’s, something she could choose, something peaceful.
But to Eunjung, it looked like pride and perfectionism, another act of control.
And that line hints that there’s always another version, the 20s Sangyeon, the 30s Sangyeon, all different, depending on who’s telling the story.
Episode 15:
“I know there’s no answer. Still, I’ll share this time with you.”
→ This mirrors Eunjung’s narration in episode 2: “So I write. Whatever story this becomes, let’s not be afraid of it.”
Eunjung doesn’t choose whether to go to Switzerland or not; what she chooses is to go for Sangyeon, even though she’s terrified of coming back alone.
That’s who she is: she does it anyway.
→ Beyond Eunjung and Sangyeon, there’s another unforgettable presence: Sangyeon’s brother, Cheon Sanghak.
He once told young Eunjung, “Taking a photograph is collecting time.”
But in this drama, it’s not photos, it’s writing that matters. Eunjung’s writings about Sangyeon. Sangyeon’s writings about her own life. So many words, all acting in place of speech. If photographs are the collection of time, then writing is the collection of emotion. And Eunjung being with Sangyeon, that’s the collection of existence itself.
After waiting so long to finally understand Sangyeon, when she’s at last allowed to see Sangyeon’s weakness, to accept her completely, that’s what I’d call the collection of the soul.
...But then, “four days”? Only four days of happiness for Eunjung and Sangyeon? God, that’s just suddenly so unbearably sad.
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And if you hear what Detective say at the end of teaser, it's clear he is talking to her..