In the world of men who like men, there is a certain subset of those who are slightly twisted, very twisted, effeminate, they are also called aunties in the Czech Republic and in other ways, I am not referring to another group of those who are transvestites or a group of transsexuals . And the main character Bew (actor Mark Chutawuth) also belongs to this group of aunts, and I thought right at the beginning hmm ... that's not going to be for me, that's a group of people I'm not looking for. But Mark, who from now on I refer to as Mr. Actor, led me astray and was so funny and together with the character of the girl Note, but also with the elderly aunt at work (he was even married and the wife didn't mind 🤣) together with the creators according to the real they set up the story so well, lightheartedly, gently and with nobility, that I had fun many times, especially in the second episode. How Mark, who isn't actually gay or an aunt, was able to play it is unbelievable. The story as such is not that complicated and it is true that there are many aunties in the field of modeling, design, makeup, etc., but overall everything was presented very casually to the fact that society in practically all countries is still very cruel to sexual minorities. Mostly in this field of film projects I encounter exaggeration, piquancy, grimaces, mockery, both in Western productions and in Assisi, which is why I end up appreciating this Club Friday season 10 series a lot. And in addition, my Darling actor Jam from To Sir With Love and Laws of Attraction will also appear in one of the episodes...
Please are there English subtitles separately for these two series somewhere, not just burned straight into the picture, if you know of any please message me, thanks in advance
That it's one of the best series, there's no question about it and that's where my rating comes from, I respect all those viewers who experienced it to the fullest (and that's what it's all about) and shed hectoliters of tears worldwide, because this series hit a large part of the world of BL viewers , but I'll take a few digs anyway, don't take me too seriously. I had a lot of fun with the opposites in the first episode. The brawler and brawler, Mok, a stubborn debt-ridden slob, who has also been in prison, with a girlfriend and, as a contrast, Day, a stubborn adult child, perhaps spoiled by his mother and a little spoiled, and in the next episode, a very fast incomprehensible turn ... From a wolf, he became a lamb with a whip, from a greased up hetero mechanic to a patient nurse in love with a young man, and Day's character suddenly changed quite a bit as well. Here, I would have liked more time for mutual "learning", grinding the edges of the characters, instead of the fact that in the next episodes the time was increased with cotton wool such as walking, cooking, running and other more or less lengthening scenes, and the plot stood a lot except for the matter with August. then everything will return to the first plan, counting on the assumption that the audience will be wistfully talking about how poor Day is blind over the slow-moving plot ... and they would go crazy with tons of snotty tissues and tears in their eyes even if it was filmed Day going to the bathroom to poop and unable to find toilet paper. On the other hand, the blindness was played very nicely and convincingly by Day, and kudos to the creators for a very tasteful and sensitive portrayal of a blind person, I mean it quite seriously and now again a little lightly - so nice that after the first eye surgery, the instrumentalist nurses apparently blew through his bandage hair dryer and hair straightener. But for a long time, I didn't believe Daya actually had feelings for Moka. Mok, that's a chapter in itself, it's cuteness in itself. I liked the character of Phojai (but also some other characters in the series), no hysterical and heart-wrenching scenes like how her partner "turned gay" and doesn't love her anymore. In ep.11, I was turned off by the predictable "artificial" breakup, instead of Day proving to his mom, who has to ask when he can fart, while he is a disabled but grown-up guy, how much he loves Mok and that he could leave with him despite his mother's ban and Mok, his love, would be able to take care of him even without his mother's money. And with Mok banging against the wall, that was a scene where I couldn't believe Mok and laughed out loud with rage at how they artificially lengthened it to make the last episode even sweeter. What bothered me the most about this series, which caught the attention of so many viewers, including me (!), was the incredibly fast transformation of Moka in the second and third episodes, the somewhat long-winded and sentimental slowness of the first plan, and above all the separation for a few years, I really hate that in Asian projects, and also that a relationship based on falling in love has to be worked on in order to grow into lasting love, and that requires an agreement, mutual respect, sanding the edges and not immediately insisting on a breakup (in that case, the one who insists on a breakup cannot to love the other to the bottom of the soul and to seek a compromise), that's why I can't give the story a ten.
As they wrote here before me, this is about Japan, so it is necessary to watch and perceive and evaluate this piece. The manga characters of the two main representatives were "made" and played by slim actors completely perfectly, sometimes I had the feeling that they were perhaps cut out of paper or jumped straight out of a book, and here I think is the biggest advantage of the series and I didn't even mind that one is dark-haired and the other blond, on the contrary, almost like twins. Other rating attributes were above average, but only slightly so. I would have changed the story and the behavior of the characters a little, but the creators had to stick to the original. If I return to this part? I don't know, time will tell...
Familiar faces from other projects, this time mixed into the characters of this series. To confess, I didn't want to get into it, but in the end I don't regret the time and I can say that I'm satisfied, even if it was somewhat predictable in the plot. Both the leads played their roles with grace.
Nothing in the world is perfect and that's how I approached this series, where under the skin of a slightly bigger erotica than we are used to in the Thai industry, other more serious topics emerged, all very interesting for me, I enjoyed the series and I salute King from afar to Thailand...
I haven't seen something so cute in a long time, yet a simple story and I had a wonderful rest with this serosh. Also, I don't know if it's some kind of disease, but now I like the main actors every time in Korean dramas, I'm going to look in the mirror to see if I don't have slanted eyes anymore ... so guys, see you in September! And I thank Zuzana for the translation.
Those who condemned this series on other servers should have prepared in advance for what the story is and I do not identify with them. It's sad to read reviews from those who didn't understand the characters and the story itself. I rate the unedited version and thank the translators for it. All very good for me, an experience, I added a point for the likeability of practically everyone with exceptions, and Lee Long ensured it for everyone with his wonderful appearance. It's not worth listing everything, perhaps only that I deducted a point for the poor editing (e.g. in the second episode, Itt washes Day's genitals under his pajamas, but you can see how he runs a wet rag over his briefs, the fights are decent, but they don't reach the level of KP) 91099
What to write .... Japan second. By this I mean that the level of believability and Japanese naivety, austerity, affect and play, has almost reached its peak here. A series for ten-year-old (Japanese) girls. And for those of the viewers who are used to Japanese productions and even more "Japanese" paranoid. In the first episode, when Souto melts and almost passes out with bliss over the soup from the bag, they teased me. Mahiro and Souto are the same age characters in the series, but the Japanese actually "rejuvenated" him a few years younger by combing the pot on his head up to his eyes instead of "aging" him and when he sometimes pursed his lips weirdly and his two big front ones came out teeth, I was afraid that it was the teacher from Saxana who bit through the wires. In addition, for a few shots of the high school years, the creators chose other actors, which was a downright slouch, because Mahiro with the "pot" looked eighteen anyway... Sout's acting was a slap in the face, he behaved like a stupid sleepwalking kid in other parts. And now seriously. It was Souto who seemed to me the best as an actor and he portrayed his character well, after a while he was even likable to me, a colleague from the Taiwanese shop ok. We learned a little bit about cooking. The store was another pearl, many times narrow-profile vegetables and fruits, ingredients, but in that Japanese swelter without a single refrigerator, everything would have withered immediately, there were no crowds of shoppers like in a supermarket. The girl is downright annoying. Maybe the main characters ​
An eye-catching Japanese film in which we see the range in which the Japanese are able to shoot. Once sultry, renunciation, heartless and here completely different. I didn't mind anything about the picture, on the contrary, the camera, the processing and the story itself. Everything has already been written, I'll just add that I was completely captivated by his likeable appearance of forty-year-old Suzuki Ryohei (Kosuke), who played his role perfectly, and the character and actress of the mother appealed to me a lot. A beautiful Japanese piece about life, love, responsibility...
The story, which lacked the proverbial "something extra" for me, was otherwise solid, telling, the young man was likeable, and I was most interested in the comparison with the mantis, that's actually the most interesting thing about the teenage boy. ​
All for eight. Nice, simple and pleasant series, typically Korean (i.e. short footage, fewer episodes). For me, for relaxation and a nice peek. Actor Kwon Hyuk reminded me a lot of the character from Taiwan's Dentists Bai Lang with his positivity, gentle naivety and constant active spirit of his character. The latter retained something "mysterious" from Once Again, where he also played the main role.
After a lot of anticipation, when the trailers were tempting and I thought it would be the second KP, I was a little disappointed and after two episodes I put the series aside until it was finished, because it seemed a bit confusing to me and after waiting for the next episode, it already blew me away again from head. That's probably the mistake of watching several unfinished series at the same time. However, even after it was done, everything didn't seem ok to me and it was like Virgo (some moments, shots, actor Hali (Ken)) and Monster (story stew, chaos, I didn't like the acting style of actor Marco (Hin)) .
I started watching the series a year ago and the first parts were interesting and varied, then I don't even know why I stopped, now after returning to the series I can say that I didn't find it as entertaining as the first two or three episodes and I can only classify it as mild above average for effort, the story and processing didn't appeal to me that much, the trans didn't really fit me, but that's my problem, some guys are nice, I probably won't go back to the series.
I can't help but think that Billkin and PP Krit make a pair that I trust level two more than many other similar pairs. They are far from talking heads with meringue fish and I believe every word they say and I think they are one of the most compelling pairs of BL projects ever, they have their own charm and magical beauty that I cannot define. A story of first love and sadness as they leave their home in Phuket (I Told Sunset About You) for the adventures of new college students in Bangkok (I Promise You the Moon).
It's such a beautiful film that it deserves better copy and better credits, but let's at least be happy with what's available. For me, the experience of the film was supported to the greatest extent by the music (it's that special atmosphere), which stopped only for a moment. In the second half of the film, I shed a tear here and there, sometimes because of the "special atmosphere", sometimes because of the story. The film is completely Japanese, exactly according to their requirements (according to Japanese women, beautiful bishonen youths and manga characters) and perception, and will probably always remain behind in the evaluation, because Western viewers also evaluate it according to their one-sided "standards", binding themselves and not with the story and acting bulls to understand. The story is deep and visceral, the acting is convincing and exactly as the Japanese require in this kind of production, the music is absolutely dominant, I already wrote about it, and the processing is tasteful (especially the nude scenes). I will come back to you sometime, dear picture, even for the third time ....
Another of the series that allowed me to get to know South Korea a little better, however, both in terms of the subject and the overall impression, it seemed to me to be better than average, some scenes uninteresting and drawn out.
Another very interesting Japanese film, produced 17 years ago. I was most interested in the story and then the music, and I have to say that, after all, only a little less than Boys Love 2 from 2007. I don't mind the style of acting, processing and the overall "Japanese" impression, in fact on the contrary. Those poses, as if the affect and technique are part of it and it's not the fault of the actors or, as some write, that they can't act. It's just that sometimes only some Czech PepÃk doesn't understand and likes to condemn something that wasn't done, made out of ignorance, but just because that's how they wanted it and that's how it should have been. And besides, it's a no-brainer for the Japanese, because they made these parts primarily for themselves.
I had a lot of fun with the opposites in the first episode. The brawler and brawler, Mok, a stubborn debt-ridden slob, who has also been in prison, with a girlfriend and, as a contrast, Day, a stubborn adult child, perhaps spoiled by his mother and a little spoiled, and in the next episode, a very fast incomprehensible turn ... From a wolf, he became a lamb with a whip, from a greased up hetero mechanic to a patient nurse in love with a young man, and Day's character suddenly changed quite a bit as well. Here, I would have liked more time for mutual "learning", grinding the edges of the characters, instead of the fact that in the next episodes the time was increased with cotton wool such as walking, cooking, running and other more or less lengthening scenes, and the plot stood a lot except for the matter with August. then everything will return to the first plan, counting on the assumption that the audience will be wistfully talking about how poor Day is blind over the slow-moving plot ... and they would go crazy with tons of snotty tissues and tears in their eyes even if it was filmed Day going to the bathroom to poop and unable to find toilet paper.
On the other hand, the blindness was played very nicely and convincingly by Day, and kudos to the creators for a very tasteful and sensitive portrayal of a blind person, I mean it quite seriously and now again a little lightly - so nice that after the first eye surgery, the instrumentalist nurses apparently blew through his bandage hair dryer and hair straightener. But for a long time, I didn't believe Daya actually had feelings for Moka. Mok, that's a chapter in itself, it's cuteness in itself. I liked the character of Phojai (but also some other characters in the series), no hysterical and heart-wrenching scenes like how her partner "turned gay" and doesn't love her anymore. In ep.11, I was turned off by the predictable "artificial" breakup, instead of Day proving to his mom, who has to ask when he can fart, while he is a disabled but grown-up guy, how much he loves Mok and that he could leave with him despite his mother's ban and Mok, his love, would be able to take care of him even without his mother's money. And with Mok banging against the wall, that was a scene where I couldn't believe Mok and laughed out loud with rage at how they artificially lengthened it to make the last episode even sweeter. What bothered me the most about this series, which caught the attention of so many viewers, including me (!), was the incredibly fast transformation of Moka in the second and third episodes, the somewhat long-winded and sentimental slowness of the first plan, and above all the separation for a few years, I really hate that in Asian projects, and also that a relationship based on falling in love has to be worked on in order to grow into lasting love, and that requires an agreement, mutual respect, sanding the edges and not immediately insisting on a breakup (in that case, the one who insists on a breakup cannot to love the other to the bottom of the soul and to seek a compromise), that's why I can't give the story a ten.
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A story of first love and sadness as they leave their home in Phuket (I Told Sunset About You) for the adventures of new college students in Bangkok (I Promise You the Moon).