It took me a while to get my bearings in the story, solid and mature, I don't know much about Korean singers and music stars, I liked Tae Young the most, both the character he played and the personality of the actor himself (and he was much younger, than his two fellow actors). The acting was well done, fake tears, but the dummy (fish) meringue didn't really convince me, I can't be fooled about that, and often they both looked like dummies without feelings, to use the correct expression that is often used - without "chemistry". Music very good.
In my opinion, the series has moved to a more modern concept, where the greatest sex is not holding each other's hands in the fifteenth episode, until the initial bed scenes in the first episode confused me ... ? I don't share the belief of some crows on MDL that the project is worth two things, on the contrary, in the story, even if it doesn't reach the heights, I accept the fact that, like most of the production, it is no longer devoted to "disapproving parents" or "annoying and vengeful girlfriend" , but the disagreement is directly between the two main representatives. Sometimes even overcombined. Anyway, maybe I'm not completely judgmental, but because of the two main actors, the way they looked ❤️❤️❤️ and the way they acted, I have to give the acting the highest level, even if I sometimes found a slightly withdrawn, shy meringue in Fahlan. I also liked, and will probably go against the grain of the others, Tar and Charles (the twins' half-brother). I haven't been this enchanted by a main character in a long time
A high-quality series with pleasant music and even more pleasant actors left me in no doubt that this is a product that belongs to the best of this year. And Mangkorn was the icing on the cake for me... ? ... thanks for the subtitles.
I decided on the series only after watching To Sir, With Love twice in a row, where both the "evil lawyer" and the "mad dog" play something completely different. And also the same director and screenwriter, so I couldn't expect anything simple. Still, I thought after the first episode, fed up with the previous series, that I wouldn't go into it any further, it was quite transparent. Everything has already been written, I would like to highlight Film-a's acting performance, for me it was great. The twists and turns were big and I was afraid how it would go on, but that will probably be the norm from these creators. I also liked the two "girls", the "son" coup was a bit steep for me, overall one of the top series, thanks for the translation. UNDER THE LINE: It was that smile that got me to Film-a and his character, the battles are tough, but the "beaten" character is usually nothing, sometimes very light "blood", but it doesn't affect my rating.
Light, sweet, Japanese... Yes, I also admire the history of desserts, as ly19 mentioned, I rate it slightly above average, the 21-year-old Ohira Shuzo caught my attention from the actors, but I probably won't return to this series.
I'll admit that I expected the whole thing to be much worse, and after the weak first episode, I made sure of that and stopped watching. But in the end I watched a very interesting series. I got used to the actors of the main pair and Torn convinced me acting wise, the second pair, which was the most visually appealing (Aii without glasses in civilian clothes looks much better) surprisingly appealed to me the least, but the third pair impressed me the most (the "youngest" in terms of age and acting) ), shapely 18-year-old Dome and indecisive Vee. Maybe it's a different series, so it would bother me that so many guys are BL, but there was so much other sports "bush" around here that it didn't even occur to me. Nice experience and thanks a lot for the translation.
A sad film about what happens to the other when his first half voluntarily left his life. Did I just miss the starting point or would that be what was in the ending?
A really great movie about tolerance. Perhaps I missed the development of the story between Min and Hsien a little more, but Kaiser Chuang, who won the Golden Bell Award 2015 for this role of Min, made up for it with sympathetic acting. Nice.
My impression is beautifully moving. The music is sensitive, wonderful, without it the series would be half as good. I also love time loops, I'm very happy for it and I don't mind, the other way around. Without affecting the ratings, I would have easily tolerated a slightly faster pace for the last two episodes (or not so soon to find out how it will turn out), to elaborate more on the relationship between the two main protagonists, but there was no time, Korean series usually have short episodes, actors the characters were not demanding (their affines, it's like they got a frying pan on the head, they look much better in civilian clothes, I added a photo of one of the three, so guess which one it is) and I liked "the third one too" a lot ...
So ... and we found ourselves in the BL theater, literally. Apparently, this has never been the case in the world of BL series! An amazing script with hundreds of sentences and thousands of words and an extremely painstaking translation job. For some, chatter about nothing, for others something completely exceptional, masterful. And where am I?? I am on the wave of viewers who were very interested in this complete otherness, which is why I "influenced" my colleagues a bit at the very beginning so that the translation could be done. I put the director in the Pictures with a caption (click on the photo). The fact that some people didn't like it, didn't want to concentrate and read "between the lines", actually between the words, to perceive the unsaid, doesn't mean that this exceptional project is bad! The creators were very successful in choosing the actors. Sasiwimol, a hysterical mother and director with a tinny voice, wants to have an obedient twenty-year-old son at home, whom she loves with her monkey love, but beware, even this character has HIS TRUTH AND HIS PAIN, WHICH HE CARRIES WITHIN FOR YEARS. At the same time, actress Kathaleeya is 15 years older, as the protagonist of the second role Nike (the character of Ina, Inthawuta), who obviously looks older. The role of Ino was terrible, not as an actor, but as a character, as a story. After searching, I snagged Nike's previous BL role in Club Friday The Series 9: Love Needs An Exchange (2017), which I also posted here on GT, where Nike was so awkward that the director couldn't have chosen anyone better for the role of Ina, than he is Pond in the role of Wang ... I think so young, he was lucky enough to already get one of the roles of his life and his performance was absolutely excellent as the time progressed, when all three characters were "stripped" figuratively naked and their mutual truth (each of the characters here has its truth, its point of view, and we can't blame them for that, even if this one was dominated by In, who I'd rather spank) she went to the bone and I couldn't hold back and bawled like a little kid at some parts of the last episode. Not only for the symbolism of what the characters said, BUT MOSTLY FOR WHAT THEY DIDN'T SAY. Wonderful for my soul. Amazing processing, costumes, camera, scene, lighting... Just a small detail that doesn't affect my rating. In some scenes, and there were quite a few, I wish the music was a little louder. Why "only" Rather recommend? Because, as I already wrote, this project is not suitable for those who are distracted (that's me sometimes), who can't concentrate and don't like dramatic theater work.
Sweet, gentle, slow. It wasn't quite the highlight for me, but it wasn't a flop either. Above all, the acting performances were all kinds of contrived, I had little faith in the actors. The music and processing are solid, but I probably won't return to this serosh right away, maybe sometime...
I don't know what to think about this series. After the first parts, I was hesitant to finish it. CONS: The idea of "parallel universes" was not bad, but it permeated the story strangely, it was overcombined. I didn't feel it mystical like for example with projects Dew, UWMA, HCTM, many scenes at the beginning were about nothing, dull chatter, talking heads. I'm always done with "chemistry". All it takes is a shot of the actor looking at the other, well-chosen music, and part of the audience falls for the sign, what a great "chemistry" there is, a sponge, only well recited with heterac meringues. And now I probably pissed off a lot of viewers, but I don't mean it literally... There were a lot of commercials, but I take them as a part of making the project possible. PROS: In the end, I'm glad I persevered, the likability of both main actors was great. Refreshing were the secondary roles of acting "stars" from other, already legendary series. Don't think that there were only two or three, but I think that min. five, six, and that was nice. You get used to music when it's played twenty times in a row, even if it's a funeral dirge. Overall, in my assessment, the pros outweighed the cons. Thanks for the subtitles!
The mystery and curse of SUPPALO school. I already know the transgender director Tanwarin and the first ever transwoman in the Thai parliament from the excellent film It Gets Better shown here. Finally, in The Eclipse, she herself plays the supporting role of a waiter in the "weird" cafe. The project attracted me from the beginning because of its otherness, the stupidity of the school regulations and the uniform, when the guys were in jackets on the top and hooks stuck into the concrete below. But the story ran out of breath after a few episodes, it dragged on and nothing happened, only school problems were dealt with, so that in the end the penultimate episode was a little rushed and slightly predictable. The slightly wildness of the plot (and some characters, e.g. Thua) was clearly overcome by the cast (Khaotung, First, Neo and Louis, especially the first two proved that they are "usable" in all aspects), visually I liked "uncle" Dika, the music (especially amazing Over The Moon) and the processing (except for one of the first "kisses" between the main characters in the shower, it was already "okate" even in Asia). I placed the project in the highly above average group. Thanks for the sk subtitles. I also recommend you check out Khaotung
Yes ... someone wrote on the net that he became a "prisoner" of this show. I also. This whole episode felt like Beauty and the Beast to me, and I'm going to be more critical than ever, and if you don't like my reviews (especially this long one), don't read.
BEAUTY: Rain and Phayu, the second couple - without them, their acting, their likeability, their story, which was interrupted in the middle of the "plot", I probably wouldn't have given this project. Those two were the reason I became a prisoner of this series. A magical-looking Peterpan in his first major role, and Nod appealed to me far more than in Nitiman. Their scenes were also very well supported by the background music. The still beautiful Ohm (the character of Khim) and the likability of practically all the other swordsman and rugby characters (Chun, Pie, Phet and others). It was some scenes from the middle episodes that confirmed to me that the series will gradually develop into a superbomb. Unfortunately, it didn't happen.
ANIMAL: The story was absolutely horrible, disjointed, torn, an absolute mess. I could list dozens of illogicalities, but I don't want to delay. "Something" always developed, only to be cut off, pushed back, or the story continued to act as if it hadn't happened. This literally drove many viewers to madness, and I watched as the rating on MDL gradually dropped, fell, gradually with the other episodes shown. From 8.3, the rating dropped to 6.8 today, so the viewers are angry. Such untapped potential. Several episodes dragged on like snot, tons of nothing, static after another, and I was just furiously rewinding faster to see if at least in half an hour Sun would fart and there would be some plot. In these moments, the music, otherwise beautiful, started to bother me for the first time. Because listening to heart-pounding music when "nothing" happens and the actor just turns his head from right to left (written figuratively) in two minutes, I didn't enjoy it.
ANIMAL OBSERVATIONS BELOW THE LINE: - I'd like to see Fluke in a better role than just a confused and grimacing crybaby, shaped like a plucked mutt gnawing on a ton of red apples, Fluke didn't improve his acting reputation much with the character of Sun - a nice "vest" in episodes 9 and 10 for the often unnecessarily confusing and indifferent character Khim, the costume designer got it right, the so-called "anti-bib" that exactly copied the holes in the entire story - Khim runs up 25 floors as fast as Sun in the elevator, and it stops at each floor to see if the elevator car is going faster or slower than he is running up the stairs - the orchestra: the young conductor waves in such a way that the play would have to break up immediately, Baibua couldn't see the violin even from a speed camera, poor Khim tried, but he couldn't save the cello playing with vibrato alone, everything could have been filmed, filmed differently - Rain is in Brazil in front of the Iguazú waterfalls (I recognized it from the arrow to Itaipe), but even if he was on the Argentine side, in the whole of South America you drive on the right (except for two small, insignificant countries in the north), but Rain's car had steering wheel on the right - stories of additional characters incomplete, while there were hours of wasted time
OVERALL: Phayu and Rain stole the show, they made one of the best BL couples I've ever seen (of course this is just my opinion), but they weren't allowed to do so physically as the storyline kept them apart for a long time. I'd like to see them in another project (possibly with all the likable swordsmen and Chun), but not led by the writer and director in one of these series. I've added a link to a short montage of Raina + Phayu footage in the comments, check it out. Despite my very critical review, I RECOMMEND the series to all sensitive souls, I just wanted to express my disillusionment with how everything was wasted here. Respectful tribute to my colleague monvi for the precise translation, eighteen hour-long episodes are not just ...
An average, shorter series that didn't really stand out in anything, and I completely agree with all three reviewers in almost everything. Trying, but I probably won't return to the project, I expected the ending to be somewhat better ...
No introduction to the plot, that would be a downright boring of such a tender story, which suited me like a fart on a pot = 10, it suited the cute faces when three of the four main characters were 19 years old. A remixed story would not be very suitable for first love and first kiss, nor would it be very suitable for a musical project. I don't know musical projects or musicals where there is a complex plot, so I approach the assessment of this Taiwanese gem and overlook the little things in the script. I can't even discuss the music = 11 (unfortunately I have to give "only" 10). The guys played it impeccably, with respect, humility and very sensitively, plus that pleasant Taiwanese-Chinese sizzle... Of course, all this is also the credit of the creators and the director, and I also appreciate that they took a risk and took age-appropriate boys on the set and not thirty-year-old "fighters" playing high school boys. And I didn't even need any "lovemaking" in bed under the covers over shorts or in the bath over briefs... ???? A comprehensive top ten from me, and I will be happy to return to this piece not only because of the music and the cuteness...
Habit is an iron shirt. I got used to. I got used to the fact that at first Kamol seemed to me to be an inappropriately chosen type of actor for this character. I have nothing against the actor Yoon, but he doesn't look like a tough, sexual pervert, mobster type. I would have rather imagined the actor Beam, who played Danai-e, for this character. With his high forehead, which the creators still supported with a "helmet" of hair combed up and painted, and with his narrow shoulder straps, Yoon seemed to me more like a gentle Ken from Barbie. In addition, when they stuck the tarpaulin on his thin bottom, which was supposed to mean a "mafia" tattoo, I thought it was rather funny. Kim, Kamol's protégé, looked much better physically, but the behavior of this character seemed a little strange to me (I mean work vs. relationship with Kamol). That's why I deducted some points from absolute perfection, there wasn't much chemistry, the rough Kamola became a caring uncle. I'm more inclined towards Barka's review, but that doesn't mean that the overall impression was bad, I just wrote what struck me at the beginning... I was intrigued by the beautiful monster Cherry. 6788
I'm going to criticize a bit more than I normally do, like yesterday with Unforgotten Night. The story was slightly confusing, some scenes were there as filler, they did not enrich the story in any way and did not lead anywhere. There must be so many beautiful girls in Thailand, but the school "fangirls" who are smitten with the main character are the result of chubby girls with glasses or lilliputians with braces and crooked legs. Then I'm not surprised that most of the boy characters in the series are for boys?? As much as I appreciate the fact that Thai projects try to convey to the whole world the idea that boy-on-boy is a completely normal thing, including this series, the Thais do not succeed with trans women. Especially here, because the story is conceived more comically (I mean Asian comically), so we either laugh at it or it's more like crying, which in this case is the latter. And on top of that, those dismembering trans women do this sexual difference a disservice, and many of them look like over-the-top toad princesses. The acting of the main characters was effortful, but I personally did not like the representative of Nut, who looked quite old in the face and instead of a student, he would be more suitable for the role of teachers or uncles. The other of the duo Satha was ok, actually he is the singer Tawan who sang and acted nicely in the serial. I am debating whether to recommend or not. For able-bodied Asians (viewers who know what they can expect from Asia) yes, for others I rather do not recommend ??
So the first story out of four is done (the first five episodes) and I will already rate, I will gradually add more stories and rate them and round up and adjust the rating of the entire series. This series goes behind the scenes of the BL industry. All stories are based on real events that have happened to BL actors and are still happening.
Story 1- New Ship (BillySeng – NottPan, my rating 9 10 9 9) So it was a little bomb for me. Completely different, unique, and I appreciate the thirty-year-old director (Cheewin Thanamin Wongskulphat), who has already directed a number of titles, some of which we also know here and the subject matter. In addition, I also appreciate the gay romance that fights with the headlines (were some sms messages and texts from social networks missing?). The story is interesting, strange and although for me the character of Pan-a was slightly contradictory, it was played absolutely brilliantly by Seng, and apart from his "colleague" Nott-a, I was interested in the two "pissed" managers Koon and Candy, who made me gasp when I found out their real age... Excellent experience.
I don't share the belief of some crows on MDL that the project is worth two things, on the contrary, in the story, even if it doesn't reach the heights, I accept the fact that, like most of the production, it is no longer devoted to "disapproving parents" or "annoying and vengeful girlfriend" , but the disagreement is directly between the two main representatives. Sometimes even overcombined. Anyway, maybe I'm not completely judgmental, but because of the two main actors, the way they looked ❤️❤️❤️ and the way they acted, I have to give the acting the highest level, even if I sometimes found a slightly withdrawn, shy meringue in Fahlan. I also liked, and will probably go against the grain of the others, Tar and Charles (the twins' half-brother). I haven't been this enchanted by a main character in a long time
UNDER THE LINE:
It was that smile that got me to Film-a and his character, the battles are tough, but the "beaten" character is usually nothing, sometimes very light "blood", but it doesn't affect my rating.
Yes, I also admire the history of desserts, as ly19 mentioned, I rate it slightly above average, the 21-year-old Ohira Shuzo caught my attention from the actors, but I probably won't return to this series.
Without affecting the ratings, I would have easily tolerated a slightly faster pace for the last two episodes (or not so soon to find out how it will turn out), to elaborate more on the relationship between the two main protagonists, but there was no time, Korean series usually have short episodes, actors the characters were not demanding (their affines, it's like they got a frying pan on the head, they look much better in civilian clothes, I added a photo of one of the three, so guess which one it is) and I liked "the third one too" a lot ...
I am on the wave of viewers who were very interested in this complete otherness, which is why I "influenced" my colleagues a bit at the very beginning so that the translation could be done. I put the director in the Pictures with a caption (click on the photo). The fact that some people didn't like it, didn't want to concentrate and read "between the lines", actually between the words, to perceive the unsaid, doesn't mean that this exceptional project is bad! The creators were very successful in choosing the actors. Sasiwimol, a hysterical mother and director with a tinny voice, wants to have an obedient twenty-year-old son at home, whom she loves with her monkey love, but beware, even this character has HIS TRUTH AND HIS PAIN, WHICH HE CARRIES WITHIN FOR YEARS. At the same time, actress Kathaleeya is 15 years older, as the protagonist of the second role Nike (the character of Ina, Inthawuta), who obviously looks older. The role of Ino was terrible, not as an actor, but as a character, as a story. After searching, I snagged Nike's previous BL role in Club Friday The Series 9: Love Needs An Exchange (2017), which I also posted here on GT, where Nike was so awkward that the director couldn't have chosen anyone better for the role of Ina, than he is Pond in the role of Wang ... I think so young, he was lucky enough to already get one of the roles of his life and his performance was absolutely excellent as the time progressed, when all three characters were "stripped" figuratively naked and their mutual truth (each of the characters here has its truth, its point of view, and we can't blame them for that, even if this one was dominated by In, who I'd rather spank) she went to the bone and I couldn't hold back and bawled like a little kid at some parts of the last episode. Not only for the symbolism of what the characters said, BUT MOSTLY FOR WHAT THEY DIDN'T SAY. Wonderful for my soul.
Amazing processing, costumes, camera, scene, lighting... Just a small detail that doesn't affect my rating. In some scenes, and there were quite a few, I wish the music was a little louder.
Why "only" Rather recommend? Because, as I already wrote, this project is not suitable for those who are distracted (that's me sometimes), who can't concentrate and don't like dramatic theater work.
CONS: The idea of "parallel universes" was not bad, but it permeated the story strangely, it was overcombined. I didn't feel it mystical like for example with projects Dew, UWMA, HCTM, many scenes at the beginning were about nothing, dull chatter, talking heads. I'm always done with "chemistry". All it takes is a shot of the actor looking at the other, well-chosen music, and part of the audience falls for the sign, what a great "chemistry" there is, a sponge, only well recited with heterac meringues. And now I probably pissed off a lot of viewers, but I don't mean it literally... There were a lot of commercials, but I take them as a part of making the project possible.
PROS: In the end, I'm glad I persevered, the likability of both main actors was great. Refreshing were the secondary roles of acting "stars" from other, already legendary series. Don't think that there were only two or three, but I think that min. five, six, and that was nice. You get used to music when it's played twenty times in a row, even if it's a funeral dirge. Overall, in my assessment, the pros outweighed the cons. Thanks for the subtitles!
I already know the transgender director Tanwarin and the first ever transwoman in the Thai parliament from the excellent film It Gets Better shown here. Finally, in The Eclipse, she herself plays the supporting role of a waiter in the "weird" cafe. The project attracted me from the beginning because of its otherness, the stupidity of the school regulations and the uniform, when the guys were in jackets on the top and hooks stuck into the concrete below. But the story ran out of breath after a few episodes, it dragged on and nothing happened, only school problems were dealt with, so that in the end the penultimate episode was a little rushed and slightly predictable. The slightly wildness of the plot (and some characters, e.g. Thua) was clearly overcome by the cast (Khaotung, First, Neo and Louis, especially the first two proved that they are "usable" in all aspects), visually I liked "uncle" Dika, the music (especially amazing Over The Moon) and the processing (except for one of the first "kisses" between the main characters in the shower, it was already "okate" even in Asia). I placed the project in the highly above average group. Thanks for the sk subtitles.
I also recommend you check out Khaotung
BEAUTY:
Rain and Phayu, the second couple - without them, their acting, their likeability, their story, which was interrupted in the middle of the "plot", I probably wouldn't have given this project. Those two were the reason I became a prisoner of this series. A magical-looking Peterpan in his first major role, and Nod appealed to me far more than in Nitiman. Their scenes were also very well supported by the background music. The still beautiful Ohm (the character of Khim) and the likability of practically all the other swordsman and rugby characters (Chun, Pie, Phet and others). It was some scenes from the middle episodes that confirmed to me that the series will gradually develop into a superbomb. Unfortunately, it didn't happen.
ANIMAL:
The story was absolutely horrible, disjointed, torn, an absolute mess. I could list dozens of illogicalities, but I don't want to delay. "Something" always developed, only to be cut off, pushed back, or the story continued to act as if it hadn't happened. This literally drove many viewers to madness, and I watched as the rating on MDL gradually dropped, fell, gradually with the other episodes shown. From 8.3, the rating dropped to 6.8 today, so the viewers are angry. Such untapped potential. Several episodes dragged on like snot, tons of nothing, static after another, and I was just furiously rewinding faster to see if at least in half an hour Sun would fart and there would be some plot. In these moments, the music, otherwise beautiful, started to bother me for the first time. Because listening to heart-pounding music when "nothing" happens and the actor just turns his head from right to left (written figuratively) in two minutes, I didn't enjoy it.
ANIMAL OBSERVATIONS BELOW THE LINE:
- I'd like to see Fluke in a better role than just a confused and grimacing crybaby, shaped like a plucked mutt gnawing on a ton of red apples, Fluke didn't improve his acting reputation much with the character of Sun
- a nice "vest" in episodes 9 and 10 for the often unnecessarily confusing and indifferent character Khim, the costume designer got it right, the so-called "anti-bib" that exactly copied the holes in the entire story
- Khim runs up 25 floors as fast as Sun in the elevator, and it stops at each floor to see if the elevator car is going faster or slower than he is running up the stairs
- the orchestra: the young conductor waves in such a way that the play would have to break up immediately, Baibua couldn't see the violin even from a speed camera, poor Khim tried, but he couldn't save the cello playing with vibrato alone, everything could have been filmed, filmed differently
- Rain is in Brazil in front of the Iguazú waterfalls (I recognized it from the arrow to Itaipe), but even if he was on the Argentine side, in the whole of South America you drive on the right (except for two small, insignificant countries in the north), but Rain's car had steering wheel on the right
- stories of additional characters incomplete, while there were hours of wasted time
OVERALL: Phayu and Rain stole the show, they made one of the best BL couples I've ever seen (of course this is just my opinion), but they weren't allowed to do so physically as the storyline kept them apart for a long time. I'd like to see them in another project (possibly with all the likable swordsmen and Chun), but not led by the writer and director in one of these series. I've added a link to a short montage of Raina + Phayu footage in the comments, check it out.
Despite my very critical review, I RECOMMEND the series to all sensitive souls, I just wanted to express my disillusionment with how everything was wasted here. Respectful tribute to my colleague monvi for the precise translation, eighteen hour-long episodes are not just ...
I can't even discuss the music = 11 (unfortunately I have to give "only" 10). The guys played it impeccably, with respect, humility and very sensitively, plus that pleasant Taiwanese-Chinese sizzle...
Of course, all this is also the credit of the creators and the director, and I also appreciate that they took a risk and took age-appropriate boys on the set and not thirty-year-old "fighters" playing high school boys. And I didn't even need any "lovemaking" in bed under the covers over shorts or in the bath over briefs... ????
A comprehensive top ten from me, and I will be happy to return to this piece not only because of the music and the cuteness...
I got used to the fact that at first Kamol seemed to me to be an inappropriately chosen type of actor for this character. I have nothing against the actor Yoon, but he doesn't look like a tough, sexual pervert, mobster type. I would have rather imagined the actor Beam, who played Danai-e, for this character. With his high forehead, which the creators still supported with a "helmet" of hair combed up and painted, and with his narrow shoulder straps, Yoon seemed to me more like a gentle Ken from Barbie. In addition, when they stuck the tarpaulin on his thin bottom, which was supposed to mean a "mafia" tattoo, I thought it was rather funny. Kim, Kamol's protégé, looked much better physically, but the behavior of this character seemed a little strange to me (I mean work vs. relationship with Kamol). That's why I deducted some points from absolute perfection, there wasn't much chemistry, the rough Kamola became a caring uncle. I'm more inclined towards Barka's review, but that doesn't mean that the overall impression was bad, I just wrote what struck me at the beginning... I was intrigued by the beautiful monster Cherry. 6788
The story was slightly confusing, some scenes were there as filler, they did not enrich the story in any way and did not lead anywhere.
There must be so many beautiful girls in Thailand, but the school "fangirls" who are smitten with the main character are the result of chubby girls with glasses or lilliputians with braces and crooked legs. Then I'm not surprised that most of the boy characters in the series are for boys??
As much as I appreciate the fact that Thai projects try to convey to the whole world the idea that boy-on-boy is a completely normal thing, including this series, the Thais do not succeed with trans women. Especially here, because the story is conceived more comically (I mean Asian comically), so we either laugh at it or it's more like crying, which in this case is the latter. And on top of that, those dismembering trans women do this sexual difference a disservice, and many of them look like over-the-top toad princesses.
The acting of the main characters was effortful, but I personally did not like the representative of Nut, who looked quite old in the face and instead of a student, he would be more suitable for the role of teachers or uncles. The other of the duo Satha was ok, actually he is the singer Tawan who sang and acted nicely in the serial.
I am debating whether to recommend or not. For able-bodied Asians (viewers who know what they can expect from Asia) yes, for others I rather do not recommend ??
Story 1- New Ship (BillySeng – NottPan, my rating 9 10 9 9)
So it was a little bomb for me. Completely different, unique, and I appreciate the thirty-year-old director (Cheewin Thanamin Wongskulphat), who has already directed a number of titles, some of which we also know here and the subject matter. In addition, I also appreciate the gay romance that fights with the headlines (were some sms messages and texts from social networks missing?).
The story is interesting, strange and although for me the character of Pan-a was slightly contradictory, it was played absolutely brilliantly by Seng, and apart from his "colleague" Nott-a, I was interested in the two "pissed" managers Koon and Candy, who made me gasp when I found out their real age... Excellent experience.