oddsare

Oat is killing it!! He’s got that “just sipped real moonshine behind the scenes” energy 😭🔥 Totally giving We Best Love levels of passionate chaos with a smile.

YES—I’m with you on the sibling mystery! The way Thanu said “your mom” instead of “our mom,” skipped the family lunch like a side character with secrets, and wasn’t in a single sibling pic?? Suspicious. It’s giving maybe-cousin-who-lives-next-door-but-calls-your-mom-Ma-vibes.

Until someone says “same womb, same trauma,” I’m calling him Brother Adjacent™ 😂

Let two white girls with iron livers and no shame in their game teach him how it’s DONE 😂🍸 Jun needs wine etiquette, not moonshine chaos!

Jun + Alcohol = Chaos Cocktail™

Every time Jun gets tipsy, morality leaves the chat and drama kicks down the door in heels.

1. Club Night Confessionals™
Jun kisses a stranger right in front of Sorn—just to poke the jealous bear. Emotional damage: critical.

2. Bottoming Bargain
He flirts with the club owner and casually volunteers to bottom like he’s auditioning for a role called “Submissive, but Make It Unhinged.”

3. Thanu Temptation
Drinks moonshine. Immediately tries to kiss Sorn’s brother. Not a cousin. Not a colleague. HIS BROTHER.

Jun doesn’t drink to forget—he drinks to unlock his inner BL chaos gremlin.
Sober Jun is shy and emotionally avoidant.
Drunk Jun is a menace to family trees, club owners, and Sorn’s self-control.

I shudder to think what happens if someone hands him soju.

So yes—everyone’s screaming about the bathroom extracurriculars, but let’s focus on the real plot:

Sorn is one forehead kiss away from submitting Jun to a wedding registry.

Let’s unpack:
• 🔥 Protective Boyfriend Mode: Activated.
Vi slaps Jun for “seducing her man” (girl, Phut couldn’t seduce a Roomba), and Sorn swoops in like:

“Those hickeys? I left them.”
Sir. This is a workplace. Not True Blood.

• 🚗 Grab Driver? Never Heard of Her.
Jun can’t get a taxi to save his life.
Sorn? Always waiting, emotionally and physically parked out front.
Gas tank full. Jealousy? Overflowing.

• 🍿 Break Room or Buffet?
Sorn hoards snacks at work like Jun’s a golden retriever in a rom-com.
“Eat. Eat again. Why aren’t you eating? I SAID EAT.”
If calories = affection, Jun’s pushing 10k a day.

• 😬 Nickname Crisis™
Jun calls Jom “Hia” but still calls Sorn “Pi.”
Sorn is not okay.
“Why am I just ‘Pi’? Am I not… your destiny?”
Take a breath, drama queen. And maybe a granola bar.

• 🛫 Meet the Parents: Soft Launch Edition
Sorn flies Jun home to meet Mom.
And flirts like:
“Wanna be my mom’s daughter-in-law?”
Sir, just tattoo “Wife Me” on your forehead.

• 🧉 Brother With the Booze of Truth™
Sorn’s little bro hands Jun a suspicious moonshine concoction.
It’s giving: love potion. It’s giving: secret truth serum.
It’s not giving second male lead. This man came to assist.


Conclusion:
Everyone’s losing it over the oral drama,
but let’s be clear:

Sorn is:
✅ Driving.
✅ Feeding.
✅ Marking.
✅ Flying.
✅ Soft-launching this marriage like it’s an iOS beta.

He’s not dating.
He’s beta-testing the domestic life.

And Jun?
He’s either charmingly oblivious…
or already drafting their Spotify wedding playlist.

I’m camped. RSVP’d. Dressed for the reception. 💍🍿

Cutest and most meaningful episode so far. Hands down my fave. 💛

Every relationship—gay, straight, teen, adult—needs communication and compromise.
This ep nailed that. No drama. Just honest conversations, emotional growth, and real green flag behavior.

Shane’s trying, Kit’s emotionally fluent, Kim’s a golden retriever with boundaries, and Mon’s just being a teenager.
And somehow it’s all… so healthy??

If my future kid dates someone like Kit or Kim, I’ll sleep like a baby.

Great point—and no, we shouldn’t need the coding. But many shows still rely on it as a shortcut to signal roles or dynamics. The best ones go beyond it, letting the emotion and storytelling speak for themselves.

I’M HOWLING. This isn’t My Stubborn, it’s Banana Blood Moon: A Gay Werewolf Tragedy 🐺🍌

Sorn’s cursed. Jun’s pheromones are weaponized. One banana away from a full transformation and he’s out here flirting with Sorn’s brother??

I’m not just seated—I’m spiritually chained to a tree waiting for the next full moon. 🌕💀

Yes, their love story is slow. But maybe it has to be.

In a world full of danger, violence, and eyes always watching—you don’t fall in love fast. You survive first. You check your back. You bury your feelings deep. Because showing too much can get you, or someone you care about, hurt.

Sun and Peace aren’t slow because they don’t feel enough.
They’re slow because they feel too much—and don’t know what’s safe to show.

Sun carries guilt, grief, and the weight of people depending on him.
Peace lives in a cage built by his own father, where even love is a threat.

So when they share a look, a quiet moment, or even just a touch—
it means something.
Because in their world, love has to grow in silence, in stolen seconds, in the spaces where no one is watching.

This kind of love isn’t loud.
It’s the kind that waits.
The kind that endures.
And if it ever fully blooms—it won’t be because they had time.
It’ll be because they chose each other anyway.
Even in the chaos.
Even in the dark.

Does My Stubborn have a plot?
Well…
That depends.

Is it about love?
Repression?
A forehead-kiss-fueled descent into romantic madness?

Or is it just two men weaponizing lunch and silence in increasingly unprofessional ways?

Honestly?

That’s up to you.

🧠 If it’s a psychological thriller:

Sorn isn’t jealous. He’s tracking.
Jun isn’t clueless. He’s testing him.
The banana? Planted.
The forehead kiss? A trigger.


💣 If it’s an action drama:

They were lovers. Then enemies. Now coworkers with guns in their desk drawers.
Every office memo is coded.
Every flirtation ends in a foot chase.

🤖 If it’s sci-fi:

Jun is a love-coded android.
Sorn’s glitching emotionally.
The banana uploads feelings.
The kiss reboots the mainframe.


🎭 If it’s a romance?

Two men. One office.
Tension so thick it could be sliced with Jun’s butter knife.
Nothing happens, but everything happens.

So—does it have a plot?

Maybe.
Maybe not.

Plot is a social construct.
In My Stubborn, you make your own.

And either way?
We’re watching.
We’re spiraling.
We’re eating that banana.

Totally feel you on this—your points are valid and honestly, this convo needs to be had more. The gender coding through costume in BLs can be so heavy-handed sometimes, and when it’s not rooted in the character’s own expression, it does start to feel like aesthetic stereotyping instead of meaningful design.

That said, I’ve also been thinking about how historically, royal attire—especially for crowned princes—has leaned into ornate, luxurious, and yes, very “feminine” styles by modern standards. Embroidery, frills, lace, and ribbons weren’t always gendered the way we see them now. So while it can be jarring through a 2025 lens, part of me wonders if the show is trying to blend traditional aristocratic opulence with modern BL tropes—and maybe getting a little muddled along the way.

But you’re right: if fashion’s really free, why does only one character get frilled into oblivion while the others stick to sharper silhouettes? The contrast speaks louder than the lace, and it raises fair questions about how much is character, and how much is coding for the audience.

Some people ask why Sun isn’t playing it smarter—why he’s not more careful with the planted fingerprints, or why he’d even consider working with someone as dangerous and manipulative as Peace’s father.

But here’s the hard truth: not everyone gets to play smart. Some people are forced to play cornered.

Sun isn’t foolish. He’s calculated in the way survivors are. He’s a man who had to become king inside a prison just to make it out alive. That’s not intellect for show—it’s instinct sharpened by necessity. Strategy, in his world, isn’t about chess moves. It’s about making it through the day without dying, being betrayed, or losing the last person you love.

So when Peace’s father—the very man pulling half the strings in this city—extends a twisted olive branch, Sun doesn’t take it because he trusts him. He takes it because in this brutal game, that’s the only table he’s been invited to. And when you’re given no power, no backup, and no protection? You sit down with the devil if that’s the only way forward.

To some of us, this kind of desperation might seem reckless. But that’s because we’re used to having options. Sun isn’t. He grew up with none. He went to prison alone. He came out with nothing but scars and a mission. For him, there’s no roadmap. Only fists, loyalty, and the hope that if he just keeps pushing, he’ll carve out something better.

Because in a world like his? You don’t earn freedom by being clever.
You earn it by surviving long enough to take it.

😁I love your energy!

Khanin first drew that clumsy little apple in front of Charan—sweet, awkward, and kind of adorable. But later, Charan’s alone, carefully redrawing that same apple with practiced strokes, clearly thinking about him. Publicly, he gifts “Eden” to the king. Privately, he’s sketching temptation. That contrast? It’s not just symbolism—it’s Charan quietly reaching for the forbidden fruit. This isn’t just art. It’s emotional foreplay with graphite. 🍎

Haha right?! 😭 I was fully ready to scream “SUN HOW DARE YOU” at my screen—but then that one flash of Kong’s kiss hit like emotional whiplash. Suddenly I’m not mad, I’m just emotionally compromised and rethinking my entire attitude. The writers really said: “You want pain? Here’s layered trauma with a side of survivor’s guilt.” 😩

I cried for Peace 😭

The moment between Peace and Mei was soft in a way this show rarely allows.

Two people scarred by very different traumas—one from being used, the other from being forgotten—finding quiet in each other’s company. Peace, who’s usually surrounded by expectations and fear, got to be seen for once, not surveilled. And he returned the favor by simply being there for Mei. No pretending. No masks. Just healing in human form.

But that stillness never lasts long in their world.

Right after surviving another violent mission, Peace looked at Sun—and something shifted. The danger was real. The adrenaline was high. And when you think someone you care about might die at any moment, you stop holding back. So he kissed him. It wasn’t calculated. It wasn’t careful. It was raw and honest. Just feeling.

But Sun pulled away.

Not because he didn’t want it—but because he’s still holding onto the image of someone else who died after a kiss. Kong’s death left a scar, and Peace touched it without knowing.

That’s what hurts the most—Peace was brave enough to try. To reach. But he ended up reminded of everything he can’t control. His feelings. His family. His own safety.

And what makes it worse? His father knows. About his sexuality. About his type. About Sun. And instead of offering understanding, he’s using it as leverage—placing spies, tightening the leash, making it clear: fall in love, and you lose everything.

So Peace is left with silence where affection should be, control where care should be.

And that’s the tragedy.

He brings light to others—through sketches, through words, through presence—but he’s rarely allowed to keep any of it for himself.

He’s not just afraid of rejection.

He’s afraid that every time he reaches for love, someone else will pay the price.

My Sweetheart Jom Ep 3 proves love can sneak up on you… one suspicious waist-measuring technique at a time. Neck first, heart second. 🧵💘

Aw thank you for sharing this so thoughtfully 🩷 I totally hear you—and no worries at all, I didn’t feel attacked yesterday.

I completely agree that everyone has the right to interpret things differently, even if we don’t see it the same way. It’s such a fine line between expressing concern and accidentally sounding like we’re policing someone else’s view. I think your message really hit a beautiful balance—reminding us we can speak up without tearing others down. And yeah, sometimes a softer approach does more good than going full radical mode.

Thanks again for your kindness and for opening up. These conversations matter more than we realize 🤍

It really shook me too. Moments like this aren’t just jarring—they feel out of sync with the tone the show built up. It’s not just about viewer discomfort (though that matters deeply), but also the storytelling impact. Suddenly, we’re no longer exploring jealousy or tension—we’re watching something that feels like a violation, and now the entire dynamic has shifted.