oppa_

then don't wait

dear Hyeri remake soo fast with at least better actors casting

Whole Dorama can't rely on a single person actor,
Kentaro might give his best but it what if others just follow director and do there parts without any emotional investment in character.

already watch a adoption of suspicious partner by Japanese
its like a corpse walking but no soul,
Japanese are best at sucking soul from korean dramas

not directly knocking Jang-gang's own wife only because it's Jang-gang's body..!

Find other woman was hactic when he had a ready wife to do his thing why would he waste time on new woman ?
Helping isn't a sin, but being an idiot and then abondaning your son and run away like a cockroach is a sin.

not directly knocking Jang-gang's own wife only because it's Jang-gang's body..!

Find other woman was hactic when he had a ready wife to do his thing why would he waste time on new woman ?
Helping isn't a sin, but being an idiot and then abondaning your son and run away like a cockroach is a sin.

no i clearly watch what FL did in ep 5,6 and 7 to defend her loser ex.
so whatever she do to pretend to be in love with the rich guy now doesn't count as real
old shit chef forgive SML(cameo) FL give him a last blow job in car.....

are you saying i did not provided them with the budget to hire another actor or do prosthetics ? did i took all there money ?

I totally get your frustration with the drama’s nosedive after such a promising start. Shin Hye Sun’s acting was a highlight, but the narrative fumbled hard around episode 5, as you said. The forced romance with Hyun-oh felt off—his “love” reeked of obsession, not affection, and his inability to communicate or justify his actions made him insufferable. Joo-yeon’s arc with Eun-ho/Hyeri had so much more depth and authenticity, and it’s maddening the writers didn’t lean into that chemistry. The handling of Eun-ho’s dissociative identity disorder was a letdown too—Hyeri’s sudden disappearance without resolution felt lazy and disrespectful to the condition’s complexity, especially when compared to Kill Me, Heal Me.Your point about the drama’s potential is spot-on, but I’d argue it was doomed from the start with the baffling choice to cast a main lead with a sexual assault history in what was marketed as a “healing” drama. That framing alone sets up a disconnect—who finds healing in a story centered around someone with such a morally reprehensible past? It taints the narrative’s intent and makes the “healing” label feel like a hollow marketing ploy. The mishandling of serious themes like trauma and mental health, paired with that casting choice, ensured this drama was never going to live up to its early promise or be a contender for best of the year. Low expectations are definitely the way to go if anyone still wants to watch it.

Haha, that “29+ rated K-drama” label definitely sounds like someone mixed up their age ratings with subscription tiers or VIP clubs. Like—what’s next? A drama rated 39+ with lifetime trauma? 😂

Calling something 29+ honestly makes it sound like:

You need to submit your tax returns before you can watch it.

The plot only unlocks once you’ve experienced at least three heartbreaks and a caffeine addiction.

Or yes—maybe it’s so steamy, even R-rated isn’t enough, and now we’re into the “are you emotionally stable enough for this?” territory.

As for the "does it include anal" bit—😅 well, if we’re reaching European arthouse cinema levels of “maturity,” then maybe the censors just threw their hands up and said: “You know what? 29+. No kids, no teens, no 20s—this is for the tax-paying ajummas and Ajhussi's only.”

if she is doing that great, why its still not believable ?

genre:
comedy, romance, drama
comedy mean to be done by only kang ha neul
romance was mean to be shown just by kang ha neul
drama is done by cameo and FL

yes she is great actor but director is not.
and well she isnt playing frog.

who are they ?
FL and her ex(Cameo)

Yeah whatever they want to one day they will make a whole drama with only cameo without leads

Absolutely agree with everything you said! Yoonseok was amazing in "When the Phone Rings" because he was the main lead and the story was centered on his character and his marriage life, so it made sense for viewers to root for him. But in this drama, his character is just toxic—he’s literally clinging to his ex-girlfriends and making everything messy. It’s so frustrating to watch!

And honestly, the FL’s behavior is even more confusing. She acts like she’s still dating her ex (who, let’s be real, treated her terribly, took advantage of her, and basically ruined her career), smiling and laughing with him like nothing happened. Meanwhile, she treats the actual ML like he’s some kind of nuisance or “dirty bug,” which just feels unfair and makes it hard to root for her.

It’s no wonder the ratings are dropping! The story is starting to feel a lot like "Love Alarm"—which, as you said, lost a lot of viewers for similar reasons. I really hope the next episodes turn things around and the FL actually chooses the ML, because right now, it’s just not working. Here’s hoping the writers listen to the viewers before it’s too late!

I get what you're trying to say, and I respect that everyone has their own way of deciding what to watch. But after watching episodes 5 and 6, I honestly feel like my decision about this drama was right. What’s the point of having a good first few episodes if it all goes downhill after that? I’d rather not invest my time in something that ends up disappointing me.

Because I don’t have time to waste on a garbage show. I started from episode 5 because, according to multiple reviews, that’s when the actual story finally starts. Episodes 1–4 were just filler — nothing meaningful happened, and even fans of the drama admit that much. I’m not going to sit through hours of dead air just to say “I watched it all.” I care about the story, not padding runtime

You're absolutely right—and you've pointed out a very real and recurring pattern in romance dramas. This trope where the female lead bends over backward for her ex or crush, but suddenly becomes passive and detached with the actual male lead, is everywhere. And yes, it's often wrapped in the fantasy that “the right person will love you no matter what, even if you give them scraps.” But in reality, that kind of dynamic would raise red flags, not hearts.

It is a side effect of portraying the female lead as a "secondhand woman"—a person who gave her all to someone else and now has nothing left to give. Dramas try to spin that as emotional growth or maturity, but it often just looks like she's emotionally unavailable while the male lead simps hard, rewarding her detachment. And viewers are told this is healthy love.

And as for the past—yes, it always matters. It's not about judgment, it's about understanding. Who you were, what you gave, how you loved, and how you were hurt—it all shapes who you are today. Pretending the past is irrelevant is just wishful thinking. If someone has a history of over-giving to someone who mistreated them, and then goes cold with someone who actually treats them well, that's not healing, that’s unresolved trauma being projected onto someone else.

So when people say, "The past doesn’t matter," it’s often just a way to dismiss accountability, not embrace growth. And stories that glorify that pattern can do more harm than good—because they sell a fantasy where one person gives everything and the other just deserves it, without effort or reciprocity. That’s not romance. That’s imbalance.

Even on that they failed
FL can do anything for Love, like she did for her Ex, and still follows him around,
It's just that fl doesn't love ML
She isn't perfect but a bigger loser then ML.