ML is good but can't be compared with Legend like Jim Carry
concept of drama come from Jim carry's movieand ML was doing really good with his acting and still doing Great
thus i give story less and acting More points
concept of ML character is inspire from Hollywood movie Lier Lier (1997)
but it doesn't have any story after 2 episodes or they don't wanted to write one themselves
so they practical copy script from Love is for suckers {{ Choi Si Won and Lee da hee }}
FL casted her friend on a dating show then she herself got involved with him, to add some spice they have SML and
a first Love common between whole universe( she is first love of everyone) don't had budget to cast other first loves for side character so they have to share first love
ML is acting Good and his character is weird but its weird not hot, I don't understand this Females in drama who cling on to someone who doesn't give a fish about them,
SML dude move on, you are far better off,,, Find your SUNSHINE CHOI SU YEON in this drama
Story doesn't have that which make you wait for next Episode,
its 4th episode and Love triangle is already cleared up, ML and FL
only love triangle i apricated in dramas was
EMPRESS KI, Goryeo king vs Yuan Emperor
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Episode 1-2 – The Hypocrisy of Plastic Empowerment
The premiere of Honour attempts to sell itself as a bold manifesto for female empowerment, but within sixty minutes, it manages to undermine its own message through staggering hypocrisy and tired tropes. The show introduces us to a trio of "independent" women, but a closer look reveals that their independence is either bankrolled by others or used as a shield for moral failure.The "Independent" CEO
First, we have Kang Sin Jae. While the show paints her as the visionary CEO of a pro bono law firm, the illusion of the self-made woman shatters immediately upon the revelation that her mother is the one holding the purse strings. There is a fundamental disconnect in trying to portray a character as a rebel when she is essentially a "nepo-boss" playing office. The "rebellious old woman" act feels less like a stand against the patriarchy and more like a refusal to grow up, with her behavior mimicking a schoolgirl rather than a serious legal mind.
Ep.3 -- > Ra Yeong pulls some strings so that the police don’t get their hands on Hyeon Jin’s DNA
The Hypocrisy of Hwang Hyeon Jin
The most egregious failure of the premiere lies with Hwang Hyeon Jin. The production description builds her up as an "elegant, fiery lawyer" who "resists anything that goes against her principles." However, the pilot episode immediately proves this to be a lie, portraying her instead as a textbook example of unprofessionalism.
Hyeon Jin is presented as a champion for rape victims, yet the show creates a bizarre double standard regarding her own "principles":
The Professionalism Paradox: The show explicitly demonstrates why this character cannot be trusted with a professional work-life. Hyeon Jin chooses to visit her ex-boyfriend’s house at night under the guise of "discussing work." This framing suggests that her career is merely a backdrop for providing sexual favors or pursuing personal whims. It raises a devastating question: can a woman who uses her body to "work around" her personal life truly be called a professional? By depicting her work meetings as precursors to infidelity, the show plays into the very regressive stereotypes that suggest women cannot separate their emotions or bodies from their offices.
The Cheating Double Standard: The narrative frames her extramarital affair with her ex-lover as a side-effect of her "working woman" persona. When confronted, she resorts to the weak defense of "not being in her right mind." This is a continuous lie. Cheating is not a single accidental moment; it is a series of active, conscious choices—from going to the house, to the physical escalation, to the completion of the act while knowing her loyal husband is waiting at home. She looked very much "in her mind" when making these choices. The show’s attempt to make the audience root for her "regret" after the fact is insulting, especially since she didn't stop the encounter midway once her "mind" supposedly returned.
The Consent Contradiction: For a character who defends victims of sexual violence, her interaction with her ex-boyfriend is alarming. She is portrayed as submissive, essentially allowing herself to be "forced" into a situation she later claims to regret, all while pretending to be a legal shield for female victims. This suggests the show believes wrongdoing has no consequences as long as the lead is a "pseudo-feminist" woman.
Final Verdict: Fake "Woke" Garbage
Honour claims to be about strength, but it reeks of "woke" garbage and fake feminism. It presents characters who are morally inconsistent and structurally dependent on the systems they claim to hate. By justifying a wife's betrayal and lack of professional ethics as "cool" or "empowering" while condemning men for the same, the show isn't empowering women—it’s portraying them as untrustworthy and hypocritical.
If the goal was to show why some people still hold regressive views about women in the workplace, this script is doing a perfect job of providing the wrong evidence.
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But this drama is more than just a historical slice-of-life—it subtly yet powerfully critiques the harsh realities of the time. One striking moment in the first episode encapsulates the unfairness of Korean society under dictatorship: the young female lead wins 37 votes in her elementary school’s class president election, yet she is only made vice president. Meanwhile, the rich boy, with just 27 votes, is declared president. It’s a small, almost casual moment, but it speaks volumes. In 1980s Korea, wealth mattered more than democracy, and power was never truly in the hands of the people. The drama doesn’t just show the struggles of the working class—it exposes the deep-rooted inequalities of a system where money and connections ruled.
From the very first episode, one thing becomes clear: the talent in this drama is unmatched—even the child actors deliver performances worthy of praise. Too often, young actors in period dramas are overlooked, used as placeholders until the adult leads take over. But here, the child actors are just as mesmerizing as their older counterparts. Their raw emotions, expressive eyes, and natural chemistry bring the early scenes to life with an intensity rarely seen. The young female lead’s heartbreak at experiencing injustice for the first time, the nervous ambition of a child trying to prove herself—all of it is portrayed so authentically that it sets the stage for everything to come.
Throughout the series, historical details are woven in with subtlety, painting a vivid picture of the era. Mentions of the average Korean lifespan being just 52 years serve as a quiet yet haunting reminder of how difficult life was—how poverty, labor conditions, and lack of medical access meant that survival itself was an accomplishment. Rather than explicitly focusing on this fact, the drama lets it linger in the background, shaping the urgency and desperation felt by its characters.
At the heart of this masterpiece is Park Bo Gum, a man so effortlessly perfect he seems sculpted by the gods themselves. While other actors rely on makeup, lighting, and editing, Bo Gum wakes up looking ten times more handsome than anyone else in the industry. He is the bones of beauty himself, a face so naturally flawless that no embellishment is needed. But beyond his breathtaking visuals, his performance is just as powerful. With quiet intensity, he embodies the weight of a man who understands that life is fragile, fleeting, and unfair. His every glance carries emotion, his silences speak volumes, and his struggles feel heartbreakingly real.
Set in the aftermath of the Korean War, the drama paints an intimate yet expansive portrait of a nation trying to rebuild itself. The cinematography does not romanticize poverty but instead respects it—showing the grit, the pain, and the small moments of joy that kept people moving forward. Each frame is steeped in history, from the bustling markets where vendors sell tangerines with tired hands to the dimly lit workshops where men labor for a future they may never see.
And then, there is the music—a masterpiece in itself. The soundtrack is a rich, immersive blend of traditional Korean folk music, carrying the weight of centuries in every note. It is sweet as honey to the ears, a sound so pure and evocative that it lingers long after the episode ends. In a time where modern music has become a chaotic barrage of noise—where groups like BTS and BLACKPINK dominate with overproduced beats—nothing compares to the depth, soul, and cultural richness of these folk melodies. This music doesn’t just accompany the drama; it breathes life into it, grounding the story in history and emotion in a way that no trendy pop song ever could.
The fantastic female lead IU , who delivers a compelling performance as a woman navigating societal oppression and personal loss. Their chemistry is not the glossy, dramatized love story of period dramas—it is raw, imperfect, and painfully real, much like the era they live in.
Then, in Episode 3, the drama takes another bold step, presenting a marriage arrangement that might seem shocking to modern audiences but was completely normal at the time. The 18-year-old female lead is set to marry a divorced 30-year-old man, not out of love, but out of necessity. In exchange for financial security and money for college, she is expected to handle all household chores, care for his elderly mother, and bear his children. It is a transactional agreement, one that neither side questions, because survival comes before romance.
While today, such an arrangement might be met with criticism or outrage, the drama refuses to impose modern judgment on the past. Instead, it portrays the situation with honesty—showing how, in an era of extreme poverty and limited opportunities, marriage was often not about love, but survival. The female lead does not end up going through with the marriage, but the scene is a stark reminder of how different life was just a few decades ago. It forces the audience to reflect on how love, choice, and agency were luxuries that many could not afford in those times.
Beyond its compelling storytelling, When Life Gives You Tangerines is a reminder of the resilience embedded in Korea’s past. It does not seek to sanitize history or beautify hardship. Instead, it tells the truth—the truth of a nation, the truth of its people, and the truth of survival. It is a gripping, unfiltered portrayal of 1980s Korea, a time when democracy was an illusion, class determined fate, and the poor had little more than their will to endure.
For those craving a drama that values realism over spectacle, this is an unmissable gem. It is not just a story—it is a living, breathing piece of history, brought to life with care, respect, and an unwavering commitment to authenticity. And at its heart stands Park Bo Gum, the bones of beauty himself, proving that true perfection requires no embellishment.
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Went downhill little to early just after 9th episode out of 24
Mess start at after 9 episodes and story went downhill from the pointOur ML even after 9 episodes remain robot which drives away FL from his house like a Idiot a brainless robot pretending to be some genius professor
they marriage lasted just 2 episodes what loser of a professor.
when we reach 13th episode professor started claiming FL as his property which belong to him
at end of episode 15 he turn into a coward from robot
after that i give up on this
7/10 for episodes until 9 and -3.5 for after that.....
so 3.5/10 is final rating this show deserve.
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A Show I’d Have Continued Without the Male Lead”
Undercover Miss Hong opens with the promise of a financial crime investigation, but by episodes 2–3 it becomes obvious that the series has no real interest in pursuing that premise seriously.The so-called undercover plot carries no sense of danger. The internal logic is weak, the investigation itself is sidelined, and there is little urgency or narrative pressure. Instead, most of the runtime is wasted on office dynamics, assistant-level scheming, and situational filler that contributes nothing to the case. Even the period setting feels purely decorative—it imposes no constraints, no risks, and no stakes.
By the third episode, it’s clear this is not a story about uncovering financial crimes or holding criminals accountable. When the female lead is already being set up for a romantic arc with the head of the criminal operation, the genre confusion becomes impossible to ignore.
The male lead is entirely predictable: of course the “mysterious” captain of the pirate gossip site turns out to be him. Of course he conveniently worked in Hong Kong. Of course he runs a Korean news and gossip website tied to the very crimes the drama pretends to investigate. None of this is surprising, clever, or earned.
Worse, the male lead is already morally compromised. Nine years ago, he took a bribe, betrayed his girlfriend, and used stolen money to secure an overseas education. Yet the drama frames his return as romantic—he shows up acting as if he’s entitled to reclaim the woman he discarded. As if the female lead is a possession he threw away and now wants to buy back.
The idea that nine years later both characters are still single, still emotionally frozen, and still waiting for each other plays less like realism and more like male wish-fulfillment fantasy. A fantasy where a man can abandon his partner for money and ambition, return years later without accountability, and have the plot conveniently bend to reward him with love.
This isn’t an investigation drama. It isn’t even a serious crime story. It’s shaping up to be a soft, consequence-free rom-com where corruption is brushed aside, betrayal is romanticized, and everything eventually works out in the male lead’s favor.
The female lead, despite being played competently, is written with little challenge or agency. The show relies heavily on the familiarity of its lead actress rather than on strong writing or meaningful tension. Conflicts are dulled, delayed, or neutralized before they can generate curiosity.
Add to that the complete lack of chemistry between the leads, and the result is a flat, predictable, and ultimately boring experience.
Conclusion:
A potentially interesting premise handled far too comfortably. Low tension, weak engagement, genre confusion, and a romantic arc that undermines the very idea of justice or investigation. I see no compelling reason to continue. Dropped.
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-1000000/10 .......If i could give it
I am Already expecting Some OVERLY supportive people, sucking up for dramaand you all know i don't give a F about you, and this is my reviews so if you have opinion then write your own reviews then coming telling me your bullshit.....
https://www.koreaboo.com/stories/uncanny-similarities-queen-tears-bears-real-life-heiress-story/
article come after my review.
In 1999, she (Lee Bo Jin) married Im Woo-jae, known in the South Korean press as "Mr. Cinderella" because of his humble background, as an "employee of a security service affiliate of Samsung Group". They separated in 2012, and have one son together.
this drama look to much favoring Male lead
its like IM WOO JAE paid for this whole drama with all his received Alimony,
trying to make FL and ML victim while in real life
Im woo jae the real idiotic monster used to beat his pregnant wife
just after watching first episode this look like a PR Stunt of IM WOO JAE
Real IM woo Jae isn't handsome or smart but, UGLY AND FOOL
even in drama ML is called smart so many time but he act like fool every time,
he believe whatever unknow people tell him about his own wife, Stop calling your self smart
ML why don't you just die if your suffer after marrying most PRETTY and rich woman on Korean peninsula ?
Just DIE ML, for humanity sake jump in HAN River, and do not try to swim
why was he acting like a cry baby give us a reason that can justify him
Second ep and Low life ML is feeling happy about his wife's upcoming death, now he put down his victim mask and his evil ugly truth is showing
i was thinking of watching this but after seeing that Monster smile, yes that is what EVIL IM WOO JAE was in real life
all he care about was getting some money from his wife's corpse. Great work ml, should have Casted an ugly man
what kind of inhuman man is ML, someone he claim to love just 3 year ago, is about to die and selfish low life think he is going to be free, then he should be one die,
WE NEED RAMSAY BOLTEN here to flay this man Alive
there is no redemption arc for this if they make them end up together after he celebrated her death that's just worst
ML if your not materialistic then what you think your are Parasite ?
Rename this drama to Parasite 2.O
there love was years ago for ML, just 3 years, in those 3 year his daddy changed 10 of his mothers
THIS ML is SO called Smart even illiterate people are far more smart then this Parasite idiot.
SNU should talk action against this people for mention that a Idiot like ML studied at that university.
hearing that Idiots like him are Alumni of SNU, seriously degreed and defame SNU
it like saying all Idiots in Korea come from SNU, Seoul Nation University
SNU SNU" is a fictional term used in the show to refer to a form of sexual intercourse. " Death by SNU SNU" humorously implies that the act of having sex with the Amazonian women is so intense and physically demanding that it could potentially result in the death of the male,
how ML can live with himself, he and his ugly family is full of parasites, ungrateful
Dropping after second episode which made ML irredeemable for me, he can not be redeem even
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The biggest issue? Na In Woo. After some miraculous weight loss transformation (because that’s totally original), he takes over as the lead, and the drama nosedives even further. His acting is as exaggerated as ever—he’s the undisputed champion of overacting, turning every scene into a melodramatic mess. If you’ve seen his older works, you already know what to expect: over-the-top expressions, awkward delivery, and an inability to carry emotional depth.
The worst part is that this could have still been watchable if they had leaned into comedy. Instead, the writers actually thought they could make a serious drama out of this weak "lost childhood love" plot. The story kept going in circles for what felt like an eternity, only to lead to an oddly unsatisfying ending. It felt rushed and sloppy. Too many unnecessary side plots were added, only to be either completely forgotten or hastily wrapped up in a way that made them feel pointless.
And then there's the dialogue—absolutely terrible. One of the most ridiculous moments was when the second male lead actually told the male lead, "Please transfer the ownership of Kang Hee Si to me." This just proves how Korean society—or at least this drama—treats women as objects that can be owned and transferred. What kind of writing is this? It’s 2025, not a feudal-era drama!
Ironically, Na In Woo is only getting attention now because of his recent hit drama, which, let’s be real, was a success solely because of Park Min Young. His presence had little to do with it, yet suddenly, he’s being cast as a leading man. Motel California is proof that popularity doesn’t always equal talent.
If you’re looking for something engaging, skip this one. The slow pacing, uninspired plot, terrible dialogue, and Na In Woo’s unbearable acting make it a tedious watch.
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FAKE growth drama
Wang Manni1. Emotional Protection: Manni's decision to shut herself off from serious relationships might be seen as a protective measure after her painful experience. This could be interpreted as a form of self-preservation rather than growth, as it reflects a fear of vulnerability rather than an active engagement with her personal development.
2. Acceptance vs. Growth: Accepting the possibility of not finding love and focusing on personal contentment can be a valid personal choice. However, it might be perceived as a form of resignation rather than growth if it seems like she has given up on exploring meaningful connections due to past hurt.
3. Narrative Implications: By not depicting Manni actively pursuing or engaging in new relationships, the narrative could be viewed as suggesting that she has not fully grown beyond her past experiences. It might imply that her growth is more about career success and personal satisfaction rather than overcoming personal challenges and exploring new possibilities in love.
4. Character Complexity: True growth often involves facing and overcoming fears and challenges, including those related to personal relationships. If Manni's storyline ends with her retreating from the possibility of love, it could be seen as a lack of resolution in her character arc, leaving her personal growth incomplete.
In Summary: If Manni’s character is portrayed as closing herself off from the possibility of serious love, it could suggest a form of emotional retreat rather than growth. Effective character development typically includes not just overcoming past obstacles but also actively engaging with new possibilities and challenges. If her journey ends with a focus solely on career and personal contentment without addressing or exploring her potential for future relationships, it might be seen as a missed opportunity for portraying comprehensive growth.
XIAOQIN
Xiaoqin’s decision to return to Chen Junsheng and her apparent lack of change might suggest that she did not fully break free from her past or overcome the issues she faced. This can be seen as a failure to achieve the personal growth or resolution that might have been anticipated.
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Dropping after episode 2
ML is A Son of a bitch most wicked slut most have given him birth to be born lesser then human shitCharacter of Male lead is a criminal while acting as a detective, cheap batman of korea , only thing korean know is how to follow american like a pet dog
Trasspassing isn't even a crime in korea
get caught on a scene like that and you can just walk away because you daddy got some cheap value bank notes inside your Asshole
Korean law was written by criminals in favour of all criminals
i even downloaded whole show before starting and now deleting after just 2nd epsiode
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Tempest: A Disgusting Recycled Version of Red Swan With Jun Ji Hyun
This drama treats itself as overly self-important, but the execution makes it hard to take seriously. The female lead is portrayed as if she’s the most crucial figure in South Korea’s survival, a diplomat so important that even the president personally interferes in her private life. In reality, ambassadors work behind closed doors, negotiating with careful words and securing national interests quietly, not being turned into celebrity-like figures with the president dictating whether they should divorce or accept minister positions. The idea that the president is heartbroken because she married his political rival, and that she alone can sway the nation’s future, feels like an inflated fantasy rather than political reality.The attempt at political depth collapses further in the execution. The church scene was outright uncomfortable: the male lead secretly films a married woman, romantic music plays, and she knowingly stares into the camera as if inviting him. It doesn’t read as diplomacy or duty — it reads like an adultery drama in disguise, dressed up with diplomatic jargon that doesn’t mean much, because realistically, South Korea’s foreign policy is dependent on U.S. approval anyway.
The action sequence in the first episode is equally unconvincing. The male lead notices the soldier targeting the FL’s husband but doesn’t act, seemingly waiting for the husband to die so he can “save” her. The soldier miraculously spares everyone else but delays shooting the FL until the ML arrives, and then — conveniently — decides it’s time to pull the trigger. The directing makes it look intentional, as though the plot needed the husband to die for the romance to kick in. What’s worse is the framing: while the FL holds her dead husband and the ML holds the dead soldier, the camera lingers on their eye contact like we’re supposed to feel a budding romance in that tragic moment. It’s manipulative, disgusting, and undermines the seriousness of the setup.
Overall, instead of giving us a believable political drama, Tempest feels like a rebranded Red Swan — but now with diplomats and politicians instead of chaebols and business elites. The forced romance, especially with a married (later widow) FL, destroys any credibility the story could have had. What could’ve been a sharp, serious drama is reduced to another recycled melodrama with dirty, unrealistic romantic overtones.
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just 10 min and ML is man-child crying because of some rubber bullets
what kind of weak police officers Korean are A man crying in broad daylight because of some rubber bullets and there chief is pacifying him, is he police chief or his nannyif they made this show to laugh at Korean police then it will be good
JOKERS calling themselves han river police who clean river
so basically they are Cleaners but pretending to be police
16 min and this so called police stole key and run away like cowards
there is one so called strong woman who like raising Man child without having her own child
and a Ajuma who understand why he act like child because he is a child between his leg
this drama proves that Korean Man have tiniest thing there....
do not waste your time on this and find something better if you want to watch police show... they are cleaners, cowards, crying adults and thief's
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Extra Ordinary by both leads in just 1st episode
Beautifuli shouldn't judge a drama by just 1st episode
but to this i am giving 10/10 for good starting
Stunning Kwon Na Ra
amazing start of a story that has fantasy element
Both leads act like real people , there interaction with each other is look real and Normal
JOO WON and Kwon Na Ra both give adult Character vibes not
a adult behaving like child in most of dramas
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Most Horrible Legal Drama ever
Its just show that our hero is on bad side so the bad side will be call good from now onI watched 1st and 2nd episodes of drama and its was so one sided that do not show legal thing but just over hero is saving a cheating woman because he saw her video and want to do it with her to....
1st Case was like
Cheating wife had affair for 1years doesn't care about husband or SON but want to have son custody because she is GREAT MOTHER
Husband sold his house to save wife's gambler brother and she marries him , she find a young boy and start affair with him
she promised her son to something but forgot because she is bust have Fun with AP, she willing let AP record her sex tape and then when she got exposed she want custody
our Attorney Shin saw the video and was so exited to have her in his bed so he defended her won the case by finding one fault with husband
so bad that cheating wife is GOOD woman for cheating and husband is a bad one for finding it out and son should be with a mother who doesn't care about her son at all
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it was good little boring but good
i will only mention why i am dropping it6.5/10 for what i have already seen during 40 episodes
First to mention her childhood sweetheart the word sweetheart can't be used for that SML ugly garbage face
do you search for most disgusting looking guy in whole China to find that man, why would any woman or human being like that disgusting looking coward of a man, lesser then dog shit .......... SPOILER (you even make him King at end)
and AWU i don't know why she fall in love with her husband suddenly and tell him that there intercourse was unforgettable thing in her life, she fall for her husband just after a good fuck in rain. her 10 year of love just got vanished with her hymen
then she goes back to capital and started her emotional affair with DOGSHIT..SML who is coward as hell after watching him i can understand if AWU really moved on from him but no she is just pretending to love her husband
FL shamelessly spend time with her lover while her husband risk his life to protect those coward royals
she fail to slap the man that insult her and her marriage by suggest her to run away with her.
she enjoy being kidnaped and start feeling her sexual desired toward the man who try to rape her
she start a secret affair with her kidnaper behind her husbands back without a guilt because whatever she do is right (ROYAL BLOOD) spoiled girl that was already told in story.
AWU is spoiled characterless cheater .
AWU a married woman enjoy dancing with a man who try to rape her once and still has desire to have her
and she pretend to be a faithful wife in front of her husband with a shame or guilt.
her husband so called hero is a pussy and doormat who in whole drama know only how to lick FL toes
10/10 for this is madness
there is someone's personal opinion to call a cheater a doting wife i hope that person also got a doting partner that cheat on him with every man she can find
at end she made her lover kind with the help of her another lover and her husband was MOST IDIOT doormat ever
he doesn't deserve to be called any kind of hero, he was just a cheap solider who controlled by AWUs Viginia.......
In end she made her lust driven Childhood DOGSHIT King to so he can now screw her in front of her husband.
MOST SHAMLESS FL.
Who would want to have such shameless wife like Awu.
First she shows her affection to ex-boyfriend both in front of her husband and behind his back not once or twice but she does it continuously.
Then she secretly begins to meet her husbands greatest enemy - Helen Prince who once kidnapped her and who openly admitted his sexual desires towards her and even tried to sexually assault her in a closed room.
To make the things worse she agrees to become his friend and shamelessly dances intimately with him while she had already refused to dance for her husband (who after learning that her Princess wife was famous in capital for her dance wanted her to dance for him to see).
I was so disgusted that i did not watch it past 48th episode.
In the end i can only conclude that she is a Shameless and Cheating wife.
It was UTTERLY DISGUSTING to watch this drama
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Started were mature then turn into same triangle drama
i was interested when i watched first Episode so i continue but then comes the 5th episode and it become same drama with all otherwe until end will not find the reason this woman seem obsessed with a mute dumb man he don't even look that handsome to be obsessed over him. he isn't Hyun bin
why would SFL be in love with a man who doesn't even save her life and left her to die, normally people hate that person but in KDRAMA world even ML left SFL to die she still shows how obsessed she is with that heartless selfish shit,
i loved 4 episodes of this show to with i am giving 6.5 rating and dropping this show,
after watching ep 5 there was no need of SFL in this and it could have been a healing drama of 8 episodes
but since they have to make it longer so it can earn more advertisement money they introduce a SFL who will be so cunning still pitiful because this NICE jerk left her to die.
people pretending to be nice and kind are worst then those who act indifferent
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