oppa_

WHAT ridiculous description of an Affair Drama

Shin Young Joo is a female detective, a section chief with charisma, although she spends most of her time with petty criminals. She has to pay the debt of her family and often speaks harshly, but inside she has a golden heart. Lee Dong Joon is a righteous elite judge, brilliant in mind, but with a warm heart and he always has a friendly ear for those who are weak. Both work together to solve a case of corruption, involving the greatest law firm of the nation, Taebak, which turns out to be one of the biggest scandals ever.

Dong joon is judge who is having an affair with a cop so both of them frame his wife as criminal so dong Joon can divorce her

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ENDING was garbage

So the real Chimera at end survive and lived a happy life
while an innocent family got killed and there kids never even got to meet as sibling
ML should have killed his mother and himself for even being born

MLs father who he captain han destroyed a whole family just because he wanted to sleep with that woman........
ML birth was a great sin in itself ,
she lost her child in fire,, she was pregnant with director child and took picture with cop then her child died and she started killing people then cop arrested her into his bed
and framed other man and then killed his pregnant wife
after knowing all that how ML can breath ? how he is so shameless to defend his parents ? do he not feel ashamed to be even born out of those two monsters ?

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"I don't like dumb women."

"I don't like dumb women." after that i was hoping ML to love a UGLY FAT Cruel cold hearted demon that is SMART
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....................................................................................................................................................................................... Disappointed.
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he love smart woman because he himself is dumb AF

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THIS DRAMA IS COPIED FROM LADY VENGEANCE

SEXUAL HARRASMENT OF FL IN LAST EPISODE
It wasn't on Script
HAN SO HEE wasn't even informed but director assume that she would do it because she is that kind of woman FOR them, because she has done proactive roles.
Director and ML just wanted to see her topless that's all.

Giho takes forever to die and did not die even after that many stabs, i find this 5ft guy more stonger then THE UNDERTAKER of WWE

ML has selective hearing ability during the fight with rapist guy he only hear whatever favours FL and miss everything that reveals her identity why because he wanted to screw her in the end...

ML Was introduced as asshole who look down on women but suddenly there is his dead sister
He was acting like he was born out of a man's anus
But because he is ML we need to ignore him looking down on FL
FL Is good fighter when it come to fight anyone but she is weak and lose everytime she confront ML why because director wanted to protect MLs cheap Pride that he can't be defeated by a woman he look down on.

MDL high rating Is 🐂 shit
FL why she is taking revenge for a father who never tell her his own name ?
A man who make her live like a criminal her whole life and Destroyed her youth, she spent her another 5 year between criminal to take revenge for that guy ?
It was story of FL but director can't resist himself from sucking to ML

Nobody feel a shit when he got a hole in his head

Why rapist guy left FL to die with ML
I would have kept her with me to rape anytime i want or shoot her in head, if i am that pscho.
Why he don't rape her after he catch her because ML wasn't ready to protect her that time so villian did not thought of raping her... How good is bad guy

Mujin could have shoot both of them but he choose to shoot only ML because dude is poor to afford another bullet, he wanted to provoke FL for final fight which he wasn't able to fight because all he wanted was to die

I give it 6.5 because it was good when you watch it for first time you will believe everything the told you but if you rewatch it then half of things would look NONsense

Mujin Was framed for a murder that was done by FL and nobody no soul objected like whole police department was ON IT.
FL wasn't even question after murder why she shoot ?
It like there is nobody above GOD GIHO(ultimate Ninja)

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Dislike Male lead from ep 6

Until ep 6 i thought real CEO was mean and selfish person but after watching ep 6

i found out being Nosy is more mean then someone who pretend to be indifferent
ML force FL to become friend with her creditor who try to force her into prostitution in ep 1
ML doesn't even know what happen between them but he think she should forgive him
he want to be friends with a PIMP because he know nothing about real world
from ep 6 he start looking like a man without balls
FL deserve better then this child actor trying to play adult character
Real boss was self centered mean but he never disrespected his secretary like ML did

otherwise i like this drama and what ever main cast was doing it was comedy other then adding a goon to there team and thinking that he will be loyal to them, ML was naive to be called adult, its like he has a childish brain that trust anyone so easily
i think ML was better suited with Creditor goon they make a Great BL couple
childish boy and big daddy
he get arrested not because of his enemies did that, it was because he was stupid little kid,
From episode 6 this show goes down and down ML become more of child then man, it was like negative character growth
i was unable to find any reason for FL to like ML, this drama was BL romance but they casted FL
it could be first Bi ML
at end of ep 7 child brain become extremely genius and bad people become idiots themselves without it ML would be a failure
even in ep 9 ML was having late night dinner date with goon
Director wanted to add goon to main cast so much so that he forget there is a FL there
director was even so focus on Goons background story that ML And FL were supporting cast
Kim Sung Oh was ONLY MAIN LEAD of Drama while other three were supporting cast Park Sung Woong should be mention as guest cast or vocal artist because only his voice was used
ML FL do not have background stories to add to them but side cast GOON has more flashback then anyone else
Director might have got a good BJ from KIM SUNG OH
even with FL goon has more chemistry with her then ML childish acts
episode 9 time 19.58 that gay look he give was make me believe this man was told to be gay in this show
AND for convince No one try to harm little girl, or ML parents
they only targeted FL mother who is in coma... but will not try to harm ML's parents because BAD people are also GOOD
even at end Goon was the one that save FL's mother so she should give him her VJ as reward not to Minor ML
Goon is one saving FL but she want to kiss a minor child , First female pedophile in Korean dramas
In whole ep 10 ML was only thinking about all the positions he can screw FL
in same ep ML got into problem and every one around the world was ready to give him BJ because he is most loved minor Adult ever
everything in this show is done by GOON Kim Sung Oh so what was need of ML and FL ?
Kim Sung Oh the great die for saving someone he never know what a great man
what was it..... an Autobiography on GOON life how pimp and good are better then main leads

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Ugliest Second Male lead and most beautiful second Female lead

Never seen this ugly man in my whole life, he face is so squeezed like some suck life out of him
did he not get any food at all , was he living his life on only watar
in one episode he look like a hungry Begger when he took of his shirt
ML was childish arrogant and everything but at least he was Man, ML was even poor but healthy
his whole story feeling was so annoying not even boring but he was annoying Pd could have saved some money if they do not hire Begger looking man
and it was even hard to believe that SFL who is so more pretty then FL is in love with that Ugly looking Begger
he is always begging for attention , he should have beg for some food
FL is second ugly and she act in whole drama like she was born out of shit
Our FL cheated on SML then SFL also cheated on SML
because he is hungry Begger
ML And FL never struggle for a minute it make drama Boring

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those who give this above 5 must do not have any morals in there life

When our ML become 20 year old adult
jung So min was 5 year old baby
Gross pedophile vibe,
Every time ML smile he look like a prevert rapist, no even gross then that
with his not ugly but Dirtiest face he is getting Leads roles only because he is good at giving BJ to PDs well

Korean director favourite script include
INCEST, pedophiles, and relationship those give incest or pedophile vibes.

Psychology manipulation for getting sexual favours from clints
Hypnosis woman into your bed, thats call professional
Hospital was full of corruption, and cocksuckers for ML
Why ? because He ML and director order all cast to suck him dry whenever he ask for it
he start treating patient so he can make himself better and it Right thing
there isn't any Ethics in this show no medical services act


Doctor forcing his lust on female patients
Some Serious disrespect to medical professionals

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ML is good but can't be compared with Legend like Jim Carry

concept of drama come from Jim carry's movie
and ML was doing really good with his acting and still doing Great
thus i give story less and acting More points
concept of ML character is inspire from Hollywood movie Lier Lier (1997)
but it doesn't have any story after 2 episodes or they don't wanted to write one themselves
so they practical copy script from Love is for suckers {{ Choi Si Won and Lee da hee }}
FL casted her friend on a dating show then she herself got involved with him, to add some spice they have SML and
a first Love common between whole universe( she is first love of everyone) don't had budget to cast other first loves for side character so they have to share first love
ML is acting Good and his character is weird but its weird not hot, I don't understand this Females in drama who cling on to someone who doesn't give a fish about them,
SML dude move on, you are far better off,,, Find your SUNSHINE CHOI SU YEON in this drama
Story doesn't have that which make you wait for next Episode,
its 4th episode and Love triangle is already cleared up, ML and FL
only love triangle i apricated in dramas was
EMPRESS KI, Goryeo king vs Yuan Emperor

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In an era where many dramas succumb to artificial beauty standards, When Life Gives You Tangerines dares to do something revolutionary—embrace authenticity. Director Kim Won Suk and the stellar cast deliver a visually and emotionally raw masterpiece, unapologetically presenting real Korean skin tones instead of whitewashing them to fit an unattainable, Western-influenced ideal. This simple yet powerful choice brings the audience closer to the heart of the story, allowing us to feel the sweat, the struggles, and the quiet dignity of everyday people in 1980s Korea.

But this drama is more than just a historical slice-of-life—it subtly yet powerfully critiques the harsh realities of the time. One striking moment in the first episode encapsulates the unfairness of Korean society under dictatorship: the young female lead wins 37 votes in her elementary school’s class president election, yet she is only made vice president. Meanwhile, the rich boy, with just 27 votes, is declared president. It’s a small, almost casual moment, but it speaks volumes. In 1980s Korea, wealth mattered more than democracy, and power was never truly in the hands of the people. The drama doesn’t just show the struggles of the working class—it exposes the deep-rooted inequalities of a system where money and connections ruled.

From the very first episode, one thing becomes clear: the talent in this drama is unmatched—even the child actors deliver performances worthy of praise. Too often, young actors in period dramas are overlooked, used as placeholders until the adult leads take over. But here, the child actors are just as mesmerizing as their older counterparts. Their raw emotions, expressive eyes, and natural chemistry bring the early scenes to life with an intensity rarely seen. The young female lead’s heartbreak at experiencing injustice for the first time, the nervous ambition of a child trying to prove herself—all of it is portrayed so authentically that it sets the stage for everything to come.

Throughout the series, historical details are woven in with subtlety, painting a vivid picture of the era. Mentions of the average Korean lifespan being just 52 years serve as a quiet yet haunting reminder of how difficult life was—how poverty, labor conditions, and lack of medical access meant that survival itself was an accomplishment. Rather than explicitly focusing on this fact, the drama lets it linger in the background, shaping the urgency and desperation felt by its characters.

At the heart of this masterpiece is Park Bo Gum, a man so effortlessly perfect he seems sculpted by the gods themselves. While other actors rely on makeup, lighting, and editing, Bo Gum wakes up looking ten times more handsome than anyone else in the industry. He is the bones of beauty himself, a face so naturally flawless that no embellishment is needed. But beyond his breathtaking visuals, his performance is just as powerful. With quiet intensity, he embodies the weight of a man who understands that life is fragile, fleeting, and unfair. His every glance carries emotion, his silences speak volumes, and his struggles feel heartbreakingly real.

Set in the aftermath of the Korean War, the drama paints an intimate yet expansive portrait of a nation trying to rebuild itself. The cinematography does not romanticize poverty but instead respects it—showing the grit, the pain, and the small moments of joy that kept people moving forward. Each frame is steeped in history, from the bustling markets where vendors sell tangerines with tired hands to the dimly lit workshops where men labor for a future they may never see.

And then, there is the music—a masterpiece in itself. The soundtrack is a rich, immersive blend of traditional Korean folk music, carrying the weight of centuries in every note. It is sweet as honey to the ears, a sound so pure and evocative that it lingers long after the episode ends. In a time where modern music has become a chaotic barrage of noise—where groups like BTS and BLACKPINK dominate with overproduced beats—nothing compares to the depth, soul, and cultural richness of these folk melodies. This music doesn’t just accompany the drama; it breathes life into it, grounding the story in history and emotion in a way that no trendy pop song ever could.
The fantastic female lead IU , who delivers a compelling performance as a woman navigating societal oppression and personal loss. Their chemistry is not the glossy, dramatized love story of period dramas—it is raw, imperfect, and painfully real, much like the era they live in.

Then, in Episode 3, the drama takes another bold step, presenting a marriage arrangement that might seem shocking to modern audiences but was completely normal at the time. The 18-year-old female lead is set to marry a divorced 30-year-old man, not out of love, but out of necessity. In exchange for financial security and money for college, she is expected to handle all household chores, care for his elderly mother, and bear his children. It is a transactional agreement, one that neither side questions, because survival comes before romance.

While today, such an arrangement might be met with criticism or outrage, the drama refuses to impose modern judgment on the past. Instead, it portrays the situation with honesty—showing how, in an era of extreme poverty and limited opportunities, marriage was often not about love, but survival. The female lead does not end up going through with the marriage, but the scene is a stark reminder of how different life was just a few decades ago. It forces the audience to reflect on how love, choice, and agency were luxuries that many could not afford in those times.

Beyond its compelling storytelling, When Life Gives You Tangerines is a reminder of the resilience embedded in Korea’s past. It does not seek to sanitize history or beautify hardship. Instead, it tells the truth—the truth of a nation, the truth of its people, and the truth of survival. It is a gripping, unfiltered portrayal of 1980s Korea, a time when democracy was an illusion, class determined fate, and the poor had little more than their will to endure.

For those craving a drama that values realism over spectacle, this is an unmissable gem. It is not just a story—it is a living, breathing piece of history, brought to life with care, respect, and an unwavering commitment to authenticity. And at its heart stands Park Bo Gum, the bones of beauty himself, proving that true perfection requires no embellishment.

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Went downhill little to early just after 9th episode out of 24

Mess start at after 9 episodes and story went downhill from the point
Our ML even after 9 episodes remain robot which drives away FL from his house like a Idiot a brainless robot pretending to be some genius professor
they marriage lasted just 2 episodes what loser of a professor.

when we reach 13th episode professor started claiming FL as his property which belong to him
at end of episode 15 he turn into a coward from robot
after that i give up on this
7/10 for episodes until 9 and -3.5 for after that.....
so 3.5/10 is final rating this show deserve.

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Motel California started with a couple of promising episodes that had me wanting more; however, it went downhill rather quickly after that. What could have been an engaging story turned into a frustrating mess, with a lack of communication between characters and, worse, zero chemistry between the main leads.

The biggest issue? Na In Woo. After some miraculous weight loss transformation (because that’s totally original), he takes over as the lead, and the drama nosedives even further. His acting is as exaggerated as ever—he’s the undisputed champion of overacting, turning every scene into a melodramatic mess. If you’ve seen his older works, you already know what to expect: over-the-top expressions, awkward delivery, and an inability to carry emotional depth.

The worst part is that this could have still been watchable if they had leaned into comedy. Instead, the writers actually thought they could make a serious drama out of this weak "lost childhood love" plot. The story kept going in circles for what felt like an eternity, only to lead to an oddly unsatisfying ending. It felt rushed and sloppy. Too many unnecessary side plots were added, only to be either completely forgotten or hastily wrapped up in a way that made them feel pointless.

And then there's the dialogue—absolutely terrible. One of the most ridiculous moments was when the second male lead actually told the male lead, "Please transfer the ownership of Kang Hee Si to me." This just proves how Korean society—or at least this drama—treats women as objects that can be owned and transferred. What kind of writing is this? It’s 2025, not a feudal-era drama!

Ironically, Na In Woo is only getting attention now because of his recent hit drama, which, let’s be real, was a success solely because of Park Min Young. His presence had little to do with it, yet suddenly, he’s being cast as a leading man. Motel California is proof that popularity doesn’t always equal talent.

If you’re looking for something engaging, skip this one. The slow pacing, uninspired plot, terrible dialogue, and Na In Woo’s unbearable acting make it a tedious watch.

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FAKE growth drama

Wang Manni

1. Emotional Protection: Manni's decision to shut herself off from serious relationships might be seen as a protective measure after her painful experience. This could be interpreted as a form of self-preservation rather than growth, as it reflects a fear of vulnerability rather than an active engagement with her personal development.


2. Acceptance vs. Growth: Accepting the possibility of not finding love and focusing on personal contentment can be a valid personal choice. However, it might be perceived as a form of resignation rather than growth if it seems like she has given up on exploring meaningful connections due to past hurt.


3. Narrative Implications: By not depicting Manni actively pursuing or engaging in new relationships, the narrative could be viewed as suggesting that she has not fully grown beyond her past experiences. It might imply that her growth is more about career success and personal satisfaction rather than overcoming personal challenges and exploring new possibilities in love.


4. Character Complexity: True growth often involves facing and overcoming fears and challenges, including those related to personal relationships. If Manni's storyline ends with her retreating from the possibility of love, it could be seen as a lack of resolution in her character arc, leaving her personal growth incomplete.



In Summary: If Manni’s character is portrayed as closing herself off from the possibility of serious love, it could suggest a form of emotional retreat rather than growth. Effective character development typically includes not just overcoming past obstacles but also actively engaging with new possibilities and challenges. If her journey ends with a focus solely on career and personal contentment without addressing or exploring her potential for future relationships, it might be seen as a missed opportunity for portraying comprehensive growth.


XIAOQIN
Xiaoqin’s decision to return to Chen Junsheng and her apparent lack of change might suggest that she did not fully break free from her past or overcome the issues she faced. This can be seen as a failure to achieve the personal growth or resolution that might have been anticipated.

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Tempest: A Disgusting Recycled Version of Red Swan With Jun Ji Hyun

This drama treats itself as overly self-important, but the execution makes it hard to take seriously. The female lead is portrayed as if she’s the most crucial figure in South Korea’s survival, a diplomat so important that even the president personally interferes in her private life. In reality, ambassadors work behind closed doors, negotiating with careful words and securing national interests quietly, not being turned into celebrity-like figures with the president dictating whether they should divorce or accept minister positions. The idea that the president is heartbroken because she married his political rival, and that she alone can sway the nation’s future, feels like an inflated fantasy rather than political reality.

The attempt at political depth collapses further in the execution. The church scene was outright uncomfortable: the male lead secretly films a married woman, romantic music plays, and she knowingly stares into the camera as if inviting him. It doesn’t read as diplomacy or duty — it reads like an adultery drama in disguise, dressed up with diplomatic jargon that doesn’t mean much, because realistically, South Korea’s foreign policy is dependent on U.S. approval anyway.

The action sequence in the first episode is equally unconvincing. The male lead notices the soldier targeting the FL’s husband but doesn’t act, seemingly waiting for the husband to die so he can “save” her. The soldier miraculously spares everyone else but delays shooting the FL until the ML arrives, and then — conveniently — decides it’s time to pull the trigger. The directing makes it look intentional, as though the plot needed the husband to die for the romance to kick in. What’s worse is the framing: while the FL holds her dead husband and the ML holds the dead soldier, the camera lingers on their eye contact like we’re supposed to feel a budding romance in that tragic moment. It’s manipulative, disgusting, and undermines the seriousness of the setup.

Overall, instead of giving us a believable political drama, Tempest feels like a rebranded Red Swan — but now with diplomats and politicians instead of chaebols and business elites. The forced romance, especially with a married (later widow) FL, destroys any credibility the story could have had. What could’ve been a sharp, serious drama is reduced to another recycled melodrama with dirty, unrealistic romantic overtones.

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