No it needed more episodes, not less! There’s some stuff they either never expanded, explored or explained sufficiently…
I assume from the rushed cliff notes we got, that as the tutor/step-mom lady’s family lost all access to his money, legal support, status and jobs, that the step brother and mother both got jailed for their respective crimes and as both her kids were spoilt brats and talentless, they never recover from their fall to poverty and shame. Grandpa could pull some strings to ensure they don’t find any respectable jobs or whatever in the future too.
Would have still liked to see that happen on screen because they were so hateful haha. It’s crazy to think that in the first timeline, while the Chairman’s actual daughter was raising her kids in a basement apartment and taking the fall of it being set on fire and otherwise struggling, her step-family- as we see the adult stepsister once, was still flaunting around with her father’s riches and support.
I’m also wondering whatever happened to the long haired guy who called himself Yi Chan’s cousin brother. He lived with them in 90s but his adult version was never mentioned in either future timeline.
And was that person whom Cheong Ah remembered with bittersweet longing really her actual mother? She appeared to love her, the Chairman still had a family pic with her that he looked at fondly in secret. She was just dragged away in a car one day without explanation and never returned?? Makes me think she may have been yet another tutor (but far nicer) for Cheong Ah, not her biological mother or the Chairman’s actual wife.
OMG, ArmyTaekook is okay with it. That must mean everyone else is!Good for you, not everyone else is, so I don't…
The absolute irony of you accusing someone of acting like a toddler for simply expressing their own fucking personal opinion about a drama just because you don’t agree with them or think your opinion is favoured by the majority.
When the fuck did either of the OPs claim to be speaking as a representative for the entire fucking world.
Grow the fuck up and learn to fucking read before throwing around insults.
I didn’t like the leads individually or together no chemistry at alll but the parents story it was just everything…
No it needed more episodes, not less! There’s some stuff they either never expanded, explored or explained sufficiently like some of Cheong Ah’s backstory, Yi Chan’s recovery, the parent’s love story, how the hell did everyone deal with the after effects of the time travel
why is this just revealed, if expected birth is february 2024, she is already in her 6th months term this november.
Why do you think you have a right to know this information ASAP ?
People don’t even share their pregnancies outside of immediate family or very close friends in early term. Sometimes it stays between the couple only and not even the baby’s grandparents or siblings are told for a while. Let alone sharing that news with a global fandom and worldwide public.
More like do we have an exact confirmation of season 2 being greenlit yet?We don’t have exact dates or even…
We might get something like a half timing half bridge smashed together in one drama.
It’s all guesses at this point. I would like to see the MC of timing have his own drama because his powers seemed interesting. But at the same time I’d like to see the main characters of the Moving drama sooner again and would be disappointed if they weren’t in the next sequel and they asked me to wait another 2+ years for that.
Well put, better said than I how I tried to come across in my comment. I just don't understand how after he left…
Yeah plenty of whinging about flashbacks and when will we move on to present day again and why so many episodes in just a flashback and not the ‘main plot’ and they could have just given the parents their own prequel show or something
just scroll down on this page, you’ll see it
Might be a difference between younger public vs older one. Younger generation who don’t know the adult veterans all that well so don’t care or find the teens more relatable and cute.
Disney subscribers rationalize what they pay and have to convince themselves what they are watching is awesome…
I honestly don’t care about Disney or what other stuff they have on offer or it’s issues with that content.
I just know I saw some comments talking about this drama doing really well in Korea and having been good for Disney. Some comment on this page also says that Moving might have made back all the money unlike Arthdal Chronicles - both Kdramas with highest budgets.
My main point was that this drama is not crap average. It’s a good quality drama and like any other has some flaws and won’t be a one size fits all all-time-favourite for every single person but it can still be a good enough drama.
If you think this is crap then you really need to watch more stuff and come across real crap average shit.
Well put, better said than I how I tried to come across in my comment. I just don't understand how after he left…
Considering I’ve seen an equal amount of comments complaining about the parent flashbacks as I’ve seen complaints about the early episodes and the teen romance… I think it’s just a matter of taste/preference at this point. Fandom seems pretty divided.
And it does make sense in that they are both different stories with different characters from different eras and different ages with different vibes; both appealing to perhaps a different type of audience. But obviously still related stories and directly impacting one another’s arc as they are parent and child.
I didn’t find either part particularly boring. I like to get to know my characters slowly. And I’m afraid if we had started straight with the parents backstories then I would have formed no attachment to the new generation. I’m already less familiar with the younger cast and compared to the veteran A listers they’d naturally have a long way to go in acting skills and screen presence.
And with like Han Hyo Joo playing the mother, someone who until her last drama we still saw as a young person and not old enough to play a parent to teenager: if we’d started the drama with her character in her younger days, it’d be much harder to accept her as a mom when we arrived to the present day.
Mixing the past and present scenes of the parents and teens during the same episodes could have had maybe the same impact and issues. And there are so many characters with complex stories that it might have made it harder to follow the timeline and understand who’s who.
So instead we got a comic book style format of episode per character and arc. Leading in with a soft quiet prologue from the kids and their innocence and slow building suspense and tension with Frank’s arc overlapping in the beginning.
Also a drama that’s trying to set up its own little DC/Marvel superhero universe gearing up for potential sequels it’s good that they took their time in introducing the universe to us.
Tattoos aren’t wounds or scars. There a ink distributed under the skin by a needle. After the skin heals the…
Hey if Derek and Scott McCall can find a way to get permanent tattoos when their werewolf skin heals over and wipes it out if they try to get one like normal people… Then my guy Frank can get a permanent tattoo too.
Disney subscribers rationalize what they pay and have to convince themselves what they are watching is awesome…
I’m not subscribed to Disney. I still loved this drama. In fact I hear this increased Disney’s subscriptions.
You don’t encourage more people to subscribe to you with crap or average content.
Give some credit.
Cinematography (whole drama is more like movie), casting and acting, bgm, special effects for superhero action and fights, character depth for a multitude of characters even supposedly bad guys, attention to detail with all the parallels they put in, not overlooking the heart and emotional aspect of the show…..
Like what more do you want to not be called “a crap average drama” ???
There never seemed to be any good reason why the “bad guys” listened to the leaders, like any one of them…
Uhh it’s not just one dude threatening them. And those one dudes in the power are easily replaced by another at the end. It’s far from over. Just a different era now. With it coming new problems along with some of the old.
It’s an organisation, a large network of secret agents, employing many people, some of them with superpowers of their own who may even be working willingly. It’s an organisation specialising in intelligence, which is a sector of the government and you can’t run from the government forever unless you want to live on the run like an outlaw and risk your family and friends safety and happiness who are normal civilian humans that can’t defend themselves as well as your superpowered yourself can and who want to maybe not live like an outlaw either.
For those of you wondering when S2 will come out, its probably going to be 2026. Hopefully 2025. Cause they havent…
If the manwha writer does the screenwriting again for the next instalment then the script shouldn’t take too long. He probably already has a rough idea for where he wants to take the story and which parts of his comic universe to adapt. The filming of this one was done with a while ago so he’s had some time to think more about a sequel and get a break. Now it’s just reading on the response from the drama audience and any adjusting from the feedback.
Casting and scheduling will probably take long. Especially with a star studded cast like this. Followed by a years worth of post production time.
how's she supposed to know how to control a power she doesn't have?
Well it’s more like he’d be an 8 year old who doesn’t understand the world yet nor can make rational safe decisions being allowed or encouraged to drive the car on a public road by himself without ever being supervised or taught by an adult driver sitting in the passenger seat (the dad). The mom can’t drive, has never driven, doesn’t know how it is to actually experience it and what unexpected obstacles a driver can face, especially ones not included in a manual book. She only knows the bare backbones of the theory of driving.
So she’s taken the approach of forcing the kid out of the drivers seat and putting the child lock on, and tightening his seat belt to the maximum with fear and scoldings to not attempt to get out of his belt and passenger seat and then being left alone in the car for a few hours a day as he attends school.
It’s not perfect. But it works for now. And she’s trying her best in what she thinks she ought to do. Maybe letting her own fears govern her and restricting him and slowing his growth. Potentially harming him or risking him by it.
But who knows how things would have turned out if she’d been less strict and more willing to let him fly. Maybe things would’ve been better for BongSeok. Or maybe something else would have happened as a butterfly effect of consequence and not been good.
From the child’s POV, the mother is restricting him, locking him up and stopping him from realising his full potential and to grow into his powers.
From the mother’s POV, parenting is a damn fucking hard job that comes with no vacation, constant worrying, no perfect guidebook and harder than anything she could ever face in a special ops training or spy / assassin field work. 😅
Well put, better said than I how I tried to come across in my comment. I just don't understand how after he left…
There is a sweet special sense of reward that comes from patience and something slower.
You’re going to miss out on a lot of things in life if you lack patience or miss out on some gems in fiction if you dislike slower paced entertainment.
It‘s okay if it’s not your cup of tea. If you prefer fast moving plots. Doesn’t make the slower ones wrong. They have more time for character development, world building, character depth, social commentary, organic healthy flow of romance or other relationships, less things lost to the chaos of a too fast paced plot, more time given for an audience to get to know the characters and plot, making them more attached and leaving a longer lasting impression on them. Slow burn is a thing many people do like. Quietly, slowly building up the suspense or pace of a plot for a faster climax once things are revealed is also one of style of writing.
There’s pros and cons to any style. A different market of audience that likes either/or. And clearly for this drama the approach it took has been a success.
I rather think that kind of representation would hurt the BL community more than anything.
Would have still liked to see that happen on screen because they were so hateful haha. It’s crazy to think that in the first timeline, while the Chairman’s actual daughter was raising her kids in a basement apartment and taking the fall of it being set on fire and otherwise struggling, her step-family- as we see the adult stepsister once, was still flaunting around with her father’s riches and support.
I’m also wondering whatever happened to the long haired guy who called himself Yi Chan’s cousin brother. He lived with them in 90s but his adult version was never mentioned in either future timeline.
And was that person whom Cheong Ah remembered with bittersweet longing really her actual mother? She appeared to love her, the Chairman still had a family pic with her that he looked at fondly in secret. She was just dragged away in a car one day without explanation and never returned?? Makes me think she may have been yet another tutor (but far nicer) for Cheong Ah, not her biological mother or the Chairman’s actual wife.
When the fuck did either of the OPs claim to be speaking as a representative for the entire fucking world.
Grow the fuck up and learn to fucking read before throwing around insults.
People don’t even share their pregnancies outside of immediate family or very close friends in early term. Sometimes it stays between the couple only and not even the baby’s grandparents or siblings are told for a while. Let alone sharing that news with a global fandom and worldwide public.
It’s all guesses at this point. I would like to see the MC of timing have his own drama because his powers seemed interesting. But at the same time I’d like to see the main characters of the Moving drama sooner again and would be disappointed if they weren’t in the next sequel and they asked me to wait another 2+ years for that.
just scroll down on this page, you’ll see it
Might be a difference between younger public vs older one. Younger generation who don’t know the adult veterans all that well so don’t care or find the teens more relatable and cute.
I just know I saw some comments talking about this drama doing really well in Korea and having been good for Disney. Some comment on this page also says that Moving might have made back all the money unlike Arthdal Chronicles - both Kdramas with highest budgets.
My main point was that this drama is not crap average. It’s a good quality drama and like any other has some flaws and won’t be a one size fits all all-time-favourite for every single person but it can still be a good enough drama.
If you think this is crap then you really need to watch more stuff and come across real crap average shit.
And it does make sense in that they are both different stories with different characters from different eras and different ages with different vibes; both appealing to perhaps a different type of audience. But obviously still related stories and directly impacting one another’s arc as they are parent and child.
I didn’t find either part particularly boring. I like to get to know my characters slowly. And I’m afraid if we had started straight with the parents backstories then I would have formed no attachment to the new generation. I’m already less familiar with the younger cast and compared to the veteran A listers they’d naturally have a long way to go in acting skills and screen presence.
And with like Han Hyo Joo playing the mother, someone who until her last drama we still saw as a young person and not old enough to play a parent to teenager: if we’d started the drama with her character in her younger days, it’d be much harder to accept her as a mom when we arrived to the present day.
Mixing the past and present scenes of the parents and teens during the same episodes could have had maybe the same impact and issues. And there are so many characters with complex stories that it might have made it harder to follow the timeline and understand who’s who.
So instead we got a comic book style format of episode per character and arc. Leading in with a soft quiet prologue from the kids and their innocence and slow building suspense and tension with Frank’s arc overlapping in the beginning.
Also a drama that’s trying to set up its own little DC/Marvel superhero universe gearing up for potential sequels it’s good that they took their time in introducing the universe to us.
Or you might like it some other time and just aren’t in the mood for this rn
You don’t encourage more people to subscribe to you with crap or average content.
Give some credit.
Cinematography (whole drama is more like movie), casting and acting, bgm, special effects for superhero action and fights, character depth for a multitude of characters even supposedly bad guys, attention to detail with all the parallels they put in, not overlooking the heart and emotional aspect of the show…..
Like what more do you want to not be called “a crap average drama” ???
It’s an organisation, a large network of secret agents, employing many people, some of them with superpowers of their own who may even be working willingly. It’s an organisation specialising in intelligence, which is a sector of the government and you can’t run from the government forever unless you want to live on the run like an outlaw and risk your family and friends safety and happiness who are normal civilian humans that can’t defend themselves as well as your superpowered yourself can and who want to maybe not live like an outlaw either.
We don’t have exact dates or even approximate dates for shows already long confirmed with a sequel. Moving just came out last month.
Casting and scheduling will probably take long. Especially with a star studded cast like this. Followed by a years worth of post production time.
So she’s taken the approach of forcing the kid out of the drivers seat and putting the child lock on, and tightening his seat belt to the maximum with fear and scoldings to not attempt to get out of his belt and passenger seat and then being left alone in the car for a few hours a day as he attends school.
It’s not perfect. But it works for now. And she’s trying her best in what she thinks she ought to do. Maybe letting her own fears govern her and restricting him and slowing his growth. Potentially harming him or risking him by it.
But who knows how things would have turned out if she’d been less strict and more willing to let him fly. Maybe things would’ve been better for BongSeok. Or maybe something else would have happened as a butterfly effect of consequence and not been good.
From the child’s POV, the mother is restricting him, locking him up and stopping him from realising his full potential and to grow into his powers.
From the mother’s POV, parenting is a damn fucking hard job that comes with no vacation, constant worrying, no perfect guidebook and harder than anything she could ever face in a special ops training or spy / assassin field work. 😅
You’re going to miss out on a lot of things in life if you lack patience or miss out on some gems in fiction if you dislike slower paced entertainment.
It‘s okay if it’s not your cup of tea. If you prefer fast moving plots. Doesn’t make the slower ones wrong. They have more time for character development, world building, character depth, social commentary, organic healthy flow of romance or other relationships, less things lost to the chaos of a too fast paced plot, more time given for an audience to get to know the characters and plot, making them more attached and leaving a longer lasting impression on them. Slow burn is a thing many people do like. Quietly, slowly building up the suspense or pace of a plot for a faster climax once things are revealed is also one of style of writing.
There’s pros and cons to any style. A different market of audience that likes either/or. And clearly for this drama the approach it took has been a success.