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This review may contain spoilers
Healing
Wow, I really loved this one. The premise of a twin swap is already very promising, and the first episode was really strong. I was immediately captivated by the younger scenes of Miji/Hosu, and their friends-to-lovers romance went on to become one of my on-screen favorites.
This show really did a fantastic job balancing romance with more serious, darker topics. Each character had their own struggles and their stories, and I really loved seeing everyone grow individually and together. But the most important theme in this show actually turned out to be motherhood; I loved seeing different mother-child relationships throughout the show, whether it was about the twins vying for their mother’s attention, or about the struggles of being adopted, or about generational trauma. I was really impressed with how much nuance this drama had towards each story.
Aside from motherhood, it’s just a really touching story about growing up, healing from trauma, and dealing with adulthood, and I found every plot point to be really relatable.
There are a few things that I’m not the biggest fan of, even if this show handled it okay. One of those is the very well-known final act break-up. While I think Hosu’s reasoning of not wanting to burden his loved ones with his disability is very realistic and aligned with his character, I’m just never going to enjoy the final act break-up trope in media because it feels like introducing a new conflict near the end; in this show, I would’ve preferred if we took some more time to confront the twin’s relationship with each other or with their mother.
The other thing is the second ship, Mirae and Sejin. I don’t have any particular criticism here; I just didn’t really connect to the romance as much.
I’m ultimately satisfied with the ending but it is a tad bit open-ended; my heart wants to see more Mirae confronting the office bullies but my brain knows that it’s actually healthier for her to just remove herself from the situation and have her legal representatives deal with it. Either way, the message the show left me with is very true to life — life goes on.
This show really did a fantastic job balancing romance with more serious, darker topics. Each character had their own struggles and their stories, and I really loved seeing everyone grow individually and together. But the most important theme in this show actually turned out to be motherhood; I loved seeing different mother-child relationships throughout the show, whether it was about the twins vying for their mother’s attention, or about the struggles of being adopted, or about generational trauma. I was really impressed with how much nuance this drama had towards each story.
Aside from motherhood, it’s just a really touching story about growing up, healing from trauma, and dealing with adulthood, and I found every plot point to be really relatable.
There are a few things that I’m not the biggest fan of, even if this show handled it okay. One of those is the very well-known final act break-up. While I think Hosu’s reasoning of not wanting to burden his loved ones with his disability is very realistic and aligned with his character, I’m just never going to enjoy the final act break-up trope in media because it feels like introducing a new conflict near the end; in this show, I would’ve preferred if we took some more time to confront the twin’s relationship with each other or with their mother.
The other thing is the second ship, Mirae and Sejin. I don’t have any particular criticism here; I just didn’t really connect to the romance as much.
I’m ultimately satisfied with the ending but it is a tad bit open-ended; my heart wants to see more Mirae confronting the office bullies but my brain knows that it’s actually healthier for her to just remove herself from the situation and have her legal representatives deal with it. Either way, the message the show left me with is very true to life — life goes on.
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