I'm going to just state this argument as clearly as I can, because I don't think it's being understood. The ending is just not good. It is just objectively bad. The main issue is that the whole drama centered around Tofu and his love for Nut, but the rug was pulled out from under us and we were left with something that is just artistically, morally, and structurally regressive, flawed, and second-rate. The rest of the series was superb, but the ending was a complete downgrade of the whole series. The screenwriters were forced to choose a plot where Tofu is the central character and then forced to kill that character to replace him with a side character that is hardly anything compared to him. The ending was pre-ordained by the writer who made a deal with the production company to ensure that Tofu dies, just like in his novel. The production company forced the screenwriters to make Tofu the central character because that would have a bigger audience draw than if Tarn had been the main character. Consider that Tarn is in a coma and this would not be interesting to the viewers who have to witness his disembodied spirit pining after Nut. Compare that to the totally loveable Tofu being the main character and winning our hearts with his thousand acts of kindness, generosity, and love. The magnetic and angelic Tofu was one of the best creations in any drama, and the production company captured the spirit of this wonderful character perfectly, and In Sarin could not have played this character more beautifully. This character was done so well that we can hardly even notice Tarn and the others. Only Nut who is a person who totally loves Tofu captures our attention. Nut loves Tofu completely and to utter distraction, but is forced to drop him . We are left with nothing except despair for both Tofu and for him.
There are many great tragedies, and they teach us valuable lessons, but this tragedy teaches us nothing, unlike the tale of Oedipus or Macbeth. It teaches us about the cruelty of unnatural fate, perhaps, but consider that this is a fate dictated by a book deal rather than any artistic consideration. As a work of art the ending is just ad hoc - it was not the destination of the preceding events, but the flawed result of bureaucratic decisions which has no place in art. It is structurally unsound as 90 percent of the drama focused on one couple to be replaced in the end by another one which had never been developed. Also, why is Tarn who had 10 years to reconnect with Nut to be given precedence over Tofu? It seems it's because somehow his love is supposed to be deeper. This is just a regressive idea. It is similar to the idea that heterosexual love is supposed to be deeper than homosexual love. Tarn had so many years to come back to Nut who was suffering terribly with his mentally ill mother. This is just crazy to let him be considered the hero of this drama when he pays no attention to Nut and his suffering. Thank you for saving the trees, but no thank you for not helping the man you supposedly loved more than any other. His actions are totally contradictory, and he only becomes the main love interest of Nut because of another bureaucratic decision by upper management.
Again, the rest of the drama was great, but the ending was not the best by any stretch of the imagination. I still love this series and will recommend it to as many people as I can with the caveat that the ending is not even close to being good and that you should make your own up to redeem it. I remember how I felt about Game of Thrones and its ending, and I have the exact same sentiment here - watch this great drama and enjoy it, but watch out for this ending. Even GOT's ending was better constructed than this one.
That's an interesting way to look at it. I know when I see In and Job on my IG and suddenly get a bit sad, I imagine…
You have to read the thread below from Pasit0612. It seems that there is a book called Tale of the Teddy Bear that explains the mysterious riddle of how the Teddy Bear, Tofu, and his life-force is not connected to Tarn. So there is no need for him to die to resurrect Tarn. The reason perhaps you can't see that Tofu is not the central character is that there are several interconnected books that do not involve Tofu at all.
I can't seem to get the total picture from Pasit0612 because he didn't really respond to my question as to why Tofu has to die in the novel. He sort of ignored my question but revealed a lot of the complex underlying underpinnings of the story. Unforntunately,, the novels are not available in English, and probably difficult to even get a hold of in the original Thai. I'm able to translate the Thai if I can at least get a hold of a copy, but that is also difficult as I've experienced in the past trying to purchase Thai novels.
If nothing else, the ending to this series is just ad hoc, and you don't have to take it seriously. Even the promos to this series stress that you could create your own ending - even though they were forced to go with the ending in the novel.
That's an interesting way to look at it. I know when I see In and Job on my IG and suddenly get a bit sad, I imagine…
I wrote about it in a post below in response to Danielle. The screenwriters were forced to use this ending due to a deal made with the original author but they did not follow the original plot where the teddy bear is more of a minor character. If they had stuck with that then Tofu’s demise (return to being an inanimate object) would not have been so consequential.
You don't have to take that ending as canonical. I believe it was not made in very good faith and you have the right to make your own ending which would be more honest and realistic than the one we were dealt. I think this show just laid most of the groundwork for a great drama that just needs a little help at the end.
5 days have passed and still am feeling very sentimental about this. Still cannot bring myself to re-watch the…
I feel the same way. I can't rewatch the ending or any part of this for the time being. It affected me very strongly - like no other BL. I don't know how I can watch any part of it without crying internally about what happens to Tofu, but I wish I could some day.
I've got LGBT friends that live in Thailand, and according to them, a lot of their Thai friends where very disappointed…
Thank you very much for your explanation. I appreciate all your posts here that help us understand this drama from the Thai audience's perspective. Is this novel available anywhere to foreigners? Also, if you can indulge me one last time, what is the event that happens to both Nueng and Tofu that links them? In this timeless dimension you're talking about in this quote, does Tofu reunite with Nut in some way?
It still does not justify the ending as already mentioned a couple of times by various users. It’s cruel to…
Very very true. This was just a horror story ending. No healing for Nut can alleviate the torture-room ending for Tofu. Some people are also forgetting about the very sad ending for the mom who has both Alzheimer's and Schizophrenia (like tragedy squared). Why so much heartbreak? I watch BL's to escape this, not to have extra portions of gloom and doom thrown on me. I wonder why so many commenters think this is a happy story if you look at it from the right perspective. I guess the side character Tarn is happy, but Nut is going to have another tragedy coming up with his mom who is apparently deteriorating pretty fast. She's only in her 50's or early 60's so why did they choose to make her have a worse case of Alzheimer's than normal? [sigh]
It's painful to watch Tofu degrading himself (I could never love Nut as deeply as Tharn, even as a human. Do I…
I think the poor ending was due to an unintended consequence of this crazy book deal,. Maybe the author had some reason to force the production company to keep the ending where the teddy bear goes back to being his original self, to maintain the spirit of his original creation, but the production company made the mistake of making the teddy bear the center of the drama [or perhaps made a business decision that the teddy bear would draw a bigger audience than Tarn's spirit]. This caused the creation of a baffling ending where the main character has to return to live forever trapped as an inanimate object that can't say a word to someone who he loved as deeply as anyone can possible love another person. This is really beyond tragedy - it's a horror story. But, believe me, the production company didn't think this through, or they didn't care because they were only interested in getting a larger audience draw.
And given the original deal, this show would always be tragic for the teddy bear, but the blow would be softened if it wasn't the main character, and we saw like 70-90 percent of the drama revolving around Tarn and Nut. That would be the only solution that would make sense with the production company's hands tied but they made their decision to probably get a larger audience draw focussing on the Teddy Bear and its cute interactions with Nut.
I want to say that I viewed Tofu as the main character and only love this drama because of him, and that he achieved sentience. Even the other inanimate objects noticed he was becoming human. After that happened, the production company has to be somewhat heartless and thoughtless to force that ending on us. I know they had some hard decisions to make, and they did a great job in a lot of other areas, but they seem heartless in a way most of us would never be.
Yes! How does Tarn get rewarded with a happily ever after with Nut when he knew what Nut was going through with…
Tarn even knew that Sib died so he could have reunited with his "true love", Nut, without any hindrance. He also should have known Nut would at least be traumatized after his father dies [even if he didn't like him], but still never comes back. Why doesn't he at least come back after the murder of Sib which he clearly knew about? This is one of the sloppiest parts of the script. If Tarn still goes to Nut after Tofu dies, what caused him to go back then, and not sooner? If Tarn is so attached to Nut that after ten years he still has eyes for only him, why the long wait? It just doesn't make any sense.
The love for Tofu makes much more sense to me and is more "realistic".
This was still a great BL. I'm finding it hard to watch a new BL after this because of its strong impact. I still don't like the ending and still feel it was very clumsy. I understand that they had to cut out scenes but that didn't excuse the silly pandering scene with Prib. I think Tofu would have been burnt to a crisp in the crematorium - he wasn't going to get out of that after the flames started up. The doors are shut tight to prevent flames from escaping. The scene with him running away from the dog is totally ridiculous. Even if he could move, dogs run at about 20-30 mph. The silly scene when he is sitting naked and crouching between Tarn and Nut looked ridiculous. The marriage proposal was very rushed, and, even if time has passed, there was no development of the relationship between Tarn and Nut. This series was just too rushed at the end, and that ruined its artistic merits. You would never see a memorable masterpiece in normal cinema have such sloppy work in the ending. On the BL side, Not Me had to have a lot of cuts but that did not detract much from the show in its final episode. The director has to be smart enough to make tough choices in the editing process.
I still love this series for much of its intelligent story-telling, and its wonderful, complex character development. The ability of the director and screenwriters to make me fall in love with an inanimate object to such an incredible degree was phenomenal. I fell in love with Tofu who has such an other-worldly gentleness, and purity. It was his glowing personality that brought such a sense of joy and light to this series that I will never forget. The love of Nut for Tofu was also the centerpiece of this drama for me, and the journey of the wounded, insensible, and self-hating Nut that was slowly healed by the great love of Tofu was one of the best things I've ever watched in any drama. And I felt so strongly for Nut after he lost Tofu, and the scene where he sings his love song to him at the end was one of the most poignant and heart-breaking things I have ever watched - I was just gasping at that scene because of how painful it was.
Unfortunately, the best part of this drama was taken away, and all I was left with was a Teddy Bear that is trapped in its synthetic fabric, forever watching his love without any ability to communicate with him. I just can't get interested in Tarn and his love for Nut which to me is just a theoretical concept. I felt the love of Tofu at a very gut level beyond the love I've felt in any other BL. To make myself feel better, I've rewritten the ending in my head, and I love the alternate ending of Saifagio posted below. I'm just taking away the best thing in this drama and leaving the rest behind, so I guess, in the end, it was well worth the watch.
I've seen you all up in these comments doing the same though? You havent left since the finale and have been discrediting…
He's not discrediting anyone. He is clearly trying to state that people can have different opinions about the series. The main point is to let people make up their own minds and not discourage them from watching the series. I, myself, did not like the ending, but there is no reason not to defend something you enjoyed as BenedictTan does.
And even if I didn't like the ending I thought this BL was executed at the highest level, and the ending does not really take away from that, except that, in my opinion the last episode was lower in quality compared to the rest of the series. I was experiencing an other-worldly amazing BL until episode 16 and then I felt I was watching a mediocre one (I mean that particular episode). How that effected the overall quality of the series is a very subjective opinion - it lowered my rating from a 10 to a 9, but for others it might bring it down to a 2.
The whole time they emphasise on create your own ending and they end up like the novel. Actually I even would…
I agree, the ending with Prib was irritating, and came out of nowhere. It was also filler, which screenwriters should really avoid at the end of a drama which should be the climax of the series. I am just rewriting the series in my head to make a great ending. Why not? And Tarn should have been killed a thousand times over while he was in a coma. Why wouldn't that evil corporation send some thug in to cut off his oxygen (don't tell me that wouldn't be both highly possible and probable). I'll just link Tofu's life to Nut who gave him life with his tears, and not Tarn who just bought him in the store. In my scenario Tofu's life wouldn't be linked to Tarn's.
Nonetheless, this series execution is about the best I've ever seen. I think with a little editing it could have been better for me personally. I'm finding it hard to be objective about this :) But it is also objectively not a great ending. For that to have been a fitting conclusion we should at least have had a lot more of the romance of Tarn and Nut for us to feel anything for it. And didn't the marriage proposal also come out too quickly? How about let's get reacquainted first after ten years of not speaking to each other?
I really loved this show, but, for me, it was not really a 10 like it should have been. It will always be a semi-tragedy for me. Maybe this is the tragedy of not getting the ending I wanted, but it is more the tragedy of having been invested completely in a pure love story between two people, and to have that thrown away for another love story I was barely able to appreciate. I watch BL's for the escapism, and the culmination of a love story between two men, because after a hard day in the real world, that is why I appreciate them. I know some people will love this story and it has many excellent qualities that I also thoroughly appreciated, but it seemed crazy to have the whole series about a love between two people that was achieved so perfectly and to have that just thrown away. Tofu will never get to interact with his true love, and will just be an inanimate object watching Nut making love to someone else who he can not but help to be jealous of - isn't that a tragedy?
I would still recommend this series to others for the brilliant acting, screenplay, cinematography, etc., but, unfortunately, I am not very happy after having watched it.
I can't say enough how much I love this show. The innocence and sweetness of Tofu is just so wonderful. I love all the sentimental scenes with him and virtually everyone else, even if they are reminiscent of something from the Hallmark channel. I loved the old gay couple [who were finally revealed to be a couple], and what a nice contrast they are to each other - one is so positive and ebullient and the other seems philosophical and contemplative. I really enjoyed Na's speech explaining her condition to her friends which was both dramatic and quietly tragic. Even the old school teacher has a heart-warming scene in this episode. This series has so much tragedy mixed in with such tranquil, tender scenes - I'm crying during both. I'll miss it enormously.
I'm really enjoying this drama. It's like 1/4 lakorn and 3/4 BL which makes it quite unique. The only problem I have with it so far is the depiction of the mom who has schizophrenia. Working in the mental health field, I find her depiction a little off, and her son's behavior towards his mentally disabled mom is rather cruel. Rather than empowering her he infantilizes her, and rather than deescalating her psychotic episodes, he escalates them. Where is a doctor in all of this? Someone should have coached the son better on how to handle his mom. At one point he learns she is not taking her mediication which for a person with schizophrenia is a very serious issue - not taking their medication will lead to irreparable loss in the patient's cognitive abilities even after a short "drug holiday". Rather than helping her with her medication management, he just ignores the problem and leaves it to Tofu to handle. I like the sensitivity toward gay issues in this drama but they completely ignore the sensitivity toward a person in the mental health community. Mental health is as serious a disability as any other and is often not given proper recognition like other disabilities such as deafness, blindness, MS, etc. Just imagine the mom being deaf in this series. There would be a huge outcry by fans if Nut treated her as savagely as he does with his mom suffering from mental illness. I say this to give people some idea of the lack of knowledge and sensitivity towards mental health issues in various dramas. I understand Nut's issue with his mom and her at least passive homophobia, but it doesn't excuse his insensitivity concerning her schizophrenia.
Forgetting about this serious flaw, I'm still enjoying everything else in this show. The acting and cinematography are excellent, and a lot of the dialogue is very touching.
It's not that bad. I'm enjoying this series on a low-key level. Its plot is rather unique - not just the engagement aspect of it, but the relationship of the two families. Lian's family are nouveau riche and they are helping the landed gentry family of Kuea. The interesting family dynamic is mirrored in the relationship with Kuea and Lian. Lian was supposed to be cold because of his tough upbringing, but he is also not really reserved [I'm going more off the novels here, but you can see some of this in episodes 7 and 8]. If I have a criticism of this series, it's that he should have let down his guard earlier. It's ok in a novel for someone to be that cold for virtually hundreds of pages, but it doesn't play too well onscreen. But he is finally coming out of his shell, so people should start forgiving Lian's behavior earlier in the series. Don't eviscerate me for saying this - I didn't mind waiting, but I understand most of you couldn't tolerate him that long.
The second couple of YiDiao is very mysterious to the point I have virtually no understanding of their backstory, but they are still interesting - their emotions towards each other are very complex and that keeps them engaging. I'm not watching BL's for skinship and kissing but there seems to be quite a lot of it in this series, and I can't help but think that's a positive - there should be more of this stuff in general in BL's. I hate to see the series where there is just one timid kiss at the finale.
Theo has got to be one of the worst main characters in BL ever. He had no character development at all. And when…
I agree with most of this, especially about Theo being terrible - he seemed like a classist narcissist, but I'm not happy about Akk either. He could have avoided most of this trauma if he could just have confessed his love for Theo, and he really should have told Theo off for wanting to go to France without him. If this was the real world, Akk would have almost certainly lost Theo due to his pusillanimous behavior. The happy ending was not earned and the bulk of this drama was wasted on two young lovers acting liking idiots.
Huh, that was a mess. I know some people think it was at least moderately well done, but I think it was just below average except for the cinematography. I don't think the acting was that bad, and I had no problem with the chemistry between Akk and Theo, but the plot was just one of the worst for a BL I've ever seen. I must admit that I skipped several episodes and it had no impact on my understanding of the story - somewhere between episodes 3 to 8 there was just a massive amount of filler. All the action took place in the last two episodes, and that plot was just ridiculous. Even as Theo has been playing with Akk for much of this series, when he finally reveals himself as being Enchante and Akk can finally say he loves Theo, Theo once again rebukes Akk for not letting him attempt to reconcile his parents. Now when have you ever seen a show, even a rather sentimental one from the Hallmark channel, have a character attempt to reconcile two parents that have already long been separated. From, my experience, I have never seen that - it's because it is totally ridiculous and completely absurd. Why also would the wise and more experienced Sun suggest such a stupid idea? Wasn't that one of the most cringey scenes you ever saw when Theo was playing his parent's wedding video back to them? After that failed attempt to reconcile his parents Theo then sees that Akk was right all along, and instead of seeing that Akk is usually right about things, he decides to probe him, once again, with another foolish test - possibly losing him forever. Only because Sun reveals that he is not really Theo's lover does Akk even try to make an attempt for him. You have to also wonder why the sister of Akk tries to convince him to give up on Theo when there is no reason to be so certain that Sun and Theo are lovers - after all, why did Sun never contact Theo for all the months he was away from him in Thailand? In the end, Theo and Akk make up in France and they "discover" once again they are totally in love and now propose marriage to each other. Ugh!
Just remember there was probably 6 episodes with virtually nothing going on, and that the rest of the plot was on the point of being just a random collection of events. I don't recommend this show to anyone, because it was all style and no substance. The idea of incorporating French culture into a BL was done on a wholly superficial level. What would have been nice would be if they had perhaps incorporated some more elements of the story of the Little Prince in the series, but all allusions to that story were also done on a very superficial level. 4 out of 10 for me, but I still enjoyed Theo and Akk so if that was what you came for, you can still enjoy them if you skip over about 80 percent of this series.
I need time to recover from this show. It was overwhelmingly good and has been the best BL, for me, personally that I have ever watched. I really love this genre and am totally vested emotionally in it, and I can’t say enough how this has brought out the very highest qualities that exist in BL’s. It goes outside of the genre to capture some intense emotions that you hardly ever find in this fluffy, non-problematic, and fantastical space. The themes of social justice in so many forms, LGBTQ justice, justice for the disabled, for the working class, and for the citizens of Thailand was conveyed in such meaningful and impactful ways – this has to be some of the best messaging of any series in any genre. It lends such gravitas to a show that is supposed to be, at its center, about young men falling in love. And they do fall in love in a way that is more compelling and realistic than I have ever seen before, because the realism of the setting and the compelling storyline brings out such seering emotions in these couples.
The acting was just perfection and was perhaps the most well done in any BL, ever, especially if you look at all the side characters, as well. Gun Attaphan has been a great actor for a long time, and plays many roles outside of BL’s, so I was not surprised he pulled off his roles with such professionalism, but the series did pose him a bigger challenge than normal, having to portray two completely different personalities in one drama. I have a theory that the other actors had to step up their game to match his flawless performance, but they were all equally great. Sean was totally immersed in his character like I’ve never seen from him before. Even though First and Fluke have had other roles I’ve never seen them give out Oscar worthy performances before, and I still feel their acting was the most intense in this series. There was such great acting by the side characters like Todd (Sing), and Tawi (Pae) who perfectly expressed the evil of the corrupt oligarchs that run Thailand. The girls in the series Eugene (Lookjun), and Namo (Film) carried out their roles with great sympathy, and I never felt like they were an afterthought like in most BL dramas. I would also like to convey how much I loved the part of Yok’s mother – she was so magnetic and beautiful in her role, and easily the most loveable character in this drama.
I think that the whole drama is one that I feel is a landmark for the BL world, and part of the renaissance that began with I Told Sunset About You. It sets the bar very high for any future drama and will always be a classic for this genre. I feel a sense of euphoria having watched this like I have never felt for hardly any other movie or drama, and I feel I have taken away so much from this, even philosophically. I like the slogan at the end “Not me, Not you, But Everyone,” and hopefully this drama will help convince people that political change can only come about with everyone working together to promote change, and like Gumpa said, even as people had to have a revolution to come out of caves and form civilization, revolutions will always occur, and people should always have hope that they can create a better society.
There are many great tragedies, and they teach us valuable lessons, but this tragedy teaches us nothing, unlike the tale of Oedipus or Macbeth. It teaches us about the cruelty of unnatural fate, perhaps, but consider that this is a fate dictated by a book deal rather than any artistic consideration. As a work of art the ending is just ad hoc - it was not the destination of the preceding events, but the flawed result of bureaucratic decisions which has no place in art. It is structurally unsound as 90 percent of the drama focused on one couple to be replaced in the end by another one which had never been developed. Also, why is Tarn who had 10 years to reconnect with Nut to be given precedence over Tofu? It seems it's because somehow his love is supposed to be deeper. This is just a regressive idea. It is similar to the idea that heterosexual love is supposed to be deeper than homosexual love. Tarn had so many years to come back to Nut who was suffering terribly with his mentally ill mother. This is just crazy to let him be considered the hero of this drama when he pays no attention to Nut and his suffering. Thank you for saving the trees, but no thank you for not helping the man you supposedly loved more than any other. His actions are totally contradictory, and he only becomes the main love interest of Nut because of another bureaucratic decision by upper management.
Again, the rest of the drama was great, but the ending was not the best by any stretch of the imagination. I still love this series and will recommend it to as many people as I can with the caveat that the ending is not even close to being good and that you should make your own up to redeem it. I remember how I felt about Game of Thrones and its ending, and I have the exact same sentiment here - watch this great drama and enjoy it, but watch out for this ending. Even GOT's ending was better constructed than this one.
I can't seem to get the total picture from Pasit0612 because he didn't really respond to my question as to why Tofu has to die in the novel. He sort of ignored my question but revealed a lot of the complex underlying underpinnings of the story. Unforntunately,, the novels are not available in English, and probably difficult to even get a hold of in the original Thai. I'm able to translate the Thai if I can at least get a hold of a copy, but that is also difficult as I've experienced in the past trying to purchase Thai novels.
If nothing else, the ending to this series is just ad hoc, and you don't have to take it seriously. Even the promos to this series stress that you could create your own ending - even though they were forced to go with the ending in the novel.
And given the original deal, this show would always be tragic for the teddy bear, but the blow would be softened if it wasn't the main character, and we saw like 70-90 percent of the drama revolving around Tarn and Nut. That would be the only solution that would make sense with the production company's hands tied but they made their decision to probably get a larger audience draw focussing on the Teddy Bear and its cute interactions with Nut.
I want to say that I viewed Tofu as the main character and only love this drama because of him, and that he achieved sentience. Even the other inanimate objects noticed he was becoming human. After that happened, the production company has to be somewhat heartless and thoughtless to force that ending on us. I know they had some hard decisions to make, and they did a great job in a lot of other areas, but they seem heartless in a way most of us would never be.
The love for Tofu makes much more sense to me and is more "realistic".
I still love this series for much of its intelligent story-telling, and its wonderful, complex character development. The ability of the director and screenwriters to make me fall in love with an inanimate object to such an incredible degree was phenomenal. I fell in love with Tofu who has such an other-worldly gentleness, and purity. It was his glowing personality that brought such a sense of joy and light to this series that I will never forget. The love of Nut for Tofu was also the centerpiece of this drama for me, and the journey of the wounded, insensible, and self-hating Nut that was slowly healed by the great love of Tofu was one of the best things I've ever watched in any drama. And I felt so strongly for Nut after he lost Tofu, and the scene where he sings his love song to him at the end was one of the most poignant and heart-breaking things I have ever watched - I was just gasping at that scene because of how painful it was.
Unfortunately, the best part of this drama was taken away, and all I was left with was a Teddy Bear that is trapped in its synthetic fabric, forever watching his love without any ability to communicate with him. I just can't get interested in Tarn and his love for Nut which to me is just a theoretical concept. I felt the love of Tofu at a very gut level beyond the love I've felt in any other BL. To make myself feel better, I've rewritten the ending in my head, and I love the alternate ending of Saifagio posted below. I'm just taking away the best thing in this drama and leaving the rest behind, so I guess, in the end, it was well worth the watch.
And even if I didn't like the ending I thought this BL was executed at the highest level, and the ending does not really take away from that, except that, in my opinion the last episode was lower in quality compared to the rest of the series. I was experiencing an other-worldly amazing BL until episode 16 and then I felt I was watching a mediocre one (I mean that particular episode). How that effected the overall quality of the series is a very subjective opinion - it lowered my rating from a 10 to a 9, but for others it might bring it down to a 2.
Nonetheless, this series execution is about the best I've ever seen. I think with a little editing it could have been better for me personally. I'm finding it hard to be objective about this :) But it is also objectively not a great ending. For that to have been a fitting conclusion we should at least have had a lot more of the romance of Tarn and Nut for us to feel anything for it. And didn't the marriage proposal also come out too quickly? How about let's get reacquainted first after ten years of not speaking to each other?
I would still recommend this series to others for the brilliant acting, screenplay, cinematography, etc., but, unfortunately, I am not very happy after having watched it.
Forgetting about this serious flaw, I'm still enjoying everything else in this show. The acting and cinematography are excellent, and a lot of the dialogue is very touching.
The second couple of YiDiao is very mysterious to the point I have virtually no understanding of their backstory, but they are still interesting - their emotions towards each other are very complex and that keeps them engaging. I'm not watching BL's for skinship and kissing but there seems to be quite a lot of it in this series, and I can't help but think that's a positive - there should be more of this stuff in general in BL's. I hate to see the series where there is just one timid kiss at the finale.
Just remember there was probably 6 episodes with virtually nothing going on, and that the rest of the plot was on the point of being just a random collection of events. I don't recommend this show to anyone, because it was all style and no substance. The idea of incorporating French culture into a BL was done on a wholly superficial level. What would have been nice would be if they had perhaps incorporated some more elements of the story of the Little Prince in the series, but all allusions to that story were also done on a very superficial level. 4 out of 10 for me, but I still enjoyed Theo and Akk so if that was what you came for, you can still enjoy them if you skip over about 80 percent of this series.
The acting was just perfection and was perhaps the most well done in any BL, ever, especially if you look at all the side characters, as well. Gun Attaphan has been a great actor for a long time, and plays many roles outside of BL’s, so I was not surprised he pulled off his roles with such professionalism, but the series did pose him a bigger challenge than normal, having to portray two completely different personalities in one drama. I have a theory that the other actors had to step up their game to match his flawless performance, but they were all equally great. Sean was totally immersed in his character like I’ve never seen from him before. Even though First and Fluke have had other roles I’ve never seen them give out Oscar worthy performances before, and I still feel their acting was the most intense in this series. There was such great acting by the side characters like Todd (Sing), and Tawi (Pae) who perfectly expressed the evil of the corrupt oligarchs that run Thailand. The girls in the series Eugene (Lookjun), and Namo (Film) carried out their roles with great sympathy, and I never felt like they were an afterthought like in most BL dramas. I would also like to convey how much I loved the part of Yok’s mother – she was so magnetic and beautiful in her role, and easily the most loveable character in this drama.
I think that the whole drama is one that I feel is a landmark for the BL world, and part of the renaissance that began with I Told Sunset About You. It sets the bar very high for any future drama and will always be a classic for this genre. I feel a sense of euphoria having watched this like I have never felt for hardly any other movie or drama, and I feel I have taken away so much from this, even philosophically. I like the slogan at the end “Not me, Not you, But Everyone,” and hopefully this drama will help convince people that political change can only come about with everyone working together to promote change, and like Gumpa said, even as people had to have a revolution to come out of caves and form civilization, revolutions will always occur, and people should always have hope that they can create a better society.