Tanky Toon

Story: Mainly about a group of boys who are about to graduate and find themselves anxious about serving in the military as required by all able-bodied males of a certain age range.

Acting/Cast: With such a short time to digest, I couldn't distinguish who's who.

Music: Nothing worth noting.

Rewatch Value: Re-watch only if you are seeking more answers to your unanswered questions.

Overall impression: The main focus of the show is the jarring procedure of venesection, practiced by one of the protagonist. It's brutal and bloody, and showcases the extremes that some people take in order to avoid going into the military.
This ordeal is not lost on the men as the threat of being "exposed" looms over their head.
While the short film started out as Heartbreaking, the final scenes became horrendous and unnecessary.

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I stayed for the soundtrack, not the stunts

I’m trying to figure out how to review a touching drama with subpar acting. Don’t get me wrong, I enjoyed this show immensely, with its message of going after your dreams and never giving up. What detracted me from the show is the contrived conflict that they produced, as an excuse to dismantle the band. 

The start was encouraging, especially given Bloom’s supposedly low popularity as a boy group, so it makes absolute sense if their performances were lack luster. By the show’s end, I thought they would have improved, but they flashed the same old choreo and some of the wardrobe choices that should have been left inside the closet.  

The friendly family feel between Asuka and the group was nice, but I’m unsure how Yuri living in the dorm advanced the story. Is that even allowed? What gives Asuka the right to let her sister stay on company property without prior consent from the boys or management? Why even bother adding the sister’s backstory? It served no purpose, just as the last-minute addition of an ex-member did to the plot.  

I think it’s the ear-worm soundtrack that saved this drama. The songs were stuck in my head for weeks. I also appreciated how delicately the drama handled the age-gap and teacher-student relationship. It was sweet and not bordering on creepy or icky territory. One might even call it understated romance, as Dan clearly felt stronger romantic feelings for Asuka, but it’s unclear if Asuka reciprocated those feelings to the same degree. Her feelings for Dan might simply be those of a mentor towards a mentee. It was very vague, and perhaps Asuka’s fondness had no further meaning beyond encouragement. While some people were clamoring for a kiss between Dan and Asuka, I’m content with a hug as a conclusion to their relationship.

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A love story with more casualties than actual battles

The premise of a badass female assassin, coupled with an equally formidable leader of the opposing nation -- this is a rivals-turned-lovers plot that is right up my alley. Initially, their relationship was captivating, a passionate, even aggressive game of cat and mouse, with Ru Yi claiming Yuan Zhou as the father of her unborn children. Talk about brash and bold, with a not-subtle hint of non-consent. Why the writers decide to ruin such a character with this character flaw is beyond me, but I guess this is her shortcoming. Otherwise, Ren Ru Yi is unbeatable.  

For his part, Ning Yuan Zhou was supposedly indestructible as well, that is, until he succumbs to the offensive charms of Ru Yi. Trying to get away from a life in the court, did not last long as he had been called to task by the Prime Minister to go into basically a suicide mission. Because he had nothing better to do, Yuan Zhou complies and brings along his comrades who have been equally withering away due to the lack of exercise.  

We see all the pomp and circumstance of dressing all of them in dashing blue uniforms, so women (or perhaps men, too) can have their pick. The drama regales us with their backstories, so we all can be emotionally attached when they venture into enemy territory, because their unworthy king’s ass needed to be saved.  

Everything was going as well as it should, despite many setbacks. With a traitor, ten or more, an inexperienced prince, and a hidden assassin amongst them, it’s a miracle Wu’s delegation made it halfway without killing each other—internal conflict was inevitable.  

Meanwhile, we see that the State of An has their own unsavory characters, beginning with the Emperor and his unruly sideburns, and of course, the man-child Li Tong Guang who has an obsession with his master and with a curling iron. One would expect that seeing Ru Yi and Yuan Zhou’s affection so often would discourage him, but it only intensifies his anger. Like dude, you have zero chance. How many times should they tell you?  You want them to have sex in front of you? On second thought, Li Tong Guang might enjoy it. Scratch that.

While most of the secondary cast were adorable, there were some that were underutilized. For example, Chu Yue and her father; I really thought that they would be more prominent in the drama. Instead, the drama included insignificant quibbles of the An princes vying for the throne. The story would have benefited from a reduction of flashbacks about the dead Empress and more development of subsequent scenes.  

By the show’s halfway mark, I found Ru Yi and Yuan Zhou’s romance unconvincing; their willingness to leave their comrades while going on dates felt contrived. The most ridiculous part was the pair lip-locking on the battlefield as if death and destruction weren’t around them. Meanwhile, the soldier’s on the field: “Hey guys, it’s rude to kill them while they’re making kissy-faces, so let’s just leave them alone.” Duh!

The only character development that I admired was that of Yang Ying's. From a vulnerable princess seeking marriage to her childhood crush, she grew into a strategic and benevolent ruler, bravely facing her enemies while caring for her subjects.  

Because it was highly rated, I expected this drama to be amazing, which is a mistake on my part. It might have been better to watch the drama without preconceived notions. While I anticipated a casualty or two—Yuan Lu, whose illness meant he’d likely not live past 20, and potentially Sun Lang or Qian Zhao—on this journey. So many deaths happening in rapid sequence and so suddenly was completely unexpected. I prefer them all dying, or, failing that, at least Yi Shi San surviving to recount their heroic sacrifices to future generations. I think killing him off is the gravest sin of all.

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Dynasty drama with politics, power, and plot holes you can ride a horse through

While this drama slowly started as a woman trying to shirk her filial duty into marrying into a noble family, it became so much more than this. Zhuo Hua rose from being an unrecognizable member of her large family, to becoming one of the highest-ranking officials in the land, through sheer effort and cunning capabilities.  

Early on, Zhuo Hua meets the formidable, unemotive general Liu Yan, who seemed old enough to be her father. While I was initially dubious about their pairing, their quirky interactions are adorable that I can’t stop smiling throughout their courtship. My initial worry that the ML would be controlling was unfounded as the show depicted him allowing the FL to grow independently.  

That worry later turned into fear when Liu Yan looks like he's at death’s door and would croak at any moment's notice. I wasn’t even sure if he will last another episode, so when he dies halfway through, I was resigned to the fact that he will stay dead. So with Liu Yan out of the way, I’d begun to root for Zhuo Hua and the Crown Prince, hoping they’d get together, though I knew that typical plot devices would likely prevent it. 

Disregarding the plot, the cast delivers a respectable performance in this drama. Though she turns out to be a righteous villain, Wang Li Kun embodied the Princess Ruo Jia perfectly, that I could not even hate her when she veered off the path. It was such a satisfying watch seeing how everyone try to outwit each other to achieve their goals.  

The only thing that disappointed me is the loosely wrapped arcs of the other princes and Yun Yun’s, as if they faded into obscurity without getting their just deserts. But otherwise, this drama is an engaging watch if you don’t mind age-gap romance.

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I came for resolution. Got flashbacks, filler, and secondhand discomfort instead.

Although I enjoyed this drama, this did not quite pack the same punch as the first. It was a watered-down version of the original premise I loved, although no less significant. Here, we see the stronger individuals that the MCs have become, but they could still rely on each other.  

I am quite unsure how I feel about the brother arc, though. I am not saying that it was an unnecessary addition to the plot, but I would have liked it expanded to include the parents’ role in Mikoto’s abandonment.  

While the first season was very self-aware of the implications of presenting a taboo relationship, the second season pushed the envelope further by uncovering their past entanglement. During the first installment, we can excuse this as a mentor preventing a mentee from attempting suicide, as a life-changing lesson, but it is harder to prove the naysayers wrong with this problematic second season.

However, the drama is still very cognizant of the fact that this is a taboo relationship when Mikoto rejects all of Haiba Jin’s advances. She explicitly says she will wait until they are no longer in a teacher-student relationship before being intimate. To this end, we can say that the production is doing their due diligence by not showing any type of skin-ship between the two.

Having said the above, this drama is still a decent watch, although unnecessary. I would have been satisfied if the show had ended with the first season. This is more of a filler for the staunch fans of the pair.

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Romance with HR violations, but make it wholesome

Typically, what we see in Boss-employee dramas is that the Male Lead being the domineering CEO, catered by a savvy, sassy, or silly Female Secretary. So, when a role reversal appeared in the drama world, I was definitely intrigued, and this drama did not disappoint.  

It has all the hallmarks of a decent drama. From the expected banter to the secret relationship cliche, this drama has it down pat. I barely remembered both leads in their previous roles One Spring Night and Stranger, but in this instance, the chemistry between the actors is palpable on screen.  

Lee Jun Hyuk is quite adorable in his role of a single-father who prioritizes his child’s mental well-being over his career advancement. Well-organized, and extremely resourceful, Yoo Eun Ho is perhaps the poster-boy for all green-flag male characters ever in K-drama land, especially for those women who didn’t mind dating somebody with a child in tow.  

And Kang Ji Yun didn’t seem to mind. In fact, despite her prickly, almost anti-social demeanor, she hit it off with Eun Ho’s child, unbeknownst to the father. Han Ji Min delivers all the sass and seriousness needed by her C-suite level character. Initially feared by her employees for her coldness, Kang Ji Yun uses it as a shield against emotional pain stemming from her past, and not as a sign of indifference.  

Eun Ho’s thoughtfulness and warm heart gradually thaws Ji Yun’s icy demeanor, that she eventually garners respect from her employees enough that they stood by her during the hard times. While I enjoyed the primary plot line, the secondary pairing felt contrived for me.  

I wasn’t entirely convinced the second male lead, who once felt something for the female lead, would fall for the second female lead, who had loved the male lead for a long time. While I understand that dramas sometimes employ such tropes, I find the sudden and inexplicable shift in their affections, solely attributed to rejection by their first loves, to be somewhat implausible.

Not saying that the second leads’ performances were poor; it was the quick escalation of their relationship that dissatisfied me. The rest of the cast were also decent and Eon Ho’s daughter was as adorable as the father.

While the plot moved at a good pace, I was hoping for more details about Ji Yun’s experiences at her previous job, as the potential for a great arc was present. Some plot points were irrelevant and quickly brushed aside. But overall, this is a decent attempt at reversing a common trope on its head.

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Corporate perks meet fake love... and one very real dildo duel

Noona romances are one of my favorite sub-tropes, and thankfully this is one of the better ones. I’m not really a fan of Shin Min Ah, though I’ve watched some of her dramas and I’m lukewarm towards Kim Young Dae; but in this drama, I think they work and look good together, despite comments to the contrary. I find Shin Min Ah’s portrayal of a woman, who is very calculating by nature, in the sense that is not evil or manipulative, but she measures her life in pluses and minuses. Her enjoyment increases if she thinks she’s ahead in life and decreases when she suffers a setback. So when she finds out that the company gives better perks to married employees, she takes advantage of this by hiring someone to pretend to be her husband.

Enter Kim Young Dae as fake groom Kim Ji Uk, who cruises in life despite his wit, seems to be satisfied with working a low-paying blue-collar job, rather than being a corporate slave. An animosity seems to exist between our main characters, perhaps due to a clash of values or some unforeseen circumstance that will be revealed much, much later. But on the get go, the beef between these two hate-birds was so fun to watch.

The only people who are privy to this facade are Hae Yeong’s foster sisters, Ja Yeon and Hui Seong. Each has their own opinion on the matter, but they have their own problems to deal with. Frankly, I couldn’t care less about these two. Sorry, not sorry. And neither was I really invested in their love lives. Although Ja Yeon’s story might be more interesting, only because of the hilarity surrounding her hidden identity as a popular web novelist who writes smut. And coincidences of all coincidences, Ja Yeon encounters one of her detractors who happens to be boss of so and so, who happens be the son of so and so, and she happens to be friends with so and so, who happens to be the secretary of so and so. You know, typical small world.

Speaking of small worlds, Ji UK’s sudden presence at Hae Yeong’s company shocks her. Despite her efforts of keeping a distance from him, Ji Uk turns out to be a quasi-Peterella, wearing all fancy clothes, driving a sweet ass car, living in a snazzy apartment. The scenes of both Hae Yeong and Ji Uk avoid suspicion are funny as heck. And even more so are the instances where misunderstandings pile on other misunderstandings between Gyu Hyun and Ja Yeon. Then there’s a scene where most of the main cast gathers at Chairman Bok’s table, and we slowly see the faint dots connecting each other. Could it be that the already small world could get smaller?

The second half of the show explores this complicated relationship among the characters, with further plot twists thrown into the drama. You would think that by throwing fruit into a veggie salad and it will taste better. Not only we get mistaken identities; we get countersuits; we get a murder mystery that’s not really a mystery; we get polyamory; we also get a Mother who lived in a shoe, She had so many children, she didn’t know what to do.

And whew, I just got exhausted from that, so imagine watching it snowball into a dildo fight. Yes, you read that right. I’m not exaggerating this time. Then, the rollercoaster ended suddenly...wait a minute...is this a joke? They inserted the very dreaded TIMESKIP, because they do not know how to tie a neat bow without it. What the ever loving duck did you do to me???? Who does that??? Then, as easily as they pulled the plug, they just like flicked the switch and said, here you go, here’s your short happy ending. This is like somebody showing me the laborious way they baked a cake for twelve hours, only to just have me taste a smidge. This is definitely NO FAIR, NO LOVE.

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Flashes of warmth, floods of cringe—welcome to a drama with mixed prescriptions

I was bracing myself to watch this drama. On one hand, after hearing this would be a romance drama with Park Shin Hye, I immediately thought, “Oh my gosh, she’s going to screw this up isn’t she, with her notoriously horrible on-screen kissing?” Then there’s Park Hyung Sik who was brilliant in SWDBS and soundtrack#1. So I was mildly surprised to see Shin Hye’s vastly improved lip-locking skills, but her crying skills were so bad that even my nine-year-old could outperform her.

Speaking of cringe, I wasn’t sure whether Hyung Sik was supposed to be a plastic surgeon in this drama, or a dentist, because the abundant times of him flashing his pearly whites were as if he’s trying to drum up sponsorship from Colgate. So it’s no wonder that, with his high visibility, that he’s an easy target. He went from high-profile to lying low in a nano-second, and somehow ends up staying at his ex-rival, previous crush’s house, because Korea is THAT small.  

And while both Ha Neul and Jeong Woo’s careers are in the dumps, they cling to each other like Jack and Rose aboard the small wooden door from the Titanic. Their acting could not save them both from this drama, but you know who does? Surprisingly, it’s the rest of the cast, who were more natural in their roles. Seong Ha and Yoon Park have this cute chemistry going on as the second couple, and they were adorable as Hong Ran and Dae Young. Both single parents leading busy lives and were awkward with their own children, but somehow could lend each other support and give sound advice for the other.

I also particularly loved Jang Hye Jin as Ha Neul’s mother; I’ve seen her in many dramas and she’s just that lovely ahjumma who embodies the nurturing figure, while trying her best to understand her daughter despite initial misconceptions. By no means perfect, she tries to impress her nosy, one-upping relatives, and in the end, learns to accept that her children’s health and happiness are more important than having illustrious careers.  

Another weak point in this drama is the surrounding mystery of how Jeong Woo’s patient died, or what made him the scapegoat for that death. Although I sensed who the culprit was from the beginning, I didn’t know that there were other layers in how this came to be. I wasn’t sure whether it was necessary to the plot, but I guess the writers deemed them important enough to include them in the drama.  

There were other half-assed attempts at introducing characters into the drama who bear very little relevance, aside from showing the juxtaposition between real friends who stick with you or pretend friends who are only with you, when things are going great.  

Ultimately, this series aims to tell you that misfortunes happen, but when they happen, it is how you cope with them that matters, and having supportive friends and family who help you along the way is a crucial part of that journey.  

IMHO, this show delivered the right message with partly the wrong execution.

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It didn’t surprise—but it didn’t offend. Just floated in the drama middle zone.

I was not so keen on watching multiple versions of the same story like I used to when I had more time, but this show came highly recommended. You may ask: aren’t most dramas these days rehashed works of the same story, using the same tropes and plot devices, but just used a different name or a varied setting, and you have the same old, recycled drama, only all jazzed up. But I digress.

This Japanese adaptation did not hold my interest at first. The characters seemed disconnected from each other. Especially off-putting was Risa’s character. I already knew going in that she would impersonate her best friend for her own selfish desires. One may also argue that she had Sato Ai’s permission to do so in the first place, and therefore, it was acceptable. But she continued the pretense without Ai’s knowledge, and she did not seem remorseful about it; that midway through the show, I put this on hold for quite some time.

Picking up a second time where I left off, the show fared better, but not by much. My impression of Sato AI has improved, especially with how she dealt with the obstacles and challenges thrown her way. Sosuke, on the other hand, remained just a pretty face. He had very little chemistry with Sato Ai and had more engagement with Takuya. Speaking of Takuya, I did not feel a strong Second-lead syndrome like I did with the original Korean drama, though no fault of the actor.

The revelation at the end was no surprise to me. Perhaps if I watched this first, I might have a different opinion about this drama. There’s very little difference between the two titles, except this is less angsty and shorter, of course. What this Japanese version did better for me was the portrayal of female friendships. Perhaps due to its length, this show wasn’t able to explore much else. Nevertheless, it’s a decent copy of the original.

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One clueless boy. One clever girl. One endless loop of emotional whiplash

This is unexpectedly cute and sweet. The joys and confusion of having a middle school crush are being explored in this drama. For years, Takagi has been one-upping Nishikata in terms of jokes and pranks that the latter becomes frustrated. But every time Nishikata thinks he has gotten his revenge on Takagi, she outsmarts him. Despite this, both spend more time with each other than they ought to be, when Nishikata is supposed to dislike Takagi.

I loved the passive-aggressiveness of Takagi, juxtaposed with the naivete of Nishikata. Tsukishima Rui is fantastic as the witty girl who is harboring a not-so secret crush on her classmate. Meanwhile, Kurokawa Souya is adorable as Nishikata. His expressions are on point, especially when he becomes surprised that Takagi always got the better of him.

Their innocent flirtation is the crux of this story, and how they are more bonded to each other than they realize, particularly by the oblivious Nishikata. This drama captures the essence of that first sweet instance of blooming love, that I am too afraid to watch the sequel lest that bubble break.

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The premise sounded interesting, about someone who possessed the ability to read other people’s inner thoughts. Don’t we all like to be mind readers sometimes, but the reality of that ever happening would be scary for both parties. With this ability, not only would the listener be overwhelmed with unsolicited thoughts (especially if they’re negative), but they wouldn’t have to make an effort to understand the other person better. For the non-listener, their confidentiality would be violated. I believe that some people should be granted privacy, especially if they have no intention of disclosing their true intentions without filtering them first.

In this drama, Motomiya fortunately used this power mainly to communicate with her voiceless, quadriplegic father. She also used this ability to help her business, and she did not use them against others. Also, because of this talent, she gained a better awareness of other people’s sufferings as she tried to assuage their fears. But her reliance on this ability was tested when she encountered Yoon Tae Oh, who thought in another language that she couldn’t understand.

Motomiya tried to interpret Tae Oh’s internal musings, but she shouldn’t have worried though, because Tae Oh was forthright about his feelings. Whatever that was in Tae Oh’s mind, he voiced them and was sincere about it. Yuri doubted this, because in her experience, what one says aloud doesn’t always reflect their innermost thoughts. She developed some trust issues because she couldn’t believe that some people can be actually that pure-hearted and kind.

I loved Tae Oh’s character specifically because of this innocence about him, that he’s open and that he wears his heart on his sleeve. I also loved the interaction between Motomiya and her father, how their bond was so close despite the tragic accident that befell him. Motomiya could not get over her part in her father’s disability, but she kept forgetting that he would have done anything to protect her, and would not blame her for it.

I wasn’t keen on the other characters though. Even the story-line of the second couple was ho-hum for me. The plot, though simple, was not fully explored, as I would have liked it to be. I would have been interested in the fantastical nature of how she came to possess that ability to hear people’s thoughts. Though the drama made some reference, albeit briefly, it wasn’t enough for me. The saving grace of this drama was truly Chae Jong Hyeop’s portrayal of this mild-mannered, happy-go-lucky man who refused to let his chance at love be consigned to fate.

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I nearly dropped this drama after watching one episode. In the beginning, the antics, though funny, seemed forced. The main characters were not only stubborn, but clueless about each other’s plight, often making assumptions they were out to get each other. I almost gave up if it were not for Jung Woo and Oh Yeon Seo’s performance. Their pairing may not be your typical drama couple, but they brought out their A game in this show.

Jung Woo stars as Hwi Oh, a cop who could not control his temper. Despite his good intentions, Hwi Oh believes his outbursts are justified, considering what happened to his colleague. Meanwhile, Yeon Seo stars as Min Kyung, a woman who’s constantly paranoid and keeps looking over her shoulder. She thinks that everyone she encounters will hurt her, therefore she hardly ventures out unless absolutely necessary. She assumes Hwi Oh to be a relentless stalker, as he appears everywhere she is, not realizing he’s her neighbor. After realizing her mistake, Min Kyung lowers her guard after finding out that Hwi Oh was a police detective, currently unemployed because of his suspension from the force.

As time goes by, the two slowly form an unlikely bond. We see both Hwi Oh and Min Kyung grow fond of each other and become accepting of the other’s quirks..We see them relying on each other during difficulties, and how they care for each other despite struggling with their own issues. Hwi Oh’s pursuit of justice sometimes lands him in precarious positions, as he did not have authority to conduct investigations because of his suspension.

On the other hand, Min Kyung had to deal with her POS ex and his manipulative mother. The deliberate sabotage of Min Kyung’s already fragile reputation, led Min Kyung to be shunned by the condo community. And here we see how endearing Hwi Oh is, by standing on her side despite the lack of proof to the contrary. However, even this wasn’t enough for Min Kyung who questions every motive of Hwi Oh going close to her. The previous trauma that she endured, made Min Kyung unable to trust anybody, even herself. Not wanting to seek help or seem weak, Min Kyung tries to tackle everything by herself, even if it’s to her own detriment. Meanwhile, Hwi Oh tries his best to be there for Min Kyung, becoming her protector and guardian.

But the story is more than the developing relationship between these two main leads. We have to appreciate the secondary characters, acted out by an amazing cast. They exist in the drama not merely to support the plot to its fruition, but they each have a role in asserting how society can stigmatize people with mental illness. The show also highlights the importance of not jumping to conclusions, especially when you don’t know the entire story. There are always two sides to a coin, and it may be worth your while to fully understand what’s going on before making hasty judgments.

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Story: Two boys go from friends to being more than friends, but less than lovers. Their shenanigans escalated from silly things like spinning bottles on their foreheads, to more brazen acts like throwing Molotov cocktails in public streets. And at some point, probably experimented with each other during one of these reckless escapades. But to what extent, we don't really know.

Acting: The actors are not too shabby.

Music: Unmemorable.

Rewatch Value: If only to figure out whether some parts are a dream or the reality.

Overall: We see two friends bonding with each other for different reasons. Jie Yu uses his friendship with Yan Shiu as an escape from the real problems his family had been facing, with his mother working hard, and still had to help at the shop his father was supposed to oversee. His father doesn't seem to take responsibility; he wakes up late and he runs off to "business trips" that no one knows where he really went. Tired of picking up his father's slack, Jie Yu goes and spends more time with Yan Shiu. But the time spent made Jie Yu confused about what he really feels, especially when sex gets in the mix.

All the scenes of both boys being together are interspersed with scenes of Jie Yu riding solo on the streets. The camera work was choppy as the frames go back and forth the present and the past. If the film's intent was to confuse the viewers, it certainly did its job.

So many questions were left unanswered. Was Jie Yu running away because he had developed feelings for Yan Shiu , or was he just escaping the increasing intimacy of their friendship? Was Jie Yu denying his sexuality or was he afraid that Yan Shiu was only fooling around and wasn't as invested in their friendship as he was? Nevertheless, we will never know whether the lovemaking between them really happened or just a figment of Jie Yu's imagination.

I'm leaning towards the belief that they did sleep with each other, since Jie Yu said he wanted to go back to being friends. But whether he meant it or not, was another question.

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With a title like “Silent,” I had a feeling that this would be an emotionally heavy drama. The drama begins with the story of a woman who is currently engaged to her boyfriend, but she still sometimes wonders about whatever happened to her high school sweetheart. Tsumugi’s fiance, Minato, also spent time looking for that same answer, because back in high school, the three of them were friends. Their trio dissolved when Sou cut all ties with people who knew him before he lost his hearing.

After the three united later, not by choice on Sou’s part, things begin to change. Despite Tsumugi’s insistence that it is Minato she loves, he ends their relationship anyway because he knew he couldn’t hold a candle to Sou’s place in Tsumugi’s heart. On the other hand, Sou pushes Tsumugi away, and shoots down any semblance of rekindling their old feelings for each other.

Throughout the entire show, I felt that Minato’s self-sacrifice was unnecessary. He did not give himself any credit for being good enough for Tsumugi. And the same goes for Sou, who arbitrarily assumes that no one, not even his girlfriend, would be supportive of him if he divulged his condition. His faith and trust in Tsumugi was so little that he did not think that Tsumugi would be there for him when he eventually becomes deaf.

Although I understand the part where Sou considers himself as a burden to others, and his self-exclusion was just a coping mechanism that he adopted. Meguro Ren as Sakura Sou portrays this man who has hearing loss with great care and sensitivity. He is certainly the star of this show.

The rest of the cast also carried their own weight and delivered performances that are nuanced and natural. From Kawaguchi Haruna as Aoba Tsumugi to Kaho as Momono Nana, everyone did their utmost best in representing their characters.

The drama touches on the struggles of people with hearing impairment, how some may deal with the condition (whether from birth or later in life), and how the people surrounding them may deal with the issue differently. From the overprotective mother to the supportive sister, each of them shapes how Sou views the world as being unable to hear.

The drama also dispels some assumptions that people with hearing loss can have on those who do not have to deal with the same condition and vice versa. This poignant drama will make you feel empathy for those who live in a world filled with silence.

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Nothing prepared me for this drama. I went in with no expectations, and I came out with a new understanding of how people can take different paths in life, and still succeed as long as they put their heart in it. Not to say that they haven't produced dramas with inspiring messages of how to live your life to the fullest before. But this sports-oriented show delivers that message without being preachy.

The drama kicks off with Zhou Yu Tong as an efficient personal assistant who is quick on her feet, excels at handling multiple tasks, and successfully resolves many issues for her demanding boss. Liang You An crosses paths with an athlete trying to make ends meet by joining a competition sponsored by You An’s company.

Song San Chuan becomes smitten with You An at first sight, and his loyalty is endearing and his smile adorable all throughout the drama whenever You An is around. He latches on to You An as his saving grace when he finds himself in limbo and could not get past his trauma playing professional badminton, as it reminds him of his mother, who abandoned him during one of his important matches. You An saw San Chuan’s potential and suggested that he switch sport.

New to tennis, San Chuan struggles to find his footing with his unambitious teammates and a new coach with peculiar training methods. But his tenacity and You An’s faith in him made San Chuan shine in a sport that had shunned him at the beginning. Through this journey, San Chuan understands he can rely on his family and friends for support, and that he didn’t have to bear all the burden. I also liked the fact that You An developed a backbone and learned how to say no to her ex-boss or to others who thought they could easily manipulate her.

I enjoyed this drama a lot, and there were no secondary or tertiary characters that made me pull my hair. All the characters were well-rounded, even the seemingly devious ones. “Nothing But You” tells us that everyone can achieve their dreams: if you don’t give up, have faith in yourself, and have supportive people surrounding you.

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