Some of these scenes between Tang Lici and Fang Zhou are so dear to me.
Fang Zhou saved him from the sea of suffering, gave him love, tolerance, and trust, taught him the meaning of life, and was his spiritual leader. Tangjia only truly began to have a "Home" after obtaining the name "Lici" and Fang Zhou’s death was the end of his beautiful life and the beginning of his lifelong longing.
There is a twist in Ep4 regarding it and he is very much obsessed with Fang Zhou and Liu Yan, to the level he…
Nah, he wasn’t framed back then, just Fang Zhou’s death was not his fault and he even wanted to save him by taking Fang Zhou’s heart out and implanting it into his abdomen.
There is a twist in Ep4 regarding it and he is very much obsessed with Fang Zhou and Liu Yan, to the level he…
Twist about the guy whom he kicked off the boat in Ep4. And I fear you are not going to get answers anytime soon.
He was not actually at fault, and even without him, Fang Zhou’s life would have ended. The tradedy between these four brothers has something to do with an outside force, it’s complicated😅
Seems like IQIY has a totally different synopsis of this one. Wonder how many different ones there are out there.Edit:…
The synopsis differs as there are two different worlds in it. This one is more in alignment with the plot of another world while what we are currently seeing is the Jianghu one. I have already submitted one that is more Jianghu coded and doesn’t spoil much.
“The wind blows the tiles on the roof, and a tile falls and hits my head, i don’t blame the tile for it is not free. Is the wild’s fault, tile’s fault or my fault for standing beneath the roof?”
The scene between Tang Lici and the abbott have left an impression on me the most. It establishes the base for the underlying philosophy the drama is going to delve into and reflects Tang Lici’s inner conflicts.
Tang Lici knows his senior brother killed someone under a false identity, and he is troubled by the causes and consequences, the rights and wrongs of it all. The Abbott uses the analogy of a tile falling on someone’s head to point out that no one is at fault.
Sometimes, misfortune and fortune aren't the result of a single event or mistake, but an intertwining of causes and conditions.
The wind, a natural force, blows and dislodges the tile. The tile, an inanimate object, has no intent. In Buddhism, natural forces like the wind are not sentient and lack intention (cetana), which is crucial for karma. The wind blowing is a condition, not a moral agent, so it cannot be "at fault" in a Buddhist sense. It’s simply part of the natural interplay of causes.
You, standing beneath the roof, are injured, but the question of "fault" depends on how we define responsibility. The wind’s fault? The wind is a natural phenomenon, not a moral agent. It doesn’t choose to blow or aim to cause harm. Blaming the wind is like blaming gravity for a fall—it’s just a force doing what it does.
The tile’s fault? It’s an object, devoid of will or decision-making. It falls because of external forces (wind, gravity). Assigning fault to the tile makes as much sense as blaming a rock for rolling downhill.
In a Buddhist context, the question of fault for a tile falling and hitting your head due to the wind can be approached through core Buddhist concepts like karma, interdependence, and the nature of suffering, rather than assigning blame in a conventional sense. Buddhism emphasizes interdependent origination (pratītyasamutpāda), meaning all phenomena arise from a web of causes and conditions, none of which exist independently. The wind, the tile, the roof, and your presence under it are all part of a chain of interdependent events. Assigning "fault" to one element misses the broader reality of interconnected causes.
“What is the relationship between Tang Lici and the Yique Yin Yang (Yin Yang Fawang)?”
The official weibo is more impatient than the fans, dare I say the relationship between them is soulmatisim?
https://weibo.com/7877145645/QaLFZswwl
Fang Zhou saved him from the sea of suffering, gave him love, tolerance, and trust, taught him the meaning of life, and was his spiritual leader. Tangjia only truly began to have a "Home" after obtaining the name "Lici" and Fang Zhou’s death was the end of his beautiful life and the beginning of his lifelong longing.
He was not actually at fault, and even without him, Fang Zhou’s life would have ended. The tradedy between these four brothers has something to do with an outside force, it’s complicated😅
The scene between Tang Lici and the abbott have left an impression on me the most. It establishes the base for the underlying philosophy the drama is going to delve into and reflects Tang Lici’s inner conflicts.
Tang Lici knows his senior brother killed someone under a false identity, and he is troubled by the causes and consequences, the rights and wrongs of it all. The Abbott uses the analogy of a tile falling on someone’s head to point out that no one is at fault.
Sometimes, misfortune and fortune aren't the result of a single event or mistake, but an intertwining of causes and conditions.
The wind, a natural force, blows and dislodges the tile. The tile, an inanimate object, has no intent. In Buddhism, natural forces like the wind are not sentient and lack intention (cetana), which is crucial for karma. The wind blowing is a condition, not a moral agent, so it cannot be "at fault" in a Buddhist sense. It’s simply part of the natural interplay of causes.
You, standing beneath the roof, are injured, but the question of "fault" depends on how we define responsibility. The wind’s fault? The wind is a natural phenomenon, not a moral agent. It doesn’t choose to blow or aim to cause harm. Blaming the wind is like blaming gravity for a fall—it’s just a force doing what it does.
The tile’s fault? It’s an object, devoid of will or decision-making. It falls because of external forces (wind, gravity). Assigning fault to the tile makes as much sense as blaming a rock for rolling downhill.
In a Buddhist context, the question of fault for a tile falling and hitting your head due to the wind can be approached through core Buddhist concepts like karma, interdependence, and the nature of suffering, rather than assigning blame in a conventional sense. Buddhism emphasizes interdependent origination (pratītyasamutpāda), meaning all phenomena arise from a web of causes and conditions, none of which exist independently. The wind, the tile, the roof, and your presence under it are all part of a chain of interdependent events. Assigning "fault" to one element misses the broader reality of interconnected causes.