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I remember the scene you mentioned, and I think it could also be connected to her daily runs. It wasn't just about fulfilling her promise to cut down the tree; it seemed to serve as another coping mechanism for her, especially after her grandmother's death. The drama repeatedly shows how Ye Li tends to channel her emotions into actions rather than openly confronting them.
As for Li Shan Mountain, I also believe it was still a thriving place when Ye Li first arrived after her mother's death. We saw scenes of her and Prince Li attending classes together, interacting with other students, and being guided by their masters. The academy felt lively and full of life. That's why I think the tragedy happened later, possibly around the time Prince Li was forced to leave due to the emergency.
That departure could have been the turning point that changed everything. The drama has already shown that Ye Li harbors resentment toward Prince Li, and I don't think it's solely because he left. It may also be tied to the fact that people from Li Shan who accompanied him ended up dead. Whether the tragedy occurred during his absence or shortly afterward, that timeline feels significant.
I've also seen clips circulating on social media from the trailers. Aside from the scene where Ye Li appears to be fleeing, there was another where she wore a white scarf over her face while people carried bodies away on stretchers. Because of that, I think the plague theory is becoming increasingly plausible. If Li Shan was struck by an epidemic and subsequently sealed off, it would explain a lot. Her resentment could stem from the fact that no one from the capital came to help them, leaving the people of Li Shan isolated and without adequate medical supplies during a crisis.
After Episode 17, I think the doctor's explanation to Mo Xiu Yao is likely true. Qing Shuang was a real person, but she died a tragic death. Considering Ye Li had already lost her mother, it's understandable that she would have viewed Qing Shuang as a sister or one of the few remaining people she considered family. Losing her must have left a devastating impact.
That's why I agree with your interpretation. Ye Li's mind seems unable to fully accept Qing Shuang's death, so she continues to manifest her presence as a way of coping. What makes it even more interesting is that Ye Li rarely allows herself to appear vulnerable, yet we constantly see that vulnerability expressed through Qing Shuang instead. It's almost as if Qing Shuang embodies the emotions Ye Li refuses to show.
Trauma affects everyone differently, but Ye Li's response seems to be extreme self-control. She copes by appearing strong, composed, and unaffected because showing weakness would make her feel exposed and unsafe. We see this pattern repeatedly. Even when her evil grandmother died, she never truly broke down in front of Mo Xiu Yao. She carried herself as though everything was fine, despite clearly being affected.
As I've mentioned before, I don't think everyone at Li Shan died immediately after Ye Li arrived there. The timeline we've been shown suggests that life at the academy continued normally for some time. Whatever disaster struck likely happened months later, after Ye Li had already formed deep bonds with the people there. In a way, that possibility makes the tragedy even more heartbreaking because it means Li Shan wasn't just a place she lived—it became her home before she lost it all.
What's interesting, though, is that part of her seems aware of the reality of what happened at Li Shan Mountain, yet she continues to speak as if the people there are still alive and well. It feels less like ignorance and more like a coping mechanism—a way of protecting herself from a truth she cannot fully confront. The drama repeatedly hints at her loneliness, which is why I see Qingshuang isn't just her companion, but also a manifestation of that coping mechanism. She often appears during emotionally significant moments, almost as if she's filling a void that Ye Li cannot bear to face alone.
That said, I don't think schizophrenia is the answer either. One detail I can't overlook is the chess scene with Mo Xiu Yao. Her martial arts instincts suddenly surfaced, yet she seemed completely unaware that her own body possessed those skills. Then there's the snake incident. As far as we know, she was the only one present, yet she couldn't recall herself being the one who killed the snakes and instead attributed it to Master Zhu. It doesn't feel like she's intentionally lying—it feels like her mind is processing those traumatic memories through distorted recollections or hallucinations.
That's why I find the dissociative amnesia theory much more convincing. The memory gaps seem specifically tied to traumatic events, which would explain why certain parts of her past remain fragmented while other memories are intact. So I agree with your theory about it being DID, because dissociative amnesia is actually one of its hallmarks. The clues also points toward trauma, dissociation, and fractured memories rather than a primary psychotic disorder.
Of course, this is all speculation for now, but the more clues the drama gives us, the more convinced I become that the real mystery of Li Shan Mountain isn't what happened there—it's what happened to Ye Li herself.
I also think it was a turning point for Ye Li. The fact that she was the one who initiated the kiss says a lot. For someone as guarded and hard to read as Ye Li, taking that step was huge. And one detail I can’t stop thinking about is her expression during the kiss — for a split second, she looked genuinely surprised when Mo Xiu Yao kissed her back, as if she hadn’t fully expected him to reciprocate.
It's honestly refreshing because we don't get dramas with this kind of plot very often. What's even more impressive is that we're not even halfway through the story yet, and it has already delivered on so many fronts. Instead of losing momentum after a strong start, it feels like the drama is only beginning to unfold its true story. If this is the quality we're getting before the halfway mark, then I can't help but wonder what the second half has in store for us. It genuinely feels like we've only scratched the surface of what this drama is preparing to reveal.
That's why I've been wondering whether there's more going on than just PTSD. Part of me suspects she may also be suffering from some form of dissociative amnesia. What makes it particularly interesting is that her memory loss doesn't appear to be random—it seems tied specifically to traumatic experiences. Whenever the events involve something deeply distressing, her recollections become fragmented, distorted, or entirely absent.
The snake incident is one of the strongest examples. She genuinely seems convinced that Master Zhu killed the snakes, even though the clues suggest otherwise. The way she immediately attributes the act to him makes me think she isn't deliberately lying; she may truly be unable to reconcile what happened with her own memories. If she was the one who killed them, then that would mean her mind has completely separated her from the memory of performing the act itself.
I agree with your point about the monkeys as well. I can't remember the exact episode either, but I'm fairly certain Prince Li mentioned that there weren't any monkeys on Li Shan Mountain. That line felt far too deliberate to be meaningless. Combined with the bite marks on Ye Li's arm—which honestly look much more like human bite marks than animal ones—it raises even more questions about what really happened there.
And yes, I think that student is almost certainly dead too. The fact that Ye Li has kept that box of unsent letters all this time feels incredibly telling. It doesn't come across as someone waiting for a reunion; it feels more like someone holding on to the last remaining connection they have to a person they've already lost. If anything, they make Li Shan Mountain feel even more tragic and unsettling the more these type of little details are revealed about it.
The most fascinating part is that nearly every clue we have about Li Shan comes from Ye Li herself, yet she is also the least reliable narrator when it comes to that period of her life. The drama keeps feeding us information through her perspective while simultaneously giving us reasons to question whether her memories are complete.
I have to say, this drama has completely caught me by surprise. We are barely halfway through the story, yet I can already say with confidence that it has exceeded my expectations.
There are so many things about this drama that I have come to love. One of the first is its simplicity. From the makeup, styling, and costumes to the cinematography itself, everything feels raw, natural, and understated. Rather than relying on extravagance, the drama embraces subtlety, which is exactly what makes it so beautifully captivating.
Another aspect I deeply appreciate is the incredible attention to detail. What initially appears to be a small piece of information in one scene often turns out to be a clue or a foreshadowing for events later on. Even the song choices feel intentional and carefully placed. I cannot stress enough how much I enjoy the seamless scene transitions and the use of background music during key moments. Every creative decision seems purposeful, elevating the emotional impact of each scene. You can genuinely feel the care that went into crafting this drama.
The storyline is undoubtedly the drama's greatest strength, alongside its characters. The screenwriter and director have truly worked their magic here. The writing consistently keeps viewers engaged because nearly every episode feels eventful. There is an underlying sense of mystery woven into the narrative that lingers long after an episode ends, leaving viewers analyzing every new piece of information, every unusual action, and every carefully chosen line of dialogue.
What I find particularly fascinating is how the drama constantly challenges viewers' assumptions about its characters. The production team did not want their characters to remain two-dimensional, and they have certainly succeeded. Instead of giving us a straightforward crippled male lead or a stereotypical revenge-driven female lead, they present complex, layered individuals with motivations that are not immediately obvious.
Ye Li, in particular, stands out as one of the drama's strongest characters. We are rarely allowed full access to her thoughts, which makes her incredibly intriguing. We never truly know what she is planning, what her next move will be, or why she makes certain decisions until the story decides it is time to reveal another crucial piece of the puzzle. Every revelation only adds another layer to her character.
The chemistry between Bai Lu and Cheng Lei is undeniable, and I am completely invested in the slow-burn romance. Ye Li and Mo Xiu Yao's relationship feels like the healing kind of love story. Whether they realize it or not, they are gradually becoming each other's refuge, helping mend the broken parts of one another. Watching that journey unfold has been one of the highlights of the drama for me, and I am even more excited to see how their relationship develops in the second half.
As much as I adore the romance, the greatest mystery of the show remains Li Shan Mountain.
Unlike Mo Xiu Yao's past, which has been explored and explained, we have yet to receive a clear account of what truly happened at Li Shan Mountain. Every piece of information we know about it has come from Ye Li herself, yet whenever she speaks about it, there is an unsettling quality to her words. Something about those stories feels incomplete, as though a much darker truth is still being hidden beneath the surface.
I am incredibly eager to uncover the secrets surrounding Li Shan Mountain. As someone who loves angst, I have a strong feeling that once the truth is finally revealed, the emotional impact is going to be devastating—in the best possible way. And honestly, I cannot wait.