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I totally recommend this drama to anyone it was amusing, thoughtful, and good to watch.
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am glad they ended it so beautifully .. but am so sad that it all came to an end :( ... i want more of CYHMH ...
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A banger season 2!
For those of you who have not watched this drama is missing out big time!!!! A webtoon adaptation, this one's a brilliant sequel to the awesome Season 1. An amazing cast, great harmony amongst them with details pertaining to each character's individual growth as well as screen time, it gives justice not only to the perpetrators but also to each actor and a message to each one of us. With the highest ratings in this timeslot this year, surpassing their own rating history from S1, this one is a must watch. Great OST this time as well. Following up to the episodes, although the first few episodes kinda were slow-burn, the latter half initially picked up their own awesomeness and delivered promising end as well to all the sub plots cum individual cases. Loved it throughout.Was this review helpful to you?
I thought that the alternate universe was a refreshing spin on the show and the still had references to season 1, which made the show all more enjoyable. I do believe this was the right way to go about season 2 because in season 1 LYZ faking XL's leukaemia was incredibly cruel. This reboot gave a less stalkerish role and he was someone you could root for the whole time. In this season, the way the couple came together was more natural and there were less mind games, which was better for everyone.
The side couples were featured a bit more than last season and their stories were still incredibly cute. Only thing I can say is I prefer Chu Yan and Xiao You/Ruan Meng in season 1. They were still very cute in this season. But i thought they were funnier in season 1, but their romance story is just as powerful.
I think you guys should watch it. I think the story is more approachable and has a sweeter touch to it. This season was funnier too.
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Now onto the plot. Like all the Itazura Na Kiss remakes, this movie was very fluffy and not to be taken very seriously. There were many overexaggerated plot details that made me laugh because of their absurdity. The romance itself was very cute and light-hearted. I absolutely adored the moments where Zhi Shu would quietly smile to himself after interacting with Xiang Qin. My favorite part was the high school phase. I found it incredulously funny of the school system and how they separated and made a very clear distinction between class A and F. After watching this, I find myself wishing this movie was a drama instead so I could see all the other scenes that the writers left out because of the time constraint of it being a movie. I hope another remake comes out.
To anyone who's watched this: watch their marriage scene on youtube that wasn't included in the movie.
https://www.youtube.com/watch?v=YA-epdtfI7M
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Story:
Politics is a genre that I never mind watching. As someone personally interested in the matter, I am always up for a political drama. But with drama's, I usually find the political side either lacking or too hectic. For Into the Ring, I saw a perfect balance, which I loved a lot. I loved how it was not obvious how every issue would turn out, and I love how each politician was portrayed. I found myself laughing multiple times, and even shedding a few tears here and there. For me, there was a perfect balance of everything, and nothing went overboard.
Characters:
The thing that made me love the drama the most was no doubt the characters and the relationship between them. Starting off with the leading lady, Goo Se Ra. From the first episode, I already loved Goo Se Ra. I loved how passionate she was and how she never gave up. I was happy to watch a character that would keep trying instead of breaking down and cry when things don't go her way. The leading man, Seo Gong Myung, was another character I cherished dearly. I loved how we got to see how Gong Myung transition as he starting helping Se Ra. Which speaking of, Se Ra and Gong Myung were such a cute couple to watch. I loved every scene they were in, even before they starting dating. No doubt one of my favorites couples in kdramaland. For other characters, Yoon Hee Su and Kim Min Jae were two characters that I could never decide whether I like them or not. Despite my personal feelings, I think they were good characters and brought a lot to the drama. Cho Maeng Duk, the "villain," was another interesting character to watch. Although his character infuriated me multiple times, I do think he was a great character with how he was set out to be. I loved the relationship between Se Ra, Han Bi, Woo Young, and Ja Ryong, which speaking of Ja Ryong, he stole so many scenes he was in! Overall, all the characters stood out and made the drama what it is. I also applaud all the actors, especially Nana and Park Sung Hoon. They portrayed their characters flawlessly and I couldn't imagine anyone taking on those two roles.
Other:
As someone who took a film class for my senior high school year, I'm all too familiar with camera angles. From the first episode, I'll admit it was weird seeing camera angles I've never seen before, but after a few episodes, I grew to love them. I thought the angles complemented what was happening very well, and I think it was an interesting addition. Personally, I wouldn't change anything about them, as I cannot imagine this drama without those fascinating angles.
Final Thoughts:
Into the Ring is no doubt one of my favorite dramas of the year and one of my favorite dramas of all time. Every week, I found myself counting down to a new episode, and when I saw one had been subbed, I would immediately stop what I was doing and watch it. I hope people don't ignore this underrated gem because of the political side and instead give it chance. If you're hesitant to watch this drama, I'd say go for it. You never know, you could be pulled in by the characters, plot, relationship, or everything wonderful this drama has to offer.
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I wasn't expecting anything less from the same screenwriter of Tatta Hitotsu No Koi, Sunao Ni Narenakute and Orange Days, nor from the same director of Winter Sonata, Sorry I love you and Bad Guy. They both did not disappoint.
The script is delicate and moving. It touches deep chords in the hearts of anyone who has experienced the loss of a beloved one at least once. It talks about the fragile, magic relationship between the living and the deceased: how hard it is to let go, to overcome regrets and remorses while still keeping the memory alive.
The photography is beautiful, it highlights that vague atmosphere constantly suspended between reality and fairy-tale. It helps that the two main leads are both beautiful to watch and just as convincing together. Hero Jaejoong might not be yet ready for complex line deliveries, but he's very expressive and, let's face it, a pleasure for the eyes. Han Hyo Joo, on the other hand is brilliant here, bringing up the joyful side this movie would otherwise lack.
I think I've written enough. If you are willing to watch a movie which combines the Japanese delicacy and the Korean intensity of emotions, give this one a try.
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Life: Love on the Line (Director's Cut)
47 people found this review helpful
This review may contain spoilers
One Line, a Lifetime of Love...
Life Senjou no Bokura presents one of the most authentic BL/LGBT love stories I’ve encountered, capturing a profound sense of realism and passion. The narrative explores the complexities people face when struggling with their identities, vividly portraying the suffocating weight of societal and cultural pressures. While the storyline may not be entirely groundbreaking, it feels distinctive, evoking emotions ranging from warmth and happiness to heartbreak and deep love. Life Senjou no Bokura will stay with me for a long time, a testament to how deeply and personally it resonates.Story: 10/10
The narrative follows Yuki and Akira, two sheltered sixteen-year-olds whose paths cross in an unusual way. Their first encounter takes place as they walk along a painted road marking, imagining it as a bridge in the fictional world of their shared game. To avoid the dangers beneath this imaginary bridge, they must stay on the line. By chance, they discover that they are playing the same game, and for Akira, it is love at first sight.
A routine develops: they wait for each other after school and walk along the same line. For Akira, however, it becomes more than companionship; he simply longs to see Yuki’s face. Confused by his feelings, Akira rejects the advances of the most popular girl and shares a meaningful kiss with Yuki. Thus begins their secret journey through adolescence, with their love deepening against the backdrop of societal pressures.
As the weight of societal expectations bears down on Akira, he reaches a breaking point. He chooses to end his relationship with Yuki, believing that doing so will spare him a life filled with difficulties. Despite the breakup, Akira’s love for Yuki remains unwavering, almost overwhelming. He goes on to marry the popular girl, attempting to embrace a “normal” life, but the emptiness left by Yuki’s absence persists. Yuki, meanwhile, is left to endure heartbreak and anguish.
Realising the gravity of his mistake, Akira undergoes a profound transformation. He courageously confronts his family, comes out, and takes the difficult step of divorcing his wife. Over the next three years, he searches tirelessly for Yuki, holding on to a promise they made while dreaming of their future: to see the aurora together. As he sets out to fulfil that promise, fate takes an unexpected turn. At the very place they once dreamed of visiting together, Akira finds Yuki. Amid a rush of emotions, Yuki forgives him, and their poignant reunion brings them back to one another.
Yuki is warmly welcomed into Akira’s family. The two move in together and begin an ordinary yet deeply meaningful life, facing its challenges side by side. Akira further strengthens their bond by registering Yuki as part of his household, formally establishing their connection as a family. Together, they navigate life’s complexities with resilience and a renewed commitment to each other.
At eighty-five, Yuki, now known as Ituo Yuki, wears two rings as he lies in a hospital bed, awaiting their eventual reunion. As he peacefully departs, he appears once more as his sixteen-year-old self, stepping onto the same painted line where their paths first crossed. At the end of that line, Akira, also sixteen again, embraces him. Together, they pass beyond the constraints of their mortal lives.
Acting: 10/10
Shirasu Jin as Akira and Raiku as Yuki were extraordinary in their roles. I honestly have nothing to fault in either performance; both brought their characters to life with sincerity and emotional depth. The supporting cast shone as well.
Music: 10/10
Oh, I love the music by Ryu Matsuyama. The songs have a mellow sound with a touch of pop, and they complement the story beautifully. My favourites are “Go Through, Grow Through,” “Love Is Coming Home,” and “No Better Place (inst).”
Rewatch Value: 100/10
This series/film is a heartwarming journey through a wide range of emotions. From moments of heartbreak to moments of joy, it brings together the realities of life and the tenderness of love. Its balance of painful and uplifting moments leaves a lasting impression.
The ending breaks your heart in the happiest way, yet it makes you want to experience the characters’ journey all over again. This is one of those rare stories that begins with a clean slate and reaches a satisfying, meaningful conclusion. It gives us a complete journey, and that sense of fulfillment makes it all the more memorable.
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This review may contain spoilers
Half-Cooked, Dont Eat
A hard pass, unless someone buys you dinner to watch it. The plot synopsis here in MDL is a little bit different from the actual story, in the series Yu Dam has lived for 300 years and Dong Baek was in fact a man in his first iteration. And no, they dont die, only Dong Baek is bound to die.The format for Korean BLs are just too short to be properly appreciated. I just dont understand why they cant just increase the episode runtime to better tell the story.
There is an ambitious premise hidden somewhere. It is a fantasy romance and yes, they were trying to do something different from other BL by telling a unique love story that spans hundred of years. It reminded me of another Korean BL "First Love Again". However, just like that series, this story looks good on paper but has failed in execution. What we got are 10 16-minute episodes that spends the first 2 and a half minute recapping and showing the opening credits and another minute and a half end credits. The problem is there is just not enough story in the 12 minute remaining time for me to chew upon. There wasnt enough to savour the characters, it wasnt even enough to taste their chemistry.
The title says The Director Who Buys Me Dinner, but after the first 2 episodes the dinner between Director Min Yu Dam and Soel Dong Baek stopped. I would have loved to see it every episode like some sort of closing credit.
The fantasy side also wasnt fully explained, there wasnt any proper explanation about how the curse happened, or how the director lived for hundreds of years? Do we even really consider living a long life a curse? Did he meet any previous Dong Baek aside from the first and the current one? Who was that who possessed Dong Baek? Was the curse lifted by the end of the story or if he is still aware that he is or was immortal? Did he just suddenly also forget about his long life? What happens to Dong Baek at the end?
Also, whats the point of the Denis character?
What's sad is you can actually see the making of a good series under all the ingredients they were trying to shove in your mouth. If they just spent a little more time baking the story, and maybe just adding a little more sugary sweetness it would have been great.
I used to like short series but after a few duds i am starting to hate the format. It is very evident that in this series , the short runtime worked against their favor. Open ended stories are good way to end stories but here it just felt lazy.
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First the music in the series was heartwarming, especially the opening song of the series.
Secondly the acting of all the amazing actors and actresses. The chemistry between the character of P'Met and Thun is lovely, unbeatable acting by both of them. Prince and Kheim playing best friends to Thun, it was real fun having them. The three notable female characters, Praifah, Thun's mother Kwan and Ngoon (the ghost) were awesome. And let's not forget Jeng who made us smile right from the beginning and stealing our hearts too.
I'd like to thank all the people who put their complete effort in creating such a wonderful piece of work.
This series will make us watch again and again, but unfortunately it is very short. (But fluffy and will melt you with the love) Overall a wonderful short series to brighten up the mood with lots of love!
P.S I waited everyday for the episodes to come, and being an Int fan, I need subs. That was one amongst the sad parts in watching the series, plus it was not available on YouTube. LineTV is not available in my country. And I still hope for a season 2!! Or at least a lengthier sequel!
P.P.S: I have watched the last episode without subs... And I stilled loved it. Had a smile on my face and tear in my eye. They'll remain in my heart forever.
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1A Hidden Gem
The Kingdom of Great Chu is a female-centric world where women’s and men’s roles are flipped. Women hold power and important office, whereas men stay home and do house chores, tend to the kids and are subservient to their wives. Here, we have a female emperor, and all the generals and ministers are women, and a powerful female shizi (世子) who holds the prestigious title inherited through her family. All families’ heritance and titles are to be passed down to daughters, and men are to be married into the women’s households. Courtesan houses are popular where men serve for the women’s pleasure.Shen Ye (Yuan Hao) has fallen in love with Shu Cheng (Jia Ze aka Claire Jia) since they were both kids because she had shown kindness towards him. From then, Shen Ye disguises as various characters and hides within her circle, secretly protecting her. As the intelligent shizi, the Emperor is threatened by her prowess and military power her family holds, and secretly sends out assassins to kill her. Time and time again, assassinations fail because Shen Ye always protects her in the dark, and she always comes out unscathed.
After saving Shu Cheng yet again in an ugly humpback cover that leads to her falling in love with him, Shen Ye changes his identity and reveals himself to her as the owner of Feng Lou, a courtesan house where wealthy women come to drink and to be entertained by male courtesans. Here, Shen Ye is considered as a stunning beauty in the Kingdom of Great Chu. He is charming and fast to please, frivolous and loves money dearly; but all these are on the surface. Under that good-looking skin, Shen Ye is intelligent and schemeful; he is always ahead of everyone around him, and always has a solution for every problem he encounters. He has multiple identities which add additional mysteries to his character. Despite being such a complex character, Shen Ye is devoted and willing to give up everything for the one he loves. He has so many secrets that he says he would reveal to Shu Cheng at the appropriate moment, this has created a lot of hilarious suspicions and misunderstandings by Shu Cheng. How Shen Ye continues to overcome such obstacles and maintains Shu Cheng’s love for him is brilliant.
I am intrigued by the Shen Ye character. I almost spit out laughing when he wears a veil covering his face when appearing in public or meeting with other women (think of ancient women wearing veils). His visor-looking veil is really ugly and looks funny on his face. Perhaps this is the purpose – to make viewers laugh. Yuan Hao’s portrayal of the character is very believable. He has a face that can look feminine (to be called beautiful in the land of Great Chu), and yet he is also very masculine.
Shu Cheng has to pretend to be a playgirl to make the Emperor let down her guard and stop wanting to kill her. So, she frequents Shen Ye’s courtesan house and proclaims he is hers; she tries to look as bad as possible. She is taken by surprise when she finds out that the man she’s being decreed to marry by the Emperor is Shen Ye under a different identify, Su Rongqing, the only son of one of the Emperor’s high ranking ministers. Even after they get married, Shu Cheng still doesn’t fully know Shen Ye’s real identity and what is under his sleeves. She loves him and yet doesn’t trust him, whereas for Shen Ye, he respects and loves her with no holding back. Despite their sweet romance, the secrecy spurs the plot on.
This is the first aired drama for Jia Ze playing a main lead. I find her acting better than many better known names. As the shizi, Jia Ze manages to bring out her commandeering charisma, courage, earnesty and upstandingness, and yet she also shows her feminine side when she is tormented by the conflict of her love for a man whom she believes to be a usurper, and her love for her country that she swears to protect. Jia Ze is natural and convincing.
The second couple is amazing with a very compelling story. Both Li Zhehao and Peng Yaqi (aka Yakisa) put up a fine performance as a heart-wrenching couple, Shen Cong and Murong Wanqing, who endure revenge and love, romance and guilt. The Murong Wanqing character reminds me of the sweet-silly characters played by Zhao Lusi. In fact, Peng Yaqi and Zhao Lusi look somewhat alike in their aura and demeanor under certain instances.
My Verdict
Unusual, refreshing, great plot, captivating storyline, intense, lovely characters, good humor, sweet romance, fine writing, directing and production. Unfortunately, not many viewers are watching this wonderful drama because decent English subtitles are not available at the time of airing, therefore, the rating here is lower than it deserves.
An enjoyable watch. Don’t miss it!
P/S: A sneak peek of next season seems to be dark and even more intense with amnesia, deaths, and protagonists turn antagonists.
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Abs-olutely Fabulous!
I rarely watch modern romance dramas but the lure of a mystery piqued my attention. And within minutes, I was sold at the first eyeful of Tsao Yuning's absolutely fabulous abs. Yes, this is one of those dramas that makes me embrace my shallow self. Because this dude is one sexy beast with the kind of tanned, toned, intensely masculine smoking hotness that reduces me to a speechless, foolishly grinning, puddle of drool.Five years ago, aspiring actress Ruan Nianchu is at the wrong place at the wrong time and falls headlong into a hairy situation. She falls for a dangerous stranger who saves her life, evidently at the cost of his own. A hopeless romantic and optimist, she can't forget him and looks for him in countless blind dates. He reappears with a hidden agenda as Li Teng, as mysterious, intimidating and possessive as ever. The air literally sizzles between this couple who are now my gold standard for onscreen chemistry. There is no mistaking the intense longing and physical attraction between the two. The slow build up to the kiss scenes that usually starts with him invading her personal space and circling her is very hot. And yes, they go all in for the kisses, there are no birds involved. Its a good thing this is only 16 episodes cause my TV was in danger of burning out from the heat even with my air-con cranked up to the max.
I really like the way each episode opens with a flashback that reveals a bit more of the backstory. It is very effective in establishing the depth and substance of the feelings between Li Teng and Ruan Nianchu very early on and it adds to the sense of intrigue around what happened 5 years ago. Underneath it all, the plot is simple but fast paced and interesting even though it does have an its been done before feeling. The villains have rather boring motives and the final villain is revealed the moment they are dropped into the plot which is a bit clumsy.
I found the second couple to be a sheer delight. At surface they are a bit cliche but the kid is hilarious and mixes up their story in a good way. And Li Teng's camaraderie and loyalty to his sexy Men in Black like team of operatives is both cool and heartwarming at the same time.
Overall I rate this very entertaining watch an 7.5 even though its unlikely to turn me into a fan of this genre. I must confess that if Tsao Yuning flaunted his magnificent chest and fab abs just a few more times, I would have abandoned all standards and slapped one of my rare 10.0s on this one. If nothing else, I had several lbs of water weight loss from all that drooling.
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The Best Cdrama I watched so far
Cdramas have tendency to have some toxic/red flag behaviors from some of its characters and I love how supportive and healthy all the relationships are. Hidden Love reminds me of what young first love feels like. The male lead was not only goodlooking but he also played his character well. Whenever he looked at the FL, it gave me butterflies. It was such a refreshing series that it totally on my re-watch list. Normally, with CDramas I start losing interest because of so many episodes and this is the first time that I wished it was longer.. I definitely recommend this drama!Was this review helpful to you?
This review may contain spoilers
Definitely worth watching! A painfully beautiful film.
/ Long personal interpretation of everything that played out, explain (?) / details will be further below.Everything was just stunning: cinematography, the acting, locations, to the sound in the film. It's a queer, sapphic coming-of-age story that's complex, heart-wrenching, and realistic. It shows the complexitiy of life, people, uncertainty of adolescence, what it means to grow up in the flat and the societal aspects of it. (Self-image, identity, love, dreams, social class & opportunity differences, unjust system to difficult family/financial circumstances.)
A tear-jerker filled with details to catch.
FLAT girls left a huge impression with how it was delivered. I absolutely loved how impressively detailed and layered the characters and film is for us to uncover. Every scene & dialogue meant something to the characters and it felt like I was watching real people and trying to understand them through their lens and circumstances. The film leaves room for you to think, interpret and judge for yourself, adding emotional depth and feels "human" in a way. There are reasons behind every actions, emotions and words. Meanwhile, when feelings are kept with words left unsaid without clarification, it's easy for misunderstandings and assumptions to occur– much like in real life.
The more I went back, the more I understood the characters, their reasons and the possibilities– making the film memorable although it wasn't difficult to watch. Despite the layers of struggles, dilemmas, uncertainty, and the harsh circumstances beyond their control, there was still warmth, kindness, love, dreams, and resilience. I felt for the characters but also gained a lot from them. I think how the film goes may differ with different takeaways but it's extremely well done.
The actresses chemistry was natural and endearing while the acting by the casts was incredible. Watching it on the big screen was such an experience that I kept going back to appreciate it although it had me bawling, empty and filled with thoughts. Another great film by GDH, and it easily became my favourite. A movie that lingers.
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****spoilers starts here****
(personal interpretation, but to each their own way of interpreting!)
/// Please do not read if you haven't watched it!*
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/ Feelings:
Ann has feelings for Jane. When Jane felt nothing & wasn't sure how to interpret their kiss, Ann went along. Ann confirmed her feelings and her sadness thinking it wasn't mutual. Ann could have put her feelings first but she reassured Jane for her confusion and hid her feelings instead. Ann is clear about her wants and likes, but that's not that case for Jane.
Jane's figuring out and might not know how loving someone feels like especially intimacy with how young she is, but Ann means a lot to her. Jane's happy around Ann but felt nothing kissing her– as she got close to Tong, it got her questioning. Everything switched once Jane thought Ann & Tong were a thing. Every scene with Jane upset, was because of Ann.
/ Identity:
- In an early scene, Ann casually tells Jane, “The clean one is in another bag.” (chest binder) Does Ann wear it too (?) but Ann helps Jane with laundry to keep her secret. (Jane switched the clean one with the dirty one, made sure her dad was asleep before removing it and told Tong not to tell her mom.)
- Even Jane's parents doesn't know, but Ann knows Jane.
- Jane “It's nothing, I won't wear it anymore” to Tong / was to cover it up initally-
- but, Tong reassured her > Jane continued wearing it. Someone else who understands Jane.
- Jane may have thought she wasn't a tomboy after feeling nothing during the kiss > removed the binder.
- Jane's finding herself. (Girls school / Flat with many traditional families)
/ Alleged relationship between Ann and Tong:
Personally, the entire relationship between Tong & Ann was built on a series of misunderstandings. Considering Tong's actions, Ann's feelings for Jane and importantly my perspective of Ann & her determination. Tong had been caring, but Ann had always worked hard for money. (Laundry/Selling food/Wanting to teach English).
Some scenes/dialogues had no clear basis & felt out of place (because the characters isn't telling us).
Any interpretation lacks overall clarity as some dialogues/scenes matches with it, while others don't.
(*intentionally so, to draw our own conclusions?*)
/ Scene of Ann taking her phone at Tong's.
- Uncomfortably in Jane's perspective.
- Had Ann seen Jane inside, she would've misunderstood as well.
What did or didn't happen—up to interpretation.
Put on his shirt before letting Ann in (mannerism) = Removed when she left.
(Phone on the bed): Tong lets Ann sleep there instead of the couch? Returned after she left? Did Ann even stay over?
(Checked outside): Perhaps to avoid any potential misunderstandings? But Jane was inside. The environment is tight; it’s easy for neighbours to see & misunderstand.
- Ann didn't want to go home.
- That same night, Tong comforted Ann with her dilemmas about giving up her dreams for her family to have a home. Given her young age and all the responsibilities weighing on her, his words "You can be something much better," "You don't have to be a big sister all the time," & "It's okay"–
He mentioned, *"If you need help with anything, you can always tell me."*
Before, Tong was warm to the kids and treated Jane like his child because of their similarities.
- The sudden switch in the characters/dynamic was too abrupt to follow along without any doubts.
- The sequence didn't make sense.
- If anything else, I am assuming.
/ Jane and Ann's misunderstanding (bench)
There was tension before anything. But Ann doesn't know what Jane had seen. Instead, Ann did see Tong and Jane being close, and Jane, vice versa.
(What I do know is, Ann thinks that Jane likes Tong, while Jane is here thinking that Ann & Tong have some relationship.)
> Jane staring at her extra racket > She's thinking of Ann, not Tong.
> Ann meets Jane, while holding a new badminton racket from Tong, "knowing" that Jane likes him.
> Jane meets Ann, "confirms" their relationship after seeing Ann with a new racket from Tong.
- Ann never took anything or the racket from Jane.
- Ann thinks that Jane is upset because of Tong.
- Jane got upset & ran off; Ann chased after her.
/ More of Jane and Ann's misunderstanding (stairs)
Jane: "I thought you wouldn't date a cop?
(Does Jane know why she's upset?)
Ann: "Well, he gives me money" (he probably did)
I honestly think that Ann was masking her feelings & going off based on Jane's assumptions.
Jane: "Do you know anything about love?" (Jane, who doesn't know what love is)
Ann: "Love only matters to those with money." (Jane, Tong, or both),
"How can a person like me dare to love someone?" which Jane didn't catch.
Couldn't link Ann's replies to "for money". Instead Ann was talking about herself and how she's unworthy to love Jane.
- This was after Ann realises their differences during the phone call & her witnessing Jane "having feelings" for Tong / comparison
- "Well, he gives me money" could be a figure-of-speech to how Ann thinks that only those with money to give like Tong "can love", not meaning that they're together. Also, I truly wonder if Ann thinking that Jane "likes" Tong played a role in her reply.
/ Jane's mom noticed Ann with money
Jane: "She receives it from Tong because they're together."
Her mom: **"But he doesn't have money and even borrows from me."** ( *"All good cops has no money"* + was Ann's money solely from Tong?)
/ Jane collecting money from Tong.
*Ann's family is in need, he's happy to help make ANN's life a bit easier, just like how he's happy when he's able to take care of JANE.* (This highlighted he's helping Ann & Jane's misunderstanding)
But, Tong's helping Ann yet Jane is upset (?)
1. She think Ann and Tong are dating.
2. While Ann had never accepted any of Jane's help, she is receiving help from Tong who is struggling.
(Ann probably doesn't know about Tong's struggles while Jane always wanted to help Ann)
/ Tong gets emotional after Jane leaves; It could be his reality.
He doesn't have money for himself, let alone anyone else, not even his child. He's doing everything but it's incomparable to the stepdad who's rich. "Couldn't come because he had no money."
- But he "can do something" for the kids at the flat.
- He mentioned to Jane "They have a new family" “it’s better that way”.
(How he treats the kids, spend time & calls Jane warmly would make sense + he can't do the same for his child who's away in another province.)
- He likely have his own family/financial circumstances and reasons.
/ The interaction between Tong & Ann wasn't awkward (court)
- Tong mentioned he plans to study law for a promotion & wanted to learn English from Ann
(If Ann did receive help from him, pretty sure this is how Ann would give back)
- *The pan-out scene with neighbours gossiping about Ann and Tong from above the court*
(Looked like they were spreading rumours. Ann looked uncomfortable while Tong was questioning)
/ The rumours of Tong and Ann dating spread because of Jane.
- Ann exploded at Jane because her mom is now tying her already bleak situation down with marriage to Tong for money.
- It didn't feel like they got "caught".
(In a interview, the director mentioned about how women who lived in the flat tend to grow up believing the need to rely on men and that they're incapable to earn) But,
/ Ann didn't want to be like her friend, tied to the flat after marriage.
She mentioned: She's afraid that she'd be unable to leave; Her friend's life seemed to have stopped at the flat, unable to go to university or even come out for a game of badminton.
/ Jane chasing Ann, who ran away to the pier
Jane: "You won't marry him, right?" (misunderstanding)
Ann: "Do you really like him that much?" (misunderstanding)
Jane: "I don't know, but he's not good enough for you to stop your life for him."
- Jane's piority > Ann.
- Jane tells Ann she believes in her (even though Ann is doubtful)
- Jane comforting and apologising to Ann for spreading the "news"
/ Tong & Ann, pier scene.
- Tong telling Ann to bring the kids tomorrow; he'll bring them all to the cruise. (He brought it up out of nowhere instead of clearing up their "situation". I think he knew Ann was hurting with everything and wanted to make her happy)
- Ann tells Tong she'll live with him immediately if he could give her 10m baht (Ann wouldn't have asked if they already had some sort of relationship / Her mom pressured her: "So what did Tong say about the money". )
Ann asked that for her family = giving up her way of life. Her mom still blamed her for everything in a later scene.
/ How Tong looked at Ann. He probably felt terrible for her having to bring that up and knew that she's thinking of leaving.
- Tong said something like "Don't leave me ( in Thai, it doesn't indicate 'me' ); I'm trying my best, and I need time,"
/ Tong's response could stem from his complex situation.
He knew that she wanted to leave, doesn't have the money for her to stay, wanting to help but unable to. With his situation, whereby his family left (why?) , how he's unable to provide for his family as much as he wanted despite covering shifts and really "trying his best" (in a corrupted workforce), it could trigger those replies / Ann asked for money.
With Ann's "I can't wait long" / she's gonna leave.
/He suddenly switched/ & gave her assurance instead. Told her that *"She could earn as much money as she wanted.* (Also, maybe like the importance of Ann to Jane in the flat, the kids' presence was significant to Tong. He wanted to help Ann stay, but quickly knew that with her family situation, being stucked here wasn’t what she wanted)
- Ann: "I know" (Her determination after the reassurance from Tong, and Jane.)
/ *Ann saying they broke up to her mom* (The only indicator of a 'relationship")
But with her body language, it seemed like she didn’t want to explain. No point in it— her mom wouldn't listen anyway. A way to end her mom’s ideas of pushing her to marry for money.
/ Jane & Nice painted all the names on the wall, including Tong.
(That made him seem significant. He got emotional seeing the names with all the changes at the end. If he's a bad person, they wouldn't have painted his name & why did he get emotional?)
ENDING! (aside from everything else)
- Ann's ending > hopeful or the worst.
I believe that Ann ran away to chase her dream. (She almost hung the scarf but let it free.)
I believe she is "stronger". The cruise scene symbolised how she didn't want to return to her life at the flat perfectly. To make sense, I just think she hid somewhere on the cruise avoiding Jane, as it was far out. I believe she'll manage and achieve anything once she sets her mind to it, like how she was determined to leave and did so. It is not selfish of her. I hope she's happy.
- *Jane holding the paper hat (Part time/Full Time) + the world map at the end.
- "I hope we bump into each other on a plane, because you have to take me to first class," indicating that Ann is around.
- Ann's family and Jane weren't that "sad" either, although Jane was.
1. Who hung the packet of food outside Jane's flat?
2. Tong started hanging out with other cops after the kids left. (The dialogue is honestly questionable... but I don't know the context. I want to believe in him & that promotion)
3. Ann mom, please change– Although it seems unlikely with Ann's sister taking over her role.
4. Amy grew up! (Ann's sis) Showed some time had passed with Jane's mom having the money to move out. Ann's mom debt / paid off? who did?)
5. What were Jane's actual feelings for Ann?
Was it just Ann's unrequited love? or Jane was hiding it from Ann as well halfway through? or does Jane have feelings all along but realises it after Ann left? (Based on imdb synopsis, Jane liked Ann.)
Hope Jane still appreciates simple happiness & slowly figures it out. Hope her mom understands her more.
6. Will Ann and Jane meet again?
Ann and Jane misunderstood each other and their feelings until the very end. "Love is more important than money" to "Love only matters to those with money". Although Ann almost wanted to give up everything for her family, she ended up running away to chase her dream for a change. I do feel that Ann will return once she's in a better position, at least to Jane.
7. Ann did fulfill her promise to Jane about going on the boat.
Anyway I only wish all of them well :')
- summary of Ann, Jane and Tong
/ In the comments under this review if interested! / exceeded the word count here..
Definitely rewatch it again in your perspective of the characters!
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This review may contain spoilers
Overall an enjoyable ride with great acting and scenery but plot and some characters are amiss
I really struggled to decide on a rating for this show. Overall I liked it but there are a couple of things that irked me.There are two main things I really liked in this drama, one of them was the scenery and photography with such beautiful landscapes. The other one was the acting. I think most of them did a great job, but I have to mention especially Ji Chang Wook, Kim Mi Kyung and Kim Do Eun, their characters and the way they portrayed them are of the best of the show for me.
The relationships between characters were very good and I liked the banter and funny bits in this show.
I like slice of life dramas so it's no surprise that I found the plot interesting and entertaining and I thought they generally did a good job in also including the sisters' story lines, although I do wish Jin Dal's story had gone in a different direction ultimately and didn't end up with her ex, but I give it a pass; and I wish they had dwelled more on Hae Dal's past as well as the present relationship with Gong Ji Chan. Other than that I do not have complains about the subplots in this drama, they were all entertaining. I wish I could say the same of the main plot but alas, I can't.
The main plot, this is what I consider the two story lines of main leads love story and the "scandal" of FL are unnecessarily unsatisfactory. I say "unnecessarily" because they had more than enough time to explore this in detail and have a more realistic and natural progression than the one they chose.
I didn't like how the conflict with Yong Pil's father was tackled and solved. If the change of that man had happened slowly from the start of the show and they had shown the change progressively it would have had a pass but as it is, that man didn't deserve redeeming in such a quick way. He was abusive both verbally and physically to both his son and the neighbours and it had been 20 years of the passing of the wife. He never had the excuse, but with the amount of time it had passed even less so. The man doesn't even stop to think twice about how his wife would feel at the way he was acting. I don't think he deserved forgiveness in the manner it was given considering how that plot line was developed. But I wish the story with Yong Pil's father was less melodramatic if it was going to be tackled like that. The show really made me despise him a lot, and I was very annoyed when it ended like that after all the drama. The script just decided to make him think in the end but realistically a man behaving like that doesn't change that easily or quickly, more so when everyone around him is enabling him and he's playing the victim. His sense of ego was way too big to see the light in that manner but of course we were running out of time in the drama so it had to be done quickly.
On the other hand, the plot with Eun Joo was also solved too quickly for my liking, especially when it was a major plot point in the story. This again should have been solved slowly throughout at least a couple or three episodes. I do also partially agree with some of the other comments here in the fact that FL should have been more active in the solving of the issue and that her character did suffer inconsistency throughout. At some points she was shown as independent and head-strong, and at others weak and very passive. There are a few instances in which I could see or agree with that passiveness, in a way in which when you're being attacked constantly it gets to a point you just want to avoid the drama and sit still and do nothing because you are just too fed up. But if they were going more for this idea I think it should have been done better in terms of execution. Her stance changed and was ambiguous at times so it could get a bit frustrating.
So I do think it was solved too quickly but I'm half half when it comes to the "how" it was solved. A part of me thinks it's realistic that we don't even see major consequences other than Eun Joo reading the new's article because life be that unfair in real life too, or because we can more or less imagine how it continues. But another part of me just wishes we had seen the consequences of her actions because she pissed me off so much lol
As usual, SML romantic interest tends to be very pointless and it's not exception here. He really added nothing to the story and had he been just another friend in the group it wouldn't have made any difference to the plot. Also although I do know people in the characters ages that hasn't had a relationship ever, I still think that having more than one character like that is a bit unrealistic. At least they should have mentioned them dating around but not settling or other things like that. Especially in the case of Sang Do I think it would have worked well. Oh, but you want Sang Do be interested in FL? Easy. Make him a divorced man for example, and he had a crush for her when young and when seeing her again he gets a bit of a crush back. I don't know, there are many ways. As it is, his story line was pretty absurd.
The ending is a bit, I don't know, I'm not disappointed but also not super happy and the cameo of whoever-that-woman-was was pointless. It reminded me of that pointless ending in "Behind Your Touch" with another cameo that added nothing to anything. I'm not going to lie I did wish FL had gone with ML to Switzerland. After being apart for so long I get it was not a deal-breaker to have a long distance relationship for some more time, but at the same time she being a photographer made so much easier in my eyes to move with him for a while and work from there. Either way, it was a cliché of one of the leads going away last second and it could have been avoided entirely, but oh well.
This drama doesn't portray the typical romcom love story with fireworks, so if you're looking for that kind of romance this might not be for you. It's a slow rekindling of a relationship in a more muted and realistic way. Sure, especially FL does act more like a fangirl with the butterflies at times but the progression is more subdued.
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