Reviews

This is the first time I would actually describe a KDrama rich in makjang in terms of ´cool´.

"Cain and Abel" from 2009 presents itself in the best KDrama tradition of early 3rd Millenium makjang productions. In the background, the OST is repeatedly setting the rhythm proclaiming doom with implacable beats. The dramaturgical motifs are basically familiar: there are 2 more or less competing brothers, a wicked stepmother, a comatose father, amnesia in the meantime, two queens of the heart ... and what the hospital environment (specifically the neurosurgical department) has to offer is not just a brain tumor... It´s makjang at its finest. Eventually the scene is temporarily shifting to China, there also focusing on the unfortunate issue of North Korean refugees. It becomes action-packed and exciting. All in all, the plot doesn't seem too surprising at first glance, but as it progresses you might all of a sudden realize, how the story has long since grabbed and pulled you in.

This is the first time I would actually describe a KDrama rich with makjang in terms of ´cool´.

Admittedly, here the bad guys are actually truely bad guys. Forgiveness is not a foreign word, but sometimes one may want to question this concept in principle, regarding the unscrupulousness and maliciousness of the perpetrators.

Title and story explicitly refer to the biblical motif: the first murderer case in human history told in Christian terms, where the older brother chose his younger brother as a victim. Out of envy. In the competition for recognition. Here it is the recognition as a brilliant neurosurgeon ... by the father, by the professional world, by the supervisory board (as head of a new center for neurosurgery) and as a man (by his queen of hearts). The mother wickedly helps and sows the bad seed, which grows effortlessly.

This fraternal quarrel (in which obviously not everything is and always has been quarrel) comes to live with high intensity by the performance of So Ji-sub (who appears in a quite bold manner for long stretches) and Shin Hyun-joon (who has already perfected his characteristic ´sad look´ in "Stairway to Heaven"). The two really get into their roles and take the viewers with them. The story gains as 'little Abel' covers a good distance in a parka and among refugees in China. So the story not only takes place in the elitist world of doctors, between surgical gowns and suits, but also gets more down-to-earthness in the struggle for survival of simple and non-privileged people at the opposite pole of social life. The two female leads Han Ji-min and Chae Jung-an also embody the contrast of these worlds in their own way.

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Edited: 14/7/19
[This is my first 10/10 rating; though I tried to find reasons to rate it half a point less, there were none whatsoever.]

A saeguk outside the confines of the castle and a fairytale-like setting and focuses on the common-person's fight for rights and equality? I did not realize I needed that until I watched this. A drama that does not beat around the bush and jumps straight into action? I did not realize I needed that either.

The plot is well-executed; it moves forward without losing steam and stays true to its story line and characters. Since it was based on true historical events, heartbreak and tragedies were inevitable. I appreciate, however, that it was not entirely based on real people - that is, the three main leads we have, including their families and friends, are fictional in an otherwise non-fictional historical setting. (I cannot comment on the accuracy of the historical events as I am not well-versed in Korean history, yet this compelled me to search about the Donghak movement and Japanese takeover of Joseon. I can say I am more enlightened than before, however.) The lighter, funny scenes were never out-of-place as they always centered around the heartwarming friendships between the characters. Side characters had their own story which prevented their screen-time from feeling unnecessary; even those you might be least invested in underwent growth that justified the writer's choice to include them apart from the otherwise obvious reasons. It should be noted, there were some shifts in plot that made me dread that this drama would go south, that it was headed beyond what was meant to be the conclusion, but that never happened; the plot proved itself to be excellent, and the characters served to ground and consolidate the narrative.

Now, it is time to expand more on the characters: their growth and changes were interwoven with the struggle they, willingly or unwillingly, became a part of. To be able to see many characters of varying backgrounds coming to terms with their identities, or altering them at whim, was extremely gratifying. Their decisions simply made sense, in light of their circumstances and personal convictions. The writer also drew many parallels while crafting characters - the parallels between the brothers, with the titles assigned to them that they wanted to break free from; the parallel between a teacher and a student, with their attempt to rise from their ugly decisions; the parallel between two parties who wanted to save their country, with one man joining hands with the enemy and the other party firmly resisting. And then these parallels evolved beautifully into a juxtaposition. Overall, it was a thought-provoking angle the writer took.

You might think I am being too generous, but I do have a tiny complaint about flashbacks in one or two episodes, since they felt needless, but what's a k-drama without those, eh? I have learned to take them as a necessary part of a k-drama recipe, so I am not counting it in this time around. (I guess I AM being a little generous.)

And need I mention how amazing the actors were, from the support to the main? Moo Seoung Choi was an excellent casting choice for Jeon Bong Jeon; the poise and leadership that oozed out of him stunned me, not to mention the sense of humour he possessed. Han Ye Ri is a subtle actress, perfect to portray Lady Song - calm, collected, sharp. Yoon Shi Yoon has a way with expressions, and they were more than suitable for a character like Yi Hyun. Finally, Jo Jung Sok made Yi Kang a lovable character who you wanted to root for till the end.

Loved the OSTs; the one by FORESTELLA often plays in my head. The BGM was not outstanding, but it complemented a good deal of the show. I especially enjoyed the rock music whenever action scenes came in. Adds to the excitement and just how cool the characters look!

I think this has great re-watch value. For one, it never drags, and the characters are so multi-layered, you want to come back and appreciate them. Despite knowing the plot, you might want to catch up on a few details that you may have missed, and certain impressive progressions.

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As I watched through the whole thing with some annoying distractions, I was able to finish it with a big fat smile and an urge to punch someone.

The film was really violent, but not in the violent notorious way. It was rather light for a violent film and with some comedic touches on the sidelines which wasn't really out of place. The graphics and effects were great. The setting, music, plot… especially the cast was perfect. I wouldn't want anyone else to be casted on this film.

Definitely Oguri Shun has rocked this film!

I am an Oguri Shun fan but I'm not rating this for being biased, the rating for me fits the whole movie because it was THAT COOL.

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You would think that I'm exaggerating the scores or just simply click 10 points for everything by coincidence but no!
This is a really great series. It reminds me of Tru Calling but in Japanese style with lots of jokes. We get to know new people and stories in every episodes. The first episode is a bit boring but don't trust it just give a try to the second one! :D I promise you won't be disappointed.
Keiko and Shosuke makes a great pairing in this drama who tries to solve cases because of Keiko's visions. They're joking around everytime. I laughed a lot.
This is an awesome series about crimes, investigations flavored with humour.

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Utterly Beautiful.

Watched it yesterday. It's one of the greatest films in my recent memory.

Everything in this film is so relatable and is very real. I cried and I couldn't stop myself from tearing up from the first 30 minutes of the movies until the very end. The message is so strong and Bilkin, Grandma and the rest of the casts just did something we call 'Magical' in the world of the acting.

Cinematography is also on point. It looked real, but also artistic and very cinematic. This will resonate in every viewer hearts for so long and the tearing effect will stay hours after finished the film.

It's not often that the people in the whole theater cried and sobbed their hearts out like this. One of a very magical moment for the whole 2 hours.

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Follow Your Heart

Can one feel love, and love without a heart or with a mechanical heart? Though unthinkable, this story assumes a mechanical heart works just as good as a real human heart when it comes to love, maybe even better in times of trouble. As it is a fantasy, let’s just accept that people don’t need a real heart to fall in love; a mechanic heart works just fine, and can make a person fall in love just like a normal person does.

This drama is narrated from the perspective of Jiang Xiao Ning (Xing Fei aka Fair Xing). 10 years ago, she got into a car accident and Gu Chuan (Ren Jialun aka Allen Ren) was there trying to save her, and got hurt himself. 10 years later, they meet again without recognizing each other initially. And they fall in love.

Gu Chuan is a very talented young architect, but he has a secret: he doesn’t have a heart, he lost it in the car accident while he tried to save Jiang Xiao Ning, and in its place, he has a mechanical heart. He knows his heart will one day expire and he will die. Imagine how difficult it is to live a life constantly reminding oneself of death, and this is what Gu Chuan has been tormented for the last 10 years; he has been preparing for his imminent death. His mood is always somber and dark as he cannot have excessive emotions with his mechanical heart. He also doesn’t want to love nor be loved because he wants to avoid any heart breaks in the event of his death. He’s like a lizard, cold and hidden. Ren Jialun has a natural sour face which I’ve come to love. Looking like an adolescent yet with an air of maturity, he is perfect as the somber Gu Chuan who doesn’t smile. Ren Jialun is natural with this role as his sour face makes him very believable and his acting is not stiff.

Gu Chuan doesn’t expect to fall in love with Jiang Xiao Ning but he does because she gives him the kind of optimism he has never experienced before. Now life has meaning, which jeopardizes all his death plans.

Jiang Xiao Ning has a totally opposite personality from Gu Chuan’s darkness. She is sunny and positive despite of her bad lucks; she always views her glass as half-full and grateful for everything she has. She considers herself like a crow which people normally associate with bad luck. Jiang Xiao Ning is smart, considerate and protective especially of Gu Chuan. When they are together, there’s a big contrast of the two characters: Gu Chuan dresses immaculately and somber, whereas Jiang Xiao Ning is sunny and active, and dresses in oversized clothing. Their chemistry may not be 100% but their romance is quiet and rather sweet. As two unlikely people come together, cold becomes warm, bad luck becomes good luck. And sorry to disappoint viewers, there are no hot kisses, as expected. Most of the presumed kisses are zoomed out and blurred. Any closeup kisses are so close that no one knows if the lips belong to the same actors. Xing Fei’s bright eyes that seem to smile forever fit her well into the role of the sunny Jiang Xiao Ning and her acting is very convincing, especially when it comes to her heart breaking scenes.

There is an over-powering second couple with overly mushy dialogues which feel overdone and banal. However, they also give viewers some hot kisses. There’s also something nefarious lurking under the sweet romance, with murders and corruption which gives some fireworks to the otherwise rather bland story.

OSTs
This drama produces some of the best sound tracks. I particularly love the beautiful song “Exchange” sung by Zhou Shen. It’s so touching and amazing that it can bring tears to the listeners’ eyes. I also love the instrumental music played by the cello when Gu Chuan is alone in his deep thinking, reflecting his torments.

My Verdict
If you like love triangles, there are plenty here. Both male and female leads have their respective secret admirers who become the antagonists and attempt to cause harm to their love competitors, but each time, their attempts are thwarted, either because our leads are smarter or plain dumb luck they have.

I love Gu Chuan’s philosophy in his designs, merging western architecture with Chinese wisdom and culture. Facing death is frightening, knowing it’s coming to take one’s life anytime soon. This drama helps us feel how it’s like for Gu Chuan.

Overall, the drama is not bad, neither is it excellent. It has some tropes, such as splitting up in a relationship for-their-own-good stuff, which can be rather annoying. The comedy can be rather stale at times. There are some minor flaws here and there but not enough to destroy the story.

Despite a rather bland story, there are some good lessons here. As Gu Chuan is teaching Jiang Xiao Ning, "It doesn't matter how others look at you, most importantly you cannot look down on yourself. Crow is the bird that most looked down by people, but they have their quality - they know how to put a nut in the middle of the road and let passing cars crush it. They are devoted to their partners and will forever remain faithful to that same partners." (I didn't know that.)

In turn, Jiang Xiao Ning teaches Gu Chuan, life is not forever. Life, no matter how hard it is, we must persevere. Be positive. Look at the positives. Take life as it comes and make the best of it.

I would have awarded this drama a 8.5/10 but the OSTs are so good that a 9/10 seems to be more appropriate. Fun watch. Must listen to the song "Exchange" by Zhou Shen.

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Thrilling: Beginning to End

I am someone who finished the 2 seasons of Kingdom very recently just to watch this sidequel in real time and I must say that I am so very impressed. I know all of us expected an entire season out of this but they had anyways said from the beginning that it will be just a special episode and I think it's because they had to delay for a 3rd season due to covid so to compensate the audience they came up with this. But who knows whether it was the case or they had planned it from the very beginning.

Anyways Let me review.
STORY & PLOT:
So, as it was clear that the episode will be of 1.5 hours, I expected lots of contents but it wasn't the case. However, I am okay with it since it's just a sidequel showing the backstory of the major storyline that we have witnessed in the season 1 & 2. And as the name indicates, this side story is all about "Ashin", the female character we had seen at the very end of the season 2 holding a sword. It starts with the young Ashin who lives with his family in a border village of refugees. His father is loyal to Joseon and works as an undercover spy for Joseon (Won't tell further details because it's just an episode). The story advances with how her father, family and the entire village is betrayed; Ashin approaching the wrong side to avenge the betrayal; realizing the truth years later and deciding to destroy everything with her own accord and power.

I feel it's more like a prequel which to some extent also clarifies how it all started in season 1. Just as a group of audience had suspected and made theories, the reason the plauge's starting has been made clear. And in the season 3 the main story will be combined with this back story of Ashin as we have already seen her in the ending of season 2.

CAST & CHARACTERS:
Well, there are only a few major characters from the major Kingdom story in this drama along with Ashin, which is played by our yeppo noona, Jun Ji Hyun. Let me tell you that, Ashin's character in this special episode is almost mute. She doesn't have much dialogue but as always, Jun Ji Hyun has proved her acting skills with her performance which is dope.

Other than her, the center of attention in this drama is Park Byung Eun who has played the role of Min Chi Rok, the righteous inspector general in the previous seasons. However in this season he's in a different position of an Army General fighting at the borders and was in somewhat negative character. 2 other prominent figures in this are Koo Kyo Hwan and Kim Roe Ha. All of them did a good job at their respective roles assigned.

DIRECTION & EDITING:
Kingdom has had us thrilled since the first season even though the seasons had only 6 episodes and less than 1 hour duration each. The kind of sound editing always had my heart beating fast and they never compromised with cinematography, which is very enthralling, we must admit. The direction and screenwriting by Kim Sung Hoon pdnim and Kim Eun Hee jakkanim is totally a top notch.

CONCLUSION:
There is not much to say about this sidequel tbh since it's only 1.5hours otherwise one would end up spoiling. Also, less scope of reviewing because it's just an insight or pov of a main story that everyone gonna watch just to fill in the gaps. Anyways, this is a thrilling watch and I definitely loved it. As someone who don't believe in ghosts what scares me are gore, zombie, mutant and monster apocalypse.

Overally, Kingdom just like it's previous has a n adept writing, stupendous screenplay direction and, amazing acting, fabulous performance and catchy editing which cab attract a lots of audience.

LOOKING FORWARD TO THE SEASON 3 AND EAGERLY WAITING FOR IT.

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Antis are jealous fr..

I was literallty waiting for this movie to air, after watching bit of its scenes from its trailor .. also recently i fell in love with Chen feiyu and his acting in Lighter and princess which is definitely a must watch and can be the best drama of the year, not only because of its story but its acting too was a chef's kiss. When this movie aired, i decided to watch it but got disappointed after seeing this much low rating here * is 6.9 when i am writing the review * and I usually skips those dramas and movies that have rating less than an 8 even if it got the amazing cast. but then i read some comments that this rating is fake and antis have done it , then thought to try a shot and watched the movie and was quite surprised that story was quite interesting and acting was amazing too as both the leads are amazing actors .. so all the watchers who are planning to watch it but got scammed with the rating here should definitely watch it because its worth it.

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THE CHEMISTRY, THE STORIES

TBH IT'S REALLY SOMETHING NEW FOR KBL, LIKE HOW THE STORIES CAN MAKE ME FEEL LIKE I'M IN THE STORIES LINE????? THIS IS GONNA BE MY TOP 1 KBL. TBH. I'M TYPING THIS WITH MY TREMBLING HANDS. IT'S SOOOOO FUCKING GOOD. IT'S MUST BE HAVE A LOT OF AWARDS.

THE WAY THEY EXPRESS THEIR LOVE, THE WAY THEY LOOKING AT EACHT OTHERS LIKE THEY ALREADY FALL IN LOVE. NOT IN THE DRAMA BUT IN REALITY. THEY ARE SOOOOOOO MUCH IN LOVE. I LOVE ALL THIS DRAMA, STORIES, HOW THEY ACTING AND HOW THEY EXPRESS THEIR FACES.

THIS IS THE FIRST TIME MY 10/10 REVIEW OF KOREAN DRAMA. I KNOW MAYBE THEY WILL BE ANOTHER STANDARD FOR KOREAN BOYS LOVE DRAMA.

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The best kind of normalcy.

Adults playing adults, no over the top childish miscommunications, realistic (though underdeveloped) problems one can face in the workplace, great natural chemistry and likable female characters - all that made me happy.

Not gonna lie, Kim Jong Chan was the star of the story. I’m so done with cold and emotionless bosses, as if you cannot be professional and dedicated to your work and have personality. Luckily, Jong Chan does not follow the stereotype we usually get. He might be direct and focused, strict with people who work in his team, but he also has a really warm and fun persona outside of the workplace.

Woo Seung Hyun was a great character to watch, but I wished they set up the fact he was a “late bloomer” more, and explain what it means. For me, it was obvious, but I can also understand if people started to complain he was too childish and naive for his age.

Personally, I enjoyed his story. Not quite knowing yourself, your goals, what you are good at and what kind of job would be best fit for you in your late 20’ is not exactly uncommon, and I think many could relate to Seung Hyun in that aspect.

Storytelling wise, I do think they did a decent job with presenting all the different plotlines. Sure, some kind of died without much exploration or closure, some got a rushed conclusion - but for 7 episodes, the show had a good flow and pacing.

Cast did great. Kwon Hyuk fits both the strict boss at work, and sweet boyfriend after, and Moon Ji Yong made Seung Hyun seem like a believable character as this innocent and hardworking intern. I also cannot stop myself from hyping Ye Ji Won being part of the cast, because we have not seen such a big name in K-BLs yet - maybe this is the first step to make the genre more mainstream.

Production was great. It did have this web series on the lower budget vibe for just a few shots, but overall - no complaints.

Overall, I’m just happy we got to see a normal relationship in BL. Yes, I do enjoy the exaggerated plots too, they are entertaining, but this wholesome mundane take is something I truly crave in the romance genre, and The New Employee delivered.

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When it rains, it pours , washing away doubts but leaving behind a storm of desire!

At the heart of this drama is an exploration of longing, love and the complex emotions that arise when loyalty is questioned. The story is an emotional journey of Hagiwara and Nakarai who navigate their changing feelings towards each other while each being in a complicated relationship where neglect and denial have the front seat. In 7 episodes it somehow manages to explore the grey areas where desires conflict with rationality and norms and also focuses on the delicate balance between self-preservation and vulnerability in the right place, to the right people.

The drama in its portrayal of cheating doesn't simply just present it as a plot twist or spicy storytelling tool, but it digs into deeper emotional undercurrents that pushed the characters to take those drastic actions.
Here, it was an expression of emotional turbulence and crisis that stemmed from being disregarded for too long. It felt like a cry for recognition, for understanding.

There is something beautifully tragic in how one person seeks solace in the arms of another, not out of malice, but out of a desperate need to be seen, to feel valued in a world that seems to disregard their worth.

Character Description :

Nakarai Sei was a walking emotional paradox. His character was a mix of emotional detachment and the tragic yearning for something more, something he can't quite grasp but desperately craves. He feels all this stuff brewing inside but he’s also scared of it, building walls to protect himself from emotions he can’t fully understand or accept. He hides behind logic and rationalization, using it like armor to push away the chaos within but it is obvious that the storm inside was only getting bigger. His ability to express conflict without words makes his character all the more compelling.

Hagiwara Kazuaki had a certain duality to him, assertive yet gentle, a man caught between his deepening feelings for Nakarai and the hesitation driven by his own fears. His care goes beyond mere tenderness, it was a constant awareness of how delicate their bond is, as though even the slightest hint of force could break it.
There’s a quiet vulnerability in him, an openness that stands in stark contrast to Nakarai’s guarded demeanor, offering a softness that Nakarai sometimes didn't know how to embrace.

The chemistry between them was both subtle and had a palpable intensity crackling beneath the surface. They had this unspoken tension between them that grew with every glance that lingered a little too long. Hagiwara’s tenderness met Nakarai’s emotional walls, creating this push and pull that felt almost magnetic, yet painfully distant. Their connection is raw, real and messy in the best way, as they tiptoe around what they both want but can’t fully reach.

The side characters Kaori & Fujisawa just didn’t click for me. There wasn’t enough time spent on them to really understand who they were or why they did what they did. It felt like they were just there to move the plot along, not adding any real depth to the character. I didn’t feel any emotional connection to them, like I didn’t like or dislike them, they were just there. They came off more like a plot device than an actual character and honestly, this lack of emotional investment left me pretty indifferent overall. They did give reasons but it was a little too late for me.

The pace was a bit too fast for my liking but I have watched now too many J-dramas to know this is how it is considering the run time.
Also, the last episode felt bit underwhelming but the drama was too entertaining for me to rate it lower!

The performances of both leads brought an emotional battle to life. I can nitpick but overall they served! Cinematography was beautiful and felt very gentle and poetic! It has that perfect J-drama vibe to it , rain serving as main progatanist !

Overall, I would definitely recommend this drama for its emotional depth and its exploration of complex emotions. While this definitely has flaws, the overall story is very gripping, engaging and thought-provoking, with an intensity that lingers long after every episodes end. If nuanced character and emotional turmoil are what you are looking for, this drama is worth your time.

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Great drama if you know what you're getting

I tend to only be interested in writing a review if I feel like I'm in the minority. Lots of negative reviews of this drama seem to be written by people who were expecting something else. So, let me speak for the other side and clear some things up from the beginning, here's what this drama is about: A woman and her two friends go through a very difficult year together and find strength to get through it by relying on one another. This is an especially character-driven drama, rather than story-driven.

Mi-jo is the central character, and her relationship to Chan-young is the primary relationship. I would say that Joo-hee and Seon-U or Jin-Seok are probably the second leads. If this were some rom-com and Mi-jo/Chan-young were the ML and FL, no one would be upset about them taking all the screen time. It's weird that everyone seems upset that the illness isn't the most important storyline--this is about their whole lives and that was a large part of it, but not the only part. I do agree that ALL the side plots eventually got a bit chaotic, but I liked getting small bits of insight into everyone's lives.

I thought it was an interesting move to tell us the ending in eps 2, but it allowed for so much more development of the leads and the (really wonderful) rest of the cast. I loved all the parents, with the glaring exception of one. I loved Mi-jo's sister, I fell in love with Seon-u and his love of Mi-jo. (I took a break from this one to watch Yeon Woo Jin in Shy Boss). Would have liked to see a little more of Joo-hee's relationship, but that's just because Hyun-jun's character seemed to have a lot of potential--but again, they aren't the main characters, so I'm fine with not having every answer.

Another thing that anyone should know by the opening scene, but in case you are wondering: This is a TEAR JERKER. I normally don't like tear jerkers and specifically come to kdrama for the comedy and romance. That said, this was a lovely story about women's friendships. Some of the side plot points were a little over the top (Seon-u's father and his sister; the slapdash adoption that appears late in the story, the jailbird), but they are all meant to get in the way of Mi-jo and Chan-young's friendship, and to show the different ways their friendship has shaped how they respond to difficulties.

Mi-jo is an imperfect heroine. She is anxious, clingy, and a bit of a control freak, maybe that's why she is getting so much negativity in the reviews. But, an imperfect character is way more interesting than a perfect one! Again, if you come to this drama interested in watching the main character move through her life and her relationships, including her close friendship to a terminally ill woman, you will be far less disappointed than if you come to this expecting an ensemble slice of life drama.

The music was good enough that I didn't notice it.

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