News 
This review may contain spoilers
Makyang at its finest. Staged with great sensitivity. A rollercoaster ride of emotions guaranteed!
Back then, in 2000, "Autumn Tale" kicked off the celebrated "Endless Love Series" and is (like the other 3) a hit. Timeless. Heartbreaking in the face of life's unfairness. Bittersweet and tragic. "Autumn Tale" offers makjang at its finest. All of this is staged with great sensitivity. A rollercoaster ride of emotions guaranteed!Two siblings who aren't actually siblings - but nobody knows. A momentous decision when it comes out randomly. Outrageously mean intrigues. And an unshakable bond of love that (nevertheless) must not be. Because even if you might dare to rebel against the family, there is always another stroke of fate.
It is always possible for things to turn out worse - this is a promise, KDrama Land can surely give!"Autumn Tale" is prove of that. And as always with makjang: an enormous capacity for sympathy, suffering and compassion is a prerequisite for 'enjoying' this KDrama. Makjang could be considered a reinvention and revival of the idea of catharsis in connection with the Greek tragedy. On the roller coaster of human feelings between greed, love, betrayal, hate and forgiveness and suffering, scolding, laughing, crying, the moment of empathizing with the emotional processes of the protagonists can have a liberating effect. (All 4 KDramas of the "Endless Love Series" - "Winter Sonata", "Summer Scent" and "Spring Waltz", too - are actually great at ´that´. You better be prepared and ready for it... if you are, you won´t be disappointed!
Was this review helpful to you?
This review may contain spoilers
Spirealm has a misunderstood happy ending
Heavy SpoilersDo watch the series, it's very good. A lot of people are saying it's a sad ending but it actually has a very good, albeit unconventional, happy ending.
Spirealm ended with seemingly “it was all a dream” type of ending but my interpretation of the ending was that Lin Jiu Shi , through the act of completing the game, “saved” the game as his childhood friend intended. “Saving” the game in this scenario, reverts all the tragedy the game has caused without erasing anything that’s happened… kind of. The way the story goes about it is a little convoluted but through picking up the themes of this story, is not indecipherable.
Proving that the game did all happen; there are three main points that infers this. The first, most tangible point is that, at the end of the series, LJS wakes up in the middle of the traffic. Assuming everything that’s happened after the traffic accident at the end of the series was dreamt up, it does not explain why the internet cafe boss at the beginning of the series– who’s seen the game before the traffic accident– has no recollection of LJS having played the game. The second point, if everything in the game had not happened, it would make no sense for LJS to accurately know the name of people he’s never met before. The third point, which is the most confusing one, explains one of the main themes and why the director probably chose to take this route.
One of the main themes of Spirealm is the legitimacy of the “virtual world”, where the characters have debated multiple times if everything that happens “virtually” in the game is real or not. I forgot which episode it was but, LJS in the latter part of the series pondered “If the feelings in Spirealm are more sincere than real life, what really is the difference between virtual and reality?” ( Also not a direct translation, I’m too lazy to go find the exact episode and translate it) The point of this quote is, even if the memories don’t exist anymore, the feelings and relationships that were formed during the time in Spirealm were “real” and sincere. We can see this through the way Chen Qian Li fhaving familiarity towards LJS at the end of the series, despite acknowledging that he doesn’t actually know him. This is a little more debatable but you could also argue that the differences between the depiction of the people around LJS before and after he woke up also shows the effects of the game. One could interpret Tan Zao Zao being an influencer instead of an actress as something unconsciously influenced by the events of Spirealm. While being in Spirealm, TZZ felt like she constantly had to mask herself as an actress, you could argue that her being a influencer instead of an actress in the new world as a choice she made unconsciously due to the feelings of restriction she’s felt in Spirealm. Same with instances like Chen Yi Xie watching horror movies as a hobby and Li Dong Yuan being content working as a street vendor that makes little money.
In the last scene of the show, when LJS goes back into Spirealm, he sees TZZ where she tells him “it feels like I woke up from a long dream”, referring to life outside of the game. This further emphasizes how the game is actually “real” too, since when LJS is outside Spirealm, Spirealm is referred to as a “dream”. Whichever reality they are in is the real one, so by proxy, they are both real.
Another point to consider is the relationship between LJS and RNZ. If everything was a dream, then essentially, LJS dreamed up a lifelong companion (boyfriend) in elaborate detail seemingly out of nowhere… It makes more sense if RNZ did exist, but was simply erased from existence due to the game also having been erased. The whole last arc of the story also repeatedly states that he would be erased once the 11th door was complete.
The game bringing people back to life, erasing everyone’s memory, and altering reality also seems entirely reasonable when the whole basis of the game is based on its ability to kill people and warp time. Realistically speaking, there was no real way to depict RNZ and LJS saving the game besides erasing the game completely, therefore, the erasure of everyone’s memory and the game’s existence is the intended effect of “saving the game”.
I also believe that LJS reprogramming the game essentially is the equivalent of him fulfilling his friend's wish of “restoring the game to its original state” as the game he ended up recreating was essentially the original intended game.
I believe that the ending of Spirealm was the perfect happy ending, Everyone is alive again, they get to live their life to the fullest, and in the end, LJS finishes the game where he likely decides is his new “reality” with RNZ. They all live together happily as Chen Qian Li wished for in the 11th door. This is the 12th door, LJS’s completed door of happiness.
That’s mostly all I wanted to say, I’ll probably rewatch the series when Subs (that are comprehensible) come out so I can make exact quotations and give actual episode numbers (plus there are probably more things I have missed). But for now that’s all I’ve wanted to say. I’m open to debate the ending since I feel like the ending was definitely left a little ambiguous but I feel like a lot of these things were changed from the novel with the intent of creating this ending specifically. (ex. Slight novel spoiler: TZZ being a famous and acclaimed actress in the Novel while being mildly unpopular in the series)
Add my insta if you want to talk about this show with me, it lives in my head rent free: krudy._
TLDR: Spirealm was not a dream, everything that happened got erased due to LJS completing the game. Everyone gets transported into an altered reality where they are living their happiest lives (indirectly bc of games events) and LJS reunites with everyone towards the very very end where they all live peacefully together.
Was this review helpful to you?
Story: I thought the overall storyline was quite interesting and unique. I’ve never watched a drama with a plot like this, though it definitely gave me HIStory vibes. When I first read the description I worried it was going to be the half-brothers in love, so I was relieved when I realised the series was about them and their separate partners. The script was very clever in helping the 2 leads to get closer in a more realistic way than just shoving them in the same direction like I have seen happen in other series, so I was definitely happy with this. Although it’s clear who the main and side couples were, I found myself loving all 3 couples and enjoying the progression of their relationship, rushed as it may have been.
Cast: I was surprised to see that the actors were all very new, as they were really good at what they were doing. I didn’t feel any awkwardness between them, and there was a lot of chemistry between all the couples. I like how we saw the changes between the brother relationships as well, in the beginning they weren’t close at all and always fought, yet it ended with them all sat having a meal with their partners looking very happy. It was nice to watch them become closer and friendly like that. My one complaint was the languages, the main character talked in Korean yet they responded back to him in Taiwanese, it was just a little disorientating.
Music: I liked the opening OST, but other than that there was nothing incredibly memorable about it.
Rewatch value: If I’m ever bored and want to watch a quick, short BL series, this will probably be one of my first choices. I can’t see myself rewatching it unless I’m bored, but I already know I won’t watch it and leave it like I do with other series.
Overall: This definitely won’t be anyone’s favourite drama, and it won’t be winning any awards for best BL series, but I think it you give it a go and watch it with a clear mind, you may find yourself enjoying it just as much as I did.
Was this review helpful to you?
Just as good as the series!!
The movie/series: Both had a great storyline and script. The cast was great and did a great job with their characters. The cinematograph and graphics were awesome.The movie: Overall, they did a great job editing the series into a cohesive movie version. There are a few scenes that were edited differently (same footage put in a different order) and some scene placements were changed. There were also a few scenes deleted or cut short, I’m assuming due to timing purposes. There was one scene that was cut short that I wished they kept completely in. However, all of the changes did not impact the quality of the series in anyway. I enjoyed the added bloopers and behind the scenes footage at the end of the movie.
Before I continue, it’s important to know an individual’s definition of added scenes. My definition is when the director adds scenes that were deleted due to timing restraints or when additional scenes was film after the original production has ended to add more meaning. A good example of this is “Life-Love on the Line”. Because of this, I do not count the bloopers and behind the scenes footage seen after the movie. I did not notice any added scenes the first time watching the movie. However, I wanted to make sure I didn’t miss anything and watched the series and movie at the same time (split screen). What can I say, I wanted to be thorough. I only saw two added scenes almost 2 hours into the movie. The truth is it really does not matter if you notice the additional scenes or not because they don’t really add anything to the movie. Don’t worry about it and just enjoy the movie. Yes, it's almost 3 hours long but it's worth it.
Random Notes:
I personally preferred the English subtitles for the series over the ones in the movie.
Was this review helpful to you?
Min Ki is so HOT in here! He is such a gentleman I loved how he was caring toward her and changed her into a better person. Did i tell you his eyes are gorgeous!
Chae Rim one of my favourite female actress, she blew me out of my seat.
A must watch drama that you will never regret ever watching!
Was this review helpful to you?
This review may contain spoilers
I decided that I really wanted to watch this not only because it was one of the most highly anticipated Chinese dramas of 2019, but because of the actors/actresses. I really wanted to see ZTao (Boxu) in a drama because I was very curious about him in an active role and to be honest, I enjoyed every second of his character. I loved watching his growth from this misunderstood c-pop star who hid behind his popularity to this soft and funny man who learned what was most important in his life and it was one of the things I loved most about this drama - the chemistry between the two leads. I loved their back and forth banter that was 100% flirting, but both didn't realize it. Their relationship seemed extremely comfortable and natural, which made me ship them from the beginning.
Sorry, Yu Zi Rui. This brings me to my next actor - Niu Jun Feng who placed Yu Zi Rui. It was the second time I had seen him in a drama and he was one of my favorite characters in the first one. When I found out that he was a major-minor character again in this drama, I had to watch. Especially since he was playing the caring and gentle (first) love interest of our main character. Was I a little disappointed in the character he played? Yea, but I think he did an amazing job playing his character. I loved watching his internal struggle trying to figure out what he thought was most important in his life and what he was willing to do to get there. Similar to Boxu, but almost an opposite result, which broke a lot of people's hearts, but made others full.
Finally, there is Janice Wu. I don't know how it happened, but I somehow ended up watching two dramas at the same time, not knowing she was the lead in both. I love what she brings to every role that she is in and ended up being one of my top favorite actresses. I loved that she played this hard-working woman who was not scared of Boxu and always was true to herself and in her relationships with others. We also got to see her in some down moments, but she always bounced back with the support of the people she built strong relationships with.
I enjoyed this drama a lot more than I thought I was going to, but there were a few things that I couldn't get over. The first being the consistency and the flow of every episode. It seemed as if one episode was cut into 2 or 3 parts, so when you watched it, at the end of these eps were abrupt and in the middle of a sentence. I also wasn't a fan of ANYONE that worked at Star Entertainment. Some people had their moments, but it wasn't enough. I honestly wanted Boxu's contract to be terminated so he could go somewhere else. BUT, Star Entertainment did seem like a family....a dysfunctional family.
BUT, the one person I disliked the most, and idk if she just enjoys playing these types of characters, was Xia Yuan, Zhen Zhen's best friend and roommate. I felt like she was too much. I'm glad she did a lot of growing in the drama as a whole, but she was a mess in the middle and took it out of Zhen Zhen for something he has no power over. Especially when she decided that she was in love with Yu Zi Rui for no reason really, but I appreciate the ending that they gave her and Zi Rui.
Overall, I would love to see Z.Tao act in more dramas as well as continue to watch Janice Wu in the future. I hope they collaborate again. I was also in LOVE with every song in Boxu had written, that was in this drama, and extremely happy that they were real songs by Z.Tao and downloaded them all.
Was this review helpful to you?
This review may contain spoilers
This drama was very enjoyable. The female lead is 29 years old, divorced and has a child. The male lead is 23 years old. Male lead is a ceo of a beauty company. Female lead divorced her cheating husband and needs to find a job to get the rights of her child back. She becomes the personal assistant of the main lead. At first they are bickering but slowly they fall in love. I like the female lead because she is smart and thinks quickly off her brain, she doesn't let a failed marriage get to her. She strives to do the best at her work and takes good care of the male lead. The main lead at times can be child like but has time where he is very manly too. ( he looks very young...) Their real life age is the same as in the drama btw :) The male lead had a traumatic childhood which causes him to faint/ lose breath if lights are shut off. I really like the female lead and her best friend's friendship. They are there to support each other through the highs and lows. I wasn't as fond of the best friend and the second male lead's love story because it was kind of stick, lol at least they have a happy ending.
The chemistry between the female and male lead is good too. After they fall in love with each other , there are many sweet moments shared ( kissing scenes >_<). I feel that 16 episodes was the perfect amount of episodes, so that it didnt get draggy. I also liked that they acknowledge each others feeling pretty early on, not like some where they save it for the end. of course their love has some ups and downs ( i'll let you watch that part yourself).
Was this review helpful to you?
As implied above, Yakou Kanransha delves into the effects a shocking murder has on two families (and the town in which they live). It is an emotional story marked by highs and lows, much like the ever-rotating path the titular Ferris wheel follows. Other issues tackled over its course include bullying (by neighbors and classmates), ostracization, domestic violence, and societal pressure. Unlike many other Japanese dramas with such a focus, family is not held on a pedestal. Instead we're shown a realistically flawed structure, full of secrets and misunderstandings. Despite this, beauty remains to be found in the connection between friends, brothers and sisters, parents and children; something so imperfect can still be wonderful.
Most incredible might be how deftly these emotive aspects are combined with exciting, cerebral ones. Character development intermingles flawlessly with shocking revelations and startling secrets. Scenes are rarely lingered on; the pacing maintains a seamless stability throughout the series.
Japan excels at the ensemble piece; Yakou Kanransha boasts a large cast which more than lives up to this standard. Suzuki Kyoka clocks in a believable and solid performance as Endo Mayumi. This role is written simply so she might serve as our eyes into this fantastic circumstance; despite this, Suzuki-san completely brings her to life. Among the other adults, Yasuda Shota and Natsuki Mari are of great interest. Natsuki-san plays an especially polarizing part, yet her consistent and complex portrayal makes quite the impression.
But young actors Nakagawa Taishi (15) and Sugisaki Hana (16) completely steal the show. Both deliver honest and affecting performances beyond their years. Particularly Nakagawa-san; it floored me how drawn into his scenes I became as the series rolled along. Definitely a budding career to watch.
If like me, music comprises an important part of your viewing experience: take heart. Yakou Kanransha posesses an immaculate soundtrack, full of richly mysterious strings and hollow piano. There are also fine vocals, such as those from Ai (ending theme "Voice," which exudes action), and Reiko Oshima ("Daydreaming," a hopeful ballad with a bittersweet feel). Other highlights include the masterful use of sound effects; during particularly intense scenes, one can sometimes hear the grinding machinery and clacking carts of the Ferris wheel. Also take note of its use as imagery between scenes; you'll never forget the way it looks, brightly lit at night.
Was this review helpful to you?
a thriller/horror turned into an examination of how awful people can be
Overall: I struggled with how to rate this as there were parts that really worked for me and others that didn't. I was also disappointed but not surprised when some viewers victim blamed the character Non. 12 episodes about 45 minutes each. Aired on iQIYI. Production company is Be On Cloud which also produced KinnPorsche.Content Warnings: murders/death, blood/gore, decapitation, animal death, vomiting, bullying, manipulation, coercion, mental health struggles, suicides, attempted suicide, parental abuse, beaten up, grooming, teacher/student, non con sex, non con recording/sharing, cyberbullying, drugging
Thoughts on Victim Blaming Non
- consent is multifaceted, one part is non-coerced and Non was definitely coerced, he was groomed by someone he had respected and felt he owed that person, Non did not deserve the terrible things that happened to him
- for people who said "why didn't he just switch schools", we don't know the cost/transportation difficulty with doing that, also I think Non was an abuse cycle with the friend group, Jin was the little bit of sweetness that made Non hope for things to get better and then when they were terrible it was difficult to break free, viewers also forgot that Non had been lied to/manipulated and believed the first thing was his fault and that he was mainly responsible for all of the awfulness happening to him (update in episode 11 around 7 minutes Non says "if you didn't see me as a friend I could have moved to another school" which confirms for me that Non would have left if all of them had been terrible all the time but Non had glimpses of kindness an that kept him at his current school)
Watch Notes
- if you like horror/thriller (and don't want to see a ton of bullying/people being awful), watch episodes 1-4, then watch the beginning recaps of episodes 5, 6, 7, 8 and 9 which are all flashback, watch episode 10 thru the end
- if you like sweetness, watch the first 5 minutes of episode 7 and watch episode 11 33-41:25
- if you like spiciness, watch the scene at 26 minutes of episode 9
What I Liked
- mystery aspect
- the NSFW/intimate scenes in the first episode and episode 9 were well done
- character actions sometimes felt realistic
- that they talk about not splitting up like in a horror movie
- sweet moments beginning of episode 7
- fleshing some characters' backstories out
- flawed characters
Room For Improvement
- slowly paced for being a thriller, flashback episodes 5-9 provided important context but they also interrupted the thrilling part of the series, they could have condensed them or interspersed with the thriller part in the present
- there were 9 main characters and it took me quite some time to figure out who they all were and their relationships to one another
- Jin got off the hook way too easy for something absolutely terrible that he did, it felt unrealistic and was disappointing
- episode 10 was an exposition dump/reveal with some scenes (wandering around the woods) that dragged
- one character did not deserve what he got (wish there had been some kind of twist with this character)
- ending felt rushed and too much fantasy (no way would hallucinations have been exactly like that), wanted more/different twists and then the 31 minutes onward didn't work for me
Was this review helpful to you?
My opinion on sato takeru change from a so so actor to good capable actor and this was his best performance I must say and he deserves the best actor role on this. IF he continue do performance like this then he might join the ranks of those top class japanese actors. Haru kuroki is one of the best young japanese dramatic actress today and perhaps she is the best. Her acting here is like silent-but-deadly and she never overact and thats the best thing i notice on her.
The story is very engaging definitely one of the most inspiring drama's I saw and i love how they dramatize tokuzo akiyama who is a real person, his antics, his movements...I love it. I also like the way they manage those time skips it didnt feel rushed. The acting here was phenomenal even the foreign actors did well specially that french girl and I wanted to know what happen to her after. This wont become that much inspiring if not of this drama's music....they inserts right music at the right moment. I notice this in every episodes they will build up you emotion, just as you thought that was it but there still a final kicker at the end then BAM.
I didnt cry while watching this but i do feel like I wanna work more harder after. Watch it you wont regret it.
Check my Blog for other reviews & other JDramas stuffs. (｡◕‿‿◕｡)
https://thatjapanesedramaguy.blogspot.com/
Was this review helpful to you?
Casting. LoCH 2017 used mostly rookies for its leading cast. Yang Xu Wen is probably the best-looking Guo Jing I've ever seen. I also think Li Yi Tong looks very much the part of Huang Rong. She also gives off a Zhou Xun feel (both of them suit this role well). The dubbing did wonders for this pair though, because if I had to listen to their original voices instead my ears will bleed. However, I think Mu Nian Ci was horribly miscast. This is my first time seeing such a... Mu Nian Ci. She doesn't have the right disposition at all.
Acting. Pretty decent acting all around, especially the veteran actors. There must also be something magical with the role of Ouyang Ke, because somehow all the actors who play the character do really really really well with it.
Production. The production team claimed that the use of rookie actors means that they are able to set aside more money for the more important things. Well, I think that's reasonable. At least there wasn't an overwhelming use of green screens *cough, cough G&I*. My problem is with the colours. Despite everything, the colours are still very "idol-ish wuxia" [2]. I much prefer the Zhang Ji Zhong adaptations where the colours were duller, more movie-like and looks like a proper drama as opposed to "idol dramas".
In all, I think the drama stands out from most of the 2017 productions. It also has an edge because of the fact that it's a recent adaptation, and after watching Yu Zheng's dramas, it's like a breath of fresh air. The drama also has a 8.0 rating on Douban, above the 2003 and 2008 versions. Not exactly deserved, but as I say, it has the advantage of being the diamond in the dirt.
-- Footnotes --
[1] I think it's based on the more recent editions of the book, which is a pity since I think in general the changes were for the worse.
[2] As years go on, Chinese period dramas are getting brighter and brighter in colours, which imo is a bad thing. It just looks... cheap.
Was this review helpful to you?
I even managed to regain my composure after the initial excitement, let some time pass and cool down, in order to look at it with a less passionate, more objective stance. The result is, SG remains my all time favourite, a drama I have watched and rewatched and will watch again until the characters and the script will be integral part of my life - perhaps they already are.
The plot speaks fot itself. There is fun, romance, magic, tragic, twists and literary references. It flows without interruptions, making you laugh like crazy and cry like a baby, at times flooding you like high tide, but it never leaves one dry or unsatisfied: questions are answered, references fulfilled, all spiced up with a little magic.
The script is unique and brilliant. The funny lines are hilarious, the serious ones thought-provoking. Nothing about this script is either predictable or shallow, making the characters come to life and become realistic in a fantasy world.
Which inevitably leads me to the acting, which is outstanding. The main leads have to play the part of themeselves, then that of the other, then that of the other playing the part of themselves. Lesser actors would have screwed up, but Ha Ji Won and Hyun Bin both do a fantastic job, providing laughters in heaps and tears in the same amount. And their love story is just as beautiful as their chemistry on screen is sizzling.
The secondary characters are not mere supporters. They are all interesting, complex personalities who adds to the plot and the dynamic wonderfully.
The music is addicting, even for a K-pop ignorant as myself. Songs and lyrics are never chosen randomly but highlight and define the scenes they soundtrack.
I can't ask more of a drama. In fact, I doubt I'll find something to fully compensate for the end of this wonderful show.
Was this review helpful to you?
The bad rating really isn’t about the endgame
PROBABLY SPOILER ALERT!I dont even know where to start. At first I felt sad we were getting only 6 ep, but I couldnt wait for it to end.
It was the most tiring, slow-paced, boring season ever. I have watched season 1 probably over 5 times. It was my first kdrama and that’s why I was so invested. For someone to wait for almost two years and checking every month to see if there was an update, this was a let down. The bad rating is not because of the endgame, trust me.
Let me just start by saying that the characters were all completely different (in a negative way). We knew none of them really. There was no character development. Sunoh was pretty much non-existent (like how can you give the most important character so little screentime while he was the one that made almost everyone watch and like this show). Jojo was the most toxic, indecisive FL I have ever seen. How can you still be like that at that age? She was only hurting everyone around her for no apparent reason. She had no characteristics and no evolvement. No goals, no dreams- nothing. She was never studying, never caring for her friend (seriously what was the purpose of putting her in the show?) or anyone around her. Yet she always felt like everyone around her was hurting her. Instead of wanting a boyfriend (I think her having 3 bfs in a kdrama is a record), she should’ve just let the brothers alone to avoid their friendship to break. She just toyed with them. They did Sunoh so dirty, both Jojo and Heyyoung.
Heyyoung grew up with him and let a girl come inbetween them. Yes, maybe he liked her first but that never means he should’ve had her from the beginning. He worked with her for years and she never, ever knew him, never cared for him. That says enough about him. He was a very passive person. When Sunoh wanted to communicate about where they went wrong as friends (because Sunoh really did care), he just had the audacity to completely disregard him and just walk away without saying anything. That was wayy worse than what Sunoh did to him (even though in s1 Sunoh was like “Jojo is not an object, let her choose”). They both broke the bro-code. Heyyoung was the most boring character ever. When characters are silent and shy, they usually have an inner quirky-ness. Heyyoung had nothing. I still dont know what Heyyoung was doing at his internship or what he wanted to become in life. Just like Jojo; no dreams, no goals- nothing. His only obsession in life was someone he loved for over four years without knowing a single thing about that person and having never really talked with her (seriously, what did he like about her again?!).
Sunoh on the other hand was the only normal character (plus Gul-mi, never thought I would say this). He was trying to communicate to understand what was going on and what happened. He wanted to give Jojo all his love when he never even had love from his closed ones. He was never a rich brat. I never understood why people thought he was a bad person. There was not one bad thing about him. He was always there for others without judging them. He never cared about his money or fame and even did good causes. He was not a toxic character nor was he the unhealthy factor in his relationship with Jojo. Even with Yukju he was straighforward and she knew everything about what he did and didn’t feel. Throughout the series I kept thinking of how Jojo did not deserve him and how Yukju was a sweet girl. I wish instead of making him go through so much pain, they should’ve just focused on his relationship with Yukju. I am sure more people would’ve liked the show then. The scenes with his parents were really confusing and the whole production felt rushed. In s1 everything looked more real and thought-out, now we didn’t even see one single worker of his mother next to her.
There was literally no plot, no plot development. Romance consisted of them just walking each other home and texting if they have eaten. They were so boring. Jojo was just a pathetic character and I don’t get how no one left her in her life without dying. Jojo and Heyyoung both lacked the skill of communication and communication is key. That was a major red flag. Also how she did the same FAULT again when using the spear for Heyyoung. Like you used the shield and regretted it and now you use the spear? No wonder he had left. I was glad he did to prove a point.
I never thought I would’ve said this but the only one I really liked in this show was Gul-Mi. Such a funny, insane but still sane girl she was. I was glad that Duk Gu hadn’t died and she got her karma.
Duk Gu was annoying to me about how Jojo would’ve rang Heyyoungs love alarm regardless. Because there was no reason for her to like Heyyoung. There was nothing that he had that Sunoh didn’t have. It was all about timing. She breaks up with Sunoh because of her past issues but four years later she still has those issues and no character development, yet suddenly gives Heyyoung a chance. Why? Why not Sunoh? Because suddenly Heyyoung came to the damsel in distress. She would’ve liked anyone at that point.
ALSO, where was the whole Anti-Love alarm group? Why put that in the drama in s1 only to never go back to it in s2? That would’ve made it more realistic and interesting. We all were waiting for that.
The saddest scene were I broke down was when Sunoh and Jojo met up for closure. It felt so forced and if it was just for SK and KSY they probably would’ve chosen JojoxSunoh. I felt like it was all about timing. It looked like a missed chance. Her saying that she would install the shield again if she went back was disrespecting Sunoh. She should’ve felt ashamed for causing him so much pain. I felt like Jojo would’ve liked anyone who came in front of her. If Sunoh would’ve stayed by her side regardless, I wonder what would’ve happened.
But to be honest, I am glad she ended up with Heyyoung. Both passive and no chemistry but Sunoh deserved better so I am glad. He is way too precious to end up with a toxic person like Jojo. There was also zero reason for him to like Jojo. She was not worth it. I am sure the actors all think the same way and I am happy Jung Ga Ram is serving in the military cause he won’t get all the backlash now.
Nobody should feel sorry. Netflix knew what they were doing. We all warned them for not putting out a half-assed season. The fact that they also took away our Sunoh moments and made them Heyyoungs (liking list etc) was so painful. The scenes were lacking and a lot of things were left out or rushed (where the hell is the love alarm 2.0 event scene?!). I won’t watch anything of this director and screenwriter again. I cannot believe how they passed this. Even my cat could write it better. There was not even one “wow” moment. I just feel pain for my wasted two years.
Was this review helpful to you?
End of review, thanks for reading.
Indeed, I could end my review here, since the above is basically all the drama left me with. But to the precious 18 hours – or something – I’ve dedicated to this show, I owe at least a more in-depth epitaph.
"Something in the rain" would have worked wonderfully as a 2 hour movie: the plot can be easily condensed in so short a time, we would have enjoyed a lovely on-screen chemistry and there would have been still room for the artsy cinematography the drama likes so much to sport. But, alas, the writer and director opted for a long narration, taking one conflict and a half and building this repetitive and aggravating slice of “real” life around it. What in the beginning seemed like beautiful aesthetics meant to create an atmosphere and enhance the plot, turned soon enough to be a trick to hide the lack of it. Because of that, the cinematography became, in my eyes, one of the drama flaws.
Let me make this clear: I have absolutely nothing against a slow pace that helps the viewer enter the world of the characters. I love small details: a meaningful glance, a trembling hand, a quiet dialogue that says it all, but here scenes are simply overstretched, even the most mundane, irrelevant ones. I have actually timed a scene: a character gets out of a taxi and walks unobserved on the road for as much as 65 seconds (try to count in your head and you’ll realize it’s an eternity). The camera stays still and the character walks. No close-up shot of the face expression, no weird or telling gate, no encounter to be remembered later on, just a walk that bears no significance whatsoever in the plot, except perhaps that it teaches us how people walk in Korea. I could go on describing scenes like this one, there are a handful. When a 2 whole minutes hug came, I truly became restless. And bored.
All the while, most characters are extremely bi-dimentional. No explanation, flashback or insight is given to justify their motivations. They are trapped in this present bubble and immortalized with one or two character traits only. We are left to speculate about their past, future and, at times, present. This show isn’t centered around a meaty plot, but does not focus on characterization either. There’s only so much a believable on-screen chemistry and artsy aesthetics can do to keep my interest alive.
Which brings me to the love story itself. The only positive trait of this romance is it’s realism, at least in the beginning. However, because these two jump from meeting on the road to being madly in love, I was deprived of my favourite part of romance, that is the falling in love process. Worse, episode after episode I started feeling like a voyeur, peeping through the keyhole to spy on an ordinary albeit pretty married couple in its daily routine. Since voyeurism isn’t my favourite hobby, I lost interest very soon in the nth walk with or without umbrella or yet another scene with these two frolicking around with the ever-present music that should tell a story but does not. They have no heart-to-heart chat, they don’t talk about their dreams, their plans, their future together, they hide more than they tell. Why these two people who have very little in common should love each other is not for us to know. Ah, yes! They are both gorgeous, that must be it.
The tension is all built around the opposition of a mother who’s in serious need of good therapy in whatever culture we set this story. Don’t get me started on the ex boyfriend arc and the harassment on the working place: the first goes nowhere and the second takes an eternity to go… where did it go?
Not yet happy, these badly outlined characters are for the most part disagreeable. If I have to watch a slice of life drama, I want to become attached to these people, but here I grew increasingly indifferent to all of them, otp included. The heroine is possibly the one who frustrated me the most and no amount of sociological analysis on the customs of South Korea will ever make me love a grown up woman who can’t stand up for her rights and for the people she supposedly loves. The fact that the author decided to portray a female lead who never learns from her own mistakes put a huge distance between me and her and makes the ending, good or bad, senseless. If it was my fault to expect something different, than I’ll take the blame, but at least I have learned something and will try to be a wiser viewer in the future (i.e., drop the hot potato before it scorches).
Finally, the music! Two good songs repeated ad nauseam and another old-fashioned two that made seaweeds grow in my ears. That’s the ost – an inappropriate definition anyway, since ost stands for “Original Sound Track”, that is, songs or music created on purpose for the show. I doubt Carla Bruni (?), Bruce Willis (??) or even talented Rachael Yamagata met to create this meager ensemble.
It’s extremely ironic and sad that the episode I enjoyed the most is the discussed last one. If only everything had taken place much earlier on, I’d have liked this drama. Unfortunately, as it stands it makes little sense and the prospect of subjecting myself to a second watch is unthinkable.
My dear 18 hours, RIP.
Was this review helpful to you?
Perfectly constructed, every episode is just amazing, go watch!
Desperate to fund her daughter’s surgery, Myung Joon (Yoon Kye Sang) kidnaps a feisty child genius Rohee (Yuna), who lost her memories. When his call for ransom remains unanswered, Myung Joon drives to her house only to find her parents were mysteriously murdered.I’m going to first mentioned my most memorable aspect, that is Yuna as Choi Rohee! Yuna’s performance was such a delight! she stole the show with her vast range of emotions and also strong nuances in her micro expressions. It's magical how her emotions tore me apart. I laughed and cried for her! In one scene, I cried so hard and still cry however many times I watch the scene. T.T, I also love The Kidnapping Day for the solid storyline. It blends different genres expertly, giving me a high-stake, angsty, funny and endearing feel altogether. It’s a found family through kidnapping, but it never delve into Stockholm Syndrome as Myung Joon and Rohee dynamic is equal. Myung Joon is silly but caring, while Rohee tends to dominate, but as a child, she’s yearning for family love.
I enjoy how unpredictable and unconventional the mystery unravels. The investigation isn’t drag, the police make progress, obtain evidence, etc. We are rewarded with clues and twists constantly without them being overwhelming. It's rare to experience a drama that’s perfectly paced & each episode is juicy like this. For me, it’s the best release in 2023 and will always be one of my tops of all time! Wonderful!!
-Oct 2023, Yovita
Find me on Instagram: @kdramajudge
Was this review helpful to you?
