Reviews

While the first part focused on the set up, characters and politics; the second part went straight to the battle itself. This film is made as a package so you simply can’t watch one and ignore the other. They’re strongly attached in a way that makes them feel inseparable.

I will skip the history in this review, I wrote about it in the first part and any extra historical information that I give in this film would be considered a spoiler for those who aren’t familiar with history. But let me just make something clear, John Woo didn’t exactly follow history. He changed many events for the favor of his storytelling, so the outcome and some facts can be misleading for those who want to take this as an accurate “historical reference”.

Red Cliff 2 is all about war and everyone knows that everything is allowed in war; whether be it contaminating the enemy’s camp with deadly contagious diseases, using the enemy’s spies against them or burning down the Navy. That’s war, it’s ugly and everyone loses at the end, the deadly battles and the horrible truth are definitely there. However, that’s not all what war in John Woo’s film is all about. There’s more to tell through the splendid battle scenes.

The heart and soul of this film is the epic battle of the Red Cliff that marks one of the greatest wars in Asian history whether because of the number of soldiers involved or the smart distinguished generals who were leading armies. It’s 800,000 against 50,000; the first is led by the outrageous yet politically clever Cao Cao and the other is headed by the combination of Sun Quan and Liu Bei with the magnificent aid of the intelligent Zhuge Liang and Zhou Yu. The battle was all about tactics and strategists where the two advisors play an important role at confronting a huge army. The famous 36 Stratagems and 'Borrowing the arrows using the scarecrows' are one of the greatest psychological war techniques I ever read about in history and John Woo did an superb job by making them come to life.

The amazing strategies aren’t the only thing that clicked about this film; there’s also the astonishing portrayal of battles scenes, the blood spilling, the wonderfully made fire scenes and most of all the emotions and the reactions of characters’ involvements.

In this part, there’s no further explanation of actors; I already made everything clear about their amazing job in the first part. As for characters, I still insist on the over-use of the female characters, they weren’t only all over the place but they also were historically wrong.
The other characters’ developments were well-noticed between the first and the second part. We get to see more impressive sides of historical heroes especially Zhuge Liang and Zhou Yu.

This film’s cinematography was stunning. The visuals, colors and the sceneries were well-fitting for an remarkable piece of Chinese war epic.

Now, if I speak about the film as a whole; I would say it’s one of the best war strategy films ever made and absolutely one of John Woo’s better works. This is not a sequel; it’s a second half of the same film so you should understand that this is supposed to be watched as a whole. Do not see the American or the European cut versions; you should search for the original release of the two films or you won’t be able to feel the whole magic.

Watch this if:
-You saw the first Red Cliff because they’re inseparable.
-You like war films or John Woo’s HK works.
-You like strategy films.

Do not watch if:
-You’re expecting a historical documentary where everything is accurate.
-You do not like war films.

Red Cliff 2 is the second part of an amazing Chinese film that deals with the famous “Three Kingdoms” epic displaying the Red Cliff battle with all of its spectacular strategies and tactics.
Red Cliff as a whole is one of the better films’ that successfully demonstrated the art of war.

Read More

OhmLeng Deserved Better

I was genuinely hyped for this show. With Ohm in the lead, there is always a promise of natural chemistry, especially with a new face like Leng. The trailer painted a picture of darker themes in my head, I mean, a kidnapping subplot? Intriguing, right? It seemed like this could be one of GMMTV’s more serious or emotionally grounded series, maybe even a hidden gem but I was wrong.

➬ Plot and Execution

To put it as nicely as I can, it's a dumpster fire. It feels like they pulled random ideas out of a hat and slapped them together without any thought lmao. I think they cater to a 12-year-old audience while simultaneously throwing in themes that should never be anywhere near a show for kids. A kidnapping subplot? Really? How do you take that and mix it with juvenile humor? It’s embarrassing and that's not to say a show can't be dark and funny at the same time but it has to be well done which isn't the case here. The storyline is not only predictable but it’s also shallow as fuck, there is no substance whatsoever.

➬Tone and Pacing

This is where things went completely off the rails. The tone oscillates wildly from (attempted) intense drama to cringeworthy + over-the-top humor which makes it nearly impossible to get emotionally invested. One moment, I was watching a serious “kidnap” scenario that should be thrilling or tense and the next it’s as if the characters are filming a skit lmao. This back and forth annoyed me a lot. I’m not sure what they were aiming for but whatever it was, they didn’t reach it and the pacing is equally disjointed which makes the show feel like a mishmash of scenes rather than a cohesive story. Important moments are rushed while trivial scenes drag on smh.

➬ Character and Performance Analysis

Ohm → is as talented as ever but even he struggles to shine under this weak script. I can see he is trying his best but with stilted dialogue and poor plot development, there is only so much he can do. It’s disappointing to see an actor with his range stuck in a story that doesn’t even let him showcase half his potential.

Leng → For a first-time lead, Leng isn’t doing a bad job but he does need improvement. He has potential, his charm comes through and he has an innate sweetness that works well for his character but again the plot leaves him stranded. Even with great chemistry with Ohm, the weakass dialogue makes it difficult for him to deliver anything memorable.

➬ Chemistry and Romance

Ohm and Leng have a good on-screen chemistry which is honestly the only reason to keep watching. But even that suffers due to the poor writing. Romantic scenes that should feel sincere instead feel forced and hollow and this is mainly because of the misplaced humor. With a better script, these two could have delivered a very good romance.

➬ Overall Production Quality

While the show looks pretty decent, the direction is inconsistent with no clear vision guiding it and don't even get me started on those damn cakes they keep shoving on my screen, I know sponsorship isn't new to GMMTV and this is something that has always pissed me off because there are show's that make the Ads very subtle and then there are other's who shove it in my face, like this one.

➬ Final Thoughts

Watching this has been frustrating because GMMTV has access to talented actors but instead of capitalizing on that talent and creating good stories, they are more focused on quantity over quality. This series feels like a product made for the sake of staying in the game, rather than any real effort to push BL forward.

Why I am watching? → Out of respect for Ohm and Leng because they deserve so much better. I hope GMMTV takes note of the show’s shortcomings and reconsiders their approach in the future but I have no hopes lmao.

Read More

"Always the bridesmaid, never the bride"... Is often the term used to a person who never ended in the first place, a consistent runner-up. And life is like a wheel, not always that we will be on the top. Is the previous No. 1 is now the 2nd? A second placer that have a of catching up to do.

Rarely a BL series will have a sequel, and when they have, there is a handful that is equally good or better as the prequel. Most, fell short. I guess given that there is a "blueprint" in the form of the prequel, one will have a hard time not to expect especially when it ended like with this sequel's prequel.

This one of the very few that figured out how to make a successful sequel. Why so? It is a direct continuation for the prequel, coupled with growing and maturing of all the characters. Making the main couple's world bigger with the sense of responsibility with real-life consequences. Introduction of the side couples didn't interfere nor takes away time from the main couple. And that's where a lot of sequels failed to do that after watching one you will ask yourself, is the sequel a way to introduce a side couple to be the main? "What the Duck: Final Call" is one of the classic example how to ruin a good enough prequel with a side couple that didn't interact with the main one. Hence, the main couple had lesser scenes.

Same how the prequel, this season has a special episode as well.

STORY
===========================================
Personally, when a relationship falls apart, there is one who is at fault and the other had/have shortcoming(s).

Equally, communication is what keep relationship healthy and can make it stronger, open communication that is. Once it lacks, doubts seeps in then and cracks develop. Little by little, cracks grew bigger until it breaks it apart.

The question becomes, after it is broken into pieces, thus one of the parties ready to endure the pain in picking up the pieces, putting it back together for the love to be whole again?

After the "surprise" episode of "We Best Love: No. 1 For You", a follower of the series will definitely have a conflict for this sequel set in mind. Questions like "What stop Shi De?", "Why Shu Yi didn't confront?", to name a few. It turns out more than a lack of communication.

Can things go back like they were used before when maturing happened, when there are new factors to consider. Will perseverance can make the person trust you again? Flirting perhaps? She Di and Shu Yi world got bigger, way bigger and it no longer involves the two of them as others may be largely affected with the decision that they will make. After all isn't that what adulting is about? More responsiblities and consequences.

When you get to choose between options, you also need to consider others' welfare and not only of yourself. Or are you willing to be selfish in dispense of others just to win someone's love, again? Can you charm back your way to your ex-partner's heart? Are you ready to endure the pain just for the person's heart to be put back together and make it whole again?

Those are dominant conflicts of having a partner when you were a student, lost it and only to meet again in the future. Carefree versus responsibilities.

How can you expect forgiveness if you haven't apologize or say sorry? "I am sorry" goes a long way.

In any kind of relationship to last, it needs open communication, and I for one couldn't stress it much more.

Those are just some of the take away a viewer can have.

Obsession. How bad can it be? If you are following, okay let's settle for stalking, someone, it is actually bad? Or what is more important is the action that can happen after? However, one can never tell what in a mind of a person obsessing over someone. Is this a case of mental health concern?

The very last scene though, the very last scene.

ACTING
================
YU as SHU YI - one can feel that the tenacity turns into angst, despise. Both emotions suits YU's facial features as he barely needs to act to expression those emotions with those sharp looks. With his snappy moves, glares and stares. Shu Yi tsundere is back and it is all over the place! Can it be tamed once again?

SAM LIN as SHI DE - the ever low-key and waiting for the right moment to hit. He is not the "strike the iron while it's hot" type of guy, a very calculated guy which he was able to carry from season 1 up to now. Noticeably, he lost weight. Nice touch to indicate that years indeed passed by. However, one of the most difficult to act out is being drunk, Sam is no exception but still like his overall acting. And he is a cute drunk. >:)

As for the rejected guys, will they be more involved for the two to get back together or drive a wedge to make sure that won't be reunited?

Also, one can clearly see how the boys now turn into men. You can clearly see how they matured in their actions and demeanor.



MUSIC
================
Episode 6 is when the songs were masterfully woven into the scenes. It gives more depth and meaning but kinda hard to be "in the moment" while reading the lyrics. Nonetheless, watch out for the scene where someone is returning things.

REWATCH VALUE
================
Like all of my reviews, not even one I have rewatch and this will not be an exception. The magic won't be there anymore.

Read More

Season 2 is as good as Season 1

I've read some of the reviews and I was quite shocked that some of them gave this drama a terrible review/rate when in fact it was a great drama. First, I was a fan of Romantic Doctor that I've watch that first season a lot, and I think watching it again before starting this second season was not a bad move since the charm of medical drama is still there, as well as,the tension, and the romance. I was still amazed on the cases that they've brought every week and how Dr. Kim (along with Dr. Woo Jin and Dr. Eun Jae with the help of Doldam staff) overcome them. It was also good that they still mention the characters of Dr. Kang Dong Joo and Dr. Yoon Seo Jung in some scenes and even have Dr. Do In Bum a cameo that really hype up those last episodes.

Second, I also want to praise the new characters for giving a new spice in the drama as they introduce their stories and backgrounds to the viewers. Lastly, I also want to compliment the OST as it gives life to the scenes that makes it more interesting and exciting to watch.

Overall, it is true that it is somehow different to the first season that some of us said that it already lost it charm when they started a new season with different leads. But for me, I think this drama has a different charisma that it captivates the viewers to watch it weekly which is obviously true as it passes a 20 percent viewership rating on its first airing and it breaks it record as a new episode comes. Still, I can say that when it comes to medical-romance drama, "Romantic Doctor" series will be on the number one of my list.

Read More

Contrary to naysayers, the story is intact. Brave and noble, too.

If you're looking for a fluffy, bubble-gum drama that would not require you to think, or if you just want to see Dylan Wang's kissing scenes and are not in the least bit curious about the title of the drama, take note - only by firing up some brain cells would you fully appreciate this.

Unchained Love tells the love story of Xiao Duo, a mysterious eunuch who is the second most powerful man in the empire next only to the emperor, and Bu Yinlou, a young concubine-born noblewoman who is swindled by her father's legal wife to become one of the aged emperor's concubines. Before Yinlou meets the emperor, he dies, leaving her to become one of his childless widows who are to be sacrificed as tribute ladies to accompany him in the afterlife. Xiao Duo saves Yinlou from this cruel fate, starting a collusion between two intelligent, cunning and passionate characters that develops into friendship and eventually love.

Dylan Wang is perfectly cast as Xiao Duo, the head of an imperial bureau that enforces peace and order in the empire. Six years ago, he entered the Imperial City then used his martial arts skills and charms to gain a powerful position that would enable him to investigate the murder of his younger brother. Yuqi Chen shows exceptional acting skills as Bu Yinlou, the illegitimate daughter of a noble family who pretends to be stupid and lazy to hide her intelligence and wit, refusing to participate in palace power games.

The rest of the cast is as remarkable and three-dimensional, notably Peter Ho as the new emperor who is obsessed with Yinlou, and Zeng Li as the previous emperor's empress who is obsessed with Xiao Duo. The emperor's and ex-empress's oppressive desires to possess the objects of their obsession contrast with the unchained love between Xiao Duo and Yinlou that seeks the beloved's survival, freedom and happiness.

The title of the novel on which the drama is based, Fu Tu Ta, refers to the tower where tribute ladies are sacrificed to join newly-deceased emperors. It is thus a symbol of oppression that brought about such inhumane practices as requiring newly widowed imperial concubines to either become tribute ladies or attend to their dead husbands' remains in the Imperial Mausoleum for the rest of their lives. Another oppressive law forces male palace workers to give up their manhood, that is, become eunuchs. Oppression is also manifested in the new emperor's obsession with Yinlou and the ex-empress's obsession with Xiao Duo.

Much ado has been made about scenes that were cut due to censorship. In my opinion, only about six cut scenes had some significance but none affected the story. The absence of those steamy scenes doesn't matter as the intensity of Xiao Duo and Yinlou's passion still shines through and the remaining romantic scenes are more meaningful than the cut ones. In fact, I think the removal of some scenes served the story better. I would have been immediately turned off Yinlou had the scene of her tastelessly jumping on and kissing Xiao Duo at the start of their acquaintance not been cut.

It's rather amusing how the censored scenes provide a metaphor for Xiao Duo's manhood. Despite the cut scenes, the story is intact.

In a genre that glorifies revenge-killing, I applaud the bravery of this drama in showing how true love can rid the heart of the oppressive power of hatred that fuels the obsession for revenge. In a master stroke of storytelling, justice for his brother is served without Xiao Duo resorting to such a cowardly act as killing an unarmed man cold-bloodedly. Thus, I consider any alleged flaw, such as choppy editing due to a few censored-out scenes, more than offset by the uncharacteristic noble values espoused by this drama - love, peace, patience and forgiveness, among others.

Another thing I love about this drama is how humor that is mostly subtle and witty is injected every now and then. The ridiculous knock-on-the-wall communication, Yinlou outwitting kidnapping attempts and other hilarious situations and witticisms had me in stitches.

And yet another thing I love is the ending that is so loaded with symbolism it could occupy hours of discussions about oppression. About hope rising from its ashes. About love prevailing over its chains. That scene startled me that a Chinese drama could be that poetic, daring to disappoint fans hoping for a more explicit ending. It also gave me respect for low-budget cdramas that could dare to choose art over a crowd-pleasing happily-ever-after scene.

Read More

Excellent drama about Love, Life and Career

At first I had my doubt since I'm the type of person who easily drop a drama. Moreover, I'm more into mystery, detective or thriller drama than slice-of life. But I love watching sport anime and I'm a fan of Wu Lei so I give this drama a chance. I watch it without any expectation and got surprised at how much I love this drama. I want to review the + and - of the drama, but then I realized that something that I think positive might be seen as negative by someone else. So I would just list things that I like and I don't like about this drama.

Things that I like:
1. This is a drama with quote-worthy lines, have realistic description about work life & struggle, and problems in family
This drama is not only about love, but personal growth and people's effort to live the life that they want. The main theme is how love can make you be a better person. How love can give you courage, whether the courage to let go or the courage to start over.

2. I can identified myself with the protagonists & they make me want to root for them
This is the first thing that attract me to this drama. I can relate very much with the struggle of the female lead Liang You'an (LYA). As a working lady in my 30's I experience the same problems with her. Horrible bosses, no work-life balance, stagnant career, you name it. I was like, "why this is hit close to home?" Same as the female lead, I also have bad experience in love and everyone around me seems to have not-so-happy marriage, making me kind of afraid to meet the wrong partner and get married. But after watching this drama I think, "hey, maybe if I meet someone who is right for me, romantic relationship might work". I can also relate with the struggle of the male lead Song Sanchuan. I'm someone who excelled in my education, but I've faced several failures at work that sometimes make me lose confident in myself. I know how our state of mind can affect our performance and I found I'm rooting so much for SSC to overcome his struggle and develop his potential to its fullest.

3. The romance between SSC & LYA progress naturally with natural sweetness
I prefer drama with a relationship that progress naturally. Romance in this drama is not industrial saccarine, it's full of natural sweetness. Which I think is excellent and match my preference. But for people who love heavy romance drama with a lot of skinship, the sweet romance here might not evenly spread in every episode and they might need to patiently watch the love story unfold. The amount of sweet scenes are more in later episodes after SSC & LYA got together (start from episode 30). Those episodes are full of sugar.

3. Directing, script & overall production
I just love the cinematography in this drama. For example the scene after LYA reject SSC and show us how they separate that day in the parking lot (with LYA shown to slowly go away by car and SSC still standing there). The way the drama show the community where SSC live. They pay attention to show us every character's living condition. Even from the clothes we can see LYA's high-class clothes and SSC's middle class clothes and have a sense of the difference in their living condition.

4. Some of the supporting characters
There's a lot of lovely supporting characters in this drama. An Cong is a very nice father figure to SSC. I love how they bonded, bickered and love each other despite not having blood connection. LYA's best friend, Luo Nian, show us the stuggle of being a single mom. I'm surprised at how I can like Liang Tao. I hate her at first. But after I finally see her background and thoughts, I think I can see where she come from. The boys at the tennis club so supportive to SSC & I love their friendship.

5. Protagonist with no-nonesense attitude
In a lot of drama, I was frustated at how some of the protagonists act illogically and annoyed me. Make the same mistakes numerous times, childish, etc. Sometimes the protagonist here doing something that I don't like, but I still understand why they do it. This has a downside tho. Some people love protagonist who act silly & unpredictable, and character who act mature and sensible all the time might not seems interesting to some people. They might seems flat. But for me, I love this kind of no-nonesense protagonist.

6. The problems are resolved quickly
Some drama drag the problem for too long. Thankfully not in this drama. Every problem are resolved quickly and there's happiness in every episode. Just like life itself which sometimes challenging and sometimes fun.

Things that I don't like:
1. Some supporting characters.
While I do think there's a lot of lovely supporting characters here, there's also a lot who are annoying. I know the screenwriter flesh out their story because she want to send a message. For example, Jiang Jie the horrible ex-boss of LYA. I understand what the screenwriter want to show with his story, but it doesn't mean I care and I still wish his screentime is reduced.

2. I feel like they can simplified some side story and make the drama more compact. Some parts feels a little bit draggy for me, particularly when it show the story of the characters that I don't really care about like what I said in poin 1 above. There's also some product placement in this drama. While it's not annoying at all and placed nicely, but I still notice that it's product placement.

Overall, I really recommend this drama to everyone. I give 10 for actings because I really like how natural they portray the characters. You need to watch this drama, particularly if you like:
- urban/slice of life/sport drama
- sweet romance
- deep talk

I'm not recommending this drama for people who are:
- too young. I don't expect teenager to relate with the struggle portrayed in this drama.
- expecting heavy romance or a relationship that has bloom/intimate from the start. The romance in this drama is sweet but that's not the only focus here. It's also a drama about life & career. This drama also aired on national TV so they remove the hot scenes and make it tame.

Read More

I completed this drama with Chinese subs. I will give my general sentiments before providing a summary of the whole plot.

Overall, the plot was tame; nothing too extraordinary, exciting or surprising. It had a happy ending though. While I do not regret watching this, I believe that those who are unable to watch this because of incomplete subs are not missing out either. I am also not someone who typically rewatches dramas, hence the rating of 5.

Now, for the summary of the drama. If you dont want spoilers then stop right here.

Maejima has a secret affair with Takuma. One day, Shinonome, who transfers from the company's New York branch to Japan's branch, catches Maejima and Takuma acting intimately secretly in the company's library. Shinonome then begins to persuade Maejima to break up with Takuma, because he believes that she is worth so much more than being bound to a married man. Convinced she should not limit herself and can find a better love, along with her blossoming feelings for Shinonome, Maejima breaks it off with Takuma. Later, her colleague, Ono, and Takuma warn her to stay away from Shinonome. Knowing full well herself that she is already in too deep, she ignores their warnings.

Maejima and Shinonome grow closer, and they go out on a date. Unfortunately, they spot Takuma and his wife having a great time. Shinonome stares in a dejected? Defeated? Longing? manner at the two. This is when Maejima recalls the warnings from Ono and Takuma, and correctly guesses that Shinonome had been in love with Takuma's wife all along. She guesses that Shinonome only got close to her so that she would break up with Takuma, so that Takuma would go back to being a faithful husband. She runs off and their relationship halts.

The drama then rewinds to tell Shinonome's backstory, about how he fell in love with Takuma's wife. He loved her and had a relationship with her before finding out she loved Takuma all along. Being unable to have the woman he loves, Shinonome decides to at least make sure she is happy. Thus his plot of flying to the Japan branch and seducing Maejima and making her break up with Takuma.

The drama replays several of the interactions between Maejima and Shinonome, but this time in Shinonome's POV. At first, he thinks of Maejima as despicable and sought to make her pay. Over time, as they interact more, he begins to empathise and fall in love with her.

Fast forward to present time, where Maejima's and Shinonome's relationship is still estranged. Maejima decides not to pursue this relationship because she believes Shinonome still loves Takuma's wife, and hates her for making the woman he loves suffer. On the other hand, Shinonome has already fallen in love with Maejima, but decides not to pursue her because he has hurt her and believes he has no qualifications to get her back.

A bunch of work stuff happen and Shinonome tells Maejima that Ono (who has a crush on Maejima) is the man who can give her happiness before flying back to New York. Eventually, Maejima realises that Shinonome had loved her all along and flies to New York to look for him. The two meet and reconcile, and the drama ends.

Hope this summary was useful :)

Read More

ITS JUST A GAY BUSINESS

This is a trap - a Business Gay Performance, and im a sucker cause I fell for it.

As a KPOP fan, i loved the concept. Also, as a KPOP fan, i felt disrespected.

Like some of the other Korean BLs out there, i dont know why they couldn't just add maybe 5 or 10 more minutes in each episode to make the story a little bit more cohesive and enjoyable. Its such a waste cause there are so many hints that this could be a good show.

Its the story of an idol Eden, being selected and paired with Jihoon to be in a duo, What 's unique is that they are marketing the group as a gay lover - supposed to be just a business concept, only for the pair to really fall for each other.

There are too many characters and too many subplots but everything felt rushed. They spent so much time with the antagonist, when they could have used that time to build up the chemistry between the main leads and show us when or how the two exactly fell for each other. In episode 7 and 8, i kept checking the runtime cause it feels like the show is just rushing to go to the end and yet I still havent seen what I wanted to see between the 2 leads. Unfortunately as i feared, the show ended too soon without giving any satisying ending. This is a problem with translating a 40-chapter webtoon into an eight 15-minute drama.

It is such a shame really cause the leads are very charming - and Nine kept reminding me of a young Seo Kang Joon. They were both amatuer-ish but they both did enough to be likeable. a few times I was on the verge of really caring about their characters but the show just didnt show enough to make me really reach that level.

I wont forget that cringy scene in the plane where they were both holding hands and sleeping head to head with a smile on their faces looking so uncomfortable when they both could very well be sleeping comfortably in that cushy business class seats even if they were holding hands.

From the onset it felt like a small project conjured up to promote the idol group. The "Business Gay Performance" using homosexuality as a concept was a little bit offensive if you think about it and at first i was thinking they were trying to mock and expose it, but by the end I felt even more ashamed of myself for being a fool and falling for it, even though they were clearly saying FROM THE BEGINNING that this is a Business Gay show and nothing more.

Read More

How to be a Family

The idea of a contract marriage, and seemingly a child from a previous marriage, didn’t appeal to me initially. But how the story is being told and how everything unfolds make this drama a very worthwhile watch. All the characters are lovable despite each has his/her flaws, making them believable. A child is always the center of attention, and here this cutie is the most adorable child in recent dramas. What seemingly a fake relationship and marriage that initially try to address the psychological issue of the boy by giving him a complete family that he craves, have become a real outcome as the fake parents fall in love.

He (pronounced as “her”) Qiao Yan (Wei Zhe Ming aka Miles Wei) is the CEO of a conglomerate owned by his family and a single father. He loves and dotes on the child, at the same time tries to discipline him like an adult. The outcome is ineffective and hilarious until he meets Qin Yi Yue (Hu Yi Xuan), a child psychologist. Seeing how readily He Wei Fei aka Xiao Bao (Lennon Sun) takes Qin Yi Yue in as his own mother, He Qiao Yan coerces Qin Yi Yue into a contract, with high compensation, to be a pretend mother of Xiao Bao and a pretend Mrs He, for he is a “number” guy who does everything in black and white. Little does he know he falls head-over-toes in love with Qin Yi Yue himself. He misses and thinks of her whenever she’s not around, and he would find ways and means, using Xiao Bao as an excuse, to see her. The interaction is cute and hilarious. The family dynamics are warm and pleasing. What seemingly two very different personalities, he is meticulous and analytical, and she is spontaneous, come together and form an enviable family with a ready-made son.

He Qiao Yan is a person who doesn’t express his emotions very well and openly. He doesn’t understand human relationships and has lived a monotonous life. In other words, He Qiao Yan is a boring person and Wei Zhe Ming captures that 100%. Despite being an immaculate person, I really love how he acts to protect Qin Yi Yue by dropping everything he’s doing and come to her rescue. He Qiao Yan may be a genius in everything but is an idiot in love relationship.

This is my first drama of Wei Zhe Ming. At the first look, he didn’t appeal to me. But he grows on me and by the end of the drama, I find him the most eligible single father to die for. His acting is so convincing with small little facial expressions such as a raise of the corner of his eyebrow, a blur look on his face etc, capturing all the essence of his character.

Qin Yi Yue is disorganized, intelligent and quick witted. Despite being a doctor, she is not very health conscious as she feasts on junk food. She finds He Qiao Yan a weirdo initially but moved by him when she sees his devotion for the child who is not his, and his consideration for her well-being unspoken. Their love development is gradual and solid.

I have liked Hu Yi Xuan’s acting in “Sleepless Princess”. I find her charismatic with an air of freshness and authenticity. Here as a child psychologist, she is soothing and gentle. Even at times of helplessness, she still smiles with tears and resignation in her eyes.

Chinese dramas will not be complete without some tropes such as arranged marriage for economic benefits which is not much different from marriages of the old days among the royals. And of course, there are the side couples who are also the best friends of our ML and FL.

My Verdict
This is a very enjoyable drama most romance buffs will love. I love it myself. It’s funny and light, especially when it comes to dealing with the child. The parent-child dynamics are really fun to watch. Both main lead characters are mature with a tsundere ML and a warm and approachable FL. Although some parts of the editing are lacking, it hasn’t turned into a disaster and ruined the story. Overall, this is a wonderful drama not to be missed.

Read More

Legend of the Blue Sea is one of those dramas that has all the elements that should make it great, but it ends up being just really ok. In the beginning I was really into the story, and thought it would be interesting, but eventually I only finished because I felt like I had to and wanted some kind of closure.

I will start with the leads, who are of course major, and a great match. Lee Min Ho and Jun Ji Hyun are awesome to watch together. They look great, they play off of each other well, their chemistry was great at first, then just ok, but they still did not disappoint me. The supporting cast was also great! Heo Joon Jae's partners in crime were a great non traditional bromance. I loved Shim Chung's random friends as well, especially cute but wise Seo Yoon Ah (played by the impressive young actress Shin Rin Ah from "Marriage Contract"). It even had some good villains (which I won't spoil), and an awesome cameo (that was a really nice surprise). So, why didn't i love this show as much as I should have? The plot is very VERY mediocre.

The concept is great, especially in the beginning. It's The Little Mermaid, mixed with Splash, with some thriller elements thrown in. Legend is mainly a romance, but there are some action thriller moments, and there is definitely comedy too. The story, I think, tried to do too much and became more convoluted, and less interesting. There are flashes into the past that are meant to make me care more about the plot, but I just became annoyed because to me it was all so predictable, and repetitive. I wasn't exactly bored by the plot however. I still enjoyed watching because the cast made it entertaining, but the story just felt like it was dragging along at times. Eventually the mystery thriller story resolved, and what aimed to be an emotional love story didn't make me tear up once. Suddenly all that great chemistry turned into two stars doing what's expected, and was more flirting than substance, and tears without emotion.It did have a decent final episode to tie up the loose ends, which i appreciated, but didn't love.

What about the soundtrack? It was too cheesy and literal for me. I'd rather have the music be good, or forgetful, but this OST was a little distracting.

Overall this is a decent romance, with a cool mermaid twist. It reminded me of "My Girlfriend is a Gumiho", and if really you like that drama you may see some parallels too, and at least be entertained. I did love the mermaid look, and its definitely worth mentioning that the mermaid scenes look really cool. So if you are in the mood for a fairytale style romance, I think this is worth watching, but it's probably not one you will stay up all night marathoning through. Honestly, I will probably forget this drama after a while (the only way I would rewatch this), and 20 episodes were too long, but I am still glad I watched.

Read More

Wasted potential

I was absolutely whipped for this drama when it first started. The chemistry between the FL and ML was terrific. I used to look forward to new episodes. However, I wasn't a fan when the ML and FL started dating and their personalities changed a lot. ML, who was known for his cold gaze and strict behavior suddenly acted like a schoolboy. I would've been happier if their dating was written differently...more subtle changes rather than throwing it all the at viewer's face.

Another thing I don't understand is the recent trend of inserting murder mystery and/or crime into a storyline. It felt out of place and absolutely unnecessary, especially for episodes 11 and 12. The story would've be so good if it was 'just' an office romance with a sparkle of supernatural. The last two episodes made me feel like I was watching a completely different drama.

I still liked the drama as a whole but the more episodes I watched, the more my interest decreased. The writing had a lot of potential in the early stages but somewhere around episode 7, it started to go downhill. Overall, I hate to say it's an okay drama. The ending felt rushed and could've been executed better.

Read More

“You can always be on the receiving end.”

To say I was impressed is an understatement. I am honestly shocked how well this story was presented, acted and developed for how short it was. It was engaging from the beginning till the end. It completely took over my life for a month. I am not ashamed to admit, this will be a full on positive analysis of the unforgettable story. I will point out some minor flaws I have seen, but for making me this obsessed, I cannot care for them too much.

This is a great presentation of how external circumstances can shape a person. How one can be a perpetrator without being a victim first, be a victim and become the perpetrator, and sometimes just be the victim who tries to free themselves out of the abuse. How one cannot be saved from toxic relationships, they need to leave them willingly. How our current situation is not always our fault, but it is our responsibility.

I appreciate so much that Da On did not fall under either a submissive shy mouse, nor a chaotic victim who acts with no reason. I loved how he did try to set boundaries, sometimes he managed to, sometimes he failed. He knew the limits of how much he can do without putting himself in harm's way. There was a clear pattern to his behavior - he was more willing to say no to Su Hyeon in public, than in private. He set boundaries and when the situation escalated, he gave in. Yes, him not being straightforward was frustrating to watch, but that’s life. Su Hyeon had too much power over Da On’s life. There was too much trauma associated with his aggressive behavior to move past it quickly. Leaving an abusive relationship takes time, learning how to set boundaries has to be learned. It’s a process.

Even with limited length, they were able to explain the context of Da On’s life. Being neglected, living in a toxic environment, feeling like he has to carry too much responsibility from a young age, being ridiculed for being poor, isolated from others by Jae Min, attacked and abused, and on top of that abandoned by the person he liked. He did not know what it means to be in a healthy relationship. Or what is an appropriate behavior. He was simply groomed by Jae Min - to trust him only, alone with no other relations. Being groomed for 11 years has a massive impact on you, and you cannot just cut these people off like it’s not a big deal. Even if they do something awful, traumatic, scary - they have been part of you and your life. Da On acting like that was annoying, but it was not lazy writing. People wanted him to go from victim to a completely healthy person with proper coping mechanisms right away, and were frustrated when it did not happen.

Out of all the scenes, the one that truly got me a bit confused was when Da On willingly left the building and got into Su Hyeon’s car just to avoid Seong Hyeon. This scene was weirdly constructed and contradictory. They were really clear Da On wanted to have nothing to do with Su Hyeon… but then he put himself in the position to be with him alone with no valid external reason.

I also lowered my rating from a perfect 10 to 9.5 because of that presentation. That scene was more psychotic than anything Jae Min did in the whole show. After being kidnapped and almost killed, witnessing the man he loves stabbed, having his face smeared with blood… He went and did the presentation. What the actual fuck.

That said, except for these two moments, while his actions were frustrating, they were cohesive, they made sense in the context of the show and who he was as a character, they were believable. I will die on this hill if needed, but I do believe Da On was not a weak person nor weak character. And here comes the compliments for Kim Jun Seo’s acting. I cannot believe this was his first role. To be able to present so much vulnerability and deep emotions, while also showing determination and strength. The duality!

Then we have the toxic and the psycho - Su Hyeon and Jae Min. Can we appreciate that we got two completely different and distinctive versions of different abusive relationships thanks to these characters? We really got a deep dive on what can go wrong between two people. Be it constant criticism and belittlement, psychical violence and intimidation, excessive jealousy and controlling behavior, lack of respect and boundaries that Su Hyeon presented, or lies and deception, emotional manipulation and gaslighting, unhealthy dependence and isolation that we saw with Jae Min. They are both toxic, they are both unhealthy, even if they are vastly different.

I know people love to have a soft spot for Su Hyeon, mostly because of his rather tough upbringing in a psychotic family and how he was not as aggressive in the flashbacks. I get it. But the fact is - there is nothing redeemable about him in the present timeline and I strongly believe even without Jae Min in the picture, he would still turn violent at some point. Why? Because from the start the issue was not Jae Min, but Su Hyeon’s complete lack of emotional maturity and emotional regulation. If it’s not Jae Min, he would snap because of his family. If not the family, he would snap if Da On would not be able to handle the constant micromanagement, jealousy and possessiveness. Su Hyeon does not know how to deal with negative emotions and frustration, they always lead to anger and aggression.

Yes, the flashbacks were great. I agree that the library scene with him pinning Da On on the desk and the chat about the ring was great. But putting it into the context of who his character is and how he behaved - this is way too little for me to see him as a right person for Da On. Or anyone if I must be honest. Maybe a “hot date” with a psychiatrist. Can he get better? Yes. But that would require a lot of work. To be honest, I did not want him to be redeemable, but the last episode changed my mind a little bit. I struggled with seeing what could possibly happen for me to believe he might change. But with how psychopathic Jae Min became, I think the shock of that situation could potentially be enough to make Su Hyeon do 180.

On the other hand I believe Jae Min cannot get better. The difference for me between Su Hyeon and Jae Min is why they act the way they do. Su Hyeon had bad tendencies that were reinforced by his environment - he learned a lot of negative actions from his aggressive father. As far as I see it, Jae Min’s natural negative tendencies were actually held back by his environment. The advantages of acting good and not going full psycho were strong enough to keep him in check. Let’s be honest, if he grew up in the same environment that Su Hyeon did, by university age he would be a serial killer.

And that’s when I knew the one that kidnapped Da On was Jae Min. Because it’s not something Su Hyeon would be capable of doing. Not that he wouldn’t want to, he just couldn’t. Su Hyeon would never go full psycho, because he still has many things that limit him and things he fears - especially his family and his father. He acted out as much as he could with the external restrictions he had.

On the other hand the only restrictions Jae Min had were the ones he placed on himself. He acted as this model teacher, great friend, cool hyung - perfect man, because it was advantageous for him. He controlled himself, because it was worth it. But when he lost control over Da On, keeping that perfect persona was useless, he let go of all the restrictions he placed on himself, and now nothing was stopping him from going full loco.

And when Jae Min went full loco, he truly did not hold back. What glorious moments these were. I am amazed with Kim Ho Young’s acting. You watch him act and you understand why people believed his fake personality. But you also truly see how out of control he is when the hell breaks loose. Whenever it was his nice act, or the chaotic outburst - they were acted perfectly.

Cha Jung Woo did not do worse. Truth to be told, the whole cast did an amazing job. Kim Su Hyeon was such an annoying character, and yet even I saw the charm he had during some scenes. I could understand why Da On fell for him. And the last episode? Outstanding.

While these character had many differences there was one thing that they had in common - they wanted to own Da On, claiming they love him. Love and obsession are different though. Neither of them truly cared about Da On, his feelings, happiness, life, well-being. All that mattered was to possess him. They both believed it would be better to have him in their life broken (or dead), than set him free. From the start they kept using terms like “What I want”, “What I lost” - indicating they saw Da On not as a person, but as a thing they wanted to possess.

And that’s when Seong Hyeon shows up. And you know what I love about this character? That he makes mistakes. That he is not in fact this perfect green flag with no flaws. He is a human being with his own feelings that also get hurt. He sometimes reacted emotionally, childish even. And that’s what made him real. Because of these moments when he acted more selfish, when he did something without thinking - that’s what made his character more interesting.

While he had a lot of great personality traits like being helpful, kind, patient, mature when dealing with setting boundaries, and confident, he also had many relatable flaws. He was childish and pity when he thought someone was not following certain social norms he deemed important. Sometimes he regretted saying something, sometimes he regretted taking actions. And then at times he regretted backing off.

One of the aspects of his character I found the most fascinating was his ability to be really flexible in his reactions and behaviors. Depending on the external context, he reacted differently to the situation, but it was all consistent with his motivations and goals. He was more straightforward with Da On when he saw he was in a good “state”, he tried to distract Da On instead if he saw he was exhausted. Even without understanding the reasons behind Da On’s state, he was really good at reading his emotions and acting accordingly.

What separates him from Jae Min and Su Hyeon is the fact he knows how to love and how to receive love. How to care for people and receive that help. How to view relationships as mutual support and not transactions. For Seong Hyeon it is not “I want”, but “Can I?”. Can I stay with you? Can I hold your hand? While Jae Min and Su Hyeon try to control Da On, Seong Hyeon gives Da On the choice. He asks instead of stating. While Jae Min and Su Hyeon said they want to be with Da On, Seong Hyeon asks if he can stay with Da On. Yes, he is persistent in his approach, but there is something gentle about it. Rather than forcing himself and his presence, it seems more like a reassurance that he is willing to wait, to fight for Da On, to be there for him. Reminder that he is waiting and still there, whenever Da On is ready.

One thing I feel like Seong Hyeon and Su Hyeon share is the fact they are rather emotionally expressive. The difference? Seong Hyeon is expressive, but in control of his emotions and how he expresses them, while Su Hyeon is completely lost in his emotions and has no control over them. Then Jae Min is not expressive, but also in control of his emotions (until he is not… oops).

Here sadly comes one issue I had writing wise - the non-consensual kiss between him and Da On, and the aftermath of it. Truth to be told, I was not even “angry” at the writer for including the kiss. As I said, I love the fact that Seong Hyeon fucks up from time to time, and this was one of these cases. There was no excuse for that kiss to happen and then continue with Da On being this drunk. But while I can understand what led to it happening, the fact that it was not once addressed later on kind of annoyed me. He apologized for wrong things. It’s less a character fault, but more cultural norm fault though.

Now, Cha Sun Hyung’s acting. I still cannot get over how he switched from Puppy to Guard Dog depending on the scene. The way he was able to present that golden retriever energy, but without looking dumb and silly that often happens with characters like him. He still looked mature, strong and confident.

For the general writing, directing and editing:

I really liked the structure. I think the placement of the flashbacks was perfect. The way they were cut in just the right places to give some information, but also mislead us as viewers. The way they made it seem like Da On liked Jae Min in the past, just to reveal it was Su Hyeon. Or who Su Hyeon attacked and why. They just cut the scenes smartly. How much we want to show, how much we want to confuse the viewers - all seemed like deliberate choices, carefully crafted.

Was the “borderline childhood connection” needed? No. I honestly dislike that so much. This was just… unnecessary and added nothing to the show for me.

I’m not going to lie, I am more of the internal analyzer of the bigger picture and the context, than someone who looks for details and symbolism. So to truly appreciate the production, I had to do some research, because I simply do not pay that much attention to things that are in fact important.

Let’s start with the fact the drama was more or less color coded for specific characters (Da On - yellow, Su Hyeon - green, Jae Min - pink, Seong Hyeon - blue). The scenes for the characters were actually often light in a specific color hue. Even in the intro scene with Da On and Jae Min they used this peach pinkish hue, the scene where Su Hyeon attacked the guy with the bottle was yellowish-green. The color flipped only between Da On and Seong Hyeon. Da On’s narration had a blue background, and the scene between Seong Hyeon and Da On had the yellow/orange warm tone from the setting sun. Am I reading too much, or was it a deliberate choice to hint who the end game is? Who knows, I like to pretend it was all planned and hype myself more about why I love this drama.

Colors aside, they also really did a good job with just the lights and the warmth of it. Perfect example - the scene when Su Hyeon dragged Da On away to his apartment, leaving Seong Hyeon behind. The part of the corridor with Su Hyeon and Da On is cold and dark, while where Seong Hyeon is staning it has this warm orange light.

Then we have the symbolism of chess connected to Jae Min - how from the start it was hinted (for some less, for some more obvious), how he was the mastermind behind it all, how he manipulated both Su Hyeon and Da On for years. How he was the one controlling the situation.

Also, extremely random thought, but white is such a psychopath color, so the fact Jae Min was the only one wearing the white outfit in the intro is just cherry on top. And how it had a comeback when he completely lost his marbles in the last episode. Greatly appreciated.

Overall, what a fucking ride. I get it. This drama had flaws. It was not some high budget production, but the way it won my heart is illogical. One could say I was in a completely toxic and dependent relationship with it for the past month. I’m Da On - blind to flaws the same way he was blind to all these red flags.

If you want to tell me that I’m reading too much into it, overanalyzing things that make no sense. How there was no logic behind the characters behavior and it was all ridiculous - you are free to do so, I might even entertain you with a few replies. But I am not changing my mind. I’m annoyingly stubborn.

Added characters' analysis in comments under spoiler. Written them after episode 6, and damn Jae Min's one had to be quite tweaked - I overestimated how loco he was.

Read More

super unique and hilarious drama

I notice that many people express negativity toward this, but I genuinely adore it. The humor is fantastic, and the storyline captivates me. Unlike other repetitive dramas, I hold a deep affection for this show and its cast. The criticism it receives in reviews seems unjustified. Additionally, I appreciate the infusion of various genres, including comedy, suspense, and occasional romance. I came across a review that criticized the female main lead having a the buttocks power role, but in a show as unrealistic as this, it shouldn't be a significant concern by any means... In my view, the show is fantastic. It boasts an excellent storyline, compelling characters, and a great sense of humor. I eagerly anticipate watching it every day, and I've already encouraged many of my friends to give it a chance. Please don't judge it before giving it a try!

Read More