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2One of the best Thai series/drama I have ever watched!
I can’t even describe how good this series/drama was... It was spooky, scary, interesting, magical, spectacular, powerful and many many more! It just left me speechless … I could feel the same tension from the beginning until the very last second. Acting was incredible and music, sounds, special effects, just every little detail was on point here.One thing I regret is that I can’t give it more than 10 stars here…
I totally recommend it to anyone that likes supernatural type of series with a little bit of romance in the background, you won’t be disappointed. I’m hoping for season 2 of this masterpiece.
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A Must-Watch Omegaverse Masterpiece
ABO Desire is my second favorite Chinese BL after Revenged Love, and it stands out as the first uncensored Omegaverse Chinese BL. It dares to go where most dramas would hesitate, delivering raw emotion, intensity, and a love that burns beyond boundaries.I absolutely love all four male leads. Each one is stunning and talented, bringing depth, charm, and intensity to their roles. Their chemistry is magnetic, making every scene feel alive and impossible to look away from.
Some people say this drama is too toxic, but honestly, if it were not this intense, it would be just another ordinary romance. The psychological manipulation, the possessive love, and the emotional chaos make it addictive. Every episode keeps you on edge, and not once did I feel bored.
The library earthquake scene is easily my favorite. It shook more than the walls; it shook the soul. Hua Yong throwing himself over Sheng Shao You, shielding him from falling debris, from the weight of the collapsing world, was love in its purest and most painful form. The iron rod piercing his body was nothing compared to the thought of losing the man he loved. Blood stained the ground, but love stained his heart even deeper. If this is not love, then what is.
Hua Yong’s past mistakes were terrible, yet they were born from love too deep to control. His love pushed him to protect but also to deceive, and now the truth tears them both apart. Sheng Shao You’s heart bleeds from betrayal even as Hua Yong’s body bleeds from pain. He pushes Hua Yong away, not because the love has faded, but because the hurt has become unbearable. They drown not in the ruins of an earthquake but in the ruins of their own hearts. The body may heal, but the heart, once broken by love and lies, carries scars that time cannot erase.
What makes this Omegaverse world so beautiful is the freedom it offers. Gender does not matter. Love is simply love. Couples can marry, have children, and live openly. Even Sheng Shao You’s father’s acceptance of Hua Yong felt like a miracle. In so many BLs, coming out brings rejection or heartbreak, but here it brought warmth and hope.
Hua Yong dreamed of that happiness since he was sixteen. He already had a name for their future child—Hua Sheng—with the sweet nickname Peanut. Every detail of their future was painted in his heart long before it could exist. One quiet afternoon, Sheng Shao You told his brother, “I’m bringing your future in-law.” Just three words, yet they shattered Hua Yong’s composure. After fifteen years of silent love, those words turned dreams into reality.
But love, no matter how deep, cannot always protect against tragedy. Sheng Shao You’s brother, Shao Qing, spiraled into debt and darkness, dragging everyone with him. Despite countless chances and forgiveness, he betrayed them again, poisoning his own brother and raising a knife to kill him. Hua Yong did not hesitate. He took the blade himself to save Sheng Shao You. If that is not love, then what could ever be called love.
Hua Yong now stands at a crossroads between mercy and justice, torn between the love he protects and the family he must destroy to keep that love safe. Every choice bleeds with sorrow. What was once a dream of breakfasts, a child named Peanut, and peaceful mornings has become a war fought in the name of love.
ABO Desire is bold, thrilling, and emotionally devastating in the best way. It delivers passion, heartbreak, and beauty all at once. A solid 10/10 in my eyes, and an absolute must-watch for anyone who loves Omegaverse or Chinese BLs that dare to push beyond the ordinary.
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This review may contain spoilers
ambivalence
"Oasis". Hm. I've thought whether I should continue watching or drop the series... I've also considered more than once whether I want to write something about it... My feelings about this KDrama are ambivalent. However, the ´why is this?´ , is why I actually consider it worth mentioning.Sure, there were bumpy details, like the boys' artificial skin tanning when they were young, but I don't want to dwell on those.
>> The decisive factor for me, not rooting so much for this show, was and is that I really do NOT care so much for ANYBODY in this story. I understand, yes. There is empathy, yes. But sympathy? I couldn't care less. I've never had that before. I actually didn’t care. Neither the love story, nor the incorrigible rival, nor the girl wanting to bring back her father's cinema – this all and more only had limited impact on me. That's why I was tempted to turn my back on the story. Yet, I don't want to deny the actors' ability. I would do them injustice. They did their job fairly well. There are a number of strong moments. But still, maybe they were not the perfect cast? In any case, I would argue that in “OASIS” the character portraits were simply NOT drawn that well. ...In my view, that's obviously NOT the strength of the script...
Then there is the historical context of the series – the rollercoaster ride of the 80's and 90's. In South Korea, they are the neuralgic interface between dictatorship and democracy. But I don't want to dwell on this either.
>> What was decisive for me was that the STORY of the KDrama really mattered to me – whatever triggered the dynamics, the twists and turns. Intertwined with it were indeed countless moments that touched me deeply. Starting with the seed that underlies the whole drama: the fatal loyalty of the former slave not only to his deceased master, who had fought for independence, but also to his son, whom he now still serves as a free man. And then also the fruits that came out of this seed. Plus a lot more. The circumstances, the constraints, the social context that shines through in how it shapes (or had shaped) people, all of this really had me .
The way these forces of time and history run along in the background as a matter of course and keep stirring up the lives of the protagonists at crucial points, I think the script did THAT quite well. (However, I don't know whether it would have worked that way if I hadn't already known something about the political and social context back then.)
Maybe I could summarize: The portrait of how the historical dynamics are intertwined with personal destinies is well done in "Oasis". The character portrait of the comparatively stale protagonists, on the other hand, is less so. This discrepancy, resulting in my rather indifferent experience of the main characters on the one hand, and the emotional force with which the story keeps lashing out on the other hand, is a phenomenon that I have never experienced in a KDrama before. (But I don't necessarily assume that this has to be the same for others as it is for me.)
Eventually, despite the ambivalence, I watched to the end and was always curious to see what would be next. I can't say I regret watching either. But then I wasn´t all that happy in the end - even though I was partially impressed by the showdown, (yet, again, only partially.)
----------------------- Tiny side note: -------------------------------------
Re: 80's and 90's:
In connection with e.g. the KDramas "Sandglass" and "Giant" I have already given some of the political coulors of the 1980s and 1990s. Much of this applies to the historical context of "Oasis" as well. (you might want to check there.) Here, though, the dubious role of the secret service comes more into focus.
Re. Movie theatre:
The dictatorship was characterized by censorship. In addition, there was no freedom to travel. Accordingly, the cinema was like a window to the rest of the world, and generally offered a canvas to dream away from one's own misery, at least for a while. That may be more or less true wherever you look on this planet. But in South Korea at that time certainly more than i.e. in Europe. The role of the ´cinema´ in "Oasis" not only coincidentally represents liberation (struggle - especially of the female protagonist).
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Ps.:
Because of this KDrama I stumbled over another one - same title, 20 years older: "Oasis (2003) " or "Desert Spring".
I am grateful for this discovery thanks to the name-connection. Actually I liked that older one (despite the specific doing of that time) even more...
Nevertheless I consider "Oasis" (2023) having its moments, too...
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This review may contain spoilers
This drama is somewhat relateable aside from the love lines.First off, its a typical youth C-drama, female lead loves the popular, smart and handsome male lead.
The character development in this drama is great especially with the female lead, Xia Miao Miao. She was initially a timid and shy girl but grew into a brave, confident, and independent girl because of her friends and because of her beloved Liang You Nian.
Liang You Nian is the male lead of the drama. He's your typical c-drama male lead. He's sweet and nice to everyone except those who ticks him off or trying to get with his girl. You can totally see his glare when someone gets too close to Miao Miao. IT WAS ADORABLE! Back to the story at hand, You Nian is someone who sticks to what he wants to do and this trait of his helped Miao Miao switch her major to something that SHE herself really wanted to do from the beginning. That sparked the change in Miao Miao and how hard working she is in achieving her dreams.
The relationship between the two leads started later because Miao Miao had a crush on You Nian since high school and (spoiler alert) Liang You Nian did as well, however he didn't exactly confirm this until later in university. It was cute when they got together, they held hands, hugged, not much kissing but other than that its adorable seeing them together and working together, etc.
The drama also focused on other couples Lin Kai Tuo, You Nian's younger step brother (its funny because the actor playing Kai Tuo is way older than Kuan Lin(actor playing Liang You Nian). XD Kai Tuo was coupled with He Xin (Liang You Nian's cousin.) I call them the temper couple cause they both have anger issues/temper. hhahaha Another character is Wang Yi Chao and same-grade female character I forgot the name of albeit sh initially liked You Nian.
Furthermore, the drama focused on family issues such as Liang You Nian's family. His father married Kai Tuo's mother. For a while this caused a disruption in the friend between Kai Tuo and You Nian. One misses their birth mother, and the other misses their birth father. As said before, this drama mentioned individual choices -such as majors in universities- if your family wants you to take this major, but your hearts wants something else then follow it cause thats what Miao Miao ended up doing.
Lets just say, You Nian influenced a lot of Miao Miao's choices which eventually lead to an argument I thought was pointless. Anyways, You Nian also said Miao Miao inspired him as well in ways that she never knew she could because she thought he's "too high" for her. It just tells us that You Nian doesn't care if you're not the best looking person, its all about the personality and your actions and what you do with it.
The acting in this drama is not amazing. I just want to say Kuan Lin is not an actor even though he technically acted. He just didn't seem natural whatsoever. His expressions are stone cold aside from his smile - which is adorable but other than that his expressions in acting is terrible. Even the crying part was awkward - it had no feeling to me. The female lead who played XIa Miao Miao did an okay, passable job.
Overall, if you like youth dramas dealing with fashion design, architect, drawing, college life, family drama, friendship then this is for you. :)
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This review may contain spoilers
A very decent drama about a dark, angsty, misunderstanding-fueled red-flag romance.
(I don't want to spoiler anyone, so click "read more" to view, if you want the quick and dirty summary of this show :P )>
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Mannn, it starts off with ML doing some really messed up shit to the FL. But it's all good, because she goes to great lengths to get even. And then mannnn does she do some messed up shit to him! Then they both feel very regretful, and kind of decide to do like a "do-over".
The kisses are decent, the show is kind of tame, but with a spicy kick. The ML and FL have mad chemistry, they look so freakin good together, and they both are great actors. They make such a good pair.
The other parts of this show are really on point. Acting by supporting cast, costumes and styling, music, direction, everything fits together very seamlessly and is so well done, that it's almost hypnotic how you get immersed and just want to keep watching another episode and another and another.... There were parts of the storyline that could have been made more clear, so it's kind of blocky and disjointed. But not too much, it's mainly fine. None of the dialogue really stands out as genius, but it flows nicely and there's no cringe.
This starts out as a toxic as hell romance, but it doesn't end as one. I guess you could say they get it all out of their system and become cured of their sadistic urges toward one another. There is an HE, but it's one of those last-minue HE's that isn't really super satisfying. But the bulk of the show itself is very satisfying, so..... you could see it as a trade-off.
I think it's mayyyybe rewatchable. If I decided one day to rewatch it, it would be for the ML and FL performances, and for the pretty ratcheted-up levels of angst combined with a pleasing dose of spice. The kiss scenes could have been better, but they also could have been a lot worse. This is a cut above the average short-length drama. Definitely worth a one-time watch at least.
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This review may contain spoilers
The premise is not so unique in itself, but choosing to show it as history is what sets it apart. The characters and the politics carry the drama, so if you like that in a series, you have come to the right place.The story progression was paced well, not too slow or too fast. The characters were a major element of the whole story, so their development within the politics was refreshing to see. Each person had their own motivation and was chained to it. The grey area some major characters walk on is worth acknowledgment. No intention seemed incorrect if you looked at in the person' shoes, but the way some chose to carry it out helped differentiate right and wrong. There were those who took some questionable actions for what they perceived as a greater good, and that will make you question what exactly is being a hero; it is established that to remove dirt, you have to get your hands dirtied too, and I think that is a very realistic outlook to it. Moreover, the idea of effect of power on the purest of people is experimented here.
Despite that, I think the writers could have added more to the story - for example using the little group The Chief Secretary was a part of in the final few episodes in more ways. Another reason to withhold my score is the inconsistency of Ha Seon's motivations around episode 11 and 12. The writers added a few throwaway lines that strayed from his character.
The acting was well done. In the words of the real king, the FL was a true Frozen Queen - composed and unwavering in her principles, which probably turned her so cold, and Lee Se Young portrayed felt every bit of it. When it comes to Yeo Jin Goo, he was marvelous as the King, enough so that you believed that Ha Seon and the King to be different people, like the drama wanted us to. Kim Sang Kyung, to me, delivered a great performance as a man consistently struggling with himself I liked the character on paper, and he made him come to life. Jang Young Nam was memorable as the antagonist.
The BGM consistently delivered. Never did it feel as if some external force was intruding upon your viewing experience. It was pleasant to listen to and built moments of suspense, sadness, and even happiness. I think this was actually the part I looked most forward to - the music that accompanied the scenes one anticipated. Music can honestly make or break stories, and here it helped cement the over all presentation. They rarely used OSTs, if at all, but the ones they did sounded melodious.
One would rewatch it to see the character dynamics, and maybe a political scuffle. The team put together a great piece - give it a try if you want a break from the repetitive,. :p
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I watched this drama because of my grandmother, I saw her watching the third episode and I became quickly invested in its events so I catched up and continued watching the drama with her.
I have to point that my grandmother has a great taste (^_^)
2) Storyline/Plot:
Generally speaking , this is a family drama wrapped up with romance and comedy which is an acceptable combination for most of viewers.
Positive points:
*This drama is one of those dramas that made me interested with only one episode, I felt good vibes ever since it started because the plot was set up in a good way.
*Main Genres:
--->Family: This drama is different from other family dramas because the plot was well written in order to make viewers deeply attracted, even the problems weren't the type that was written in order to fill the drama's time; it was well calculated to make everything about the family sound natural and important. The family element was appreciated so much within me and I am not even into family dramas.
--->Humor: It was intense at the beginning but later on it didn't remain the same, not that it completely faded away but laughter moments weren't that present, let's say it was "humble". Epidode three and four were the funniest episodes in here.
The comedy was accepted overall, It would've been more appreciated if it was much intense like it was at the beginning but anyway, it deserves a spot in the positive points column.
Negative points:
--->Romance: I had a lot of thoughts before mentioning it in the negative points column; it had its positives and its negatives yet I think that the negatives were "bigger".
The romance wasn't satisfying, it wasn't light and "badly expressed" which made it one of the few bad point in this drama since it didn't feel enough. However, it wasn't completely Off, at least, it wasn't disappointing.
Story: 8.5/10
3) Acting/Cast:
*Choi Jung Won:
I don't know this actress and even if i do, I don't believe that her previous roles were that remarkable since I dont remember any of them. Here, she portrayed her role in a good acceptable way.
The character was interesting ever since the drama started, it's not an unusual or a special character though but the character's developement was captivating although it may get a little annoying at some points. Pal Gang was really clumsy and indifferent at the beginning then she changed in a good way.
*Kim Ji Hoon:
I'm not very familiar with him as an actor, all the memories that I have about him aren't that bad nor that great. Here, he wasn't any different, I felt that Choi Jung Won lead the drama yet I can't ignore his presence wich was somehow "nice" to watch.
The character in one word "stiff", all what I can think about that it was really exagerated sometimes but that's how the storyline wanted it to be. There were mements were lawyer Won seemed "appealing" and "enjoyable" especially when he is with Pa Rang , I won't judge the character harshly because like I said earlier, it's drawned by the storyline.
*The five Children:
I have no idea about them as actors so I am not going to talk about that side, let's just mention that their acting convinced me and their roles were the best.
Their characters were awesome, each and everyone of them was enjoyable; all the pranks, the attitudes and their thoughts were simply wonderful to see.
The main reason that kept me interested until the last minute was the children's presence, if it wasn't for them, i think it would be another usual boring korean drama. The children were my favorite characters in this drama.
*I really loved the second lead male at the beginning then his character development didn't seem right.
*Appreciated character: Tae Kyun Was the funniest character in the drama, he wasn't that funny but his presence has always lightened the drama and made it enjoyable, I appreciated his presence a lot.
*The second lead female had the usual boring personality that most of Korean second lead females has; that was always boring for me.
*Other cast: No hard feelings for the remaining of the cast, I can't say that I liked them or disliked them , they weren't "that bad".
*Relationships:
--->Romance: It's really hard to talk about chemistry in this drama since the romance wasn't that "intense", even when the romance became serious, I don't think that the chemistry was that present or that deep.
--->Family: The children's relationship with their big sister was really cool, even though some troubles may occure, I don't believe that it got any worse. The family relationships were warm and good to watch.
--->The triangle: The usual triangle that you see in most of Korean dramas. Well, Tae Kyun added a good taste but beside that it was annoying.
Cast: 7.5/10
Acting: 8.5/10
4) The ending:
The ending was predictable but it was fun to watch. I liked the final scene ; It was a good closure.
The ending: 7.5/10
5) My impression (How did it affect me):
*I enjoyed this drama so much although I am not into this type of dramas, I don't believe I was bored because I never lost interest.
*The main reason that made me attracted to this drama from the beginning till the end was the children's presence, I don't think I would've liked it if they were absent.
*Is this drama memorable: Yes it is, most of the memories that would remain in my mind are the children's memories because beside that it was a normal usual Korean drama.
My impression: 8.5/10
6) Overall:
*If you like romatic comedies with family theme in it then you would like this.
*If you like great children that would bring you entertainment then watch this.
*If you're looking for a "romantic" drama, I wouldn't recommend this.
Overall: 8.5/10.
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Lol, I think I'm more in love with Luo Yunxi because of this drama
Tissue Rate (aka how much I cried); 0.5 out of 5 (this drama really just me smile and laugh a lot)Omg I don't even know where to begin with this drama! Like the cast is absolutely AMAZING! The two main leads (Luo Yunxi and Bai Lu) chemistry is so so cute (I love how comfortable they are with each other in the behind the scene clips)! I really hope there is going to be another drama together with them in it! I also really love how each character developed nicely and there weren't many backstabs throughout rivals (compared to other dramas) and I love how the main two leads always stayed true to each other and I love how they are always there for each other even if they one were to be upset with one another or something bad happened in the relationship. I also enjoy how sweet the romance is and how funny the scenes are whenever the kiss (lol like when the younger cousin saw making out or when Jiang Jun’s mom caught them on the couch). This drama has each a good lighthearted and feel good vibe that you get when watching this drama!
Also this drama has really made me fall in love with Luo Yunxi's acting (like really in love lol)! I've seen him in Ashes of Love and I loved his acting there but his acting in this drama just hits differently.
But overall, i definitely would recommend this drama to others (Already got one of my friend's hooked to this lol)!! The office romances in this drama was super lowkey and not cringey so don't be scared to go for it when starting this drama!!
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The acting is amazing!!! Yoo Ah In is the best king ever!!! His portrayal of emotions is all consuming. I felt everything with him to the point that I smiled when he smiled and cried when he cried. BTW...his understated crying scenes are so well done. It is more moving than the over the top wailing. Kim Tae Hee as Ok Jung is just beautiful. I realized after watching this that the only other drama I have seen Tae Hee in is Iris. I think I should watch her other dramas, because her acting is fantastic. I also enjoyed the other actors, but they don't stand out. BTW...if you are watching this for Jae Hee, then don't waste your time. His scenes are limited.
Oh, and just a side note. That baby (although never looking like a newborn) was as cute as he could be.
The music is pretty.
I won't rewatch this.
If you like romance mixed with some historical political junk (the stuff I totally don't care about), then you would enjoy this drama.
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The movie covers their cute moments of how they met in university and how they fell in love like it was fate. The movie is shot in Italy and in China with one of the most beautiful cinematography ever.
There is MINIMAL DUBBING, lee joon gi was speaking Korean most of the time, or all the time, so it was sooooo good to hear.
Even though the movie is set In a melodramatic tone, it still had a lot of heartwarming fun moments.
One of the cutest chemi I've seen on screen.
Shampoo gives 8.7/10
Movie quotes:
" you wanna go to Italy to learn opera when you can't even sing the birthday song in tune"
"We must move on , we must"
"A world without you, I can't imagine it, it terrifies me, it's terrifying"
http://hdfree.se/watch-online/never-said-goodbye
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Burn the wicked rich with 95% vodka, literally
This film takes we, the audience on a journey to witness something grotesquely beautiful.It goes from one train wreck to another train wreck and a couple more incoming.
This film spares no one, not even the kids.
Kiritani was a man who abided the law and bounded by societal expectations.
A man who had a stable job, a normal marriage, a lost ambition and few other secrets kept from his spouse.
He became a man who was once fear of his vulnerability - then shines the most when he weaponised his fear and vulnerability.
Through the eyes of Kiritani who was a victim, survivor, then offender - was his act of revenge justifiable?
This is up to the audience to think.
A dead man can no longer think; well at least someone had a good time in the woods. Heh.
The story plot, cinematography, actors’ performances made this film feel both disgustingly raw and beautifully organic.
Rap scenes and film soundtracks are mesmerising and worth to rewatch.
As an audience, I felt as involved as a bystander.
A bystander who is waiting for everything to collapse, observing a person self-destruct and a madness ensures.
That is how this psychologically complex film felt.
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This review may contain spoilers
My Journey to…Nowhere?
Let me start with the positive marks. This drama is seriously gorgeous when it comes to visuals, with the attention to cinematographic detail you see in movies more than TV shows. You could even put the drama on mute and still enjoy it just for how gorgeous so many shots are. This is clearly where the director’s talents lie and was my favorite part of the experience.The second thing I can applaud is the cast, who all performed their roles to the best they could as the characters are written. I have to give special mention to Ryan Cheng who was so perfect in his role as Gong Shang Jue that unfortunately the others, even though they were good, were eclipsed by his performance. But really it is on a scale of “pretty good” to “excellent” with no major weak points in acting.
The story starts off exciting in its first episodes with a great focus on Yun Wei Shan being sent on her mission amongst the potential brides, but is soon dragged down to an extremely slow pace it suffers from until the end of the drama. Most episodes follow the same formula of going around in circles, with too much exposition and endless conversations (that were so whispered it was sometimes hard to hear over the background tracks) only to finish up on a cliffhanger to keep you hooked in, and then do the same the next episode. The show often gets lost in flashbacks and forgets to move forward in the present timeline leading to a feeling of “is anything actually happening?” throughout the middle of the drama.
As for the characters, some arcs are better than others. Many have complained about the frustrating arc of the ML character Gong Ziyu who takes a very long time to catch up to speed with the plot, appearing not just trusting and naive but oblivious to a degree that strains belief, only to develop very abruptly in a way that wasn’t convincing. But even worse is the characterization of the FL as Yun Wei Shan, who gets overshadowed by the Gong men family drama and rarely feels like the lead of the show she is supposed to be. For many episodes she plays the role of sidekick to accompany ML on his three trials, so he can grow into his position as Sword Wielder. By the end it feels her character and the Wufeng side of the story got a background seat to the story of uniting the Gong men against a common enemy. Despite being lead it feels as though Yu Shu Xin is not given her time to shine.
As for the plot, instead of presenting a focused mystery that builds with suspense and ends on a satisfactory note, the story gets tangled in its own web of its too many suspects and possibilities, leaving the audience to overcompensate and come up with theories that had way more depth than the show provided, such as the theory that Zi Yu was playing a big long con, or that Gong Zi Shang had more sinister involvement beyond her over-the-top comic relief role. The writer relies too hard on cliffhangers for his own good, so much so that he can’t stop himself from including one even at the last minute. An open ending works for some dramas but here it leaves a bad taste. Aside from the Gong men coming together and Ziyu becoming sword wielder, nothing has really changed and it seems implied the terrible cycles we started with will only continue…YWS’s potential sacrifices didn’t amount to much and in the end the writer lets her fate become another unsatisfying mystery.
To sum it up, this is a beautiful but slow watching experience that lacked focus and didn't end up having the depth I hoped. I doubt a Season 2 would happen but if it did I can't say for sure I'd be interested in watching.
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The story is just a big WTF! to me, really... and it doesn't always make sense. But incredibly it is still a catchy story lol, this is what BOF is, it somehow hooks you up, but deep inside of you, you know that what you're watching is not good at all.
The acting is just BLEH! although I love Lee Min Ho and now is one of my favorite actors, in BOF he wasn't as good as he is now... it wasn't a terrible acting but it wasn't a good one either... Same for Koo Hye Sun, she's good at dramatic scenes and crying and suffering but she lacks emotion in other scenes like kisses or funny moments and etc...
F4: oh boy! the eyecandy in this story has a 10/10 these four Asian boys doing whatever they want with your feelings and looking hot while they're destroying your heart haha it's just asdfghjk...
And probably what makes this drama a "must see" and a famous one is Yoon Ji Hoo (Kim Hyun Joong) BOF probably has the worst and saddest second lead syndrome ever! REALLY... even if you don't ship JanDi with JiHoo the drama still makes you feel terribly sad about JiHoo's life (a terrible and lonely one) omg! my heart still aches when I remember...
Despite of all that BOF is a very rewatchable story... if you want to cheer up, or cry like crazy or just remember or see hot Asian boys gathered in one drama, just go to BOF. :)
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A crying shame.
The Story of Pearl Girl is the story of an intrepid pearl diver's harrowing journey from the despair of a slave farm to the heights of the prosperous Yangzhou jewelry guild. Aided by an erudite nobleman Zhang Jinran and a ruthless and calculating merchant Yan Zijing, Duanwu escapes from the exploitative clutches of the Cui clan. She throws her lot with Yan Zijing, choosing to make her own way in the world as a merchant galley serf over the more certain future of a nobleman's harem. After multiple betrayals and double crosses in the dog-eat-dog culture aboard Zijing's ship, she emerges clear eyed and better equipped to survive a ruthless, avaricious business world. She learns that underneath his merciless facade, Zijing is saving her by teaching her to save herself; that they have a shared past that she has barely scratched the surface of understanding.Set in a cruel world fraught with treachery, avarice and oppression that belies the ostentatious luxury of the jewelry trade, the narrative is laden with an air of heaviness from start to finish. It is a character story about how one resilient woman fights her way to the top of the jewelry business during feudal China. The characters are well designed with Duanwu and Cui Shijiu as two women who have to fight for their place in a man's world; one who starts with nothing and the other with everything, to lose. Likewise the cynical and realistic Yan Zijing went to the school-of-hard-knocks while the righteous and idealistic Zhang Yiran clearly had an ivory tower education. Both Yan Zijing and Cui Shijiu are consumed by revenge and on opposite sides of a blood feud not of their own making but one's cause is just while the other's is not. I enjoyed watching how these characters, with at times common and at other times with opposing world views interact and react to the situations they are thrown into. Plot wise, the logic holes are evident from the start but for character driven stories, I am very forgiving for as long as the characters stay largely consistent and relatable. But once the characters start to unravel, the issues with the plot are amplified and the entire narrative becomes a mess.
I genuinely enjoyed and was engaged by the first arc of this drama. It is both fascinating and difficult to watch the stunning backdrop of the swashbuckling high seas and the exotic and dangerous Silk Road marred by the unmitigated oppression and cruelty of the ancient world, especially towards women and children. Zhao Lusi's Duanwu is spirited, tenacious and undaunted as she fails again and again until she succeeds. I could understand why Yan Zijing resonated better with her but could also see that she lacked the maturity to appreciate how Zhang Yiran's wisdom and knowledge of the law would aid her later on. These three main characters richly complement each other in their strengths and flaws to make a formidable team when they work together. I didn't mind the romance but I didn't need it and it went a bit abruptly from red flag master-servant to lovers. Nonetheless I was looking forward to it growing and had hoped to see them right past wrongs together. I did not expect it to take a wrong turn down the path of the worst noble idiot trope in recent memory, nor for it to last pretty much until the end of the drama. That is when The Story of Pearl Girl, turns into yet another period drama that starts strong and then inexplicably nosedives at the mid-point and never manages to recover.
After the convoy arc, a traumatized Duanwu re-emerges as Su Muzhe, a detached, gently sad and bland character who Disney princess cries almost every other episode. Lusi's vapid and weepy interpretation of the role lost me as much as her Duanwu engaged me. Duanwu would have gotten angry and demanded an explanation from Zijing or plotted revenge. I was baffled by the Su Muzhe who manages to coldly co-exists with him in the same city, moves on and focuses on business, vowing to live a good life nonetheless. This is so out of character it is almost impossible to reconcile Su Muzhe with Duanwu. I rooted for the feisty Duanwu of the first half who dares to love and dares to hate. The passive aggressive Su Muzhe who only dares to cry turns what could have been a terrific story into a crying shame. The narrative meanders into maudlin sub-plots about boring and poorly acted tragic side characters. Gratuitous crying scenes have diminishing impact, no matter how good the actor is at them. Long before the drama ended, I was bored by Su Muzhe's endless pity parties and stopped caring for her. Su Muzhe is not the kind of role that plays to Lusi's innate strengths and charisma. I hope she avoids taking on such characterisations in the future.
The other narrative mistake was to separate the three anchor characters at the same time so many of the early supporting roles are transitioned into new ones, forcing the audience reinvest in new characters all over again. Yue Yunxiu is a boring, flighty character that has no chemistry with Su Muzhe and fails to shore her up in the same way Kang Ju lifts up Yan Zjijing. The entire business partnership between the women lacks flair and pizazz; I can't imagine any joy in shopping for jewelry at an establishment run by such a dolorous pair. The narrative makes a lame attempt at comedy too late in the game and it is largely left to actors that lack Lusi's fantastic comedic timing. Even when the three friends join hands again, their dynamic is not the same and Duanwu never reemerges.
As for the romance, it stagnates even after they reunite and never blossoms into a full blown relationship. I would have liked to see them seize the day and live in the moment in a way that gives us something really worth crying over. Instead all we do is watch them mourn what could have been. It is incredibly unfair to Muzhe because Zijing refuses to move forward but yet can't set her free either. I wish they both chose differently but since they did not, the way their romance ends is fitting. I respected Zijing's choices especially in the end but I think Su Muzhe's victories were all hollow and I hoped she would find Duanwu again within herself but she never does. I enjoyed how Liu Yuning portrayed Yan Zijing's darkness and complexity but after the best first arc, he is too quickly whitewashed and sidelined. Even though the final arc is all about his justice, he doesn't get to do that much as the hidden villain is too obvious to the audience early on and most of the antagonists are so dumb they pretty much outed themselves.
Zhang Yiran is the best of friends and that rare character that does the right thing even when its the wrong thing for himself. While Duanwu didn't fit in to his world, he may eventually have been able to console Su Muzhe and I wish they had left that door open just a crack. As for Cui Shijiu, this character caught and held my interest from start to finish as a result of Xie Keyin's bold screen presence and her husky and earthy vocals. Her character is flawed, not that smart or especially well written but Xie Keyin embraced her flaws in such a relatable way and conveyed the role so compellingly that I cared about her and did not drop this drama because I wanted to know how her story ends. She and Zijing are both characters that choose revenge over love but only one of them lives to regret it.
The biggest issue with the storytelling is that it tries to incorporate too many themes and archaic ideas of what an independent and empowered woman is supposed to be. The writers bend the plot and characters in ways that don't make sense or is out of character in order to force certain themes and outcomes. This is not a good way to tell a story. Both Duanwu and Zijing's characters are thrown under the bus just to prove that a woman can make it on her own in business during feudal China. We watch allegedly smart villains kill off characters with no motive other than for dramatic impact and shock value. But what makes me really mad is that it is another scratch on the surface empowerment story written by misogynists with a thinly veiled and insidious message about the fate of women who dare to try to make it in a man's world. A true empowered woman would seize second chances and live well in the true and full sense and meaning of the term rather than to wander aimlessly as a shadow of their former selves.
This was a heavy journey from start to finish that does not end in satisfactory way and the ending contains some really questionable messages. There is no payoff for all the suffering, no one gets a great ending and promises to live well were not kept. In the name of both Madame Eight and Shrimpy, I dare not rate this more than 7/10. It is not a drama I recommend unless you are a die hard fan of either of the lead actors and are able to enjoy anything they are in.
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Legend of Zang Hai isn’t the kind of drama you say you enjoyed, it’s more of an experience.. A story about revenge, it follows our ML who after witnessing the brutal slaughter of his parents, friends and family at the age of ten sets out for vengeance with the help of a mysterious group of people..The script, direction and screenplay are just impeccable.. And the performances?? Absolutely out of this world.. Xiao Zhan’s portrayal of Zang Hai is unforgettable.. He fully embodies a boy shaped by trauma and driven by revenge, yet unable to let go of the softness he was born with.. There were so many scenes where he proves just how good his acting really is..
This drama might not be for everyone.. It doesn’t have your typical ML who goes around killing and beating people up in the name of revenge.. LOZH proves that not every hero needs to be a martial artist.. Instead, it dives deep into the emotional cost of vengeance and how destructive it can be.. The story makes us care about the characters so much that we are forced to question whether what Zang Hai is striving so hard for is truly worth it..
I absolutely love it when we have two main leads who can actually act and not just serve visuals.. And also the FL being the one with the physical strength and martial arts skills?? Always a treat.. There’s just something so fun about watching a badass FL protecting her man..
Zhang Jing Yi was extraordinary as usual.. Loved her chemistry with Xiao Zhan.. Even though this wasn’t a romance centered plot, it still gave us one of the best matched couples.. It was heartwarming to watch them fall in love and heal their broken hearts.. After he meets and falls for Antu, the story becomes more interesting.. Because now suddenly he wants to think about a life after revenge..
Absolutely loved the cinematography.. It was artistic and beautiful.. Zhen tower was just magnificent.. Scenes like the Empress Dowager’s funeral, the boat scene in ep 15, the Prince’s residence, the dinner fight at the Marquis’s home, and the rain fight, just to name a few were all stunning to watch..
Overall, Legend of Zang Hai is truly worthy of being called one of the if not the best CDrama of the year..
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