Reviews

DOR is overall a very realistic approach to love. The interviews tied in nicely with the direct attitude that the director and the writer were taking as they explored dating and romance. It is refreshingly different drama. I admit there were times when I felt that the characters were playing too many games (around episode 8) and that is why I gave it a lower score. I think it is perfectly reasonablee for a person to be in love with one person and then someone that they cared deeply from the past come and shake things up. I like Yeo Reum'smother basically told her to live and love for herself. Some people think that is selfish, but if a person dooesnt do that, then they just make themselves and everyone around them miserable. Also, if a person is in a relationship where he/she is afraid to be his/herself because they think the other person will break up, then that relationship is doomed from the start. Romance is all sweet and fun at first, but if a person wants it to last, then all the ugly needs to come with it eventually.

Jun Yu Mi was perfect as the cute and flawed Han Yeo Reum. I like that she tried so hard to do what she thought was right. Eric Mun is exceptional as Kang Tae Ha. I had no idea he is such a good actor. He can kiss and is totally hot so he being a good actor is a plus. Sung Joon is one of my favorite actors. I have seen all of his dramas except I Need Romance 3. He does not fail to deliver as Nam Ha Jin. Thee other actors are good too.

Edit: I forgot to mention that Yoo Ah In is the last episode. Whoop Whoop

The music is really good.

If you would like to watch a more realistic drama on love, then I recommend this one.

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A Drama That is Worth a Thousand Smile

Before I start let me just clear out one thing, I have never been a fan of Reply Series and never thought that one day I would be. The first series (Reply 1997), I watched it while it was still airing back in 2012 and stopped right after ep.4. The reason I still remember the number of the episode perfectly is to keep reminding myself that I did start it like everyone else and before all the hype but still didn’t work for me. While Reply 1994 did intrigue my interest, it’s the rumors I’ve heard about Reply1988 being a family drama is what really pushed my button especially that I am sucker for family themed and nostalgia stimulating dramas.

In life, I have had to say goodbye to many things--friends, family members, my teen life, and as I venture into my last year of my 20s, I say goodbye to my youth as well. Bidding farewell to Reply 1988 continues this list, as I venture onward in dramaland and away from Ssammungdong. I say goodbye to that warm, neighborly feeling, that old nostalgia, that stirup-pant wearing era, and to the best youth drama I have ever seen. This drama really penetrated my soul.

Story:
The story primarily takes place in a singular setting, and yet the narrative does not stagnate; it does not become boring or trite; it does not make you sleepy when watching daily interactions of the families. Instead, the story of R1988 pushes at the heart and makes you yearn for friends who love each other this closely, for parents who love each other this much, for a life as simple and yet as hard as these characters' lives were. It takes you out of 2015/2016/2017 and supplants you into 1988 where you take that same journey with the characters. The first 2 episodes were pretty much an introduction episodes where all the crucial characters are being shown. My position as a viewer was a thin line between proceeding or stopping I needed to feel attached to the character because that is what it takes to feel R1988 but to me they were random people who knew each other BUT I knew nothing about them. The length of each ep (hour and half) scared me, I wondered if I could handle a 20 more eps especially that I wasn’t expecting much from the drama. However once I got deeper and deeper into their lives and got to know each and every one of them, I just couldn’t stop anymore. I felt they are part of me and I’m part of them.

Possibly, the star of the narrative of R1988 is its ability to exert both laughter and tears at the passing of a few minutes, yet it never feels stilted. It brings to us the viewers richness and variety of character within just the five friends, let alone the parents and siblings surrounding them. With that, we see intricate details of each person's character--like Bora's unspoken love for her parents, or Dong Ryong's inner philosopher, or Jung Hwan's hidden sweetness, or Taek's competitive strength. There are so many elements of character that we see, often unspoken, rise to the surface with the passing of a quick moment or a prolonged incident.

I loved the fact that the story focused more on friendship and family relationships so romance (the husband game) took a severe backseat in this drama. Furthermore, the show gave many couples a chance at love, both new and renewed, lost and found. It was never unrealistic or unfair to anyone in the cast instead, it offered options and chose the best one.

Acting:
I would love to talk about each and everyone one of the cast because they were the heartthrob of the show altogether, but no words would be enough so I’ll keep it short and list my favorites:

Sung Duk Seon (Lee Hyeri): My biggest surprise of them all! The bubbly and outgoing, if not a little bit kooky Duk Seon. At first, I doubted that she will be good because I’ve seen her before in one drama and wasn’t impressed. BUT, I was pleasantly surprised! Hyeri portrayed Duk Seon so perfectly that I can believe she actually acts like that in real life. Not to mention I could totally relate to Duk Seon issues being the 2nd child in the family which makes her my favorite.

Yoo Dong Ryong (Lee Donghwi): Dong Ryong is somewhat the male version of Duk Seon. I don't understand how the casting crew can be so good. The Lee Dong Hwi who is in his 30s can act out a whiny 18-year-old very well. I have nothing but praises for him and the way he portrays his character in the drama. I really loved Dong Ryong moments in consoling his friends and how he understood each and everyone of them more than they understood each other.

Kim Jung Hwan (Ryu Junyeol): Simply said, Jung Hwan is a kind of tsundere. I already knew Ryu Junyeol's fame skyrocketed after he took up the role of Kim Jung Hwan. I must say it is easy to understand that. He IS a good actor. The feeling awkward expression, the secretly happy face and many other are properly conveyed by Ryu Junyeol.

I could talk all day about the parents' roles as well. Ra Mi Ran, Kim Seon Young, and Lee Il Hwa trumped most drama mothers for being the most awesome trio of moms in a drama. They were not only funny, but they all showed signs of vulnerability and strength, and true to form, they were an unstoppable force on screen and in front of their husbands. But Ra Mi Ran takes the cake. She pulls off the ajumma routine like a master, this role was made for her. She’s intense. And every scene she was in, I thoroughly enjoyed. She’s a tough mom but an always kind mom; she’s aloof but wants to be warm; she’s smart but uneducated–and she’s a joy to watch.
As for the husbands/dads, all the dads were awesome as well, but Kim Sung Kyun takes the trophy. His President Kim routine will forever been ingrained in my memory, but also his relationship with Ra Mi Ran showed a great example of how love grows with age.
Fun fact, all adults used their own names. How funny and creative is that?

Music:
The music of Reply 1988 also played a special role, not only in the background OST, but in the characters' lives. The power of music pervaded the narrative of Reply. It gives warmth.

Overall
R1988 carries that genuineness into the world it’s set in. This isn’t the 1980s through the lens of nostalgia and political correctness, but a balance between the popular culture and political correctness. It’s not an attempt to shy from history. I cannot recommend this drama enough. The first 2-3 episodes are required to really get you into the show, but once you watch those, you will be hooked. It’s not about glamour, R1988 is merely about people, family, life and YOUTH. The only reason it did not get a full 10 from me is because of the slightly unsatisfying ending. I am NOT talking about the husband's identity (I’ve figured it out during the earlier episodes and the writing was fair to both male leads imo) but how the ending was handled did leave me feeling really empty. I needed to see everyone in the cast; I needed to see their 2015/16 selves. A narration/update of their 2015/16 lives would've been good enough so I could say goodbye because that is the point of R1988, feeling like you’re a part of the whole thing but instead felt kind of left out by the end.

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BL to Thriller or Vice Versa?

At first, my fujoshi heart was all aflutter for some fresh BL content, but six episodes down the line, I found myself spiraling into a rabbit hole of thrills and chills instead.

Not a moment of fast-forward was needed through the saga: it's a wild ride through the eerie and the unknown, with narratives that grip you, suspense that keeps you on the edge, and a raw delve into the realm of mental health. It's a murder mystery adorned with a rich blend of folkloric whimsy and literary allegory, each scene more captivating than the last. This series is where the tender allure of BL meets the pulse-racing thrill of a mystery, all wrapped up in a cloak of cultural and literary elegance.

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When I watched the first ten episodes of Chicago, I was so in love that I was ready to give out the big fat ten I’ve been sitting on top of since forever now. At some moments I was laughing the thigh slapping, seal clapping kind of belly laugh, where I just had to pause the screen for a while and simply revel in the happiness the show brought me and on other moments, I was crying heartfelt tears because of something that touched me so deeply. At times, I felt so much warmth in my heart that I wondered if anytime now, it will plop out from my chest and melt in a gooey puddle on the floor. I had so much affection for the characters that their hurt was my hurt and their joy my joy. But then… episode 11 hit and somehow Chicago lost a lot of its touch.

Suddenly you had your typical K-Drama over-dramatic melo shit everywhere. Everything became a thousand times more sappy, illogical and emotional in a try-hard way. The pacing became shit. Plot-holes tumbled in and things that should’ve been huge just ended up being anti-climactic. And before you know it, Chicago ends on a note so “MEH” that it’s a disservice to the once precious drama. For sure, most people are probably going to love Chicago’s ending episodes too but for me since this drama was all about being subtle but powerful the extra turns it took, did not slide.

Here are some aspects of the show and my take on it:

-Yoo Ah In’s BeWhy inspired shitty haircut:
We are all superficial people to some extent and Yoo Ah In’s egg shaped haircut is no doubt a fashion disaster but there are some actors who don’t need appearance to make things work because their talent is enough. And Yoo Ah In tops the list. He just gets how to handle me and he always manages to wring my emotions like a masterful puppeteer. So much so, that at this point I think that he’d be able to perfectly emote even if he had a giant garbage bag on his head. He is spectacular as always here, playing two roles with different personalities all at the same time and excelling at both. And just for those of you, who simply cannot get over the hair-do, the drama comes with a sexy as hell past version of Yoo Ah In, with great hair and a lot of badass. ;)

-Weak female lead:
I’ve said this before and I’ll say it again. If there is one person who can sell me a damsel in distress it’s Im Soo Jung. I remember her brilliance in MiSa about  7 years ago and I still find her really likeable. Unfortunately because of her doe eyed look and an eternal stupid expression, she is often typecast into the “dumb but kind” roles. But I feel like despite that she always manages to shine through with her inner strength and true, she does exactly that in the first ten episodes. But after that, the writers started to confine her in a box again. Too much crying. Too much need saving. Too much “woe-is-me” bullshit. That her personality just falls under.  And it’s a shame too because she is supposed to me this “bad-ass sniper” with like a trillion qualities and so sadly this whole thing made me realize that while I do like Im Soo Jung, I hate damsels in distress more. And soon for me, Jeong Sol turned from being adorable to annoying real quick.

-Han Se Ju:
A lot of people think that HSJ is just one of those “bad boys” who are actually bad guys but that’s just not true. Sure, the writers tried to force the image on him with the whole “wrist grabbing, temper tantrum throwing, macho alpha asshole” bullshit but it still isn’t true. Because Han Se Ju is an actual sweetheart. A passionate, sensitive and thoughtful man who can act like a complete petty toddler at times but an admirably strong old soul at others. For me, he was a character close to my heart ‘cause I know I’ve myself thought so many of the things that he believes in, I have felt so many emotions that he goes through and that makes him so relatable to me. He’s a beautiful man inside-out, with all his lows and trust issues intact.

Sound track:
While Chicago has a brilliant soundtrack and the show makers did get the play timing right most of the times, there’s one weird ass instrumental that they unfortunately play in the most poignant scenes in the later episodes, effectively ruining the impact. Tragic.

Bromance:
By far, my favorite bromance, simply because of how natural and heartfelt it is. It stays strong from the first episode to the last and soon became the only reason I continued with the show.

Other:
The romance is good. The side characters are endearing. The kisses are enjoyable. The antagonist does a very good acting job. The past and present weave effortlessly and are  interesting to follow. The cheeky and often hilariously cringey supernatural effects are a delight. While the ending episodes are mediocre at best, the first ten are so emotionally powerful that at the end I couldn’t help but give it an 8.5, still.

Do I recommend? Yes. Definitely. Because despite its flaws Chicago in its core is a beautiful story about friendship, loyalty and the inseparable bond between three people that transcends time. This is a show that you absolutely have to give a chance to. It doesn’t matter whether you like it or not, it’s worth at least a try. This isn't a drama you should judge by reading other people’s opinion, you simply have to experience it yourself.

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This is my first review on here and I have watched a number of dramas and thought about writing a review but this is the first one where I knew I had to write one.

I am not sure where to start with this drama as this is an amazing drama. Probably one of the best dramas of 2015 if not the best. I could talk about how great this drama is for a long period of time but I will try to make this review as short as I can.

First things first. I started watching this drama as soon as it came out because I found out about it a month or so beforehand. As soon read the synopsis I was hooked. I have never seen or heard of anything like that for a Korean drama. So the synopsis is what drew me in but seeing who was cast as the lead characters made me want to see it more. The only thing I was worried about was where they going to be able to pull off a drama like this. Well my worry went away straight after the first episode and left me blown away. Some dramas start really great but then start to slow down and others take a few episodes to get going. While watching D-Day not once did it slow down, it continued the momentum it started and kept it going through all 20 episodes. I never felt bored or tired and each episode left me wanting to watch the next one right away.

Story
The story for this drama as I said before is something that I have not seen or heard of for a Korean drama. I was worried how it was going to work out but it was done way better than I expected. The special effects and sets they had made it more realistic. What I really like about the story is that it is so believable. This is something that could happen and I think that is what first drew me to it. I am a person who loves romantic type dramas but what I like about this one is romance is not the main feature. The romance is there but it focuses on the disaster a bit more. You get to see how the doctors and other emergency workers deal with a disaster like this. If you are a person who loves romance in your dramas and likes shipping the main leads together then I will say this drama does have that. It does have some sweet and cute moments admits the tragedy that happens. So don’t worry about that.

Acting/Cast
The cast for this drama I think is perfect. I loved all the actors and their characters even if some characters where not so good. Kim Young Kwang does a phenomenal job in this drama. I first saw him in Love Rain and every time I saw him since he has played a supporting role or played the second male lead. So I loved that he was finally the main lead in a drama and boy did he do an amazing job. He is such a great actor but in this drama you can see just how good he is.
Jung So Min played the female lead and also did a great job. I first saw her in Playful Kiss and while watching this drama you can see how much she has grown as an actress. She plays a doctor in this drama just like Kim Young Kwang and does a great job at it. I really liked her character and also Kim Young Kwang’s. I think both lead actors had great chemistry together and I would love to see them both again in another drama.
Also loved the other actors in this drama. A few of them I recognized and had seen before and loved seeing them again.

Music
The music in this drama was so good. Most dramas have about 4-5 or more OST songs that have music and lyrics but this drama only had 3. But the 3 it had were so good and fit the drama perfectly. One of the best parts about the music was the instrumental/Score soundtrack for the drama. It was amazing to listen to and scored so perfect for the drama. So in all the music is really good and I have already bought the 3 OST songs that were released. I also plan to download the rest of the soundtrack once it’s available on iTunes and possibly buy the physical soundtrack as well. That is how much I just loved the soundtrack.

Rewatch Value
The rewatch value of this drama is so high for me. Actually while I was watching this drama I went back and rewatched a few episodes. This is a drama that I would defiantly rewatch from start to finish a bunch of times. I will probably watch it again very soon and this time introduce it to a friend. Since I watched this drama by myself it would be a great drama to watch with a friend or friends. Also if this drama comes out on DVD with English subs I will defiantly be buying it.

I highly recommend this drama as everything about it was so good. All that is left to say is if you are reading this and trying to decide if you should watch this what are you doing. Go watch it now. It is a must watch drama that should not be missed. One of the best or if not the best drama of 2015.

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HITTG is a very interesting drama. The story line isn't special, but the way the story is approached is unique. There is this underlying humor throughout that made me laugh and laugh. There are some sad moments also, but nothing overly melodramatic. It is a simple story while touching on principles of right conduct and/or ethics. For one thing, being right all the time won't always make you happy. Sometimes you end up alone and sad. Another thing is that money can't buy happiness. Also, tradition can become antiquated and it isn't always something that should continue. I don't know if it is a drama for everyone, but I enjoyed it.

I haven't seen Yoo Joon Sang an anything else that I can think of, but he is pretty spectacular as Han Jeong Ho. His expressions are excellent. I also haven't seen Yoo Jo Jeong in anything. She was ok as Choi Yeon Hee, but I really didn't feel for her character and I thought that I would eventually feel sorry for her. Lee Joon gets better with each role. I like him as boy/man Han In Sang. He portrayed his struggle really well. Where did Go Ah Sung come from? She did Seo Bom proud with strength and dignity. I enjoyed the other actors as well.

The music is pretty good. It doesn't get on my nerves, but nothing stands out.

I won't rewatch this.

I recommend this drama, but it isn't action packed or overly exciting. If you like dramas that make you think then this is for you.

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Cupid's Skippable Kitchen

**Spoilers are at the bottom**

This is a Food drama with a pinch of comedy and a very little sprinkle of romance. If you are looking for food then this is the right drama for you. If you’re looking for romance then look elsewhere. This just isn’t it.

For The Good, For the Bad…

For the Good:
1. Colorful Cutscenes - They only did a few of these non-food-related colorful cutscenes but they were absolutely beautiful. I was really hoping to see more of them but we only got 2 of these and nothing more.
2. High-Quality Food Cutscenes - There are a lot of these and although I enjoyed them, they didn’t feel as satisfying as the ones in Dating In The Kitchen. They felt sort of lacking even though they were high-quality and beautifully shot.
3. The Leads - Both are really good actors. I really enjoyed watching them. If not for them I’m not sure I would have watched all 40 episodes.
4. The OST is very nice and different from most other modern c-dramas.

For The Bad:
1. Slow-paced - It's very slow-paced and the side stories make it even slower. Other than the first 5 and the last 5 episodes, I found this drama pretty boring.
2. Huge Lack of Heart-Flutters - Where’s the intimacy? I’m not even talking about kisses. Just moments that make you feel like the leads are falling in love. I certainly felt that they cared for each other but there seemed to be a huge lack of romance.
3. Boring side-stories - Honestly, I wound up skipping through most of the side stories because they were just so boring, and other than the character knowing the leads, their stories really didn’t affect them or the plot in any real way.
5. Evil/Bad Character overload - Honestly who isn’t a bad character other than the leads and a few others. However, none of them were as bad as the 2FL who clearly needs mental help. The method she used to try to stay with the ML is one of the most psychotic I’ve ever seen. She’s a basket case and the worst part is that she’s surrounded by enablers. (More on her in the spoilers below)
6. The 2FL’s Dubbing - Everyone else in the drama is fine but for some reason, her dubbing is not only obvious but it doesn’t match her mouth movement at all. For all the beautiful production they have in this drama, they very obviously dropped the ball on her dubbing.



***Spoilers Below***




I really disliked the way the ML took out his frustrations on the FL. I know he is going through something pretty rough but why did he need to yell at her the way he did and more than once. I know he’s devastated over losing his sense of taste but that’s not the FL’s fault.

In fact, it’s the 2FL’s fault and for some reason instead of thoroughly investigating her, even when she’s suspiciously asking him if he could forgive the person who poisoned him, he completely overlooks her. The ML even fires his longtime live-in cleaning lady, someone who was like family to him, but he keeps the creepy 2FL around. Furthermore, when he does find out it was her, he completely lets her off the hook!! Like what?!!!

Another thing that really annoyed me was the ML’s doctor friend who not only hides the fact that the 2FL poisoned the ML into losing his tastebuds and at risk of losing the rest of his senses, but he also enabled her and helped her hide it from being exposed. He deserves to lose his license to practice medicine and go to jail along with the 2FL. I have no sympathy for him no matter how much he likes the 2FL.

It annoys me that no one got in any sort of real trouble for their bad behavior. Everything is sunshine and rainbows at the end.

The cutest thing in this romance drama is probably the husky puppy in the last episode…

Would Not Recommend
Would Not Re-Watch

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Daring, Romantic, Beautiful

After CQL (“The Untamed”), many viewers called for more dramas like it, and are pleasantly rewarded with this drama. “Word of Honor” (WoH) is unexpectedly daring, romantic and visually beautiful. Adapted from a BL novel, “The Wanderers” by Priest, this drama was expected to have the BL elements toned down, if not totally eliminated, to pass censorship, To the surprise of many, here, the show of love is blatant and unabashed; according to readers, the adaptation is faithful and they are delighted.

Story
One is guilt ridden, and seeks to redeem.
One is revenge ridden, and vows to avenge.
One is young with no skills, and promises to become better.
They all have one thing in common - they’ve lost everything. When they meet, they become a family, watching out for each other. Life becomes meaningful again.

Many viewers ask the question how this drama is compared to CQL (“The Untamed”). Though of different genre, CQL is xianxia and WoH is wuxia, there are many similar parts, such as the search for some relics that everyone kills to possess, the monsters/zombies, music therapy (to heal, Wen Ke Xing plays the flute, Lan Zhan plays the guqin), herd mentality, dark can be light, and white can be black etc. They even use the same composer Lin Hai to compose the music. The visual effect of both dramas is very beautiful with amazingly good-looking actors.

“Word of Honor” is a very typical wuxia story with various sects and alliances, emphasizing on chivalry, altruism and compassion as virtues. Compared with “The Untamed”, the relationship in this drama is more explicit. Within the first episode, one would know it's more than platonic - there're more skin-to-skin contacts, and admiration words are flying everywhere. Having said that by episode 22, the BL elements become more subdue and the dynamics somehow shift to more brotherly. Nonetheless, the undertone is still the vow of “till death we part”. There is not so much of the actual plot, but this drama dwells deep into the inner feelings of the main characters – their fears, their hatred, their guilt – and how they try to redeem themselves. A lot of feelings are channeled in an unspoken way, leaving room for interpretation.

With Wen Ke Xing (Gong Jun aka Simon Gong), Zhou Zi Shu (Zhang Zhe Han) is understanding and benevolent. He has great respect and patience for Wen Ke Xing who is a broken man. Wen Ke Xing continues to use flamboyant words to cover his own pains and feelings, and constantly test Zhou Zi Shu with unanswered questions to determine if the latter can understand him truly. They become each other's soul mate, and accompany each other wherever they may go; their constant bantering and teasing is fun to watch, and their CP chemistry is undeniable. Many of the dialogues have deep meaning using analogies and idioms. The use of poems in expressing love and admiration for the other is lavishly done, making the declaration direct and yet classy and meaningful.

Acting
The overall acting is good, in particular for Gong Jun (Simon Gong) as many viewers have pointed out. He has a playful and at the same time a devilish mysterious look which helps him fit perfectly as the gray Wen Ke Xing character. His ability to change from a dark side with devious hatred in his eyes instantly into a bright, cheeky and flirtatious character, or vice versa, is commendable. All this is done aesthetically and convincingly. I particularly love all his fighting scenes, beautifully executed.

I am normally critical of Zhang Zhe Han's acting, but here, he nails it, either as the dark face rugged looking Zhou Xu or the handsome somber Zhou Zi Shu.

As many emotions are expressed through few words but with the actors’ eyes, both main leads have given a rich performance here.

OSTs
As mentioned earlier, the OSTs are composed by Lin Hai who has also composed the OSTs for CQL (“The Untamed”). For me, the OSTs here are less memorable though I have enjoyed listening to the title theme song.

WoH or CQL
I’m not trying to compare apple to apple of the two dramas. I’m just trying to answer some questions new viewers may have. When viewers express that BL not their cup-of-tea, they are being labeled as homophobes and attacked en masse by fans. But attacking others doesn’t make one less bigot.

The Chinese title for WoH is Shan He Ling, which makes me think, just because Chen Qing Ling (CQL) is successful, did they also try to copy the naming style of the title to give WoH a similar feel for the Chinese audience? Shan He in this case has less relevancy than Chen Qing in CQL (The Untamed).

For me, WoH has not touched me as much as CQL has. I have been almost in control, apart from some burst out laughter, throughout the whole drama whereas CQL has made me cry a river. I like the lighting and colors here, and the CGIs are probably done better here too. The fighting scenes here are very beautifully executed, especially with Gong Jun’s scenes (I know I’m repeating, but his fighting scenes are really very good). But the story is not as rich as CQL, the super villains are not as mysterious, and the pains not as intense. The BL elements though are very explicit which may turn some viewers away whereas in CQL, they are very subtle, expressed in thousands of symbolisms, songs, and minute actions. Some viewers even find the relationship platonic in CQL.

My Verdict
There is great character contrast - one is active and the other passive. Both characters have unbeatable fighting skills. The lavish use of poems to describe feelings is brilliant and sophisticated. Great cinematography and great fighting scenes. Visually, like CQL (“The Untamed”), this drama is beautiful. There is a lot of actions, and at the same time, the drama spends a lot of time exploring the inner feelings of the characters.

If you love watching men ogling each other openly, this drama is for you. Else skip the first 20 episodes, but then there's nothing much left to watch and you may not follow the story. Of course, all this boils down to personal taste. Some people didn't like CQL but love WoH. Likewise for viewers who have loved CQL and found WoH not measuring up. And some love both, like myself.

Though there are flaws, I must applaud the courage in producing such a work of art that does not conform. Overall, I have enjoyed this drama.

Great watch!

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Weekend family drama, progressively challenging the concept of becoming/living as an ´adult´

“My Golden Life” is one of those KDramas that have been writing drama-history in South Korea. It is considered a 'national' series – popularity increased rapidly, the number of viewers doubled during the broadcast and towards the end, almost half of all nationwide TV audience during the weekends, while “My Golden Life” was broadcast, watched this series.

"My Golden Life" is a family drama, that doesn't just get lost in family clichés, Makjang and RomCom, but instead explicitly addresses some critical contemporary issues. Additionally, given attitudes and convictions are boldly deconstructed along the way. Thus, "My Golden Life" is a rather progressive family drama, involving also the 'quite new' concept of making personal life decisions despite (and in opposition to) family interests. In addition, more than one protagonist is questioning his/her life decisions or is forced to dealing with 'failure' (up to 'depression' as a result of learned helplessness), which is also quite progressive. Whether rich or poor, such issues likewise hit any income classes - in “My Golden Life”, too. In addition, there are current long-running topics such as the (lack of) work-life balance, discrimination because of social status, and the shame of divorce, as well as the increasingly sensitive issue of 'age'.

Ultimately “My Golden Life” is progressively challenging the concept of maturing in the sense of making my own, accountable decisions and thus becoming/living as an ´adult´. What does it mean, what does it need to be an 'adult'? ´Adult´ in the sense of having grown out of the familiar nest and being able to fly with my own wings? In the sense of being challenged to apply what I have learned in my own, individual manner? Is it allowed? Actually desired? Even wanted?

Notably gratifying and astonishing: Throughout the series, practically all of the divers family members go through their personal maturing processes against the background of various contemporary social issues. Many dramaturgical motifs may be familiar, but you can be sure that sooner or later everyone will be challenged with their attitudes and decisions being on trial. “My Golden Life” is not about stumbling through life with a social reptilian brain in obvious stimulus-response pattern. And it is not about by all means controlling the environment with the arrogant mindset of absolutist power fantasies. "My Golden Life" is intelligently and systematically deconstructing the usual set screws for critical life decisions (and dramaturgical plot developments.) In the end, almost every protagonist gets challenged and in the long run actually they all come to their individual, sometimes astonishingly mature, honest and even wise reassessments and re-decisions. This is (at least in this KDrama) possible, permitted, actually prerequisite.

Strikingly symbolic to deconstruction processes of social and individual assumptions throughout the story, ´gold´ is a metaphor for the estimation and valuation of an individual life. Its meaning and value is changing throughout the KDrama, parallel to the transformation processes of the protagonists... Most of the characters initially have the conviction that money (and associated with it: status) is the prerequisite or guarantee for happiness and a worthwhile, precious life... (as on the other hand the lack or loss of money is the reason or the cause of unhappiness and equivalent to a nugatory life.) However, most of them realize over the course of story that a ´golden´ life is not necessarily one that is successful, prosperous and meaningful because of a lot of money. In fact, an elitist, privileged life - being born with a ´golden spoon´ in the mouth - eventually comes with a ´golden cage´, too... Rather, a ´golden´ life is cordial, substantial and radiant with accountability and authenticity.

Within turbulent relationship dynamics (including a bit of Makjang-style topping when it comes to plot development) the 'impoverished middle class' and the 'dirty rich Jaebeol clan' are cleverly juxtaposed against each other, thus almost offensively confronting with the exaggeration of social class-affiliation and questioning traditional mindsets; additionally, full of wit contrasting submissive obedience and self-confident rebellion. Meanwhile, a dubious, arrogantly patronizing 'Noblesse oblige' virtue is craftily criticized, too.

“My Golden Life” is sometimes funny, sometimes intelligent, sometimes outrageously provocative, sometimes infuriating, sometimes emotionally serious, sometimes touching and sometimes downright grotesque. Being set as a family weekend drama, it is supposed to be easy to digest… yet, at the same time, the KDrama is consistently keeping its unabashed finger (gently, yet persistently) on the social scrapes, quirks and deep wounds, too. An astonishingly felicitous, ambitious balancing act. Overall, “My Golden Life” isn´t long-winded, even with 52 episodes. You may as well give it a try.






P.S.:
'Reassessment' seems to be the greater moral of the story.
Meaning: Traditional structures, rules, proven patterns and given orders may be all well and good. They may give orientation and set a direction in life. They provide a certain range of tools and know-how on how you can meet the challenges of life. But ultimately, in each individual case, it is still indispensable to carefully consider the appropriate application and decide for yourself what actually should be and could be accomplished. What is it, that I want? What is it, that I can do? What is it that I think is right? And what is it, that I am willing to supply?

At the end of education and apprenticeship usually there is a form of diploma or master's degree – not for mere copying, but for suitable, at best innovative application and enhancements. And in "My Golden Life" there are quite a few characters truly having earned their award... each in their own way. Eventually, it won´t do to simply adopt what others suggest, would have done or did before. It is all about individual solutions. Traditional lifestyles and attitudes are put to the test and are systematically deconstructed - voluntarily or involuntarily. In the end, the individually appropriate reassessment and authentically fitting solution does not necessarily have to lead to an easy or obvious decision...

"My Golden Life" is thus also giving a lesson in emancipation, too - in the original Latin and also in the more modern sense. Initially, Latin “emancipatio” was the “release of the son from paternal power”. In a broader sense: the child has grown or the student has been educated, so they can hold themselves accountable for their own life tasks and work obligations and thus take responsibility and reflect on their achievements accordingly. Additionally, in a modern, more general sense, emancipation is freedom from discrimination based on group, sex or class membership…

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"I am here right here, right now!"

From now on, when I hear, that most of the best things are discovered accidentally (I should raise a glass for you, Rita~), but on the best right time, I am going to smile knowingly and relive the feelings I had during the 3 days I watched Q10.

This little drama has neither the mind blowing novelty, eye catching effects, heart throbbing romance, head spinning mysteries, tear jerking dramas... none... it even does not have the best script... but my mind is blown because of the beautiful lines every character delivered, my eyes never left the screen because every word the characters said engraved deep into my heart, my heart throbbed every second of the drama because all the things they said are so known, but so welcome to my ears, my head was spinning from the realization that I know all the words delivered, but I need to hear them so much more often as they are so warm, so true, so sweet and so-so right, my tears were running so calmly and sweetly, I did not even realize I was crying until I sobbed at the last moment of the last episode~

In the beginning Q10's character was so confusing, that I did not know how I could rate her for myself, at first it seems she has no facial expressions (she's a robot, for crying out loud), she delivers her lines in a monotone, tilts her head, does not blink, how... how? I was watching the 2nd episode when I realized, gosh, she is gorgeous! I can see her smiling, even when she is not, I can see her thinking, even when she can't! I was caught in this so quickly...

A little later I discovered why I had the oh-so-familiar feeling about this drama, well, you see, I have a all time favourite drama, and it is Nobuta wo Produce, if you had watched it as much as I have, you would definitely recognize the same 'signature' of the director, as both dramas are directed by the same one... the beautiful shots of the sky, the rook of the school, the friendship of the characters, absence of an antagonist, characters revealing both positive and negative traits, not being perfect, but themselves...oh and so many more things...

I will repeat myself, and say, that the most beautiful thing in this drama are the delivered lines - oh-so-familiar and known, and ought to be said more often.

As for me, am contemplating on rewatching it right now (it has been 10 minutes since I finished it), I am sure this will become one of my favourite additions to my collection and one of the most rewatched ones on my list.

Absolutely recommended~! Paffun~

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Great promise with bad execuation

The idea of this film was very promising and attention-grabbing, especially for lovers of action films and thrillers (for me!). However, the execution and direction of this film just weren't satisfying enough.

In the beginning of the story, I was already doubtful after seeing the sauna scene - "Carter", a single man with no memory, manages to kill over 20 (probably 30+) men, all with knives and other kinds of weapons, basically single-handedly and without a scratch. Even the best-trained killers wouldn't be that capable. The opening already tells you how the story will go. The action scenes are way too unrealistic, almost fantasy-like. For a film that's classified as an action thriller, that's not so good.

The one-scene one-cut technique used during the camera work was nice and refreshing at the beginning but later on became frustrating. A lot of "empty" scenes showing empty rooms, the underneath of a car etc...just absolutely unnecessary scenes.

The non-Korean actors ruined the show for me. Their acting was simply bad, very amateur-like and mediocre.

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Even if you are not a fan of historical dramas (I'm not), this is one that is worth watching. I made the mistake of reading the history of these people before watching the drama. So, I knew what was coming from the beginning. There are also other dramas that are about this story. I think what makes this one different is that the writers write it as a love story between Jang Ok Jung and King Sook Jong from beginning to end. It also written for you to sympathize with Ok Jung. She isn't the villain in this drama (although she does some crazy stuff because she is forced into a corner by the Queen Mother). She would have been happy to be by the king's side in any capacity, but they treated her like crap and made her want more. Also, I loved the beautiful Hanboks. The women were gorgeous. I enjoyed the story and the setting, but that isn't what is captivating.

The acting is amazing!!! Yoo Ah In is the best king ever!!! His portrayal of emotions is all consuming. I felt everything with him to the point that I smiled when he smiled and cried when he cried. BTW...his understated crying scenes are so well done. It is more moving than the over the top wailing. Kim Tae Hee as Ok Jung is just beautiful. I realized after watching this that the only other drama I have seen Tae Hee in is Iris. I think I should watch her other dramas, because her acting is fantastic. I also enjoyed the other actors, but they don't stand out. BTW...if you are watching this for Jae Hee, then don't waste your time. His scenes are limited.

Oh, and just a side note. That baby (although never looking like a newborn) was as cute as he could be.

The music is pretty.

I won't rewatch this.

If you like romance mixed with some historical political junk (the stuff I totally don't care about), then you would enjoy this drama.

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Reasons why you need to drop everything and watch Life right now:

▪︎The baddest of bad, the ultimate, Jo Seung Woo▪︎

JSW's character here is one of the best drama characters I have seen in a long long while. He is such a legend. His acting is nuanced to the core. His character is the very much competent, cutthroat, focused, driven CEO who demands respect and time and time again proves himself to be worthy of the authority he has. Often he  seems quite vicious and a corporate slave through and through as he spoke to the economist in me and tried his best to maximize his profits no. matter. what. And he is hella good at what he does too which basically means he is the resident bad guy.

Everybody hates him as they are powerless to do a thing against him. But under that slick suave bastard exterior, he is compassionate, fair, intelligent, caring and has a heart of gold. Ofcourse that doesn't give way to noble idiocy on his part and just because he can beautifully balance his humane and cunning side, it doesn't mean he isn't a force to be reckoned with.

The drama tried desperately to promote Lee Dong Wook as the main male lead but while he has his moments Life is Gyu Seung Ho's playground. It's his show through and through and I loved him so incredibly much that I can't even explain it.

▪︎Bromance & Friendship▪︎

Half of the show revolves around Lee Dong Wook and his brother and their bond is so adorable, sweet and heartbreaking that it gives you all the feels. But other than that brotherhood the drama is filled with relationships, loyalty, camaraderie and friendship between characters which is so endearing and treasured in such a hostile and brutal environment.

▪︎The tension▪︎

Oof. Like all 3 of Lee Soo Yeon's dramas, there's a lot of politics, philosophical questions and moral debates in this one too. It's less medical and more focused on the power struggle between the doctors and the management. And so I understand why people think it to be slow paced with heavy dialogues but goddamnit for me it was so engaging that I was hung on every word that came out of a character's mouth. I was completely attuned to them, focused and on the edge of my seat. It holds the same gravity and feeling of importance that Stranger 1& 2 had and the epic soudtrack just enhances it.

▪︎The romance▪︎

While not the main focus, it's woven so effortlessly and gorgeously in the storyline and just goes to enhance the personalities of the characters and make them more lovable. I am also extremely happy that my ship sailed hehe.

▪︎The FEELS▪︎

The show appeals to both your mind and your heart. While there is intelligent writing to satisfy the analytical part of your brain with a lot of mental workout there's also enough emotion for you to form a personal connection with the characters. I cried so much and surprisingly every time at small subtle moments, actions and interactions that weren't even tragic or done solely for some big emotional impact. There are no deaths or tragic birth secrets or white trucks of doom or other cheesy bullshit, there are just some extremely real, flawed and well developed characters that you hurt when they hurt and you are happy when they are happy.

▪︎Badass Women▪︎

You know me. You know if the female characters suck, no matter how awesome the male leads are, I am ready to fight. Thankfully all the females in this show are strong, some kick more ass than others but overall they are all extremely likeable.

The only reason I didn't give this show a 10 (tho it was a very very close shot) is because I expected more of the ending. It's very typical of Lee Soo Yeon. Her dramas always progress in such a grim way that you are expecting the worst to happen but then she comes in and hands you a bouquet of flowers with half of them missing.

Which saves your heart from breaking but it's also a bit lacklustre. Parts of it are uncharacteristically idealistic but then parts are extremely realistic as she doesn't try to solve every issue and leaves it up to the audience. It's a little frustrating and makes me not give her a full 10 but that also means I don't dare dock more than half a point 'cause these endings are still very much infused with warmth, hope and love.

It's definitely one of the best dramas out there. The cast is the same in all of her three shows so you know they are extremely gelled in with the writer and the acting is great across the board.

A must watch. Even more so for fans of Stranger 'cause there is a cameo in the last episode that will blow your socks away. ;)

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What's Shining?

Such a tiring script.

ML should just move on and give that other girl a chance who's been crushing on him since high school.
Putting a name tag of her name in his backpack for support was really sweet. Letting him know she's there thinking of him. It's not a big deal, but if she can do that little thing without even dating ML.... what about FL who got with him two times?

FL is impossible. Dates ML, but then later drops him because she wants to work far away.
She likes her job. Nice!
But not trying anymore with her boyfriend because their schedules doesn't match so lets break up.
Gets back with him years later because she wasn't happy with the new life she left him for was dumb.

Also irritated with ML behavior for taking the time to take care of her feelings again when she doesn't have the time for his.

& why is she still being around her ex?
He's there always telling her what to do and she just let him.

ML had a girlfriend his friend said so, but where is she?
He doesn't keep talking and drinking with her does he?

When can they write a ML forgetting his first love and moving on? He will be 70 and still waiting for FL to return.

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This drama was consistent throughout as a light-hearted watch that never took itself seriously. The production quality wasn't great due to the low budget, the CGI was poor and the story was practically non-existent. However, the main couple CH and QY made up for everything, especially QY.

This drama is mainly about a love triangle between a girl and two guys that are polar opposites of each other - Qiu Yue from the Demonic Sect and Xiao Bai from the Feng Ming Manor who claims to uphold the righteous side.

For me, Qiu Yue was the star of the drama. He is an anti-hero, scheming and cunning with no morals but below his cold and ruthless exterior was a vulnerable and lonely person that had an abandonment complex. Li Hong Yi did very well portraying such a complex character and the chemistry between Chun Hua and Qiu Yue was really sizzling. I loved all the kisses between them. Chun Hua was a more typical character, but she showed maturity as the drama progressed and I didn't blame her for leaving Qiu Yue in the latter half of the drama.

Xiao Bai was clearly the weakest link in the main cast. The actor portraying him had too wooden expressions and I couldn't really buy his character or his 'love' for Chun Hua. Though to be honest, his character is a very conflicted/contradictory one that didn't do him any favours either in terms of likability.

A special shout out to Feng Cai Cai who I initially disliked but became such a wonderful, understanding and intelligent character by the end of the drama.

Overall, the drama probably doesn't deserve the 8.0 rating that I gave it since it really isn't a good drama but I enjoyed the scenes between CH and QY so much that I really recommend it if you like xian xia and romance.

On a side note, the ending was actually very faithful to the book although they could have included the side stories that mentioned their child which would have made the ending more satisfying.

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