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This is the first time I would actually describe a KDrama rich in makjang in terms of ´cool´.
"Cain and Abel" from 2009 presents itself in the best KDrama tradition of early 3rd Millenium makjang productions. In the background, the OST is repeatedly setting the rhythm proclaiming doom with implacable beats. The dramaturgical motifs are basically familiar: there are 2 more or less competing brothers, a wicked stepmother, a comatose father, amnesia in the meantime, two queens of the heart ... and what the hospital environment (specifically the neurosurgical department) has to offer is not just a brain tumor... It´s makjang at its finest. Eventually the scene is temporarily shifting to China, there also focusing on the unfortunate issue of North Korean refugees. It becomes action-packed and exciting. All in all, the plot doesn't seem too surprising at first glance, but as it progresses you might all of a sudden realize, how the story has long since grabbed and pulled you in.This is the first time I would actually describe a KDrama rich with makjang in terms of ´cool´.
Admittedly, here the bad guys are actually truely bad guys. Forgiveness is not a foreign word, but sometimes one may want to question this concept in principle, regarding the unscrupulousness and maliciousness of the perpetrators.
Title and story explicitly refer to the biblical motif: the first murderer case in human history told in Christian terms, where the older brother chose his younger brother as a victim. Out of envy. In the competition for recognition. Here it is the recognition as a brilliant neurosurgeon ... by the father, by the professional world, by the supervisory board (as head of a new center for neurosurgery) and as a man (by his queen of hearts). The mother wickedly helps and sows the bad seed, which grows effortlessly.
This fraternal quarrel (in which obviously not everything is and always has been quarrel) comes to live with high intensity by the performance of So Ji-sub (who appears in a quite bold manner for long stretches) and Shin Hyun-joon (who has already perfected his characteristic ´sad look´ in "Stairway to Heaven"). The two really get into their roles and take the viewers with them. The story gains as 'little Abel' covers a good distance in a parka and among refugees in China. So the story not only takes place in the elitist world of doctors, between surgical gowns and suits, but also gets more down-to-earthness in the struggle for survival of simple and non-privileged people at the opposite pole of social life. The two female leads Han Ji-min and Chae Jung-an also embody the contrast of these worlds in their own way.
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This drama got into my rewatch list
OMG!!! This drama is very excellent. There are so many things to laugh in every episode. The romance and their chemistry are good. I don't know why the rate is so low. Rate from me is 10/10. The music are easy to remember. Their acting are excellent too. The drama is packed so well, so there is no boring scenes. I think i will rewatch it again. Want to see Daddi Tang and Huang Ri Ying act together again. Their chemistry is very cute and nice. The drama is very worth to watch, it doesn't waste my timeWas this review helpful to you?
Beautiful and rare story about Humanity, Character growth and Forgiveness.......
LCR can be summed up as “The world is better because of you” This is not a fluffy romance drama and required a mature audience to unravel this beautiful story about humanity. LCR story is adapted from China Blue Sky Rescues volunteer including its rescue scenes. It portrayed different aspects of humanity through 6 main characters and their actions not always what audience wants to see…but happening around us…. It is a rare touching story of the real Hero in our world.The drama tells the growth of 6 different people, all live in their own worlds some with dark past/traumas, whom received kindness through rescue and overcoming their own pasts/struggles to become light for others through rescue….
In the Mv songs…”When the world did not give me a good start”…That’s how our Leads childhood stories begin…both are orphans victims of natural disaster….and grew up taking different paths to patch their traumas….One savvy successful cunning lawyer and one smart, cautious cold doctor who close herself to outside world….As their not so great start begin, it took many twists and turn before they got together and when they did…one big revelations during their childhood trauma is unravelled (a huge surprise) that lead to their love struggle…..one that need a huge courage to overcome….
You all start with hating LB and boy how much I love him at the end despite all many tragic events he went through for being real, brave, courageous, kind, smart and forgiving…..LB is a true warrior…
We have 2nd couple who are big sweethearts and the 3rd ones that well can do with less screen time.
LCR showed a dozen + amazing rescue scenes. My favs are the earthquake, mudslide, and cave, some channeling Hollywood production…. Finale Glacier rescue is Epic, movie texture quality and cinematography and one that I did not think C Drama is capable of making such a harrowing scenes…
Acting:
Lyx a season actor he showed all aspects of LB multi-faceted traits eloquently, vivid, delicate and detailed. His ability to deduce the state of his character is thoughtful and accurate. In the last Finale rescue, he blown me away with one of the best acting I’ve seen in C drama and I just witness the explosive growth of this talented actor. ……..Hat’s off to Lyx for performing many dangerous stunts himself.
My first WQ full drama. I like her takes as cold doctor. She is truly an underrated actress with solid acting skill. Most support actors are good, only a few weakling…
All 6 main characters are original voice and they are all good, but especially LYX....This rare in C drama....
OST: I keep looping it and how the narration really fits this story of growth….not able to FF the opening song and ending song each time....
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A very flawed drama for die-hard LYX fans with a kick-ass FL ...**BUT**...
If you are a die-hard Luo Yunxi fan, Broker might be worth it as it really showcases his talent. He gives an emotional performance as a flawed and tortured anti-hero who falls in love with a woman who changes the entire course of his life. Broker could also be for you if you love your female leads strong, brilliant, independent, and mature. Victoria Song’s portrayal will have you wishing there were more characters like her in Chinese dramas. (I was going to add sensible to the FL's list of attributes, but unfortunately I can not due to her actions and words in the final two or three episodes.)BUT. And this is a huge BUT. For everyone else? It’s kind of a toss-up. Broker is flawed and messy, and whether it’s for you or not will depend on your enjoyment or tolerance of soapy, unrealistic melodramas and other elements that some people love and others hate: the science talk, the office politics and scheming (only in the early episodes though -- it's great later), the secondary OTP, very tortured heroes/heroines/antogonists (To say Leo is put through the wringer, especially at the end, would be an understatement). As the series progresses, it also flirts increasingly with “dog’s blood (狗血)” plotlines -- until it VERY predictably goes all-in on the makjang melodrama in the final quarter. (A couple of the characters even reference “dog’s blood” dramas, which makes one think it’s a sly nod of self-recognition.)
Personally, I genuinely enjoyed nearly every ridiculous, soapy, melodramatic moment and couldn’t wait for the next episode. At the same time, I have a lot of caveats. I did park most of my usual standards aside and simply went with the flow. I tried not to think too much about details that didn’t make sense; annoying tropes; the rather ham-fisted effort at depicting anti-Asian/Chinese racism; the heavy-handed overtones of patriotism/nationalism; inconsistencies in pacing, tone, character depiction, and story arcs. Unfortunately, these last elements became very difficult to ignore at the end, especially in the final episode. While expected, the execution of the story arc was frustrating -- and almost cruel -- at times. (You can read my more spoilery views about the ending in the comments section below.)
REWATCH VALUE: If I could break it down, I'd give all of Leo’s scenes a 10 (no bias here :P) and many (but not all) of Victoria’s very high marks too.
MUSIC: Like many Chinese dramas, the instrumental background was sometimes too much, but the songs were solid. I especially adored the closing credit piece, Signature (署名) by Azora Chin (尤长靖), and Leo’s haunting theme, It’s Time To Stop (时间停止吧), by ANU.
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[This is my first 10/10 rating; though I tried to find reasons to rate it half a point less, there were none whatsoever.]
A saeguk outside the confines of the castle and a fairytale-like setting and focuses on the common-person's fight for rights and equality? I did not realize I needed that until I watched this. A drama that does not beat around the bush and jumps straight into action? I did not realize I needed that either.
The plot is well-executed; it moves forward without losing steam and stays true to its story line and characters. Since it was based on true historical events, heartbreak and tragedies were inevitable. I appreciate, however, that it was not entirely based on real people - that is, the three main leads we have, including their families and friends, are fictional in an otherwise non-fictional historical setting. (I cannot comment on the accuracy of the historical events as I am not well-versed in Korean history, yet this compelled me to search about the Donghak movement and Japanese takeover of Joseon. I can say I am more enlightened than before, however.) The lighter, funny scenes were never out-of-place as they always centered around the heartwarming friendships between the characters. Side characters had their own story which prevented their screen-time from feeling unnecessary; even those you might be least invested in underwent growth that justified the writer's choice to include them apart from the otherwise obvious reasons. It should be noted, there were some shifts in plot that made me dread that this drama would go south, that it was headed beyond what was meant to be the conclusion, but that never happened; the plot proved itself to be excellent, and the characters served to ground and consolidate the narrative.
Now, it is time to expand more on the characters: their growth and changes were interwoven with the struggle they, willingly or unwillingly, became a part of. To be able to see many characters of varying backgrounds coming to terms with their identities, or altering them at whim, was extremely gratifying. Their decisions simply made sense, in light of their circumstances and personal convictions. The writer also drew many parallels while crafting characters - the parallels between the brothers, with the titles assigned to them that they wanted to break free from; the parallel between a teacher and a student, with their attempt to rise from their ugly decisions; the parallel between two parties who wanted to save their country, with one man joining hands with the enemy and the other party firmly resisting. And then these parallels evolved beautifully into a juxtaposition. Overall, it was a thought-provoking angle the writer took.
You might think I am being too generous, but I do have a tiny complaint about flashbacks in one or two episodes, since they felt needless, but what's a k-drama without those, eh? I have learned to take them as a necessary part of a k-drama recipe, so I am not counting it in this time around. (I guess I AM being a little generous.)
And need I mention how amazing the actors were, from the support to the main? Moo Seoung Choi was an excellent casting choice for Jeon Bong Jeon; the poise and leadership that oozed out of him stunned me, not to mention the sense of humour he possessed. Han Ye Ri is a subtle actress, perfect to portray Lady Song - calm, collected, sharp. Yoon Shi Yoon has a way with expressions, and they were more than suitable for a character like Yi Hyun. Finally, Jo Jung Sok made Yi Kang a lovable character who you wanted to root for till the end.
Loved the OSTs; the one by FORESTELLA often plays in my head. The BGM was not outstanding, but it complemented a good deal of the show. I especially enjoyed the rock music whenever action scenes came in. Adds to the excitement and just how cool the characters look!
I think this has great re-watch value. For one, it never drags, and the characters are so multi-layered, you want to come back and appreciate them. Despite knowing the plot, you might want to catch up on a few details that you may have missed, and certain impressive progressions.
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This is a really great series. It reminds me of Tru Calling but in Japanese style with lots of jokes. We get to know new people and stories in every episodes. The first episode is a bit boring but don't trust it just give a try to the second one! :D I promise you won't be disappointed.
Keiko and Shosuke makes a great pairing in this drama who tries to solve cases because of Keiko's visions. They're joking around everytime. I laughed a lot.
This is an awesome series about crimes, investigations flavored with humour.
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How to Make Millions before Grandma Dies
30 people found this review helpful
Utterly Beautiful.
Watched it yesterday. It's one of the greatest films in my recent memory.Everything in this film is so relatable and is very real. I cried and I couldn't stop myself from tearing up from the first 30 minutes of the movies until the very end. The message is so strong and Bilkin, Grandma and the rest of the casts just did something we call 'Magical' in the world of the acting.
Cinematography is also on point. It looked real, but also artistic and very cinematic. This will resonate in every viewer hearts for so long and the tearing effect will stay hours after finished the film.
It's not often that the people in the whole theater cried and sobbed their hearts out like this. One of a very magical moment for the whole 2 hours.
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An Enchanting Xianxia after a while.
watching TLoSL was nothing but a whole fine ass experience. they don't really offer you a very exclusive tale but its —• the beautifully crafted characters
• the insane chemistry
• soulful OST
• enchanting CGI
• demon serpent
• the emotional build-up
• impressive acting by leads
~ all that this drama brings in, has my heart. Grabbing our attention instantly from the first episode and taking us on a journey of a forbidden love story amongst a tropey xianxia, I was hooked. And this review is gonna be long haha.
Almost like any other Xianxias, its saving the world story with glorified God vs Chimei (evil spirit) fights and all that eternal thousands of years of saving the three realms stuff... but with gorgeously talented actors like Zhao Liying, Lin Gengxin, Zeng Li, Jackie Li, Xuan Lu and Xu Haiqiao, TLoSL builds up a great watching experience.
Shen Li. She is fierce. She is kind. She is practical. She is the coolest. Holding her spear firmly in one hand and Xingzhi on the other, she protects everyone. The amount of patience, courage and discipline this woman owns... no wonder almost everyone worships her.
She is not perfect, but a character you can look up to. unrestricted to any feminine stereotypes, you'll see her taking charge often... there was something very delicate about Zhao Liying playing this role that she never came off as arrogant or overrated, not even for once... only a versatile goddess can slay such a character.
On the other hand, Xingzhi, the aloof lonesome God who can tell you a joke while spitting blood and got that cooking rizz which she couldn't resist. Xingzhi's dilemma with the responsibilities he beared versus the love he felt was literally brought to life by Lin Gengxin. I loved how in the starting all his expressions were limited but his face had more movements and energy when their relationship developed further. Their flirty banters always left me smiling ear to ear.
When Shen Li was "yang", xingzhi was the "yin" balancing them. Its "him protecting her when she is busy protecting the world story"... the untouchable god who was meant to stay unbothered starts caring for her once and cannot let go now, woah! I just got deeper and deeper into their fluff. The sequential emotional build up was that amazing!
At some point, I also let go of all the complaints I had that we aren't getting anything special as a "story"... Cuz their bonding over the silly conversations and the angst of how they should not be together while trying to defeat the villains was in itself a story. It all grew on me as the drama progressed... Tbh I haven't sobbed like this in a while like I did in those last few episodes. Even supporting aids like Furong, Mofang, Youlan also got their potential growths as a character which increased my rating... I can't forget to mention the sassy demon serpent, she deserves her own drama!
Idk how much they spend to get such mesmerizing CGI cuz some scenes like all the cluck cluck scenes, sitting on top of a tree with moonlight, a demon action sequence using paintings as weapon, came out very cool and clean... For OSTs we get tracks from Zhang Bichen, Liu Yuning, Curley Gao etc. Those are basically living in my mind rent free by now.
Overall, definitely recommending "The legend of Shen Li" to all the Xianxia lovers out there. Meanwhile I'll be off to check out Princess Agents now ;)♡
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1The writers cleverly hid the real plot and tricked the viewers into believing it is a romantic comedy. They held our hands and pulled us toward a fantasy world that was funny and sad at times. All to ease us into the real story that is fascinating, deep, and heartwarming.
Main Themes:
- Bond between parents and their children, friends, lovers, and family members.
- Living through the hardships and enjoying each moment you have, instead of worrying about the future or regretting the past.
I am so impressed with the morals this drama carries and the amazing performance of all the actors. I am also happy that my curiosity made me complete the episodes, because I would have missed a valuable gem.
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Excellent Production
[Note to fans of Yanxi Palace: Please treat this drama as a separate story from Yanxi. If you have seen production spoilers on the internet, please ignore them. It's best to view this drama FRESH.]The story takes place around the end of the Warring States Period in China (475-221BC) and it highlights the conflicts between the Qin and Zhao States. The three main characters enter the story as Li Hao Lan (born to the imperial censor in Zhao) is banished from home and sold to the merchant Lǚ Bu Wei. Later, they meet the prince from Qin who is kept as a hostage in Zhao, Ying Yi Ren. With their help, Ying Yi Ren escapes Zhao, becomes the King of Qin, and later passes the throne to his son and heir, Ying Zheng (later known as Qin Shi Huang -- the first Emperor to unify China). Li Hao Lan is Ying Zheng's mother and she later becomes the Empress Dowager.
This drama is high-quality and unique: story, cast, costume, setting, music, etc. The characters are complex and have layers/depth. The story is for members in the audience who enjoy thinking about the story and characters , long after the episodes reach their conclusion. This drama has several complex hidden messages for the viewers. Each main and supporting character has their own lessons to share. The main story and its deeper meanings are clear for everyone in the audience to interpret in their own way...
There are many memorable characters in this drama -- main and supporting roles. Their story lines and subplots are highly enjoyable!
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This drama is a simple romance. Nothing more. Nothing less
Don't expect the most original of the stories, don't expect a gritty, edgy tale. The story is as simple as it can get. And cliché too. Really cliché.
We have our aloof rich dude, Ji Soo Ho, and our candy girl, Song Geu Rim. We have our controlling evil mom, Nam Joo Ha and the love rivals, Lee Kang and Jin Tae Ri. However, althought there ARE a lot of clichés, I was pleasant surprised by how most of them were desconstructed. The characters feel like they could be real people. Each has their flaws and virtues.
Yoon Doo Joon was so good as the cold Soo Ho. You could see the façade he put, you could feel how deeply he was hurting inside. And despite what many think, I didn't feel turned off by his gap with Kim So Hyun, they had a nice chemistry and it didn't really feel like I was seeing a younger girl and an older man (although both are still young in my opinion, YDJ not so much)
Talking about KSH, I really liked her acting and character as well. She was different from most candy girls, more down to earth but still being a shameless optimistic. And like many other of her works, KSH has such a natural way with acting. She feels genuine and you can't help but like her. She did great with her first "adult" role.
I also really liked Yoon Park as Lee Kang haha I'll admit that at first I didn't recognize him at all, so I was all like "hmmm I've seen him somewhere" but it wasn't until I checked the cast I recognized him fully lol Back to his acting...he's clearly the second lead. The funny part is that you can't really figure out if he's a romantic rival or just a weirdo who is very touchy feely. And that's the good in his acting: he kept me trying to guess his character even though it was so clear who he was. His actions were unpredictable, and his behaviour funny in a very twisted way.
I saw some complaints about Yura and her acting, but honestly in my opinion she was okay (?) I mean, she was so underdeveloped that for me it wouldn't make a huge difference if she was part of the drama or not. Her character could be easily removed and it wouldn't change anything. Although I have to admit I liked what they tryed but failed to do with her character.
Being an ex-journalist, I used to work with radio as well, so obviously I was at least a bit excited to see how they would portray it on TV. The result didn't deserve my hype.
The first episode had me like: "WTF?" all the way through. Seriously, and the way the drama portrays doing radio is romantized to say the least. No, there's no such thing as describing the sunset on radio. Radio is highly scripted and the DJs are supposed to talk as clearly and objectively as they can. Maybe it can vary from country to country, but I would like at least a bit of more research on how everything works. I found it really strange how they talked about how radio was so great but didn't bother to at least show some of it's story. C'mon, we are talking about one of the oldest communication devices here.
I didn't need a whole description, but some mentions would be good.
Also, would it hurt to be less cringy? Whenever I saw a slow-mo I had the urge to roll my eyes to the back of my head. The cheese was real on this one. Like I said, it's romantic to the core, actually to the point of giving you cavities. However, being a fluffy sucker like I am, I can kinda forgive haha
The pacing seemed strange sometimes too. I mean, sometimes it was too slow, then too fast. Then in the last few episodes every piece was put together but it still felt a little rushed to me. Some consistency wouldn't hurt too, because without it we really don't know where the drama is really going to. Is it purely about romance? Are they going to focus solely on radio? Is there a mystery at all? Everything ended up being confusing.
And even though the characters were quite pleasant to watch, some felt a bit too underdeveloped for me. It lacked some more story. If you're going to present a character that has depth, then show me WHY instead of only giving me glimpses of what could've been. And even if you, don't rush it like this drama did. Because I ended up liking more the idea of a certain character, the potential they had, than what I was really shown. Soo Ho's mom and Tae Ri are great examples of this, but I would love some more work on the others as well.
The music was cute. Just that, I didn't really care nor paid attention. Actually, the music that had my attention was actually the background music rather than the OSTs haha Whenever they were at an event, shop or store and I heard music like "Peek-A-Boo" or Bruno Mars' hits, I would get all excited. Which is also a negative since the OSTs are supposed to be one of the highlights of a drama. Music matters too.
Rewatch value? Hmmm, maybe yes because I'm a shameless Kim So Hyun stan haha But for those who like romance and some good moments, it's worth watching again after some time.
All in all Radio Romance was, like some said, mostly a "filler" drama. It had good acting, some good moments, emotional moments too but also plenty of flaws. In the end this is just an average drama that you watch to pass time. But being average doesn't necessarily means it's bad, it's just that this drama clearly has a target audience and it didn't get out of it's comfort zone. So if you're a fan of romance, then give this one a try, but watch knowing you won't be seeing the next great epic romance, just a cute little romance.
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Well, first of all, you have to consider the time when it was released and the intention.
Because of my many reasons this movie will remain as my favorite one. Let me explain why:
1.The topics
Even though this movie's main target group might be young people, it also deals with very "mature"/serious topics.
The first time I watched this movie ( as a teenager) I didn't realize that this movie was kind of revolutionary or daring comparing to other Korean movies.
On the one hand, serious topics like AIDS and prejudices were shown. And on the other hand, it is also about a teenager's problems and everyday/love life.
For me, it was interesting to see how those "serious" and "ordinary topics" ( I can't think of a more appropriate word) were connected.
Apart from that, this movie was some kind of a roller-coaster ride: It was funny, sometimes sad and then it was funny again.
2. The characters
Apart from the great mix of the topics, the main characters were really...well, it is hard to describe each of them with one word.
The male lead did a great job as an actor considering the fact that it was one of his earliest work. Moreover, his character wasn't presented in a superficial way. As a viewer you could see and feel all his feelings and the changes he went through during the movie:
For instance the shyness when it comes to showing affection or even accepting it.
Actually, the movie helps one to understand his personality that seems to be a bit weird in the beginning: Sometimes he is nice to the female lead and sometimes he isn't nice. In many ways he is a immature young male and but in some ways he is more mature than his friends.
Even though the relationship between the main leads was one the weirdest one I've seen, I could feel/see the romance. You might wonder, why it was weird: The whole relationship between them was rather forced than planned at the beginning. But you could tell that it changed after some time.
For me it was kind of amusing to watch those two arguing,making up and once again arguing. It somehow reminded me of the young boys in the kindergarten who prefer to annoy the girls they like instead being nice to them.
The female lead: She acted pretty well. Even though she played the role of a rather immature student, she was able to show various emotions. I think, I will never forget certain scenes she played with all her heart like jumping up and down with weird clothes on in front of the school jard. Just the thought of it makes me laugh.
3. The plot
Movies aren't dramas with 16 eps or more. So, I guess, as a viewer I will always have the feeling that everything was a bit too rushed and ended too quickly.
Nevertheless, I liked the way everything progressed. It wasn't dragging or something like that.
Even now, I am able to divide the movie in different chapters.
To sum it up:
This movie is great! It might be a bit weird at first but you will like it the more you watch! Apart from that, a movie's intention should count as well. And this movies proves that you can make use of serious topics in a way that you don't even realize that you are learning something new.
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Follow Your Heart
Can one feel love, and love without a heart or with a mechanical heart? Though unthinkable, this story assumes a mechanical heart works just as good as a real human heart when it comes to love, maybe even better in times of trouble. As it is a fantasy, let’s just accept that people don’t need a real heart to fall in love; a mechanic heart works just fine, and can make a person fall in love just like a normal person does.This drama is narrated from the perspective of Jiang Xiao Ning (Xing Fei aka Fair Xing). 10 years ago, she got into a car accident and Gu Chuan (Ren Jialun aka Allen Ren) was there trying to save her, and got hurt himself. 10 years later, they meet again without recognizing each other initially. And they fall in love.
Gu Chuan is a very talented young architect, but he has a secret: he doesn’t have a heart, he lost it in the car accident while he tried to save Jiang Xiao Ning, and in its place, he has a mechanical heart. He knows his heart will one day expire and he will die. Imagine how difficult it is to live a life constantly reminding oneself of death, and this is what Gu Chuan has been tormented for the last 10 years; he has been preparing for his imminent death. His mood is always somber and dark as he cannot have excessive emotions with his mechanical heart. He also doesn’t want to love nor be loved because he wants to avoid any heart breaks in the event of his death. He’s like a lizard, cold and hidden. Ren Jialun has a natural sour face which I’ve come to love. Looking like an adolescent yet with an air of maturity, he is perfect as the somber Gu Chuan who doesn’t smile. Ren Jialun is natural with this role as his sour face makes him very believable and his acting is not stiff.
Gu Chuan doesn’t expect to fall in love with Jiang Xiao Ning but he does because she gives him the kind of optimism he has never experienced before. Now life has meaning, which jeopardizes all his death plans.
Jiang Xiao Ning has a totally opposite personality from Gu Chuan’s darkness. She is sunny and positive despite of her bad lucks; she always views her glass as half-full and grateful for everything she has. She considers herself like a crow which people normally associate with bad luck. Jiang Xiao Ning is smart, considerate and protective especially of Gu Chuan. When they are together, there’s a big contrast of the two characters: Gu Chuan dresses immaculately and somber, whereas Jiang Xiao Ning is sunny and active, and dresses in oversized clothing. Their chemistry may not be 100% but their romance is quiet and rather sweet. As two unlikely people come together, cold becomes warm, bad luck becomes good luck. And sorry to disappoint viewers, there are no hot kisses, as expected. Most of the presumed kisses are zoomed out and blurred. Any closeup kisses are so close that no one knows if the lips belong to the same actors. Xing Fei’s bright eyes that seem to smile forever fit her well into the role of the sunny Jiang Xiao Ning and her acting is very convincing, especially when it comes to her heart breaking scenes.
There is an over-powering second couple with overly mushy dialogues which feel overdone and banal. However, they also give viewers some hot kisses. There’s also something nefarious lurking under the sweet romance, with murders and corruption which gives some fireworks to the otherwise rather bland story.
OSTs
This drama produces some of the best sound tracks. I particularly love the beautiful song “Exchange” sung by Zhou Shen. It’s so touching and amazing that it can bring tears to the listeners’ eyes. I also love the instrumental music played by the cello when Gu Chuan is alone in his deep thinking, reflecting his torments.
My Verdict
If you like love triangles, there are plenty here. Both male and female leads have their respective secret admirers who become the antagonists and attempt to cause harm to their love competitors, but each time, their attempts are thwarted, either because our leads are smarter or plain dumb luck they have.
I love Gu Chuan’s philosophy in his designs, merging western architecture with Chinese wisdom and culture. Facing death is frightening, knowing it’s coming to take one’s life anytime soon. This drama helps us feel how it’s like for Gu Chuan.
Overall, the drama is not bad, neither is it excellent. It has some tropes, such as splitting up in a relationship for-their-own-good stuff, which can be rather annoying. The comedy can be rather stale at times. There are some minor flaws here and there but not enough to destroy the story.
Despite a rather bland story, there are some good lessons here. As Gu Chuan is teaching Jiang Xiao Ning, "It doesn't matter how others look at you, most importantly you cannot look down on yourself. Crow is the bird that most looked down by people, but they have their quality - they know how to put a nut in the middle of the road and let passing cars crush it. They are devoted to their partners and will forever remain faithful to that same partners." (I didn't know that.)
In turn, Jiang Xiao Ning teaches Gu Chuan, life is not forever. Life, no matter how hard it is, we must persevere. Be positive. Look at the positives. Take life as it comes and make the best of it.
I would have awarded this drama a 8.5/10 but the OSTs are so good that a 9/10 seems to be more appropriate. Fun watch. Must listen to the song "Exchange" by Zhou Shen.
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Money Heist: Korea - Joint Economic Area - Part 1
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Korea´s socio-political North-South dynamics suspensefully catapulted into mass consciousness
"Money Heist: Korea - Joint Economic Area" is a remake of the Spanish Netflix production "La casa de papel". As with "Designated Survivor: 60 Days", "Suits" or "The Good Wife", this South Korean remake also sticks closely to the original. Many viewers may work through what is better, whether it is necessary, etc. - Not me, though. Rather, what fascinates me is how specifically Korean socio-political dynamics have been woven into the present story and suspensefully catapulted into a global consciousness.Against this background, the series is truly brilliant. Most viewers might probably miss this or could care less, and thus don't even pay attention to it. Nevertheless, this or that might eventually fall in places, unconsciously. Be as it may be...
"Money Heist: Korea - Joint Economic Area" takes place in a fictional economically united Korea. This premise as a setting alone is ingeniously visionary, because it conveys into the mass consciousness such a not sooo unrealistic agreement scenario for the stuck situation between the two countries: An economic union that could be profitable and attractive for all sides... Yet, immediately the potential stumbling blocks are swimming in the wake... Exploitation, fraud, abuse! The promise of freedom and unlimited opportunity turns out to be just more profit and opportunities for those who are already living in the fast lane. The promising scenario for peace and prosperity for everybody might be one side of the coin, a raised index finger is pointing to the other side already: Attention! Wiheom! Danger!
"Money Heist: Korea - Joint Economic Area" is provoking with a dramaturgical "Hello-Wake-Up!" - On the one hand these potential capitalist dynamics could make a promising peace scenario possible, but on the other hand, in the same breath, would also torpedo it. This is where the big plan of the 'professor' comes in. He wants to counteract the machinations of the powerful, who are busy filling their already full pockets, regardless of those, who pay the price. Thus he comes up with a spectacle that will shake up the public (and their decision-makers). In the end this might ultimately force the system to be more mindful and aware in approaching a true joint venture in order to make it work for the people (not only the CEOs and the powerful).
In this context, the characteristic difficulties between Koreans from North and South are successfully demonstrated again and again: the deep distrust that has been actively cultivated for so long. The fear that the war, which has officially not ended yet, will openly continue. The constant spying. The contempt for the other system. All of this was politically tirelessly staged for more than half a century. Families were being torn apart almost at random back then (1950s) - like in Germany after the Second World War. At a time X, some were on one side of the boundary line and others were on the other. Coincidence. Fate. What followed after that was propaganda, both here and there. Building up an enemy image. And what was done back then, even if the framework conditions for rapprochement might been created, has to heal over time first. (This can be learned by the experience in Germany: having reunited for more than three decades, still in society the 'wall' between ´Ossis´ and ´Wessis´ has not yet been truly overcome...)
"Money Heist: Korea - Joint Economic Area" succeeds in weaving a realistic future scenario for a united Korea into an exciting story. With all difficulties and opportunities. In this respect I consider this KDrama a strong production. In doing so, the KDrama brings this possibility of a Korean peace closer into the mass consciousness - first of all for the South Korean society, which is extremely sensitive to this topic, but ultimately also for the rest of the world.
I also have criticism.
This is neither concerning the story nor the actors, on the contrary. And it is not about the fact that connoisseurs of "La casa de papel" will be strongly reminded of the original (including the names of the characters). No. I rather have a more general complaint regarding many Korean Netflix productions (vs. the national KDrama TV productions).
-First, there is the spice up of the narrative style for an international (rather male) eye that is generally used to a good portion of sex & crime and a higher pacing. Well, I don´t need it.
-Second: Why not really telling the story to the end? Yes, it could be "worth" one or more seasons, but nevertheless. They even split the first season into part 1 and 2. I don´t like it.
-Third: The sensitive emotional momentum, that is so crucial for KDramas, is reduced to the max. Yet, the strength of a KDrama, in my experience, is that we are emotionally drawn inside, that we identify ourselves, feel empathetic, and get very close to the protagonists, get involved into their world. International Style on the other hand is rather characterized by keeping a critical distance. Here the audience is watching from the outside. The story and acting may grab you, but you stay outside and watch. You don't necessarily get emotionally involved. What is happening will be and will remain the story of others. In this particular case as well. So unfortunately once again a central KDrama unique selling point was abandoned for the standards of international Netflix world. This is not necessarily bad, yet different. I would say the experience of watching is less intense compared to other KDramas.
Luckily, the KDrama in general has more than one crucial strength and can instead show off some of those others. So does "Money Heist: Korea - Joint Economic Area"...
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Thrilling: Beginning to End
I am someone who finished the 2 seasons of Kingdom very recently just to watch this sidequel in real time and I must say that I am so very impressed. I know all of us expected an entire season out of this but they had anyways said from the beginning that it will be just a special episode and I think it's because they had to delay for a 3rd season due to covid so to compensate the audience they came up with this. But who knows whether it was the case or they had planned it from the very beginning.Anyways Let me review.
STORY & PLOT:
So, as it was clear that the episode will be of 1.5 hours, I expected lots of contents but it wasn't the case. However, I am okay with it since it's just a sidequel showing the backstory of the major storyline that we have witnessed in the season 1 & 2. And as the name indicates, this side story is all about "Ashin", the female character we had seen at the very end of the season 2 holding a sword. It starts with the young Ashin who lives with his family in a border village of refugees. His father is loyal to Joseon and works as an undercover spy for Joseon (Won't tell further details because it's just an episode). The story advances with how her father, family and the entire village is betrayed; Ashin approaching the wrong side to avenge the betrayal; realizing the truth years later and deciding to destroy everything with her own accord and power.
I feel it's more like a prequel which to some extent also clarifies how it all started in season 1. Just as a group of audience had suspected and made theories, the reason the plauge's starting has been made clear. And in the season 3 the main story will be combined with this back story of Ashin as we have already seen her in the ending of season 2.
CAST & CHARACTERS:
Well, there are only a few major characters from the major Kingdom story in this drama along with Ashin, which is played by our yeppo noona, Jun Ji Hyun. Let me tell you that, Ashin's character in this special episode is almost mute. She doesn't have much dialogue but as always, Jun Ji Hyun has proved her acting skills with her performance which is dope.
Other than her, the center of attention in this drama is Park Byung Eun who has played the role of Min Chi Rok, the righteous inspector general in the previous seasons. However in this season he's in a different position of an Army General fighting at the borders and was in somewhat negative character. 2 other prominent figures in this are Koo Kyo Hwan and Kim Roe Ha. All of them did a good job at their respective roles assigned.
DIRECTION & EDITING:
Kingdom has had us thrilled since the first season even though the seasons had only 6 episodes and less than 1 hour duration each. The kind of sound editing always had my heart beating fast and they never compromised with cinematography, which is very enthralling, we must admit. The direction and screenwriting by Kim Sung Hoon pdnim and Kim Eun Hee jakkanim is totally a top notch.
CONCLUSION:
There is not much to say about this sidequel tbh since it's only 1.5hours otherwise one would end up spoiling. Also, less scope of reviewing because it's just an insight or pov of a main story that everyone gonna watch just to fill in the gaps. Anyways, this is a thrilling watch and I definitely loved it. As someone who don't believe in ghosts what scares me are gore, zombie, mutant and monster apocalypse.
Overally, Kingdom just like it's previous has a n adept writing, stupendous screenplay direction and, amazing acting, fabulous performance and catchy editing which cab attract a lots of audience.
LOOKING FORWARD TO THE SEASON 3 AND EAGERLY WAITING FOR IT.
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