Reviews

DOYA-JAA!!!! drama of the year for sure...

My opinion on sato takeru change from a so so actor to good capable actor and this was his best performance I must say and he deserves the best actor role on this. IF he continue do performance like this then he might join the ranks of those top class japanese actors. Haru kuroki is one of the best young japanese dramatic actress today and perhaps she is the best. Her acting here is like silent-but-deadly and she never overact and thats the best thing i notice on her.

The story is very engaging definitely one of the most inspiring drama's I saw and i love how they dramatize tokuzo akiyama who is a real person, his antics, his movements...I love it. I also like the way they manage those time skips it didnt feel rushed. The acting here was phenomenal even the foreign actors did well specially that french girl and I wanted to know what happen to her after. This wont become that much inspiring if not of this drama's music....they inserts right music at the right moment. I notice this in every episodes they will build up you emotion, just as you thought that was it but there still a final kicker at the end then BAM.

I didnt cry while watching this but i do feel like I wanna work more harder after. Watch it you wont regret it.

Check my Blog for other reviews & other JDramas stuffs. (｡◕‿‿◕｡)
https://thatjapanesedramaguy.blogspot.com/

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how good is it? well...it’s a long story...一两句说不清楚

my review is split into two parts: (i) the first part is a spoiler free review for those who are looking for a general recommendation, (ii) the second is a more comprehensive breakdown with spoilers that contains production details and tidbits gleamed from interviews with the actors, director, scriptwriter, casting director, etc. that might be interesting to those who have watched and enjoyed this drama.

Part 1 - Recommendation

based on script and directing alone, this is the best chinese webdrama i’ve seen this first half of 2021 and, while not perfect in execution, it is subjectively my favorite ancient setting suspense drama since nirvana in fire. i didn’t skip a single scene and even rewatched episodes twice or three times to make sure i got every detail (for someone who wanted to be a detective as a kid, this exercised my brain in the most enjoyable way).

after being used to webdramas with unnecessary storylines, useless characters, uninteresting secondary pairings to fill time (the amount i haven’t fastforwarded are in the low tens), this was a well-appreciated surprise. anything unnecessary is excised, the plot does not drag, no one is dumb for no reason just to extend plot. chekhov’s gun (the dramatic principle every detail within a story must contribute to the overall narrative) absolutely applies - even a slightly longer than normal focus on a particular person, action, or prop indicates it will likely be referenced later (see footnote 1 for details/spoilers). it’s fascinating to see how every single case contributes, like a set of keys on a ring, to the larger culminating plot. from an audience’s perspective, the mystery/detective part of the story is really enjoyable - you can literally follow along with the clues (question everything because it will all be answered!) and try to solve the larger mysteries along with the cast. importantly, the script doesn’t try to be too smart in tricking its audience - if you’re looking for more of an easy watch, everything will end up well-explained; if you’re looking to involve yourself in the mystery and pay attention to subtle clues, you’ll be rewarded with answers (see footnote 1).

i also like that it’s a “warm” drama with heart - while the story begins from betrayal and advances with high stakes, it is not so involved in its seriousness that the audience is buried in continual stress. lighter moments are sprinkled throughout providing humor (actually funny in a dry kind of way - like that darn omnipotent spoon) and emotional touch points - complementing and enriching its core story (see end of episode 21, which absolutely floored me in how beautiful it was presented). i’m reminded of nirvana in fire, where in midst of bleakness and intrigue, heroes remain heartbreakingly good, and where the story is focused but also balanced and colorful. if you’re looking for a great detective story, if you’re looking for a historically driven plot, if you’re looking for comedy, if you’re looking for an ensemble cast with great chemistry, you will find it all here.

on that final point, i love that characterization of the main cast and various side role, as well as their relationships, are all so well-developed - the villain cohorts are multi-dimensional and fun to watch (instead of just the usual cartoonishly evil), the female lead and female second are so, so supportive of each other (instead of competitive/jealousy), the various brotherhoods are sweet, even the parent-children relationships are touching and humane (instead of oppressive/overbearing). on romance, it’s a mix of slow burn (with small cute moments sprinkled throughout) and straightforwardness (with misunderstandings cleared up in hours) that is refreshing to see in chinese dramaland and feels very realistic. there’s also a subtle epic dimension to the main couple’s romance some alert viewers may come to realize (see footnote 2 for spoiler).

as for “failings”, this is a small budget drama (more on this in part 2), which is apparent in production, acting, and the ending episodes. the emperor basically never leaves his own room, he never attends court, he has no empress or concubines or female servants. the casting director mentioned casting was especially constrained by cost because they wanted to focus their budget on production - and so the main pair of actors are very green (this drama was basically a graduation gift [from beijing film academy] for both of them) although tolerable for their roles; they along with the rest of the cast were paid below market. many of the supporting casts were essentially cameos due to their relationships with the director and the production team, and extras were all staff. tencent also only allowed 36 episodes (in the beginning they were only given 24!) so the last 6 episodes were noticeably rushed - logic breaks down, we lose some of that emotional underlay that carried the first parts, and pacing went into overdrive. given how intelligent the show had been up to that point, it makes sense an outer force caused the deterioration in standard. i can almost hear the production team’s discussion - instead of lowering quality across board, they decided to make sure as many episodes were as good as they can get. but these are all “failings” by a higher standard than i normally would accord the typical chinese webdrama, and they did not greatly affected my viewing experience.

as for comparative dramas, madam holmes, miss truth, under the power, i’ve fallen for you, and honey don’t run away are similar in genre but they have rather weak detective plotlines that are more vehicles for romance - it’s almost the opposite here. young blood and the plough department of song dynasty are closer in being balanced and having great cast chemistry. i also have ancient detective and nirvana in fire in mind in being well-rounded suspense dramas featuring honest, good storytelling.

footnote 1: a few examples: (1) i was puzzled why the dancer didn’t kill herself right after she was caught (unlike other assassins) considering she had the poison on her from the beginning. we later learn yan ming’s death was intended to draw attention to duke chang’s existence so then it made sense she lived long enough to make sure they find the scroll; (2) mr. xue was suspicious from the start - we see him constantly feeding and taking care of fishes (the chinese word for fish being similar to jinyu’s name) as if he was playing/controlling jinyu; the antique owner also used “fish” as code for jinyu so one can deduce he and mr. xue were cohorts; various references to his separation from the emperor by a screen point to his state of being so close yet far away from capturing the throne; (3) the story doesn’t even waste a dog - it is used to show jinyu’s intelligence in the beginning and then much later to find chu he.

footnote 2: as the son of a general and daughter of the general’s right hand man, jinyu and chu chu would have grown up together from childhood (青梅竹马) if not for the eunuchs’ meddling. that they still ended up with each other in the end, despite and because of that past, gives a beautiful, fated quality to their relationship.

Part 2 - Background and Details
*more spoilers ahead

this webdrama became more atypical the more i dug into its history and production background. i had fun researching, and thought i would share.

as most know, this webdrama is based on a webnovel. i read a bit of it and basically there’s no correlation besides some similar names and roles. it almost feels like a juvenile, romance-focused fanfiction version of the drama. the web novelist (qingxian yatou/清闲丫头) and another young female scriptwriter (qian xiaobai/钱小白), as newcomers to scriptwriting, took three years to slowly grind the bones of the webnovel into script.

during this time, the director’s (lou jian (楼健)) contribution was invaluable. he was xiaobai’s teacher and guided their process. the scriptwriters said it was almost like homework with the completed drama their graduation project - lou jian taught them how to ground the story in history (the webnovel doesn’t reference any specific eras but the drama is set in late tang dynasty) which steered the plot direction, to revise the script in endless iterations, to round out existing and create new characters (like using qin luan’s obsession with hair to show his inner ambitions; xiao heng, a driving force behind the emotional impact of the drama, wasn’t even in the webnovel).

lou jian also became their director due to his earlier tutelage. as a well-respected older director whose other works all have been formal dramas (mostly spy/war oriented) for tv stations (as opposed to lighter idol-esque webdramas most international audiences are familiar with), this was also a new experience. he mentioned chances to direct webdramas aren’t usually given to older directors (he was born in 1967) because younger ones are seen as more in touch with the youthful demographics webdramas are targeted at.

but i think this symbiotic relationship between younger female scriptwriters and an older, more traditional director end up being key to the drama’s success. lou jian helped shape it out of an otherwise dime-a-dozen romance-driven webdrama it would have been, and gave it foundation in traditional storytelling and directing techniques - for example, he insisted on candle lighting for night scenes, better suited to the drama’s historical nature and suspenseful atmosphere than harsh artificial lighting which are usual webdramas’ bread and butter.

at the same time, he respected his scriptwriters and other younger workers’ thoughts. the two writers added modern details about women’s struggle in the world, values, and viewpoints (“girls saving girls is the most natural thing in the world”/“女子保护女子是天经地义的呀“). during a romantic scene in which jinyu delicately lifted chu chu’s chin with fingertips, lou jin debated whether to go with a more aggressive approach and was course-corrected by the female staff on the set. he kept a scene where jinli hugged jinyu out of concern (one of the best cp’s in the drama) because of the excitement it caused a young female staff.

so many others contributed. the editor’s decision to not cut the background music at the end of episode 21 was pure genius. certain parallel edits (between jinyu’s tea-making and chu chu’s examination; between mr. xie/mr. jing’s chess match and jinyu/jinli’s chess match) and the use of different title sequences to break up the story arcs were also great. the actors filmed everything without stunt doubles. they performed the actual fight scenes, the fire scene, the outdoor water scenes in the middle of winter.

as mentioned, this drama was poor and affected by tencent’s meddling which led to some quality failings in production and storytelling towards the ending arc. originally, the drama was supposed to be even shorter, at 24 episodes, which would have been more comfortable for their budget. but their production company did not want lose important details to the cases and characters, so it became a painful process of counting coins and cutting scenes to meet the 36 episode requirement. originally jinli was supposed to have a love line; editing at the end suggests many scenes were taken out. their production team mentioned how much they envied the scale of other dramas that were filming alongside them at the studio (“a 3,000 yuan wig and a 200 yuan wig are not the same”). the director had to fight for every additional change, and spent his lunch hours figuring out how optimize costs with the production team.

that they can tell a story this great (albeit not perfect) with all the limitations seems almost superhuman. i also appreciate what they did focus their budget on. the female lead doesn’t have pretty clothing and makeup, which wouldn’t be true-to-life for her status (but seems de rigeur in other webdramas). but production did decide to relocate shooting (very expensive) from the studio (hengdian) to hubei, china for the qianzhou arc, to make the scenes more realistic.

their efforts were well rewarded. despite its tiny budget, unknown stars, and no pre-show publicity, the drama managed to stay at the top of the datawin list of popular shows during its run. the two leads entered vlinkage’s top 20 list for media coverage (in midst of intensely popular traffic stars). reporting that the leads couldn’t promote the drama because they were revising their graduation theses trended to the top of weibo. its viewership, based on tencent’s numbers only, started at near 1 million views per day and climbed to 35 million (totaling almost half a billion) on the day its running ended for vip/fast-track viewers. su xiaotong even went back into costume to film a new ad insert for the show. review-wise, it started at an 8.1 and climbed to an 8.4 on douban as of its final airing for vip/fast-track viewers, which is equivalent to a crown in chinese webdrama land.

even with all its successes, i had a constant question while watching the imperial coroner - would it have been as great with a larger budget? or could it have achieved even more success with a larger budget? imagine if it kept its quality and had 4 or 6 more episodes to fill in the ending arc - the potential for an unquestionably perfect drama was within reach; production tried its hardest amidst unimaginable constraints. but maybe if tencent had put its eye on it from the start, they might have been forced to use traffic stars with their diva demands, to fill the script with nonsense and extend the plot unnecessarily, to hire a director that’s younger and more “in touch”, to be less than the very genuine story it is today.

i have a tiny hope platforms can learn the right things from this drama’s success (alongside other recent small budget/well-scripted shows that have blew up and beat out extravagant shows driven by traffic stars). at its core, dramas are about storytelling and the audience shows it responds to those who show sincerity in telling a great story.

- rrenaace
——
sources:

https://mp.weixin.qq.com/s?__biz=MzU0NTA3ODkyNw==&mid=2247495456&idx=1&sn=fd33c0477b3aa1d4aae58ad792da07d1&chksm=fb70c4c0cc074dd669cb5f1bb85b4f2d754ed482e5dd022bd8f71e9787acd157dd80ef31821e&dt_dapp=1#rd

https://mp.weixin.qq.com/s/nh7FP7OwICoaIpfpgM5PWQ

https://mp.weixin.qq.com/s?__biz=MzAwNDk2NDc5OQ==&mid=2247506241&idx=1&sn=bb4ac0ba209664b88fbe64b2ae1dee88&chksm=9b217191ac56f8874ab0c3952ef3a903cd80b46c958516b275143fca39f7fa8a1760448e0cc5&dt_dapp=1#rd

https://share.api.weibo.cn/share/223656447.html?weibo_id=4637132620828147

https://mp.weixin.qq.com/s/eFFjb_m1ktNAZYY9nb93OA

https://mp.weixin.qq.com/s?__biz=MzU1NDgwMTY3MA==&mid=2247513218&idx=1&sn=7136df7812f0ff74f7b425c378408083&chksm=fbdcfbebccab72fd337c6004e74b9d2d49ed5d14af00258097fc3daa41539a5f6fa6c63a70db&dt_dapp=1#rd

https://k.sina.cn/article_5737990122_15602c7ea01900sopz.html?from=ent&subch=oent&sinawapsharesource=newsapp&wm=3200_0024

https://www.douban.com/group/topic/227310396/?dt_dapp=1

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A moment might be short but it's strong enough to illuminate a lifetime

Lie to Love is a contemporary rom-com which starts with many elements of revenge, amnesia, a cool FL and mysterious ML and soon takes you on a romantic voyage.

What I liked (Pros) —
➢ It has the right amount of mystery and everyone plays it cool, like they know each other's secrets but everyone is good at pretending

➢ The whole tree, camping and rock climbing concept was something I really liked… that could be made into a whole different drama and it would be so fun to watch that… I was enjoying the couple's flashbacks more than their current romance…
➢ The main leads, Li Ze Ziang and Su Xie Yi's chemistry stands out differently…

➢ The OSTs, even Luo Yunxi sang one song but Cheng Xiao also has good vocals, no idea why they didn't give her any song… or maybe those songs didn't suit her style…

➢ Oscar, Ohh! Such a nice friend and he is such a sweet character and "Chestnut" is the cutest part of this drama… he deserved some more screen time

➢ Acting was well done by the main important characters ~ Luo Yunxi, Cheng Xiao, Gao Han, Tian Yi Yong, Zhao Zheng and Wang Zi Yun…


What I didn't liked (Cons) —
⚘ FL's character was so confusing for me… they raised my bar too high with the first episode, she was flipping her clothes on air like that, it looked damn cool… but what to do with the great start as later Xie Yi loses her charm… like you went there with a big task… with this and that plans… but you end up depending on the male lead totally… thankfully her role got a little better towards the end again…

⚘ I feel sad for those people (including me) who came in this drama for "pretended amnesia" plot… cause that stayed for very less episodes only…

⚘ I feel like this base story (which is given as sypnosis here in MDL) had so much potential but what they actually showed in the drama had spoiled it… if they gave little less importance to Romance, this would have been more better…

⚘ there comes a span of boring episodes in between, around 15-24 where I was skipping most of the things…


Music/OSTs
❆ ♪Circle Of love♪ — Tien Chong (loved this song! )
❆ ♪Because of you♪ — Luo Yunxi (the song is filled with over sweetness. With this song in Yunxi's voice, I was getting "Love is Sweet" drama vibes… )
❆ ♪Memory of last life♪ — Curley Gao ( her high notes seem so natural, she sings every song in such a mysterious way )
❆ ♪Your moon♪ — Ariel Ann
❆ ♪How are you♪ — Wang Sulong
❆ ♪there is light in the tree hole♪ — Li Runqi
❆ ♪Venus♪ — By2 ( another pretty song with pretty lyrics and pretty voices… one of the singers was giving me "Frozen" vibes )
❆ ♪My sun♪ — Si Nan

… this drama really had many songs… and these songs really saved many points from me… "Circle of love" and "Venus" are my favorites out of these…

I enjoyed watching this at some points while I got bored at some… won't be rewatching this… So, overall, a mysterious drama that will reveal things to you on the surface but hang on, there's more to the story… it's mixed, sometimes very good and sometimes just a watchable drama…

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When the Only Way Forward Is....Acting

Double is a tour-de-force of acting and writing for the small screen. Chiba Yudai and Nagayama Kento disappear into the roles of two struggling stage actors, a mentor and a mentee. The ten-episode script by Yoshida Erika, a co-writer of Cherry Magic, focuses on a period in the two characters’ weirdly co-dependent relationship when the career of the younger actor begins to eclipse that of his mentor. Chiba plays Takarada Takara, who begs to join a penurious theater company after randomly catching one of their plays on a rainy day. Nagayama plays Kamoshima Yujin, an established actor befuddled by the awkward oddball’s request to upend his life and join the troupe. Eventually seeing in Takara a potential for acting greatness, Yujin agrees to take him on. That summary accounts for the first episode, but the second leaps seven years forward in their relationship. By that time, Yujin has become not only Takara’s mentor, but also his closest companion, defacto manager, and personal warden. Chiba and Nagayama inhabit the inner and outer worlds of their characters, as Yoshida’s deft script plumbs the psyche and pathos of their friendship.

Episodes Two through Seven depict the deep connection between Yujin and Takara following those seven unseen years. Their bond fuses the professional and the personal. The duo block acting roles together. They study filmed works of famous actors. They occupy adjacent rooms in a ramshackle dwelling. Because Takara has some sort of reading impediment, Yujin steers their acting process. Because Takara evinces no interest in household chores, Yujin cooks and launders for both. Because Takara loses track of details, Yujin nannies him to ensure he arrives at his appointments. Mostly symbiotic, the dynamic contains dysfunction. When sent to auditions on his own, Takara becomes easily overwhelmed. To cope, he conjures an imaginary version of Yujin, and the specter proffers advice to fit the circumstances. It’s fair to say that both Yujins—the real one and the avatar—own considerable real estate between Takara’s ears.

Change disrupts the established pattern of their comfortable routine when Takara’s career begins to flourish. He secures flashy acting gigs in TV dramas, in commercials, and, most notably, in an arty film directed by a high-profile auteur. Meanwhile, struggling to survive between acting gigs, Yujin languishes as a short-order cook. Success splits the pair. Famous Director resents the unheralded Yujin (or the conjured specter of Yujin) influencing his actor’s on-film decisions. New colleagues question and undermine their closeness. A fresh, professional management agency whisks Takara away to a new living arrangement. On the strength of these novel outside influences, Takara begins to blossom into both a functioning, independent adult and an actor confident enough to make his own performative choices. He is evicting Yujin from his headspace.

The series’ title references two usages of the word “double” in the acting profession. Both usages allow Yoshida’s script to delve into the mental world of each lead character. In the process, Yoshida offers viewers a veritable seminar in performance studies. First, “doubling” is a rehearsal practice in which one actor rehearses their scenes with an actor who won’t actually play the part onstage. The substitute’s job is to double the performance of the absent actor, thereby enabling the scene partner to hone their own portrayal. The technique requires the double to understand the motivations not only of the character, but also of the actor whose performative choices they must emulate. A secondary usage of double, “double-casting”, refers to the practice of having two actors alternate performances in the same role. During their seven years in the theater company, Yujin often employed both senses of doubling as techniques to help teach Takara the craft of acting or to learn his lines in myriad plays. Doubling one another became second-nature by the time outside forces intervened in their dynamic.

Episode Eight features a second time jump, merely six months this time, a period in the pair’s lives when Takara’s success has led to the duo’s near complete estrangement. Having broken her characters apart, Yoshida’s script now must bring them back together ahead of the looming series finale. An instance of doubling, when Yujin fills in for Takara’s co-star in a new theater production, provides the catalyst for the duo’s reunion, both professional and personal. During that rehearsal, the play’s director marked not only Yujin’s own considerable talent as an actor, but also the way his portrayal of the part elevated Takara’s performance. Recognizing that ineffable spark between two performers, the director unceremoniously dumps the actor previously cast. Due to this play’s difficult subject matter, she also seizes Yujin’s addition to the company as an opportunity to reimagine her version of the production. Henceforward, Yujin and Takara will alternate roles. For the characters, the double-casting amounts to regression: having just attained independence, the two will once again become doubles to one another. The final trilogy of episodes explore the repercussions of the director’s double choices. Takara seems to value his fledgling self-sufficiency, and initially he resists the latter’s reinsertion into his life. How he handles the mental crisis created by this development drives the plot in those final three episodes. But is his emotional opposition to Yujin’s casting merely professional anxiety?

The dynamic between Takara and Yujin contains a subtle sexual tension that burbles beneath the surface for the first seven of the ten episodes. Takara’s attraction to Yujin (previously unspoken but implied a few times) erupts into the open in Episode Eight. That verbal outburst proved one-sided, and neither character dwells on the romantic tension in the penultimate episode. The issue ripples through the finale, but primarily as an accent to the character arc, not to flavor the story arc. “I want your everything. Your voice, your eyes, your hand, your foot, everything,” Takara confesses in the Finale. At first blush (and one wants to after hearing the raw, soul-baring need inherent to those words), Takara aims that confession at Yujin. But on consideration, flesh-and-blood Yujin was not there. The confession went to the conjured Yujin in Takara’s head, which means Takara really said that to himself. So it’s an open question whether Takara is asking something of Yujin in absentia or exhorting himself to get his act together. In context, the words come across less as an expression of romantic desire and more as a lost soul’s yearning for connection.

That any sexual attraction arises at all creates a temptation for some viewers to classify the whole series as BL; yet, Double frankly lacks most of that genre’s telltale tics. I cannot fathom the series even aspires to be seen as BL.* If Double never reads as BL, it likewise never reads as LGBTQ+. Its mostly-latent queer tensions never drive any story arc. For these reasons, the stunted gay storyline does not represent a betrayal of the queer sexual tension in the story or of the characters themselves. Queerbaiting, this story is not. Double does offer a beguiling exploration into the friendship bond between two men, a product of one’s need to find greatness and the other’s…need. Everything else, including the putative romance, proves incidental to the other business this series aimed to portray.

Yoshida’s strong focus on character makes Double compelling television. Watching Takara and Yujin—or Takara and Specter Yujiin—takes viewers on a journey that nearly fractures reality. While doubling during rehearsals, the actors explain their performative choices to one another and, by extension, to the audience. This recurrent doubling in Double offers ample opportunity for Yoshida to comment upon the theory and psychology of performativity, the psychology of friendship, the psychology of co-dependency, and the psychology of suppressed attraction. Those scenes where Yujin and Takara explain their acting choices to one another offer viewers a window into the characters’ innermost thoughts. This device of having the characters speak aloud what’s on their minds echoes an earlier series on which Yoshida contributed as screenwriter, Cherry Magic. In that series, two characters acquire the ability to read minds, allowing the inner thoughts of other characters to be shared with the audience via dialog spoken aloud. Double dispenses with Cherry Magic’s fantastical whimsy, replacing the wizards’ mind-reading with a masterclass on how actors create their portrayals. In both series, this added insight into how the important characters think during important moments helped make the characters vivid and memorable; their stories, plausible and impactful. Primarily a character study powered by a provocative script, powerhouse acting (especially from Chiba), and competent direction, Double achieves an echelon of thoughtful brilliance few other series can aspire to match.


Easter Egg: In episode 9, a poster for the play reveals the dates and venues for the performances in 2024. Make plans now!

*-- The class of BL fans who consume the genre just to watch a fluffy story wherein two handsome men kiss will want to skip this series. Double does not deliver what they seek. The class of BL fans who enjoy their same-sex romances accompanied by intelligent dialog, adult drama, or insight into the human condition will consider Double a mixed bag. If such fans can overlook the minimal same-sex romancing, then those other attributes will reward their dedication to watching. The class of BL fans who enjoy a quality drama because it's a quality drama will simply be pleased.

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“The courage of few made all the difference.”

I finally got around to watching 71: Into the Fire. I think it took me this long,

because I am not much of a war movie kind of girl. I think the only war movie I actually like is Platoon which is set in the Vietnam war, but the others sort of bore me a little. But I decided to watch this, since a lot of people asked me to watch it and it has my ulitimate bias, Choi Seunghyun (T.O.P) in it. So I had to give it a try, since I have heard he is a great actor. (I havent seen IRIS)

Man am I glad I watched this movie. It wasnt the typical war movie, where there is a whole lot of strategy and stuff going on. I find that war movies bore me because there really isnt much emotion put into them, just a lot of fighting, with a tad bit of character emotion in it, and that really bores me, because we don’t get to know the characters’ back stories and all that important stuff that makes us realize these characters are human, and not just fighting machines. In this movie though, we had a lot of emotion. This is more of a sentimental movie, with a lot of focus on the characters, with the war built around that, and I think that’s why I loved this movie so much. We got to see a lot of the student soldiers, and their personalities, and got to know them, so we of course are more attached to them, and if they die, well that breaks our heart.

There is a lot of violence and blood in this movie, but of course it is a war film after all, so if that turns you away from it , I completely understand. And there is not a romance line, which obviously a lot of movies have and everyone wants, but to me love lines are not needed, so once again that may turn you from this movie. But I hope it doesnt, because all of those things are so insignificant , because this movie has heart. This movie is a “coming of age” movie, I have no other way to describe it, where boys become men, in a very sad kind of way. They may start out as students/immature little boys, but by the time this movie is over, you will see them as men who are willing to die for their country, and that is pretty great to me. You get to see many characters dealing with things, and scenes of extras having going through a hard time, which makes it even better, because even though they are not the “important” characters in this film, they still play a person going through this, and we get to see the scared/sad side of them too, and see how they become heroes, or not and I liked that about the movie.

The acting in this movie was on point. The actors, all of them, brought a lot of emotion and personality to their characters, even those who are not the main focus. Each person stands out on their own, and that made it great. Choi Seunghyun (T.O.P) did a great job with his character. He brought the emotional/scared side of his character out perfectly, while trying to be a good leader. I think that is pretty darn good if you ask me, since he isnt that experienced of an actor. I have to say Kwon Sang Woo did a good job as well. This is the first time I have ever seen him in anything, and he didnt disappoint me with his acting skills either. He played that character that you hate, but yet have to love. Though his character may be annoying, he had a lot of soul & heart, and Kwon Sang Woo showed that. Cha Seung Won also did a fantastic job at playing a North Korean commander. I have only seen him in one other thing, and I was impressed with is acting in that, and he yet again showed me how talented he is in this as well.

The cinematography was absolutely beautiful in this movie. I mean its a war movie, so I really didnt expect much in the artistic shooting side, but I was pleasantly surprised with the soft filter, the lighting, and the way that the slow motion and cut scenes were used, and that made it even more interesting to watch. The music complemented the movie, who doesnt love a nice orchestra piece? It made it even more heartfelt and some what intense as well.

Over all, I found this to be an outstanding film, and I can see why there are so many people who enjoy it. I must say though, you may not think you will cry, but you better have a couple boxes of tissues ready just in case. I know I cried a lot, towards the end, it struck my heart and ripped it out. So if you are looking for a nice movie, that may or may not be in your usual comfort zone, I think you should check this out. Don’t think of it as just a war film, because it is so much more than that. You will really appreciate it, and plus it’s based on a true story, which makes it even more interesting/heartbreaking. So give it a try, I don’t think you will be disappointed. There are many aspects of this movie that I think a lot of people, who like different genres of films, would really appreciate.

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Can't get over it!

Do you know why i gave this a full star? I'm a cdrama fan since 2021, and mangoTV dramas are always the best, that why sometimes, u can't find their episodes haha, and this one is the best, it's from novel, and even though i didn't read the novel i know that all the scenes in here did not change. I know very well the chinese attitude in writing a novel, that's why the series is soooo novel-like!! Love it, and also the casts are chef's kiss i loveee them! Their filming camera!!! It's soooo cool! Both leads are so perfect, they can show me what is in the novel. This series is my taste that's why i like it, also, this wang hedi is so handsome. I can't!

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Must Watch Series

The bromance is strong in this one and I have no complaints! The friendship between these people are always my favorite part of these series.

If you have been an avid viewer of the series, then you will really like this adaptation. Even if you haven't watched the other series, you will still understand the overall idea of what they are talking about. So, this storyline is supposedly set after lost tomb 2, however due to differing production companies and other logistical stuff, the story plots don't flow smoothly from one series to another and has a bit of a time gap. Despite that, if you watched the other series, you will get hints of events here and there and can connect some dots.

In this series, the story plot thickens and more secrets are unravelled for Wu Xie and his team to find, mostly revolving around the Nine Families and Xiao Ge. It gets pretty confusing at times due to so many unanswered questions, however it does get my brain moving coming up with possible theories. The acting by the actors are phenomenal, I especially liked the actors that portrayed Wu Xie and Xiao Ge. I think this is my favorite Xiao Ge portrayal. But man am I glad to see so much xiao ge and wu xie interactions, I was a bit sad that there wasn't much interaction between the two in previous series. Also, xiao hua and hei yan interaction was not something I expected but loved.

Overall, this is a solid storyline where a group of friends set out to seek the missing memories of a friend and along the way happen to unravel hidden (not so hidden) secrets. It was an enjoyable watch and I really loved it as an avid Dao Mu Bi Ji fan.

So, I most definitely recommend this series to people if you like this genre and/or the actors that portray these characters!

***Ending Spoiler ***

The ending is a cliffhanger, however, I kind of expected that already because the author of the book is notorious for that and the previous series are also like that. The end leaves me with more questions than answers, like did the team leave the mountain unscathed, what is Wu Xie planning to do with the mask, and is this all set up by the elders? However based on what I read from the book I do have a small idea of what happens. However, after watching Reunion (set 12+ years later) and tomb of the sea (7-8 years later), I can already tell what happens to them.

* * * * * *
Happy Watching!

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Fluff sprinkled with emotional dread - best combination.

Probably the most surprising and refreshing concept and execution of it we have seen in any k-bl so far. The seamless transition between the cute romance and borderline psychological horror was masterfully crafted, making me crave for a longer and more developed version of the same story.

Not gonna lie, the show peaked during episode 6, and the ending fell a little bit short of my expectations, but even with that. I am quite satisfied with the overall progression. Yes, it does face the usual issues as a result of a short drama limitations, like underdeveloped side characters, less detailed world building, lack of side plots to make the story seem more full.

But the good was so good, you kind of don’t care about the rest.

First of all, Tae Myung Ha was a surprisingly complex character forced into an unusual situation that made him face both internal and external struggles, leading to well executed character development. And honestly? He was also simply extremely fun. His cheeky one-liners and confidence of an adult in a teen “drama” was a blast to watch. Lee Tae Vin’s performance just made the character so much better. Easily one of the best performances from k-bls, especially when the actual emotional stakes start to make their entrance.

Cha Yeo Woon was adorable. I do think this character had less to offer compared to Myung Ha (to be fair, it also might be the result of me focuing more on Myung Ha compared to Yeo Woon), but it was also impossible not to care for him with his surprisingly well balanced mix of cat and puppy energy, which Cha Joo Wan aced in his delivery.

Still, out of all the characters, Chun Sang Won was the one that stole my heart. What an iconic character, one that deserves a spotlight and his own drama for sure - especially since we’ve been hinted about his own personal struggles. Fun, driven, confident, but also compassionate and perceptive. Oh Min Su better get his main role project soon, or I will riot.

While the drama is for sure not character driven, and you won’t get any elaborate commentary on social and personal issues, it still torches some topics close to many people's hearts, being a good opener for personal reflections: What happiness means to you? How to open your heart to others? How to allow others to help you, care for you? How to well balance your own needs and the needs of people you care about?

All that said, I think the biggest highlight for me was the execution of the concept with a “nice” twist. Instead of going full silly rom-com, they used the game scenario to add some depth to the characters and some painful thrills. Undoubtedly the director had a clear vision of what and how they wanted to present and thanks to that thoughtful approach, the contrasting atmospheres fitted well together. You think you know how the show will progress, but then you get a massive error and all your expectations fall apart.

What’s more, using the game scenario also allowed the director to deal with the usual issue of “time skips” and not enough screen time to showcase the whole time progression. I need to appreciate when directors and writers use their own set up to their advantage when dealing with potential issues and shortcomings. All the confusion and the feeling of “randomness” was clearly intentional, and for me, matched perfectly with the story.

Overall, extremely enjoyable, well produced, beautifully directed, perfectly acted (especially Lee Tae Vin), with nice and cute chemistry, fun jokes and less fun, but just as enticing stakes.

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Authentic, Moving, A True Treasure of 夫妻一唱一和

"Destined" is like a breath of fresh air in the world of historical dramas, breaking free from traditional norms with its liberal ideas. Forget about bloodlines determining the monarch or sticking to one family name, this story embraces diversity and challenges the importance of lineage. Gu Jiusi toys with the idea of giving his children different last names, mixing it up like a name buffet! Talk about breaking the rules!

Our leading lady is a timid girl who finds her groove and inspires others to do the same, even that "bad" boy who transforms into a remarkable person. And of course, we have the ultimate villain who's the result of a dysfunctional family. That's one twisted family reunion!

Let's talk about Gu Jiusi, the lovable slacker from the wealthiest family. Sure, he has a reputation which is not so flattering, but deep down, he's got a heart of gold. Bai Jingting nails the role, bringing a playful charm and an unexpected sincerity to the flamboyant Gu Jiusi. He's like a lovable troublemaker with a heartwarming twist!

Now, Liu Yuru, our girl-next-door. She starts off powerless, a puppet of fate. But as life throws her curveballs, she discovers her inner strength and uses it to help her family and support her husband's journey to greatness. Song Yi portrays her beautifully, capturing the delicate yet strong essence of Liu Yuru.

And let's not forget the rest of the cast! From the one-dimensional characters like General Zhou Gaolang to the weak and insecure Fan Yu, everyone brings their A-game. Bravo, folks!

My Verdict

The underlying theme of "Destined" is all about harmony, and they drive that point home! Forgiveness, unity, and letting go of hatred are recurring motifs throughout the story. It's all about finding inner peace and spreading good vibes. Gu Jiusi sums it up perfectly when he says, "Nothing is bad or evil in this world. Stay true to your heart, live happily, and leave no regrets behind." Wise words.

This drama is like a sweet duet, with every note harmonizing perfectly. Sure, there are ups and downs, but in the end, you're left with a blissful feeling. It may take its time to unfold, but hey, good things come to those who wait! So, grab some popcorn and dive into this world of good triumphing over evil, light conquering darkness. It may be slow at times, but trust me, it's worth the watch. Don't miss out on the "Destined" magic!

Bravo!

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Something about this drama felt amazing and fantastic, I couldn't stop watching it.
It had a good amount of martial arts, humor and a great story line. This is only the first season!

Fan Xian is the main male lead of the drama. He is a smart, sarcastic, and cunning man. He knows how to speak his way out of things, he also have great martial arts skills. Did I mention he's quite funny as well? :) I just love his character so much! The actor did a wonderful job in playing this character! His subtle expressions are hilarious. XD
Aside from trying to find the love of his life at first sight, cancelling his engagement or..not cancelling it, Fan Xian has assassins coming after him day after day. The drama focuses on Fan XIan trying to figure out who is behind all these assassins, figuring out where he's from, and staying alive to be with his beloved Wan Er.

Uncle Wu Zhu (or should I say Xiao Zhu Zhu LOL♥) is the handsome protector who helped raised Fan Xian and was also a servant of Fan Xian's mother. Lets just say his martial arts is very monstrous. He is like a ninja, he comes and goes without making a single sound which can annoy Fan Xian - quite funny to watch. XD I really like his character for some reason, aside from the obvious handsomeness haha He is strict and mature albeit there were times when he went loose and either spoke like a teen or a tiny bit like a psycho due to memories that were triggered.

Wan Er is your typical fairy-like female lead. She's very elegant, and cute. She also likes chicken legs, and that is also how she met Fan Xian, unknowingly. She does not have much of a presence in this season, because she barely has any scenes. But she is an important figure in this drama because she's the daughter of a princess. However, this drama focuses majority on Fan Xian and his journey to solve the mysteries behind murders of his friends, the trunk that belonged to his mother, and assassinations. Wan Er is there only when Fan Xian went to visit her and other issues that involved her family.

The main villain is the grand princess and her nephew(s).S She's in charge of something that once belonged to Fan Xian's mother. Lets just say she doesn't want to let go of it.
However, she is not the only villain, there are many people who wants Fan Xian dead, including those who pretended to be his friend.

If you're watching this drama cause of Xiao Zhan prepare to be disappointed because you'll only see his actual face in the last 8 episodes or so. I assume he will be a main in the next season as his character is not what we think he is. Personally, I still enjoyed the drama without seeing much of Xiao Zhan.

Other characters worth mentioning is Wang Qi Nian, he's a chubby middle aged man but is a useful friend of Fan Xian. :) He joins Fan Xian in majority of his journeys. Fan Xian's sister, Fan Ruo Ruo is quite an interesting character, she's very smart and quick witted but can become clueless and slow(?) when it comes to Fan Xian. Its like she idolizes her big bro. But she can be dead serious when it comes to disciplining their little brother. I quite like her personality trait than Wan Er's.

Overall, I really enjoyed this drama. Its funny, and has great martial choreography. I didn't expect to love it so much,. it's one of my top two favorites of 2019!! Definitely recommend if you're looking for something fun to watch.

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pretty faces, no value.

overall, boring. i mean, i did like that in some ways, but there shouldve been more to it.

considering this show takes place on an island you think they would take advantage of their surroundings and maybe go on hikes or zip lining, or challenges for contestants like surfing or something. instead there were like three “challenges” where they ran into the water or push each other around in mud. all of the contestants also just stay on the beach and complain how hot it is all day. which btw, how will they call this hell when everything is provided for them and there aren’t any actual hardships besides lack of phone lol. like why didnt they have them explore together or do something challenging?

it felt like i was mostly just watching them have excessively deep convos about their feelings for each other. it’s ridiculous how attached they get to other contestants because theyd have been there for a day and theyre obsessed. i wish the series had taken longer so the relationships made more sense. and none of the contestants were sincere, it was clear they were there to promote their social medias or business. the ones that were sincere had no screen time.

as for the commentators, they kept trying to make drama where there wasn’t any. like a zoomed in shot of someone’s face suddenly meant that they were torn apart on the inside. plus, they kept excusing a lot of the male contestants behavior, calling sehoon admirable for chasing after jiyeon even though she stated she didnt like him.

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Perfect, except the ending

I was completely captivated by this drama from the very beginning — the plot of two people both in the darkest time of their lives finding each other and healing is always so beautiful, and I think Last Twilight sets it up perfectly. You can see very easily how Mokh and Day’s clashes actually bring out honesty and clarity for each other, and the theme of acceptance and treating people with disabilities as equals are both really powerful. I also just love the fact that there aren’t any villains; everyone, even the side characters, have their subplots, their motivations, and their development.

And there’s the beautiful episode 9 ending scene, which really stole my heart and made me shed tears. It was one of the most cathartic moments I’ve ever watched and the OST, particularly the main theme by William, perfectly ties everything together emotionally.

I continued enjoying the show until the penultimate episode and I was immeasurably disappointed to be hit with the last-minute break-up trope, and even more disappointed that the reasoning behind the break-up was something that had come up in the story before but had never been an issue. It felt way too fast and out of left field.

And then the final episode came and my jaw dropped when we were suddenly hit with a three year time jump. It’s another one of my least favorite tropes, and it just feels so many things had changed in the lives of our main characters and yet we were supposed to also believe that they didn’t change that much and were able to pick up exactly where they left off without extended conversations about what kind of people they had become. We got a little bit of them addressing their situations, but I felt like the “I’m sorry for feeling pity for you” resolution felt really shallow and didn’t at all capture how much depth was in their relationship before.

There were also additional plot developments that felt so random and rushed — such as Day getting his eyesight back at the last minute. There’s the argument that it’s okay because he’s already grown to accept himself either way, but it still felt really disingenuous to the disability theme to show that he needed his eyesight back for it to be considered a happy ending. Part of this is also just because it all happened so fast it felt thrown in.

I felt like I really emotionally checked out for that last episode — there was just such a huge gap between who I was seeing on screen and the characters I’d grown to love from the previous episodes. For me, that’s the consequence of time-skips, and I’m sad because this was on its way to becoming one of my favorites before it.

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Couldn’t stop watching till I finished all episodes.

Couldn’t stop watching till I finished all episodes.”Cheer up” one of the best Korean dramas of this year in my opinion. The acting, storyline and of course music and performances was so great! I swear I will definitely rewatch this show again and again. I know that some people were disappointed with love triangle but I really like both male leads equally despite annoying love of the second male lead. Despite that he has interesting plot about his family and their relationship. Also, I’m in love with FL 😍 she portrayed her heroine so well, and I like how she could be dead serious and so funny and playful too. I was really impressed by her acting. Really recommend everyone to watch this show if you like good story and also amazing music and shows.

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This series was absolute bull shit for so many reasons

First of all its not a BL series so i dont know where this idea came from - all the two leads talked about was his scalp treatment there was absolutely no romantic interest or feeling's involved.

One of the female characters needed to go - she sexually assulted a man while he was drunk and they tried to pass it off as comedy - that shit aint cute it so disgusting and disturbing that they believe its fine for her to do it to him, but when its the other way round people start getting mad.

Thirdly the series ended without a conclusion- the couples didnt get together, their feelings for each other (the heterosexual couple) was not explored and in all felt like they just gave up with the series and called it a day. And to conclude this shouldnt even be called a drama/series when it was just a dermatologist advertisement

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