Suggest to watch original
This is condensed version of S1 which is 46 episodes.I've watched the first 10 episode side by side to see which scenes were cut out and decided it's better to rewatch the original.
Yes you can still get the story with the condensed version, but the cut-out scenes were enjoyable as well.
If anything, an extended version would've been more ideal.
It's such an epic series in C drama history!
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ITS JUST A GAY BUSINESS
This is a trap - a Business Gay Performance, and im a sucker cause I fell for it.As a KPOP fan, i loved the concept. Also, as a KPOP fan, i felt disrespected.
Like some of the other Korean BLs out there, i dont know why they couldn't just add maybe 5 or 10 more minutes in each episode to make the story a little bit more cohesive and enjoyable. Its such a waste cause there are so many hints that this could be a good show.
Its the story of an idol Eden, being selected and paired with Jihoon to be in a duo, What 's unique is that they are marketing the group as a gay lover - supposed to be just a business concept, only for the pair to really fall for each other.
There are too many characters and too many subplots but everything felt rushed. They spent so much time with the antagonist, when they could have used that time to build up the chemistry between the main leads and show us when or how the two exactly fell for each other. In episode 7 and 8, i kept checking the runtime cause it feels like the show is just rushing to go to the end and yet I still havent seen what I wanted to see between the 2 leads. Unfortunately as i feared, the show ended too soon without giving any satisying ending. This is a problem with translating a 40-chapter webtoon into an eight 15-minute drama.
It is such a shame really cause the leads are very charming - and Nine kept reminding me of a young Seo Kang Joon. They were both amatuer-ish but they both did enough to be likeable. a few times I was on the verge of really caring about their characters but the show just didnt show enough to make me really reach that level.
I wont forget that cringy scene in the plane where they were both holding hands and sleeping head to head with a smile on their faces looking so uncomfortable when they both could very well be sleeping comfortably in that cushy business class seats even if they were holding hands.
From the onset it felt like a small project conjured up to promote the idol group. The "Business Gay Performance" using homosexuality as a concept was a little bit offensive if you think about it and at first i was thinking they were trying to mock and expose it, but by the end I felt even more ashamed of myself for being a fool and falling for it, even though they were clearly saying FROM THE BEGINNING that this is a Business Gay show and nothing more.
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STORY:
The story is same. THE INNOCENT DULL UNPOPULAR GIRL + THE HIGHLY DESIRABLE, INTELLIGENT AND 'most important, should be there traits' POPULAR AND CONCEITED GUY( type of guy which makes a girl squeal and fall head over heals for him) reminds you of something, eh?
The drama is full of cliches but it is still enjoyable and hilarious, the type of drama you don't need to think hard, you just watch it. actually if you think and question the stuff, you will never gonna enjoy the drama. Just sit, watch, enjoy its hilarity, cliches and bubbly and light atmosphere and relieve your stress.
Its boring sometimes though and one thing is missing here. a little bit of skinship and real kisses( c'mon who doesn't love real kisses,the barely-touching-lips IS NOT KISSING)!
ACTING; I loved the girl. She is sweet, bubbly cute with her manga like reactions and over the top imaginations. i had a problem with the main lead. HE LOOKED SO INDIFFERENT, i know you are supposed to be cold but atleast show some emotions, a little bit of jealousy(we understand you are jealous but we can't feel it). the second lead actors were better. Issei was cool and i felt so bad for daichi. He is too hot to be made the second lead. In my opinion this actor should be given the role of the main lead.
Music; nothing i can remember. Though it gave a happy vibe
Rewatch: I don't rewatch dramas unless i super like it, so no no for me.
So, you can watch it as a filler show. Or as a break after super intense stuff or drama. Cause this is perfect for easy watch. DON'T WATCH IT ID YOU ARE A FAN OR INTENSE INTERESTING INNOVATIVE DRAMA, cause this is definitely not one.
p.s THIS SO REMINDS OF ITAZURA NA KISS AND L.DK
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"Study Group: The High School Drama That Packs a Punch (Literally!)"
Introduction:Imagine a high school where the hallways are a battleground, the bullies are next-level villains, and the only way to survive is to hit the books and throw a killer punch. Welcome to Study Group, the drama that’s equal parts heart, humor, and high-octane action. If you’re tired of the same old high school tropes, this one’s here to flip the script literally. It’s like Weak Hero Class 1 met Cobra Kai and decided to throw in a study session. Trust me, you’ve never seen a school drama like this before.
Story:
At first glance, Study Group seems like your typical underdog story: Yun Ga Min, a lovable but academically challenged student, is determined to turn his grades around. But here’s the twist Yuseong Technical High School isn’t your average school. It’s a breeding ground for future gangsters, where fists fly faster than test papers. Ga Min’s solution? Form a study group. But this isn’t your average group of nerds it’s a squad of misfits who can throw down just as hard as they can solve equations.
The drama masterfully balances intense action with heartfelt moments, tackling themes like perseverance, friendship, and fighting for what’s right. It’s not just about surviving high school,it’s about creating opportunities in the most hellish situations. And trust me, the stakes are high. From corrupt teachers to ruthless gangs, every episode is a rollercoaster of emotions and adrenaline.
Characters:
Let’s talk about the squad because they’re the heart and soul of this show.
Yun Ga Min (Hwang Min Hyun): The ultimate underdog. He’s the guy who’s terrible at studying but refuses to give up. Oh, and did I mention he’s a martial arts prodigy? Watching him switch from a clueless nerd to a total badass is pure gold. Hwang Min Hyun nails the role, bringing both humor and depth to Ga Min’s journey.
Lee Han Gyeong (Han Ji Eun): The teacher we all wish we had. She’s not just there to grade papers, she’s on a mission to reform the school and give these kids a fighting chance. Her chemistry with Ga Min and the group is heartwarming and inspiring.
Pi Han Ul (Cha Woo Min): The resident villain with a cold, calculating demeanor. He’s the kind of character you love to hate, and Cha Woo Min delivers a performance that’s both chilling and captivating.
The Study Group: From the bickering twins Lee Ji Eu and Lee Jun to the adorable duo Kim Se Hyeon and Choi Hui Won, every member brings something unique to the table. Their bond is what makes the show so special. They’re not just friends—they’re family.
Special shoutout to Ga Min’s mom, who’s basically a martial arts queen. Like mother, like son, right?
Cinematography & OST:
Visually, Study Group is a feast for the eyes. The fight scenes are choreographed to perfection, blending over the top anime style action with gritty, realistic brawls. The camera work is dynamic, making every punch and kick feel impactful. And let’s not forget the CGI when Ga Min unleashes his uncle’s forbidden techniques, it’s like watching a live-action webtoon come to life.
The OST? Absolute fire. Tracks like Backpackers and Let’s Do This are pure hype, perfectly complementing the show’s high-energy vibe. The rap-heavy soundtrack adds an extra layer of coolness, making every fight scene even more epic.
Overall Impression:
Study Group is the kind of drama that grabs you from the first episode and doesn’t let go. It’s a perfect blend of action, comedy, and heart, with a cast of characters you can’t help but root for. Whether you’re here for the jaw-dropping fight scenes, the hilarious moments, or the emotional depth, this show has something for everyone.
If you’re a fan of shows like Weak Hero Class 1 or Boyhood, but want something with a lighter, more comedic touch, this is your next obsession. And even if you’re not usually into high school dramas, give this one a shot, it’s anything but typical.
Final rating? 10/10. Study Group isn’t just a drama; it’s an experience. So grab your popcorn, turn up the volume, and get ready for a wild ride. Trust me, you’ll be hitting that “Next Episode” button faster than Ga Min can throw a punch.
TL;DR:
Study Group is a high energy, action packed high school drama with heart, humor, and a killer soundtrack. It’s fresh, fun, and full of unforgettable characters. Don’t miss it!
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little peace of advice
if you love noisy mothers , this drama is made just for you. without her being the center of the drama, i would rate it a lot higher. this drama was carried by leads who hardly even get romantic scenes together. don't get me wrong. i love a good business centered drama but this time, it added nothing to the story. not to mention, whoever wrote the body of work must have terrible family. otherwise, i can't explain a mother who gets away with treating her daughter by playing a victim until the end of the dramaWas this review helpful to you?
Survivor: The Mother-in-Law Obstacles.
Xu Lingyi, marquis Yongping is all that a mother could ask for: a patriotic high ranking court official, ethical, cultured, responsible and a shining example of Confucian filial piety who asks not if he is happy with his wives, it is enough that his mother is. When his official wife dies, he takes her younger half-sister Luo Shiyi, a lowly concubine's daughter as his official wife, thus preserving the marriage ties between the Luo and Xu family. But Shiyi is a talented and resourceful woman ahead of her times and values her freedom and independence over making such an excellent match. She has her own agenda and unlike his fawning concubines, is quite happy to be neglected by Lingyi and left to her own devices. Her attitude bemuses and intrigues Lingyi out of his indifference and he finds to his dismay that he is increasingly attracted to her.The best part of this drama is how the romance blossoms at a realistic pace between Lingyi and Shiyi, leisurely exploring important phases from distrust, to mild annoyance, to intrigue and blossoming attraction, to collaboration with some conflict and a healthy dose of jealousy thrown in. Neither character is perfect - Lingyi is a workaholic, neglects his harem, is aloof, overly strict with his children and his brother and just generally comes across as no fun at all. Except for the flashes of subtle humour that emerges when he deals with impertinence from his close aides or criticism from his family. Wallace Chung really delivers a very nuanced portrayal as a lonely and kind nobleman beneath a strict and unapproachable exterior. I really enjoy watching him come out of his shell and become a more complete person as he discovers happiness with Shiyi. Shiyi grows from a rather headstrong and defiant young wife into the caring, responsible and capable mistress of Yongping manor. This is a very different kind of role for Tan Songyun and although I feel her interpretation of the role is not that inspired, her Shiyi is likeable and pleasant to watch. Both leads are consummate actors with very solid chemistry, delivering many sweet and thrilling romantic moments as they fall in love and grow together as a couple.
Even though I don't expect much from the plot when it comes to character dramas, I have to say that the writing overall leaves a lot to be desired. It actually starts out fairly well even though it is incredibly tropey from the beginning. That is because there is a satirical approach to the writing, with subtle humour nicely woven neatly into the dialogue that had me grinning away. And some of the characters, especially the hateful concubine Qiao and Erniang were such parodies and so well acted that I got many chuckles and base enjoyment out of their setbacks and defeats. That fizzles out after the Qiao arc and at that point the mystery and defeat of the mastermind should have just been quickly wrapped out instead of dragged into repetitive plot lines and themes. The writer with a sense of humour must also have bowed out at that point because it wasn't funny anymore.
Which brings me to the mother-in-law from hell. This MIL is a real piece of work - she picks all of her sons wives, she is snobbish, biased, hypocritical, is completely illogical and plays the matriarch card all the time to get her way. This character turned the drama into some bizarre edition of Survivor where the contestants are parachuted into Ming Dynasty where they need to survive the mother-in-law of all obstacles and win the heart of the dude. Shiyi and all of Lingyi's wives are pitted against this troll who thinks that the ultimate reward is marriage to her son. The most unbelievable part of the story is that none of these rather ruthless and resentful bitches took the initiative to poison her. It would have made for an excellent Murder on the Orient Express kind of murder mystery if they all did it. As for Shiyi, her winning strategy is to kill everyone from her MIL to her love rivals with kindness. This took so long and we have to endure so many ridiculous, lazily written and repetitive arcs that I couldn't help but think poison would work so much faster.
The two main takeaways from this drama is it really sucked to be a woman during Ming Dynasty and bad shit happens when your mother picks your wives. Overall an ok watch to pass time but nothing to write home about. 7.5/8.0 overall, maybe 8.0 for just the first ~half.
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2A crying shame.
The Story of Pearl Girl is the story of an intrepid pearl diver's harrowing journey from the despair of a slave farm to the heights of the prosperous Yangzhou jewelry guild. Aided by an erudite nobleman Zhang Jinran and a ruthless and calculating merchant Yan Zijing, Duanwu escapes from the exploitative clutches of the Cui clan. She throws her lot with Yan Zijing, choosing to make her own way in the world as a merchant galley serf over the more certain future of a nobleman's harem. After multiple betrayals and double crosses in the dog-eat-dog culture aboard Zijing's ship, she emerges clear eyed and better equipped to survive a ruthless, avaricious business world. She learns that underneath his merciless facade, Zijing is saving her by teaching her to save herself; that they have a shared past that she has barely scratched the surface of understanding.Set in a cruel world fraught with treachery, avarice and oppression that belies the ostentatious luxury of the jewelry trade, the narrative is laden with an air of heaviness from start to finish. It is a character story about how one resilient woman fights her way to the top of the jewelry business during feudal China. The characters are well designed with Duanwu and Cui Shijiu as two women who have to fight for their place in a man's world; one who starts with nothing and the other with everything, to lose. Likewise the cynical and realistic Yan Zijing went to the school-of-hard-knocks while the righteous and idealistic Zhang Yiran clearly had an ivory tower education. Both Yan Zijing and Cui Shijiu are consumed by revenge and on opposite sides of a blood feud not of their own making but one's cause is just while the other's is not. I enjoyed watching how these characters, with at times common and at other times with opposing world views interact and react to the situations they are thrown into. Plot wise, the logic holes are evident from the start but for character driven stories, I am very forgiving for as long as the characters stay largely consistent and relatable. But once the characters start to unravel, the issues with the plot are amplified and the entire narrative becomes a mess.
I genuinely enjoyed and was engaged by the first arc of this drama. It is both fascinating and difficult to watch the stunning backdrop of the swashbuckling high seas and the exotic and dangerous Silk Road marred by the unmitigated oppression and cruelty of the ancient world, especially towards women and children. Zhao Lusi's Duanwu is spirited, tenacious and undaunted as she fails again and again until she succeeds. I could understand why Yan Zijing resonated better with her but could also see that she lacked the maturity to appreciate how Zhang Yiran's wisdom and knowledge of the law would aid her later on. These three main characters richly complement each other in their strengths and flaws to make a formidable team when they work together. I didn't mind the romance but I didn't need it and it went a bit abruptly from red flag master-servant to lovers. Nonetheless I was looking forward to it growing and had hoped to see them right past wrongs together. I did not expect it to take a wrong turn down the path of the worst noble idiot trope in recent memory, nor for it to last pretty much until the end of the drama. That is when The Story of Pearl Girl, turns into yet another period drama that starts strong and then inexplicably nosedives at the mid-point and never manages to recover.
After the convoy arc, a traumatized Duanwu re-emerges as Su Muzhe, a detached, gently sad and bland character who Disney princess cries almost every other episode. Lusi's vapid and weepy interpretation of the role lost me as much as her Duanwu engaged me. Duanwu would have gotten angry and demanded an explanation from Zijing or plotted revenge. I was baffled by the Su Muzhe who manages to coldly co-exists with him in the same city, moves on and focuses on business, vowing to live a good life nonetheless. This is so out of character it is almost impossible to reconcile Su Muzhe with Duanwu. I rooted for the feisty Duanwu of the first half who dares to love and dares to hate. The passive aggressive Su Muzhe who only dares to cry turns what could have been a terrific story into a crying shame. The narrative meanders into maudlin sub-plots about boring and poorly acted tragic side characters. Gratuitous crying scenes have diminishing impact, no matter how good the actor is at them. Long before the drama ended, I was bored by Su Muzhe's endless pity parties and stopped caring for her. Su Muzhe is not the kind of role that plays to Lusi's innate strengths and charisma. I hope she avoids taking on such characterisations in the future.
The other narrative mistake was to separate the three anchor characters at the same time so many of the early supporting roles are transitioned into new ones, forcing the audience reinvest in new characters all over again. Yue Yunxiu is a boring, flighty character that has no chemistry with Su Muzhe and fails to shore her up in the same way Kang Ju lifts up Yan Zjijing. The entire business partnership between the women lacks flair and pizazz; I can't imagine any joy in shopping for jewelry at an establishment run by such a dolorous pair. The narrative makes a lame attempt at comedy too late in the game and it is largely left to actors that lack Lusi's fantastic comedic timing. Even when the three friends join hands again, their dynamic is not the same and Duanwu never reemerges.
As for the romance, it stagnates even after they reunite and never blossoms into a full blown relationship. I would have liked to see them seize the day and live in the moment in a way that gives us something really worth crying over. Instead all we do is watch them mourn what could have been. It is incredibly unfair to Muzhe because Zijing refuses to move forward but yet can't set her free either. I wish they both chose differently but since they did not, the way their romance ends is fitting. I respected Zijing's choices especially in the end but I think Su Muzhe's victories were all hollow and I hoped she would find Duanwu again within herself but she never does. I enjoyed how Liu Yuning portrayed Yan Zijing's darkness and complexity but after the best first arc, he is too quickly whitewashed and sidelined. Even though the final arc is all about his justice, he doesn't get to do that much as the hidden villain is too obvious to the audience early on and most of the antagonists are so dumb they pretty much outed themselves.
Zhang Yiran is the best of friends and that rare character that does the right thing even when its the wrong thing for himself. While Duanwu didn't fit in to his world, he may eventually have been able to console Su Muzhe and I wish they had left that door open just a crack. As for Cui Shijiu, this character caught and held my interest from start to finish as a result of Xie Keyin's bold screen presence and her husky and earthy vocals. Her character is flawed, not that smart or especially well written but Xie Keyin embraced her flaws in such a relatable way and conveyed the role so compellingly that I cared about her and did not drop this drama because I wanted to know how her story ends. She and Zijing are both characters that choose revenge over love but only one of them lives to regret it.
The biggest issue with the storytelling is that it tries to incorporate too many themes and archaic ideas of what an independent and empowered woman is supposed to be. The writers bend the plot and characters in ways that don't make sense or is out of character in order to force certain themes and outcomes. This is not a good way to tell a story. Both Duanwu and Zijing's characters are thrown under the bus just to prove that a woman can make it on her own in business during feudal China. We watch allegedly smart villains kill off characters with no motive other than for dramatic impact and shock value. But what makes me really mad is that it is another scratch on the surface empowerment story written by misogynists with a thinly veiled and insidious message about the fate of women who dare to try to make it in a man's world. A true empowered woman would seize second chances and live well in the true and full sense and meaning of the term rather than to wander aimlessly as a shadow of their former selves.
This was a heavy journey from start to finish that does not end in satisfactory way and the ending contains some really questionable messages. There is no payoff for all the suffering, no one gets a great ending and promises to live well were not kept. In the name of both Madame Eight and Shrimpy, I dare not rate this more than 7/10. It is not a drama I recommend unless you are a die hard fan of either of the lead actors and are able to enjoy anything they are in.
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Peak Comedy
this is probably the most ORIGINAL PLOT for a kdrama to exist in KDRAMALAND like come on she literally turns into a chicken nugget , I went into this with zero expectations , the cast is what drew me in to begin withand it's safe to say that I don't regret it one bit , I'd never laugh as hard I did when watching a drama , like it's the driest jokes and scenes ever but somehow it's what makes this drama so hilarious 😂😂😂
the casting is really well done and thought out, everyone did amazing and DELIVERED.....
so if you love comedies you will definitely not regret watching this drama I can guarantee it
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I like drama where the story is good, the conflict not annoying, not too heavy with layers of conflict, and of course ROMANCE in it.
Romance of Hua Rong,
I like the story. Its light, entertaining as it is tag as comedy, it is very funny. Refreshing.
But also very romantic with many romantic scene.
It is addictive and makes you want to hope that the leading male and female is real couple.
Yuan Hao and Zhao Zhao Yi chemistry is the highlight of the drama.
They are both very handsome and beautiful and i also like their chemistry off screen.
So looovee this couple.
I am glad i found this drama! Will definitely rewatch again!
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what we needed.
i think this is such a solid start. following yinwar from their beginning and the ups and downs since the FIRST love mechanics, they deserved this. it’s a serious plot with some funny moments, and the script is IMMACULATE compared to other thai bls rn.this drama deserves to get recognition like other darker theme bls rn, i’m so excited for the rest of the series to air.
the difference between this show and love mechanics is exactly what yinwar needed to show their talents. everyone knows they have the chemistry, but their acting has gone unnoticed when i believe they are one of the best acting pairs in the thai lakorn world rn.
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Aged to perfection.
Since Love and Destiny was produced by the same team and resides in the same world, comparisons to TMOPB are inevitable. Pleasingly, the only connection is that it takes place earlier in the same 3L3W universe. This is efficient as less time is wasted on world building and explaining the tribes, hierarchies, time and other conventions. The story-line sticks to the 3L3W formula of an unforgettable love story that spans three lives and three realms. While TMOPB was an intensely passionate love story, this has more of a romantic comedy flavor. This is the story of a pure heart-ed young fairy who falls in love with the powerful and much older God of War. This relationship dynamic sets up for a different love story that again succeeds in delighting and captivating in a way that is now becoming a 3L3W brand.The plot is common for this genre (save the world or save the girl) and is this drama's biggest weakness. Those familiar with the director may observe the backstory of some leading characters (Jiu Chen, Ling Xi and Jing Xiu) were inspired by Journey of Flower - (Bai Zhihua, Hua Qiangu and Dongfang). That said, L&D is neither another TMOPB, nor JOF but a delightful story that stands on its own, albeit with a few cliche tropes. The three main arcs could have been better balanced - the first two took too long and did not leave much time for the final, most satisfying arc. There were too many (well executed) comedic fillers in this drama. This made it feel like "nothing's happening" or the relationship progressed too slowly.
The weak plot was compensated for by superb acting by the main leads. Veteran actors Chang Chen (Jiu Chen) and Ni Ni (Ling Xi) were perfectly matched. They are both gorgeous actors whose emotions and facial expressions transform and make them compelling in their appeal. The role of Jiu Chen was made for a Chang Chen that is aged to perfection - his sculpted bone structure and fierce expression exudes the aura of a stoic, mature and powerful God of War. Any suggestion that some young idol actor could have pulled this off is ridiculous. Jiu Chen is a formidable character that wears the lonely responsibility of keeping the realms safe. He moves mountains to force a win-win in his terrible conflict between duty and love. His instinct is to protect Ling Xi, to the fault of hiding the truth from her. He is alternately stern and helplessly indulgent with her. His impassive expression softens, he even smiles and becomes open and vulnerable only with Ling Xi. He is touchingly candid and unguarded when he confesses his feelings to her. With insight beyond her youth, Ling Xi recognizes the loneliness and burden inherent in Jiu Chen's role. She captivates him with her spell-blinding smile and mischievous antics; he is touched by her devotion and inept attempts to aid him. As their feelings grow, you can feel the invisible bond of their awareness and affection for each other. Ling Xi's best, most courageous moments are when she makes unbelievable sacrifices in order not to add to Jiu Chen's burdens. Each loves the other more than they love themselves.
In the first arc (20+ episodes), the Ling Xi wakes up Jiu Chen, who had been frozen for 50,000 years after sealing the Demon King. He is suspicious that such a weak fairy could have awakened him and takes her in, ostensibly to care for his health. The guileless and infatuated Ling Xi is delighted and disrupts his household with her comical attempts to entice him. She loses her senses over him and fires up his stone cold heart with her devotion. However, as God of War it is his duty to execute the young fairy with the ability to release the Demon King. Initially I found Ling Xi too subservient; a bird immortal with a bit of a bird brain. Yet Ni Ni's portrayal of Ling Xi was never annoying, indeed I was charmed despite my preference for stronger characters. She won me over when she bravely steps up to protect Jiu Chen and takes responsibility for her own life.
In the second arc (up to episode 50), Ling Xi is reincarnated as a mortal Lin Mo who has to go through three trials. She overcomes many challenges and becomes independent along the way. This is where Jing Xiu emerges as a manipulative, petty and sinister love rival to Jiu Chen. Episodes 30-40 can be skipped - this part was draggy and I struggled to empathize with Jing Xiu. This actor overacted the villain when he is actually supposed to be a grey character - he was so selfish, manipulative and creepy I was irritated at Ling Xi for not being wary of him. There were many unnecessary side characters in this arc that lingers too long on Ling Xi's coming of age. The best moments are between episodes 40-50 where Jiu Chen and Lin Mo fall touchingly in love (again). The final arc was the shortest and the sweetest. Ling Xi becomes a powerful high goddess who forces Jiu Chen to let her share his burdens and they face their enemy together.
The supporting cast was strong and there is a lovely secondary love story between Yun Fung and Qing Yao that is nicely intertwined with the primary. The villains did a decent job being evil and hateful but their motivators were typical: revenge, envy and obsessive unrequited love. The OST is very good but the CGI is quite dreadful. Overall a quality and enjoyable drama with a big budget. The bottom line remains as a love story, it boils down to the main leads. In this, they delivered - virtually all of their scenes brought a silly, lovesick and goofy smile to my face. You will enjoy this immensely if you appreciate leading actors and a love story that is truly aged to perfection.
PS - got a number of PMs re: comparison to TMOPB. I avoided directly comparing them but I also reviewed TMOPB and if you read that, what I think the differences are is obvious and reflected in the rating.
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