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Not worth it
The ML was misleading. The FL was annoying and couldnt make up her mind. Story line was boring and all over the place. The person she choose she had no chemistry. It was a waste of time and uninterest as the story unfolds. Not worth it, even to rewatch.In South Korea, its views were horrible low. One would think international views would have helped but it was a disappointed too.
I watched alot of Kdramas, Cdramas, JDramas and ThaiDramas, but this drama has to be the worst I have seen and so disappointed.
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A Better Tomorrow was the film that launched John Woo reputation as an action director after few failures in other genres. Through this film, Woo broke the usual Hong Kong ways of making action films that should always be either Kung Fu or Wuxia; he made a gangster film that became an absolute classic.
The film itself has a deep involving plot. It’s true that I admire John Woo films because I am an action junkie and I am forever in love with violent films but that’s not everything that I love about Woo’s films. What I also appreciate is his ways of making us feel the characters and care for their destinies as well as the relationships between them. The story within A Better Tomorrow is not some shallow action telling; there is the suffering of characters, the angst, the friendship, the brotherhood, the loyalty, the sacrifice and the rest of John Woo favorite themes that he never fails to make them shine.
If we leave the drama behind, we get an amazing action film with well-choreographed gunfights even if they were in a lesser amount than John Woo’s later films “The Killer” and “Hard Boiled”. You see, the usual John Woo pie of making action (heroic-bloodshed genre) is: guns, lots of guns, many people (preferably dead more than alive), two (or sometimes three) heroes who kill and kill then kill again, explosions, crazy gunplay and bullets flying everywhere. A Better Tomorrow was the film that started it all.
The acting was great, this was also the film that launched Chow Yun Fat’s stardom and made him take a big leap of success as a films’ actor. After this, he took the main role in almost all John Woo Hong Kong films. Then there’s Ti Lung and Leslie Cheng as a somewhat third lead; the three of them had a great combination but Chow Yun Fat had the strongest performance.
The characters weren’t always cool; they had their own pathetic pitiful moments which help the audience relate to them. And let’s not forget that their development was quite wonderful.
The cinematography was nice; I recently re-watched this film and it wasn’t even obvious that this was made in the 80’s. Needless to say, this is a great re-watching material especially after a long time of first viewing.
Watch if:
- You like John Woo action films because this is the one that started it all.
- You enjoy gangster films with brotherhood and friendship themes.
- You’re in the mood for a great action film.
Do not watch if:
- You dislike Action or violent films.
- You dislike John Woo’s work.
A Better Tomorrow is a classic out of its genre and a deep action film that still feels so good even after 30 years.
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The story started out strong and there is good development throughout up until episode 8. There were less noticable cliches than other Thai BL dramas like too much unnecessary 'classmates seating together in the bench with irrelevant conversations' scenes. This is not a teenybopper show and the sexiness has even surpassed the first season.
The cast also did a good job, especially Boat and Ryu (Em and Pun). Tar also did good with the little time he was given. The weakest of the bunch is the main lead Net (Sib)- his character and his acting was annoying as hell and that says a lot considering the one supposed to be annoying is the female lead, but still, even with that mentioned, I enjoyed their delivery overall.
Just like in some of my other reviews and as a decorator in real life, id specially like to mention the good quality of the sets. The one thing i hate is that eventhough the homes were all beautifully decorated, it was too obvious that they were using the model units and all of them were in the same condominium (the logo of which appears so prominently throughout the show - this is not how you do product placement).
But like I said in the beginning and unfortunately, for me, the last 2 episodes were a mess - some of the characters were making questionable decisions while the main actor was stucked in indecisiveness. That time jump in the end was also arguably unnecessary - they cant even bother to change the looks (at least a haircut) of the 3 characters just to show that 3 years has really passed. Also, it feels like the writers cant decide who is the best match and totally blotched the ending making me feel so sorry for Em and Tar cause they totally deserved better.
I gave it an overall score of 7 stars out of 10. Would I rewatch, i dont think so, unless Pun somehow magically chooses Em.
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Interesting, but could have benefited from character development
First, how depressing is this show?Human trafficking is a heavy topic for sure. And they wanted to focus on the victims and their families, so a large portion is devoted to telling their stories. The first child abduction story in particular goes in depth in showing how a family can fall apart after something like this, and is rather heartbreaking to watch.
That said, it IS a story about the police catching criminals and bringing them to justice, which is a good thing. And these police are remarkably successful. Their success snowballs and they catch criminal after criminal, saving victim after victim. They end up solving every case that’s introduced, even decades-old cold cases.
It doesn’t seem that realistic to me. All the outcomes seem a little too good; somehow everyone gets saved in the nick of time. Some victims, of course, have PTSD, but they are shown to be healing and/or their stories get dropped.
It bothered me a little that everything goes well, because real life isn’t like that. But at the same time, the show became much less stressful after I picked up on this pattern that things usually end up working out. It’s not all fun and games, for sure- I still cried a lot- and not everything is casualty-free. But considering its subject matter, it’s nowhere near as dark as it could be.
That aside, I was initially very interested in this show because it has a strong female lead with no romance. This means the story is actually about her as her own person (think about how rare this is in Cdramaland).
However, it ends up being not really about her at all. Deng Yan has her backstory, but it doesn’t factor too differently than any of the other cases; it’s just the biggest and most central one. There isn’t much focus on developing her character or showing her personal journey. She does seem a bit out of her depth at first, but there’s no real transition from that to being incredibly capable. At some point you just realize that she’s quite good at knowing what to do next and assigning responsibilities.
The other members of the team are all very likable, and we see them a lot, but we don’t actually get to know them that well. They’re just doing business. Chang Rui is listed as a lead, but he’s honestly just another team member- a very capable one who does some undercover work at the beginning, and gets maybe half an episode’s worth of character development, but by the middle of the show he’s already not that important.
There is no drama between team members. They’re coworkers who get along. There are some meaningful and supportive conversations between them, which I liked, but they are few. As mentioned before, no romance- which I found to be a good thing.
Although it was a conscious choice not to focus on the team’s personal stories, I think the show would have benefited from at least a little development. That would have given me something to emotionally invest in. We’re probably supposed to get an emotional hit from the victim stories, but I personally couldn’t feel too attached to any one, because there are so many. One story ends and it’s onto the next, rapid fire with little follow-up. It almost gets repetitive (they are very successful!), which might be why they stop showing the rescues after awhile. Instead, we are simply informed that so and so was found.
The other part of the plot is police solving crimes. It’s rather procedural, eg lots of interrogations at the police station, or team meetings showing their train of thought. I thought it was interesting but sometimes a little repetitive. For example, they use each captured perpetrator to find the next, and we hear over and over again the same arguments to make them talk. I agree the interrogations need these exchanges, but there are perhaps one too many layers in the web of criminals.
Eventually, the story settles down to just a few big fish. So there is a little more focus towards the end. The show does a good job hinting at the mastermind, keeping us in suspense before the reveal.
I’m not sure how many of the cases are based on true stories (all?)- maybe there are so many because, that way, more peoples’ stories are told. The lack of follow-up mirrors the police’s perspective in that, when one victim is recovered, it’s onto the next. The multitude of victims and criminals gives us an idea of the scope of the problem.
Still, from a narrative perspective, I would have preferred fewer stories and more in depth for each. I think it makes a better story when we can emotionally invest in characters who reappear throughout the show- whether those are the police or the victims- and follow their journeys all the way through. The Ranran case is the only one that achieves that in this show.
Acting-wise, I found Dilraba’s acting to be very natural here, I thought she did a good job. The other actors all did well too, for example the rest of the police team, the victims and their families that had to do so much crying, and especially the criminals who had to act all shifty and seedy. Imagine landing that kind of role!
Production-wise, this show seems nowhere near as polished as the dramas I’m used to. I guess it was rather low budget. I actually really liked all their clothing, very sensible. They don’t use background music that often, but it was nice when they did; I think the show would have benefited from more.
There was something weird with the sound mixing. Music would start and stop abruptly, and the sound effects, voices, background static, etc had inconsistent volume. An unverified online source said that this show uses on-set recorded sound, except for some dubbing they had to do to pass censorship. I wonder if censorship explains why everything goes so well for these police.
Overall, although this show didn't have me as emotionally invested as I would have liked, I still found it to be interesting and informative. It highlights an issue I wasn’t all that familiar with, and made me only slightly more scared to walk outside alone at night.
ENDING – READ AHEAD ONLY IF YOU WANT TO KNOW, CONTAINS SPOILERS
I found the ending really disappointing.
They do catch the final criminal (still confused how they sniped him without killing him) and everyone makes it out alive. The only notable death in this show is Officer Yin, who dies somewhere in the second half. Chang Rui’s story, which I had almost forgotten about, gets a little wrapup. And they do finally find Ranran, working in the fields of a remote village.
However, they only really show us a brief glimpse of Ranran. After that we get a bunch of pretty propaganda words and random flashbacks. A quick montage shows us that some of the victims seem to be doing well.
Ranran’s story is the central case of the show, and the lack of further detail or follow-up is a glaring omission that probably leaves every viewer staring blankly at their screen with a “wtf” look on their face. I don’t know who thought this was a good idea. If you look online you can probably find somebody justifying it as bittersweet artistic or something. But after so much emotional investment in this case, such an ending definitely left me feeling empty and unsatisfied.
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If My Wife Becomes an Elementary School Student.
24 people found this review helpful
Kudos to the child actress
I picked this without much thought at first because usually I like to watch Japanese slice-of-life dramas with some supernatural or fantasy elements in them, but didn’t expect to like this as much as I did and am surprised that there are so few reviews written about it.What I liked about this drama:
Firstly, yes, the Japanese are good at making slice-of-life dramas. I believe this genre is their FORTE. They are able to make ordinary, everyday happenings interesting and very ordinary conversations touching.
Secondly, this drama touches my heart. It shows a family being torn apart by death of a family member, one who is always full of life, of good cheer, keeps the entire house proper, does the housework for the family 365 days a year, cooks all meals for the family, yes, sounds all mundane stuff, but the reality is that when this person is no longer around, the whole family simply collapses. The entire world becomes gloomy and dark for the remaining family members who simply live their lives like zombies day in, day out, year after year. And then, out of a sudden, one day, when they are given a second chance, that is, when the supposedly dead family member comes back (in the body of an elementary school kid), the family gains newfound cherish and happiness….but alas…this second chance is taken away again…..
This drama executed all the above very well. The emotions of the main leads were just right, the words said were appropriate and simply able to strike a chord.
Thirdly, the female lead. The elementary school kid who acted as the wife whose spirit had gone into this school kid’s body. This drama’s title is ‘my wife became an elementary school kid’, so obviously they had to find an elementary school girl to act as the wife and wow, I think they found a really suitable child actress. I am not familiar with Japanese child actresses, but this particular actress really acted convincingly as a 40-plus year-old woman, although she was merely a 10-year-old girl in real. It is not easy for a girl as young as her to act like a mature adult woman, but her mannerisms, body language, vibe, right down to her facial expressions and speaking, were all convincing enough in this drama. Kudos to this actress! I think her exceptional acting was the key to the success of this drama because 98% of everything in the drama was about her and her family.
Overall, the pacing was good, neither too fast nor too slow, there was never a dull moment I could remember, even when what they were doing or talking about were just ordinary everyday stuff.
I have to specially mention the OST. The drama was not filmed in the 80s or 90s, but somehow, there was a nostalgic feel to the music which was soothing to the ears.
As with most Japanese dramas I have watched, loose ends were tied properly at the end, closures were properly made, goodbyes and words of gratitude were properly said, leaving no regrets and nothing hanging in mid-air or unsettled. The ending gave a sense of satisfaction and positivity towards the future.
It reminded us that even if our loved ones were to leave us one day, we should still face life positively and live it to its fullest.
Negative comments? I did think hard, if I really have to comment, it will be that the stories of side characters were not developed much, BUT they were not irritating and did not at all worsen the main storyline. This is perhaps the characteristic of most Japanese dramas, short and focused (on only the main story and the main leads), but really, other than that, I cannot find anything negative worth commenting because EVEN IF there are, the positive ones above far surpass any negative ones.
I highly recommend this drama if you like heart-warming Japanese slice-of-life, family dramas with a supernatural element, but I have to mention that the supernatural element in this drama is not the focus and does not play a huge part at all.
There are numerous such Japanese dramas out there, but this is definitely one of them I did not regret watching.
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Worth every second.
Though Japanese BLs (and J-Dramas in general) tend to be on the shorter end watch-time wise, this drama is a great example as to why that is. You don't need that much time or endless drama and build-up to tell a good story.Kimi no Koto Dake Mite Itai managed to deliver something that felt real. It managed to deliver a story that you could easily see in your daily life, yet still keep your attention. It has lovable characters all around (especially the teacher side couple), and delivers a sense of nostalgia and optimism that hits at all the right spots in the brain.
Give it a try. Unless you desire in-your-face romance, this drama should not disappoint.
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BEST SHIT EVER 100/10 Better than anything
From start to end it was perfect. Never got bored, amazing OST and characters. These charectars are more intresting than my entire exitence. Amazing plot and the whole twin shit is so cool. Love it so much. The acting ooooooo don't get me started. Especially Seok Jaebum his acting is unbelivable.This show got me in my feels and ahh just picasso. Never disapointed and the amount of times my jaw hit the ground. This story and crime oml. As always the students are way ahead of the cops. My brain still can't wrap around the crimes and everything. The ending tho- Nothing can top that. The ending was picasso and i just love the high shcool theme and everything.
Story:
There is our male lead, Ji sooheon. He is living on his own, poor, has a sick mum and has his own brain tumor. Amazing fighter and works part-time at a bowling alley. Our female lead Ok Chanmi is an orphan. She has a twin brother who was adopted at 6-8yrs old. They were orphans from the start, and he moved from Busan(where the orphanage is) to Seoul. He has rich adoptive parents who are not kind. His name is Park Wonseok or his birthname Ok Chankyu.
One day on call with her twin brother, her brother got interupted, dropped his phone and cut the call. He fell out of the science lab window of his school. Ok Chanmi didn't know this though. No one knew they were twins, everyone at Park Wonseok's school thought he was an only child. Couple days later, he wasn't picking up no calls so Ok Chanmi goes to his school. She asks around and finds out he died. Labeled as suicide. She screamed to the cops that it was a murder. She moved all the way to seoul to find out who killed her brother. Ji sooheon is her partner in crime and they solve this mystery working hand in hand aswell as with many others. This isnt a smooth story many other major incidents occur on their journy. Who? What? When? Where? Why? You will never know..
just art, or a ticking time bomb untill everything gets revealed...
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Iyashi no Otonari-san ni wa Himitsu ga Aru
24 people found this review helpful
This review may contain spoilers
This show doesn't excuse stalking-
But it does aspire to redeem a stalker. I found this show fascinating and very enjoyable. As a dark romance book lover, I was fully prepared to overlook the stalking anyway (I'm not here to defend my book tastes so don't come for me 😂), however this show did not intend to let the viewer overlook this.Nishina was very mentally unstable and unhealthy. He was suicidal and latched onto the person who saved him and this grew into obsession. His obsession lead to his delusion that what he was doing was just keeping her safe. We watch as he breaks down and comes to terms with his actions. Sakamoto sees that his intentions were well placed, but poorly executed. He stands firm that regardless of your intentions, how your actions affect someone else are what matters, therefore his actions were inexcusable. This hard truth really opens Nishina's eyes and crumbles the illusion before him. He realizes his actions are no different than Fujiko's workplace stalker and harasser.
The show doesn't excuse Nishina. He says, "but I didn't hurt her, I wasn't violent." because he only followed from a distance and took her picture. The message is non-negotiable that despite the intent, the trauma caused to Fujiko is the same. In his case, maybe worse because she truly fell for him. This is where he is redeemed. He truly did not realize his actions and takes the time to process and reflect. He realized the harm of listening to his inner voice rather than considering her feelings. He admitted he had been so in tune with his inner monolog, he was too far gone. He took his talk with Sakamoto to heart and began the process of actually changing.
The proof of his change is really highlighted by the scene where Fujiko says she loves him. He doesn't immediately abandon his dream and his journey for himself. He acknowledges that he does love her, but he has to change. These two demonstrate a healthy relationship foundation through supporting each other, even in times of distance.
Nishina definitely needed therapy. But I did appreciate this show demonstrating his commitment to becoming a better person. I think this was well done, well acted, and definitely worth the watch!
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After I finish watching this drama, I'd dare to say it is THE BEST school drama ever made in Japan, if not the best ever made by ANY country. Only one show is good enough to be apple-to-apple comparison with it, namely Kinpachi-sensei (though I just watch one season, the 6th). Both are equally excellent, but for those cannot stand very numerous episode you will most likely end up not liking Kinpachi (it has 23 episodes@ 1 hour!)
OK, let go to the review. It tackles current issues of middle school students in Japan (as well as in my country, actually), including free (minor) sex, freedom of speech, mental age, and even at one episode it involves bullying. Seems unremarkable, isn't it? Unlike many others that trying so hard to agitate audiences' feelings by bombarding them with cliches, Suzuki Sensei comes out naturally. Everything in this drama looks so naturally, from the ambient, dialogues, responses, and even every students...everyone of them looks just come out of reality. Just like what your middle school classmates do in real life, if you had experienced one.
Everything in this drama is also in gray zone, not in black neither white zone of morality, which I really like. Perhaps the most ground-breaking feature of the drama is its way to deliver its message to the masses. Like I mentioned before, this drama does not rely on overused cliches- something like the teacher saying moral message very straightly and everyone cries all the sudden. Middle school kids need logical explanations, and this drama provides and delivers it in good manners. You might be offended by opinions by characters (usually by Mr. Suzuki himself) in this drama, but that's what this drama made for. You will see, the students are becoming more and more open-minded to criticism and others' opinion, and eventually gradually become better person.
Technical-wise, this drama also triumphantly awesome. Hasegawa portrays Mr. Suzuki, the imperfect but smart teacher very well. In fact, this is his best performance so far. The kids are also very well picked. It's not surprising many of the Suzuki alumni become involved in many good coming-of-age shows like this. I'm hoping the kids get their well-deserved breaks, since they are really good. I also enjoy the opening, as well as its soundtrack. They really represent what this drama is all about.
If you identify yourself as a J-drama enthusiast, I urge you to watch this drama. Finally, all of those explanation enough to warrant this show a must watch.
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This review may contain spoilers
While the first part focused on the set up, characters and politics; the second part went straight to the battle itself. This film is made as a package so you simply can’t watch one and ignore the other. They’re strongly attached in a way that makes them feel inseparable.I will skip the history in this review, I wrote about it in the first part and any extra historical information that I give in this film would be considered a spoiler for those who aren’t familiar with history. But let me just make something clear, John Woo didn’t exactly follow history. He changed many events for the favor of his storytelling, so the outcome and some facts can be misleading for those who want to take this as an accurate “historical reference”.
Red Cliff 2 is all about war and everyone knows that everything is allowed in war; whether be it contaminating the enemy’s camp with deadly contagious diseases, using the enemy’s spies against them or burning down the Navy. That’s war, it’s ugly and everyone loses at the end, the deadly battles and the horrible truth are definitely there. However, that’s not all what war in John Woo’s film is all about. There’s more to tell through the splendid battle scenes.
The heart and soul of this film is the epic battle of the Red Cliff that marks one of the greatest wars in Asian history whether because of the number of soldiers involved or the smart distinguished generals who were leading armies. It’s 800,000 against 50,000; the first is led by the outrageous yet politically clever Cao Cao and the other is headed by the combination of Sun Quan and Liu Bei with the magnificent aid of the intelligent Zhuge Liang and Zhou Yu. The battle was all about tactics and strategists where the two advisors play an important role at confronting a huge army. The famous 36 Stratagems and 'Borrowing the arrows using the scarecrows' are one of the greatest psychological war techniques I ever read about in history and John Woo did an superb job by making them come to life.
The amazing strategies aren’t the only thing that clicked about this film; there’s also the astonishing portrayal of battles scenes, the blood spilling, the wonderfully made fire scenes and most of all the emotions and the reactions of characters’ involvements.
In this part, there’s no further explanation of actors; I already made everything clear about their amazing job in the first part. As for characters, I still insist on the over-use of the female characters, they weren’t only all over the place but they also were historically wrong.
The other characters’ developments were well-noticed between the first and the second part. We get to see more impressive sides of historical heroes especially Zhuge Liang and Zhou Yu.
This film’s cinematography was stunning. The visuals, colors and the sceneries were well-fitting for an remarkable piece of Chinese war epic.
Now, if I speak about the film as a whole; I would say it’s one of the best war strategy films ever made and absolutely one of John Woo’s better works. This is not a sequel; it’s a second half of the same film so you should understand that this is supposed to be watched as a whole. Do not see the American or the European cut versions; you should search for the original release of the two films or you won’t be able to feel the whole magic.
Watch this if:
-You saw the first Red Cliff because they’re inseparable.
-You like war films or John Woo’s HK works.
-You like strategy films.
Do not watch if:
-You’re expecting a historical documentary where everything is accurate.
-You do not like war films.
Red Cliff 2 is the second part of an amazing Chinese film that deals with the famous “Three Kingdoms” epic displaying the Red Cliff battle with all of its spectacular strategies and tactics.
Red Cliff as a whole is one of the better films’ that successfully demonstrated the art of war.
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one of the best afternoons I've had in a while
At first it feels a little weird, ngl. BUT, HEAR ME OUT, it's actually really really good. There's a lot of time-jumps and it's gonna come off as stressing but once you get used to them it's the coolest thing ever, specially because the two mains didn't even know each other, it's through time-jumps and side characters that you see how their stories intertwine. I loved the coloring as well! if it had more soundtracks I would give it a 10 tbh, because it made me laugh so many times and the characters' interactions are mostly wholesome stuff.Was this review helpful to you?
The story, first of all, what the heck is it? Like it doesn’t make any sense. The idea was interesting, but the execution is plain bad and boring. There’s no logic to some of the characters actions and what they say, and I’m like what. And this is noted as a rom-com, yet the romance isn’t the greatest in terms of buildup, it just kinda happens. So the chemistry felt off the entire time. And the comedy is the most forced thing ever with many supporting characters just overacting. I feel like the writer should have focused more on the leads slowly functioning in society and a better love story, you know. But whatever, I guess.
Also the characters aren’t memorable.
Dongchan is like bread. White bread. The plain and dry kind. He’s flat out boring and Changwook could’ve done so much better. Though, I do have to say, Miran does have a more interesting personality and she’s got her goals, but I’m still amazed in how she fell in love with Dongchan. Tsk, tsk. What did she see in him???? Probably his handsome face, because same.
The supporting characters were mostly boring, annoying, or hold nothing to the plot. From the villain to the producer to Miran’s ex.
Some scenes I liked though, were some heartwarming moments like Namtae and Miran reuniting. And the transition from the older to younger counterpart.
But my emotional connection with any major character was nonexistent.
I knew I shouldn’t trust this writer considering a certain disaster I disliked. I’m sad to see this as Changwook’s comeback drama. Such a waste of talent of this cast. Ugh. But maybe watch it if you like the actor/actress A LOT, the kisses, the uhh.. Uhhhh… uh.
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"It was love at first sight, at last sight, at ever and ever sight."
Road Home is not your typical Cdrama, where you expect to see the most unexpected of them all.In essence, it's just a melodramatic, feel-good, piece-of-life sort of drama. Be prepared to see lots of romantic scenes, Kisses, hugs, long gazes, beautiful locations, and most importantly; how to LOVE and LIVE at the same time.
Plot summary:
This drama is focused on First love. Two youngsters fell in love at first sight and broke up due to fate's plan. Seems simple and predictable at times, yet they take you on a journey of self-discovery and healing. How to grow up and cultivate the love you once lost. It's mature, warm, and heartwrenching at times; yet you will enjoy every single minute of it. Be ready to see flashback scenes and the younger versions of the leads and their interactions.
First Impression:
The drama starts pretty simply as the plot suggests. The pacing is decent, since the leads find each other rather unexpectedly and reconnect because they want to! There is no hatred felt from both side unlike what we see in Asian dramas mostly. From the first episode, you can feel their longing and desire. It's like they are destined to set foot in each other's lives once again.
As the story progresses, there are minimum complications, and no cringe-worthy scenes ( except a few scenes where the leads are cut and can't communicate well). There are no jealous exes or love triangles to mess up the drama. Just sit back and enjoy watching two long-lost, lovey-dovey human beings. However, the ML is a SWAT member, as a result, there are scenes exhibiting his life and work by himself.
Acting:
It was my first time seeing Seven Tan in a drama and I dare say I was impressed. She plays her character so well. You can easily see her development from a teenager to an adult through the course of this drama. She suffers in her childhood as it's depicted through the flashbacks and develops into an independent woman who wants to love and settle down. She expresses her feelings and desires fully and Gui Xiao makes you believe in love if you don't already lol
Jing Boran aka the Male lead Lu Chen. The heartthrob of this drama. I wanna applaud his acting in this drama. It's hard to deliver a rather tough and broken character in a drama, and i must say JBR did a wonderful job delivering a police officer's employment and love life. Not to mention depicting affection and brewing loving chemistry with Seven Tan.
In essence, he is just a simple guy who doesn't talk much but just look at the way his eyes and body move. That is another level of acting in my opinion. Some simply watched the drama for his good looks, Well, you're not alone!
All other actors involved in this drama deserve kudos. Everyone played their respective roles in alignment with the story and this is what makes the drama interesting in my opinion.( A special kudos to the kiddo who plays Qin Xiaonan)
Writing:
This drama is based on a romance novel and the Author is also involved in script writing of this drama, which is a great contribution. I haven't personally read the novel, yet those who have had before mentioned that this drama is closely following the novel's footsteps and we are not deviating much from the novel ( as the novel readers say, the drama followed the novel closely. so if you see things missing or don't make sense, the original book is the same). As a result, the author's presence had a great effect on the script and character development.
Yet again, the only downside was that the second lead had minimum screen time and their relationship was kinda rushed. So we are mostly focused on the main leads.
Production and cinematography:
If you have watched Cdramas before, you are fully aware that their production system is a bit different( In terms of using CGI and dubbing voices, however, in this drama the actors' original voices were used) But this drama uses beautiful locations and picturesque scenery. We see a variety of locations and buildings, camps and bases, and cities too!( not to mention the tents and camps they showed us!)
The episodes that are shot in Qining are the best of them all, which adds to the value of this drama. If you watch the drama, you realize the importance of this magnificent place for the lead's destiny.
Music:
The selection of music is a bit limited, however, the background classical pieces used in different scenes definitely bring about good vibes.
I just want to mention that if you're a romantic and die for romantic dramas with the least complications and cringe, and at the same time crave romantic scenes and beautiful chemistry, be sure to check this drama. It's a solid 10/10. highly recommended.
And another side note. Some did not like this drama. Understandable! Not every drama made in dramaland is aimed to satisfy everyone. But this drama is not at ALL lame and bland. It's designed for a more mature audience who wants to see something realistic and romantic.
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