1This review may contain spoilers
Slow-Burn Pining Into Wildfire, Great Through Ep 6.
Spoilers only at bottom of review. 8 Episodes total. Finished series & updated review 10/15/23.I'm conflicted on how to rate this because Ep 2 through 6 are great, very enjoyable, and I would easily rate a 9/10. I know I'll re-watch them multiple times. But Ep 7 & 8 are cringy for multiple reasons and I would rate them a 4/10. Such a disappointment. Still, I loved most of the main couple's story so much that I've decided on 8/10 as my overall rating. When I watch again, I will likely either stop after the first scene in Ep 7, or skip to the 2nd half of Ep 8 to finish. In Ep 7 & 8 there's a good amount of affectionate skinship and a couple of emotionally charged kisses, so you could fast-forward the rest if you can't stand it.
Wonderful acting by the two leads, decent plot Ep 1-6 but ridiculous plot Ep 7-8, smooth-flowing dialogue *until Ep 7, some lovely cinematography, okay music, meh side characters.
The first episode is a bit overly goofy, and though it did get a few chuckles out of me, I was glad to see that toned down in the second episode as the character interactions and emotions became the focus.
The actors playing Yang and Phumjai are fantastic. There are a lot of sweet moments between the characters and the actor's chemistry is palpable, like magnets. They both also really nail the nuances of overlapping feelings; puting on a certain mask to others while the character's true emotions are just under the surface and still visible for the audience to see. Their chemistry and the way they interact with each other quickly drew me in and got my emotions invested. Their characters and the way they act them are my favorite thing about this series.
The friend Tag and the girl Tammy are acted well and feel like real people. I especially like how Tammy is written; I didn't like her character at first but her actions and communication skills won me over.
The brother is not acted or written well, he feels like the weak link, though his character gets slightly more likeable by the end. The other side characters are more like caricatures; over-the-top and lacking depth. Because the series is only 8 episodes, I was okay that they didn't spend a lot of time rounding these people out in Ep 1-6. But then Ep 7 & 8 relied on them more heavily and the simplistic writing and acting got annoying (especially in situations that were supposed to be serious and dire).
There are some beautiful shots utilizing space and lighting that, to me, underscored the bitter-sweet lonliness of pining. The feeling of being a part from others as you hold your thoughts to yourself.
Sometimes the background music was good, but at other times it did not fit the mood of scenes well (for example, positive major chords being played during an emotionally sad moment). It's probably not obvious enough to bug most people, but it distracted me from scenes a couple of times.
GENERAL SPOILERS:
The intimate scene at the end of Ep 6 had a similar feeling to Love In The Air nc-17 scenes, and I learned it had a similar approach: the actors improvised the scene as their characters (except for a couple of lines). It is BOTH emotional and hot, the best combination in my opinion. It feels very real. And this scene will be memorable for a couple of reasons, you'll see ;)
Ep 7 & 8: Ugh, what a way to unravel the magic. The writers, director, editors, and most of the actors created a muddled mess. There was obvious confusion about what mood/tone was the goal. On one hand, there's a very serious situation, on the other, the side characters continue their over-acted comic relief. Things that were supposed to be serious were undermined by lightheartedness or ridiculousness, and what were supposed to be feel-good moments or humorous were not because they were poorly done (& poorly timed) and ridiculous. Tension is completely disolved.
!SPECIFIC SPOILERS!:
Further frustrations with Ep 7 & 8 (I just needed to vent):
Why is it that in most BLs calling the police (or for an ambulance) is treated like an afterthought? You think you're boyfriend is kidnapped and you call and wait for your brother, your employees, and your friend to show up and ask "what should I do?"? This is so obviously unrealistic it's just lazy writing for plot contrivance trying to wring our emotions.
The older brother didn't have any savings of his own to help out instead of "being a hostage"? And neither of the brothers thought to ask their very weathly parents for a loan (instead of one of their sons being a hostage)? Get real. If the situation was as dire as the script pretends it is, something could have been worked out with the loving, supportive parents.
The creditor goes from being set up as a scary mob-like antagonist (though this is not pulled off well), to a waffling basic business man. A dire situation spearheaded by a buffoon lowers the stakes and can't hold tension (or the audiences attention).
The completely unnecessary and eye-rolling cliche of the discovery of a young childhood connection. Thankfully, it was brief and didn't have an impact on the story.
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The complexity of the plot coupled with the controversial themes set against a backdrop of historic events made it a compelling film to behold. The beauty of this film lies in its hauntingly terrifying realism that most people don't usually think about, the thought of cultures evolving in such a brutally fast way while we all struggle to keep our problems under control not noticing how the rest of the world changes so drastically around us, makes this movie one of the best social commentaries ever filmed.
Created in 1993 it might appear old-fashioned in form for those who are used to today's blockbuster films but it is certainly modern in psychological dynamics, it’s a film that you can lose yourself in, one that washes over you like a pleasant nostalgic memory.
Its beautiful cinematography combined with powerful symbolism certainly deserves all of the awards it earned, masterfully crafted each scene is so poignant and engaging you don't even realize you're holding your breath while watching it. And despite the film’s length reaching almost three hours, Chen Kaige (director) certainly cannot be accused of it being draggy or slow-moving. The pace snowballs towards the last hour, with 30 years of history compacted into its final sixty minutes.
A few words must be spent on the quality of the acting, for both the adult and child cast, which was immaculate. Leslie Cheung once again showing us how versatile he truly was.
Our protagonist Dieyi is easily one of the most relatable characters, going through endless tragedy our little concubine delivers an iconic show for everybody to see. Witnessing the dark behavior of human nature through this film can only make you empathize with the people who suffered from countless hardships and misfortune.
The political dimension of the film, its social commentary and its relevance for today, where questions of how can one still put on makeup and play-act when war was breaking out the following day, gives us pause to reflect.
Despite (ironically) being initially banned in China but shown to international acclaim such as' Cannes & The New York Film Festival, Farewell My Concubine is a motion picture experience that only a few will soon forget after giving it a try.
For me, this film represents beauty in its purest form, a masterpiece that stands the test of time.
I will give this movie a full 10/10 .
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The winds of change.
This slow paced suspense thriller by the director of The Bad Kids is told with such dry humor and irony that it initially conceals the story's intense, almost unbearable pathos. It is about how the irresistible force of the winds of change profoundly affects the lives of two generations of Hualin. Hualin is a fictional Northeastern town where the entire economy was built around a state owned enterprise, Huagang Steel, which is said to be modelled on either Angang Steel or Benxi Steel. The mill employs most of the town in some capacity and runs everything from its schools to its hospitals. This economic model collapsed in the late 1990s, displacing hundreds of thousands of workers across China. Towns like Hualin, where one enterprise comprised practically the entire economy were particularly hard hit.The drama opens in 2016, where the main protagonist Wang Xiang, an irascible old taxi driver helps his brother-in-law Gong Biao hunt down scammers who tried to knock off his taxi medallion. They rope in Ma Desheng, a retired disillusioned cop turned ballroom dancer to aid them. Their determined, bungling poking around results in a murder that Wang Xiang insists must be linked to a cold dismemberment case at the mill that they had investigated almost two decades ago. This takes them back to 1997/1998, which was a turning point in all three lives that they survived but never quite recovered from.
Fan Wei's portrayal of the older Wang Xiang's grief frozen expression and his glittering angry sad gaze is brilliant and evocative. I almost couldn't see Qin Hao in middle-aged Gong Biao, who still somehow manages to hang on to that optimism and naivete of youth. And Chen Minghao never fails to impress with his ability to combine comedy with tragedy - his ballroom dancing left me speechless! I enjoyed the chemistry and rapport of the older cast immensely. Only veteran actors of this caliber are able to stay in character and wear the passage of time and hardship through multi-decade transformations so effortlessly. In the present, they are shadows of their former selves, displaced by the reform and changes that swept across China as it opened up to change. I am surprised by how candid this drama is about how these economic reforms did not benefit everybody.
Back in 1997, the three friends are in their prime. Wang Xiang is the important train driver that transports raw materials to the mill; Gong Biao is a rare young college graduate groomed to advance in the mill's senior management; and Ma Desheng is a hot shot detective in charge of shocking murders that shook the town. The young Wang Yang sees the writing on the wall with respect to the mill's future and resists his father's efforts to help him secure a position there, seeking employment in the nascent and seedier private sector instead. There he becomes fast friends with Shen Mo and Fu Weijun. Unlike the older generation who are still in denial, this youthful trio are quicker to accept and adapt to the rapidly changing environment. The bond of their friendship is just as strong and as real as that of their elders. The younger cast impressively hold their own well up against the veterans. This has to be Li Gengxi's best, least petulant portrayal but I still find her to be the weakest link in the cast overall. While her performance was quite good, I did not like or empathise with her Shen Mo the way I felt compelled by and rooted for both Wang Yang (lLiu Yitei) and Fu Weijun (Jiang Qiming).
In terms of the mystery plot, it is very well designed with a few good twists but is overall straightforward and easy to understand. The clues are intriguing and well planted early on and an outline of what happened emerges at a slow but riveting pace. When all is revealed, everything fits together and makes sense. It is true that this drama is a much bigger story than the mystery itself but the unravelling of the case is the centrepiece that pulls the sub-plots and narrative that spans two decades together. It is a very dark story that unfolds during a time of inescapable change that everyone is helpless up against. At the same time, they go through some utterly devastating events. The passage of time doesn't dull anything; in fact to them decades later it is still as if it all happened just yesterday. Poor Wang Xiang and to a lesser extent, his buddies are in limbo, suspended in this dreadful, long autumn. The drama tries to end with closure followed by a positive epiphany; to move forward and not look back 往前走/wǎng qián zǒu. Yet I can't shake the overwhelming sense of how beautiful but quietly helpless and tragic this story is. Not everyone will be able to understand or relate to the late 1990s backdrop or enjoy the slow pace but for me this is the best drama I have watched this year (as of May 2023). I rate it 9.5/10:0.
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When is a woman beautiful? When is she not (anymore)? What does it mean for love? For work?
"She was Pretty" is a true story, so they say. It's about love - of course. The first love, too. And about being a woman in South Korea. When is a woman beautiful? And when is she not (anymore)? And what does that mean for her then? For love? For work? For social life? For your self-esteem?That's what this KDrama is about.
Wanting to be beautiful as a woman is widespread. Needing to be beautiful as a woman is deeply Korean. In hardly any other country do women spend so much time on skin care and make-up. Impeccability of the personality is reflected (in the South Korean self-image) in the form of pure skin and so facial care is part of a comprehensive ideal of beauty. The KBeauty industry supplies innovative products for this. In Germany, there are an average of three to five care steps that women use for their facial care. South Korea has become known for its "10-step Korean Skincare Routine", which (should) lead to a flawless porcelain complexion in lengthy and loving detail work.
In my experience, series that deal supposedly critically with ideals of beauty, bullying based on appearance, discrimination based on aesthetic value judgments and norms tend to have a hard time. They can't really be critical since their sponsors often come from the KBeauty industry... And they can rarely present an "ugly", "repulsive" character as a protagonist if they want the viewer to identify with it and actually watch the series. The subject calls for compromises before the story can even be thought through, let alone be told. Most of the time, this results in a transformation process for the protagonist: she transforms into a beauty that men and women can no longer overlook, and as a result she at last gains (now well deserved) self-esteem.
That's why I'm not a fan of this type of series. Even if the actresses are usually very committed, perhaps because the topic is so important to them. But the story can't help it... In the end, the solution is the transformation - the ugly duckling blossoms into a pretty woman and thus causes plenty of "Aha!". That doesn't convince me personally, because the core of the problem is rarely shaken, at most it is touched on the shell.
Accordingly, "She was Pretty" is not among my favorite series. Still I like it. Why? After all, there is the male character of Shin-hyuk. He's a great guy, he's good-looking, he's got what it takes - but he doesn't act like the norm. He takes a close look behind the facades and encounters the human in the woman, not the image of the woman. And falls in love with the woman as she is (before some kind of transformation). I think we need more role models like this. In "She was Pretty" at least there is one. It's encouraging and also fun to watch Shin-huyk (refreshingly played by Choi Si-won) in his encounters with the 'Ugly Duckling'.
Of course, ugly is relative in this KDrama as always. The protagonist, Kim Hye-jin, was once one of the prettiest girls in her class and totally hip. However, she has inherited her father's skin, which is characterized by a noticeable redness in the cheek area. Also, her hair is naturally frizzy. Although this might disturb the eye of the South Korean viewers, it is actually nothing that cannot be remedied with a few interventions, if a woman wanted to. Hye-jin just doesn't want to. To her it's not worth it (also in monetary terms). Yet that's how she offends people and makes social life and professional life difficult.
She compensates for her flaws (and thus her lack of value as a woman) through hard work. At the same time, she and her goodwill constantly invite others to have her be exploited. There's a memorable scene in which she takes on the new job with a competitor. Her co-worker is what you might call pretty (at least she's done a lot to be). As a reward, she is given permission to manicure her nails during working hours and to work rather slowly (if at all). Hye-jin, on the other hand, is passed around, pushed and insulted. The ideal of beauty for women - beyond performance - thus influences hierarchies in the working world. Unfortunately for South Korea this is a widespread status quo.
With Hwang Jung-eum and Choi Si-won being in a cheerful mood and providing plenty of fun in the midst of the actually less funny social conditions, the KDrama becomes worth seeing. The exalted editor-in-chief of the lifestyle magazine, who changes her hair color and her outfit with the hour and constantly recites from Italian operas, also ensures a good mood.
Ah, yes, this Kdrama is first of all a rom(ance) with some com(edy) in search of a happy ending. Some things may be predictable, but some are not.
As far as the beauty-topic ist concerned: It´s never too far from the norm, but some socially critical echoes could still be sprinkled nonchalantly throughout the course of the story. ...Humor paves the way for serious messages...
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No smiling matter.
Ye Pingan must be a witch. So whisper the common folk of Chang'an uneasily amongst themselves. Her medical practices are eyed with disdain by the ruthless and ambitious young magistrate Yuan Shaocheng. When she finds herself entangled in a murder, he investigates her unsparingly. To his chagrin, she manages to stay one step ahead of him. They are both complicated characters with dark histories and hidden agendas. They fall into an uneasy alliance where they use each other and inevitably start to uncover each other's secrets. The story is set in treacherous times during the reign of Empress Wu and at the pinnacle of the power struggle between the Li faction and the Wu faction. They are both mere ants caught in the crosshairs between powerful stakeholders. Thus their interests don't always align and they find themselves at times on opposite sides.This is a well paced, suspenseful plot-driven story pitting two smart protagonists, at times for and at times against each other. There are conspiracies within conspiracies that reveal an abominable, heart-wrenching secret that Ye Pingan vows to expose. The subject matter is no smiling matter; it is an unflinching depiction of the vilest form of abuse of the powerful against the defenseless. It is ironic that during the only time a woman ruled the world in Chinese history where at the upper echelons, women are as powerful and capable as men, at the bottom of the social strata they are weak and unspeakably abused. Led by Ye Pingan, the victims refused to roll over and play dead. Instead, they make terrible sacrifices to seek redress for what happened to them against practically untouchable antagonists. The way these damaged women bond and joy from their friendship and common purpose is the heart of the drama.
While there is undeniable romantic tension between them, Pingan and Shaocheng's relationship is more of a side story as they are both committed to causes that are larger than themselves. Even though I am normally not a fan of either Liu Shishi or Dou Xiao's acting, they are both well cast in their roles here and deliver mature and nuanced portrayals. Liu Shishi's taut, impassive expression and her cold, bright-eyed glare perfectly captures an avenging angel with just a hint of inner trauma. And Dou Xiao is the consummate ruthless, grey character who could be friend or foe... as long as he keeps his pearly whites hidden. Thankfully the somber tone of the story only allowed him to traumatize me twice with that killer 1,000 MW preternaturally white, extra toothy smile. That said, I found it hard to root for either of the leads. While I like that they are rather amoral characters who are in it to win it, they fight for other people. I find characters like Ni Chang or Wu Ankang who also know how and when to fight for themselves or when to walk away to be wiser and more relatable.
While I enjoyed the many twists and how the reveals build upon one another, the sub-plot arcs all follow the same formula so after the second arc, the reversals are predictable and anti-climatic. Nonetheless the drama held my interest to the end because of the entrance of the yummy Zheng Yecheng who delivers some exciting fight scenes. Not to mention I always enjoy dramas set during Wu Tzetian's reign and Chen Jin pulls off the role with gravitas and charisma. What I do not like is how these kinds of stories never fail to end without a dire message about the dangers of an over-ambitious woman.
Overall a sober story about lives lost in the name of vengeance and atonement, both ultimately hollow goals. Its a pretty good watch even though there really is nothing feel good about the story. I rate it 7.5/10.0.
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Golden Cross can be divided into two parts: Before episode 15 and after episode 15. The first part was gripping; events kept getting more intense with each minute passing by, the revenge built up was going smoothly, the characters were more rational and interesting to follow. Prior to episode 15, most of things were impressive; I even called it a high-class piece and one of the most underrated currently airing dramas but I guess too much arrogance crushed my dreams to select this as the best K-drama of the year.
After episode 15, everything started to fall apart drastically; the plot lost focus and the story took a dangerous turn. The drama went forward and backward leading all wrong directions without finding its right balance. A certain twist ruined it all for me, I am very disappointed with the writer-nim; she was the woman who wrote a fabulous drama like The Bridal Mask so I thought that she can handle an economical revenge thriller in a better way than this. The woman just couldn’t keep the drama going for 20 hours. I think the right length for this drama should’ve been 16 episodes, if it ended right there; then things would’ve been great.
You simply cannot hate a drama because of five disastrous episodes; but it really depends on thir location in the drama’s airing plan; if these episodes were at the beginning, at the middle or came in separately then the viewer could be lenient but delivering those types of episodes at the end back to back is unforgivable. It’s a fact that the latter episodes of each drama tend to be the most important ones so yeah, it’s absolutely intolerable.
The acting was high-class; there were absolutely mesmerizing and well-chosen actors for this one. You can’t say “no” to Kim Kang Woo’s penetrating acting, Jung Bo Seok’s veteran style, Uhm Ki Joon’s charismatic skills and all other actors’ dedication to their roles. I loved the 100% idol-free main cast; they simply open your appetite for real acting. The characters on the other hand weren’t all appealing. For instance; the female department suffered so badly from laid-back characters without much changes or depth.
The music and cinematography for this one were nice but forgettable; they didn’t add too much impact on the story.
Watch if:
-You’re hardcore fan of revenge dramas.
-You like idol-free dramas.
Do not watch if:
-You’re looking for mind games and mental war.
-You’re looking for a masterpiece out of the revenge theme.
-You’re looking for romance.
Golden Cross was an amazing drama up until episode 15 when everything started heading to the wrong direction. I didn’t hate it but it’s a shame since this drama held too much potentials to become one of the better K-dramas of the year.
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This review may contain spoilers
This drama was very enjoyable. The female lead is 29 years old, divorced and has a child. The male lead is 23 years old. Male lead is a ceo of a beauty company. Female lead divorced her cheating husband and needs to find a job to get the rights of her child back. She becomes the personal assistant of the main lead. At first they are bickering but slowly they fall in love. I like the female lead because she is smart and thinks quickly off her brain, she doesn't let a failed marriage get to her. She strives to do the best at her work and takes good care of the male lead. The main lead at times can be child like but has time where he is very manly too. ( he looks very young...) Their real life age is the same as in the drama btw :) The male lead had a traumatic childhood which causes him to faint/ lose breath if lights are shut off. I really like the female lead and her best friend's friendship. They are there to support each other through the highs and lows. I wasn't as fond of the best friend and the second male lead's love story because it was kind of stick, lol at least they have a happy ending.
The chemistry between the female and male lead is good too. After they fall in love with each other , there are many sweet moments shared ( kissing scenes >_<). I feel that 16 episodes was the perfect amount of episodes, so that it didnt get draggy. I also liked that they acknowledge each others feeling pretty early on, not like some where they save it for the end. of course their love has some ups and downs ( i'll let you watch that part yourself).
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Watching the first few episodes- I fell in love. It was heartwarming, cute and refreshing. It was able to reeled me in (despite the terrible animation editing, it was painfully cheesy). This was mainly due to the acting of the younger actors. The younger cast was amazing!. They were able to portray the true feelings of innocent young love (if that makes sense). Their acting made you never want them to grow up. It was a sweet cute love, and the actors really had chemistry.
Moving forward to the older main cast, I was worried they weren't going to be able to portray the feelings the younger cast did, but they did. The older cast had great chemistry, I could feel the love, (although there was a lack of kissing scenes).
The story was great at first, but as it developed, it became mostly predictable. There was also a constant battle of I-have-to-give-you-up-in-order-for-you-to-be-happy-because-you-deserve-better situation between Soo-Wan and Dong-Joo that became really tedious.
(Side note: Although there is a lot of people who have became annoyed with Ku-Hye-Sun in this drama, it's not her acting that was bad, she acted upon script written by the writers. She tried to portray her character, which was perfect and annoying at the same time. It's not her fault, her crying scenes were on point.)
I enjoyed parts where there was cheerful interaction between the main characters, or scenes with Dong-Joo and the father. I also really loved the side stories with Teddy, Ellie, etc. It was more interesting to watch the side stories with the 119 team.
You might have to push yourself through "evil" parts, it gets boring and skipping is an option!
Overall, it was an enjoyable drama, it wasn't a waste of my time, but I did wish it was shorter. This drama had a good concept and story and all, but the directors did a poor job of executing it. It could've been paced a bit faster, and there were some unnecessary scenes. I DEMAND MORE KISSING SCENES. Other than that, it's an okay drama. The casting was perfect, and the music was refreshing and catchy. The directing needs improvement.
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War of Faith: Best Financial Espionage Drama
History would tell us that Shanghai in the 1930s was, to say the least, wild. In the midst of all of this, enters a poor young man named Wei Ruolai, played by Wang Yibo. Wei Ruolai has little to no money, came from a province controlled by the communist party, and was having a hard time receiving his diploma. It's a recipe for a bleak future. But with grit, determination, and his genius brain, he managed to secure a place at the Central Bank and work alongside distinguished officials like Shen Tunan, played by Wang Yang. Here begins the gripping story of Wei Ruolai finding his faith and fighting for it. No matter the cost.To be completely honest, I am a fan of Wang Yibo. His acting has been improving rapidly and all his films released in 2023 were a massive success so naturally, I was looking forward to this drama. However, I was not expecting to get so much out of this than I actually did. Republican era drama is my least favorite genre in dramaland. It's suit porn but I think this genre is the least famous internationally for a reason and my username is what it is, also for a reason (LOL), I watch romcoms and healing dramas! It's a finance drama set in the 1930s-- how riveting could it be to watch people talk numbers, right? Boyyyyy, was I so wrong!
The story is told in the ML's POV. Viewers get taken along his journey of finding his place in the world, finding confidence in himself, and finding his passion only to lose them all. He goes through a series of pain, heartaches, and grief-- and in the midst of it finds his true faith and his true passion. We see the ML transform several times throughout this drama. Through this journey, viewers also get shown the world of finance during the troubled times of the 1930s. We see how finance plays such a huge role in war and economics. We see people's greed. We see how innocent people get sacrificed, and we see how the government can turn a blind eye.
The series in itself is very action-packed. There is no dull moment and the story keeps moving very rapidly. A lot happens in the first 4 episodes to set-up the drama but everything that happens in the story has meaning. No fillers. It's 38 episodes but it is very fast-paced without sacrificing compelling and complex storylines. Every episode makes you want to watch more. I was watching earnestly and the foreshadowing in this drama is so smooth and clean that I probably missed some tiny details along the way. I'm already excited to rewatch this drama now that I know what I'm looking for!
This is an original IP so my hat is off to the screenwriter and the director for creating such a marvelous piece of art in television. The cinematography in this drama is also of high quality that is rarely seen in c-ent. It felt like watching a movie, and despite the 2.5 weeks of airtime, I wish the story goes on. I want to see more.
The casting of this drama is also top-notch. No holes anywhere. Everyone down to the little girl acted so incredibly well. Wang Yibo was such a star in this production and it is his best acting to date! Wang Yibo's Wei Ruolai feels so incredibly human and real. He conveys very complex emotions with his eyes and his face. His performance is so captivating because of the precision and nuance he gives the character. You can feel through the screen every single thing that Wei Ruolai feels throughout the drama-- and to be honest, it was a lot to handle!!! This drama also spanned 6 years and many transformations for Wang Yibo's character and if you compare his transformations, you can clearly see the contrast between each one. From his starry-eyed full of hope young man, through the disappointments and desperation, and to becoming an integral part of the communist party. Wang Yibo did such a stellar job and as a fan, I am so incredibly proud.
Wang Yang, Li Qin, and the rest of the supporting characters also deserve their flowers. Everyone was captured in such a humanized way that you can feel empathy for every character. You believe everyone's storylines and you get to feel that a lot of the big players in this drama are morally gray. Everybody had their purpose and I was hooked! The storyline and acting did its thing for me. I hated who they wanted me to hate, and cried for the ones they wanted me to cry for. I've never felt a story so real and close to me like this in a very long time. Certainly not in c-dramaland, and not in a Republican era drama. A gem of a find for me is Lan Xiya who played Niu Chunmiao. She was introduced halfway through the story with such a very firecracker of an entrance. I loved Niu Chunmiao as a character and I loved Lan Xiya for her talent in acting. She's so new and young but her ability to act is very high. I'm so impressed with her just as I was impressed with her character. Another treasured character for me is Wei Ruolai's best friend, A'Wen played by Li Weilong. A'Wen allowed us to see many layers to Wei Ruolai so very early on in a drama. Also, special shoutout to Zhang Tianyang's Lin Qiaosong-- he put me through the ringer all 38 episodes!
Lastly, the music. I think all I gotta say is Zhou Shen.
This has been a very long review but if you're still with me, please go watch War Of Faith. It will be worth every second of your time. You can find out how apropos the English title War of Faith is. And if you don't believe how a Republican drama can be so good, check it out yourself! :)
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Is it a Perfect Propose(al)?
This is six-episode, too short, yet too realistic episodes of two people coming together against a world full of expectations and responsibilities. Although I thoroughly enjoyed every moment of it and wished they added just an episode or two (or made the episodes 5 to 10 minutes longer), I’m also afraid doing so would change the dynamics of the story. So, I’m just taking in what is given to us, and just enjoy every minute of it.Did that first paragraph make sense? If you think not, then that’s how this show is, starting with the title, shouldn’t it be "Perfect Proposal"? Somehow, a lot of the things shown in this series doesn’t make sense at all too, yet somehow, we accepted and took pleasure in it. I bet that controversial forced h*nd-j*b hooked a lot of viewers in - but who will not be, if a good-looking guy like Kai is giving it to you?
What I related most was the robotic slave nature of Hirokuni's work. Thats how I was in the real world for almost 2 decades - until I realized it was too late to change things and I’ve already missed out on a lot. Kai wasn’t only a person who needed a place to stay - Kai was also Hiro's saviour. I wish someone had saved me like that 10 or 15 years ago.
Both characters have difficulty expressing in words how they truly feel, and it’s frustrating - but that’s how we are in real life even if we don’t even realize it.
But I’m also afraid the show didn’t show me enough to make me fully understand both their situations. Flashback to their youths are so minimal and too edited, and their individual back stories are almost non-existent, that I feel like I’m just starting to unravel the mystery but never really got to the point of really caring about their characters - it’s a shame cause I feel like I want to care and know more about their individual characters and to know what happened to them as a couple.
With that said, is this a Perfect proposal? Not exactly but watching this still gave me a good feeling inside. Would I recommend this? YES! Will I rewatch? I’m not sure yet, maybe when I get bored in a layover or stuck in traffic. I also have a feeling we are going to see a lot more of these 2 fine actors in their bright future as actors. Giving this an overall score of 8.5
PS. While watching the show, i initially thought Hirokuni was being played by Thailand's Din Teerapat Ruangritkul that I had to look it up after the first episode. Their similarity is uncanny.
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Story: [8.0/10.0]
Age of Youth 2 starts out with the group going on a hilarious little trip to airport to pick up Han Ye Ri. They proceed to get lost and another hilarious encounter ensues. I laughed so much in the first few episodes. Soon Kang Yi Na moves out of the house and the group proceeds to find a new roommate. Soon we see Seo Jang Hoon enter the scene. She initially enters the house to investigate a strange letter. Ooooooo what's going on??? Anyways most of this drama focuses on Song Ji Won trying to investigate what had happened during her childhood. We also Yoon Jin Myung get aquainted with her job. A nice portion of this series revolves around her and her job as well. Of course we see some nice house antics between roommates in this season as well. However, I must admit that I feel like Season 2 took a more darker approach to the story. I really liked Season 1 for it's freshness and how it was very realistic. Season 2 seemed realistic in terms of their college life as well, but the ending was kind of anti-climatic. Maybe it's just me, but I don't really like dark slice-of-life shows. It just makes the show seem like a melodrama.
Acting/Cast: [8.0/10]
Overall I can't say that I really liked or really disliked the acting. It was okay in my opinion. I more so had a probablem with Ryu Hwa Young leaving. Personally I felt like Ryu Hwa Young and her Kang Yi Na character really made this show a lot more funnier and light-hearted as apparently seen with the first few episodes. I felt like the show tried to replace that comedy bit by emphasizing Song Ji Won's sex life (or lack of sex) to make up for it. I wasn't sure if they were trying to make us laugh or not by including those bits, but they definitely weren't funny. Otherwise the acting and cast is pretty consistent compared to the first season.
Music: [8.0/10]
An 8.0 is generally the score I give to most show's music score. I don't usually give 9s or 10s unless the show is a music-based drama that had great music and OSTs.
Rewatch Value: [7.5/10]
Overall this show has middle of the pack rewatch value for me. It'd probably be a long time before I watch this again since I've completed 150+ dramas already (lol I have no social life). I will probably watch the first season again before I watch this one.
All in all, this was a decent follow-up to the first season of Age Youth. I'm sure you all noticed this, but I do have a slight bias to the first season. I honestly always multi task when I'm watching Korean dramas or my anime shows. This often means that I pay less attention to shows if I find them boring. I generally don't watch slice-of-life dramas as well. This show gets a thumbs up because it kept my attention the whole time even though it was a slice-of-life drama. I hope they make a season 3 and that Ryu Hwa Young comes back.
Thanks for reading my review! Please hit the yes button if this review was helpful to you!
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Life is a strange thing; funny and worth living for, as well.
"Be My Dream Family" truly defines what a family should be like despite of difference in opinions & personalities, least communication and distance. I watched this with lots of anticipations after finishing "Once Again" earlier this year and this, for my 2nd Korean soap opera, is very pleasing to me, if not as good as Once Again. Rather it has more realistic elements and less melo stuffs than Once Again.Soap operas with big fat joint family drama, do not have a solid plot development; instead a goal at the end, leading to a happy family life for everyone and this drama is no exception.
Geum Jong Hwa & Kang Mo Ran are in their twilight ages and happen to be single when they meet each other as neighboring business owners. As they hang out with each other, both fall in love so much that decide to marry only after 6 months. Both of them have their big families already but now that they become family, they have a hard row to hoe in order to bring all of them together to one plate. The drama is about the journey of the family members going through various challenges in their personal lives as well as fighting among themselves, until they come to embrace various shades of each individual, finally accepting each orher as their own.
Both the screenwriter and director have done a good job in this drama I swear, it's like developing a perfect partnership. The way the script is interlinked between different scenes and director's editing work upon that are very nice. For 80% of the story, one scene starts with a conversation on the topic upon which the previous scene's conversation had ended. The 120 episode dailysoap might feel a bit slow for the first 10 episodes but it definitely gets better as you watch further. There is almost no background score for majority of the drama but again, that's another feature of Korean daily soaps.
Since soap opera family dramas don't have a solid plot, rather daily live happenings are showcased with an ultimate goal leading towards a happy family life, together, I don't there is much to talk about things. So let me just talk a bit about the characters.
I loved the character development of all the characters...
# Geum Jong Hwa: Lonely, aggressive old man to a loving father.
# Kang Mo Ran: Loves and cares for every single family member and tries her best to bring everyone together despite problems.
# Geum Sang Gu: Naive, jobless, family man to a good businessman. Loving husband & father.
# In Young Hye: Responsible mother & wife who craves love. Becomes close to step-in-laws very fast.
# Geum Sang Gu: Rude, arrogant drama PD to caring son and loving husband.
Oh Min Hee: Ambitious actress coming back to industry after 20 years hiatus. Despite difficulties and public backlash she holds onto things and detrmines to do better. One of the best character development of the drama. Loved the way she changed over episodes.
# Geum Sang Min: Twin daughter. Hardworking yet struggling & dirt broke artist of years. Becomes a better son.
# Geum Min Ah: The 20yo SNU student, hardworking yet stubborn and does things without any thought. The cutest probably.
# Geum In Sol: Twin Son. Another best character development. The 20yo guy was neither studios nor decisive. Clueless with what to choose, he tries various job in order to decide what he wants. Regardless, a very good son to parents who thinks clear and takes care of his family.
# Han Geu Roo: 32yo single, with a closed heart. Protective of her family to a great deal and does a very good job work as an editor.
# Han Da Bal: Widowed, a single mother and an amazing judo artist. Loves her daughter and family a lot but still not open to have another partner.
# Min Ga Eun: Orphaned girl living with sister inlaw's family. Very ambitious at work and works hard. Soft-spoken and bubbly.
# Min Sol: Thoughtful despite of her age, loves her mother a lot, loves to befriend everyone.
# Choi Ji Wan: Divorcee, loving father, an amazing CEO of Aarang Publication. The humblest yet clueless.
# Hyun Shi Woon: Temporary marketing head at Aarang. The friendliest and mood maker. A cupid to many lovers. Loved the way he talked.
# Choi Yi Jae: Very shy kid, stuck between separated parents. Changes a lot by opening up to his father with Da Bal and Min Sol's help.
# Ki Young: Physiotherapist, alcoholic, divorced, friendly yet hard to open up to.
# Im Heon: 20yo brilliant student yet a stupid guy just like his wife, Min Ah. Causes trouble together.
COUPLES:
Jong Hwa & Kang Mo Ran: Married at their twilight years after falling in love. Becomes closer with time. Together, bring the 2 families together.
Sang Baek & Young Hye: Felt in love in highschool, married despite situations, care for each other and together manage their small family. Concerned for their children.
Sang Gu & Min Hee: Fall in love as asst. Dir. and rookie actress, marry after pregnancy. Maintain a bitter relationship but later turn in into a loving couple and embrace each other's flaws.
Sang Min & Ga Eun: Formerly student & teacher, met each other after years as step families. End up staying under the same roof, working together and finally falling in love with each other.
Geu Roo & Shi Woon: With a embarrassing first impression, both avoid each other at work but while helping Geu Roo as a cupid both fall in love unknowingly and faced difficulties to maintain it.
Da Bal & Ji Wan: Both the single parents had to go through various challenges to end up together till the end because of their children , family and situations. It was like contrasting characters attracting each other.
Min Ah & Im Heon: Married at 20 bcs of unexpected pregnancy. The cutest couple, both clueless and immature. Cause trouble for family but decide to do everything for their baby to come.
So many important things anf factors of life at different places like home, education, workplace has been portrayed along with various aspects of life. A number of relationships and their various shades are beautifully represented. I am very glad after watching this drama.
Many other things that's also been thrown light upon are: stress from study, early pregnancy, failed business, family responsibilities, alcoholism, fraudulent, cheating, extramarital affairs, highschool first love, dirty sides of entertainment industry, hatred & online abuse, sincere worker, struggle in performing and creative art sector, atmosphere in publication company, child mental health, divorcee life, widower life, love & care within family, understanding, privacy, concerns, etc.
Ep 100-115 were the peak of the drama where life-changing events happened for most of the characters. It has literally everything summed up and despite many problems, the last 5 episodes ended the drama in a very good way. Loved it.
I am happy I decided to watch it soon, bcs I don't really watch daily soaps (this is my 2nd). This drama brought out all kinda emotions from me and I was laughing, crying, smiling widely, cursing and all through out the drama. This drama is in fact more of a funny comedy and ngl, my laugh has become uglier after watching this TT. Korean daily soaps grow on you no matter how you watch it, ongoing or binging.
PLEASE GO FOR THIS.
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Compared to many other overrated ones, this one had at least good acting for the most part and a interesting storyline.
The directors made the plots twists appear slightly overdramatic when they were not but the story was still very interesting to me.
I really liked how they portrayed the work of judge and the characters were overall very refreshing.
The romance part was not smothering the rest of the story which was GREAT, and I was happy to see a more mature and realistic romance story instead of the usual cheesy cringy stuff between bright girl-cold guy.
In this drama, I was able to see more realistic main leads with more complex personalities.
So I recommend!
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The good:
1) its so easy to watch - its just 6 episodes;
2) Off-Gun, do i need to say more? ;
3) the cats and the dogs, i wish they added more;
4) light hearted and fun.
The bad:
1) cliched story;
2) the never ending thai concept of a straight guy falling for another guy;
Its a good watch when you have about 5 hours to spare. See it while eating your dinner and dont think too much about the plots and loopholes, just enjoy. Will i rewatch the series - maybe, but id probably just skip to the BL parts. Is it awards worthy - hell no! Overall its an 8 for me.
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