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Torments, Melancholy & Emotional Turmoil For The Promise of Forever Peace
Accordingly, the Promise of Chang’an is a remake of the 2002 drama The Epic of Xiao Zhuang which was set in the Qing Dynasty. In the earlier drama, Empress Dowager Xiao Zhuang was in love with a general but forced to marry the general’s brother instead. Her son subsequently succeeded the throne and she continued to help her grandson who later came to be known as the Kangxi Emperor. The Promise of Chang’an draws many parallels from the earlier drama, with the setting in a fictional kingdom and era.As I was pondering the title The Promise of Chang'an, I came to the realization that it has not meant the city Chang'an but its literal meaning as "forever peace" because the city Chang'an has not been a main feature of this drama except a by-passing event when Xiao Chengxu seizes the city. The literal meaning of "forever peace" makes more sense in this context: The Promise of Forever Peace which is the epitome of all the sacrifices Helan Mingyu and Xiao Chengxu have contributed throughout the story. They have sacrificed their whole life in order to achieve peace for the country. The brilliant use of "chang an" here by the writer is applaudable.
This drama is not for the faint of heart. I love historical stories based on real life characters and yet I still find this story depressing as it continues to give the viewers the sense of hopelessness and helplessness. The author has successfully captured all the pains in life as described in the Buddhist seven bitterness: birth, old age, sickness, death, hatred, separation, and yearning. This is a story with convoluted plot, layered storyline, and multi-dimensional characters. Our main characters go through despairs episodes after episodes.
The Promise of Chang’an was made prior to Love and Redemption but only aired after the latter. Therefore, upon completion of Love and Redemption, many viewers (like myself) have come to watch this drama for Cheng Yi, and sure enough, his torments and crying continue. Every episode of this drama is beautifully written and acted, but extremely painful to watch because of the torments our characters have to endure.
The Story
A young princess Helan Mingyu (Zhao Yingjuan) from the northern kingdom meets the young 9th prince, Xiao Chengxu (Cheng Yi) of the Sheng Kingdom, and they fall in love with each other. Hoping to make a name for himself and return to marry Helan Mingyu, Xiao Chengxu goes off to war. Little does he know his brothers want him dead in battle; they set him up to be killed. When news arrives that he’s dead, Helan Mingyu is devastated. At the same time, the Sheng King Xiao Chengrui who is Xiao Chengxu’s older brother, asks for her hand. Out of no choice, she agrees. When Xiao Chengxu makes it back, she’s already become his sister-in-law. Since then for years, the duo endures the pain of lost love, each walking on thin ice every day. The torment is so great that, even as viewers, it is unbearable.
When Xiao Chengxu finds out the truth about the death of his mother and the will of his late father appointing him the heir but stolen from him, he vows revenge and to take back what is rightfully his – the throne and his love. However, time and time, his schemes fail due to various reasons, and he’s saved by Helan Mingyu from death again and again. Deeply, their love for each other never wanes. Things become even more complicated when Helan Mingyu gives birth to the child of Xiao Chengrui who is now the Emperor. When the Emperor dies, he passes the throne to Mingyu’s 6 years old son, Xiao Qiyuan and Xiao Chengxu becomes the regent.
Xiao Chengxu tries to treat Xiao Qiyuan as his own son and groom him to be a wise emperor, but the results are not what he has expected; the little emperor is spoilt rotten by the two dowager empresses and becomes a bratty tyrant. At the turn of events when dethroning his nephew the tyrannical emperor becomes impossible as Mingyu constantly protects her son and plays Xiao Chengxu out, the death of his little brother and friend, Xiao Chengxu loses all hope to continue living.
At this point, most viewers are disgusted by Helan Mingyu’s actions and how she has treated Xiao Chengxu who continues to be a poor lovesick boy. I've been trying to give credit to Helan Mingyu and empathize with her for the actions she has taken in situations that she has no control over. I can feel her predicament: on one hand, she's still in love with Xiao Chengxu and wants to elope with him, on the other hand, she's the mother of the Emperor and she knows if she were to run away with Xiao Chengxu, the country would descend into chaos as the young Emperor is still too naive and gullible, and can be easily manipulated by those who are eyeing at the throne. Giving up the throne is not an option as she knows there would be a lot of bloodshed, including losing all her loved ones. Until the end, Helan Mingyu is still Xiao Chengxu's Achilles’ heels: he would do anything for her, even giving up his own life.
Episode 50 is probably my favorite episode, and yet it's also the saddest. I cry for the painful loss, Xiao Chengxu's selflessness and miserable life. At the same time, it also feels like a stone lifted from the heart; all the knots from the beginning have disappeared after episode 50. Xiao Chengxu maintains his dignity and becomes an immortal. The final chapter has ended, and the epilogue begins. I sigh a sigh of relief.
The Acting
Xiao Chengxu is a very difficult character to portray. On one hand, Cheng Yi has to show his torments to the viewers, on the other hand, these torments have to be hidden from the eyes of those around him, in particular, from the Emperor. As Xiao Chengxu, he grows from a care-free risk-taking youth overnight to a patient, calm, strategic, mature, calculative person when he loses his mother and lover. Xiao Chengxu’s crying at his losses is so painful to watch that viewers cry with him. This is some incredible and brilliant acting and I salute this actor whole heartedly. Cheng Yi is an amazing actor. He has an air of melancholy surrounding him and a poker face which tailor-makes for the Xiao Chengxu character who has to hide his emotions at all times in order to survive the palace politics. Tormented by love and duty, Xiao Chengxu’s emotional turmoil is incredible. His crying really rips the viewers' hearts out. The character is a miserable character living a miserable life. Cheng Yi has successfully brought all these out on the screen for the viewers. Incredible acting!
Helan Mingyu is another difficult character to portray. At the beginning of the drama, many viewers criticize the use of Zhao Yingjuan (aka Sarah Zhao) as Helan Mingyu because she looks too mature for the role. As a 16-17 years old wild girl from the steppes, it is indeed a hard sell; Zhao Yingjuan is very lady-like, gentle and soft. However, as a consort later, she is beautiful, elegant and regal. Still, many viewers are not convinced by her performance complaining that she has few expressions on her face; most of her expressions are either apologetic or indifferent. It’s hard to see her heartache and resignation despite those are supposed to be the situations she's in. Her role also seems confusing. Many viewers conclude that she’s just been very selfish and unlikable. For me, I can feel Helan Mingyu's pain and her resignation. She has to hide all her feelings inside, no matter what. Watching her, I can feel I'm almost exploding with feelings but at the same time, I'd have to exercise self-restraint to suppress those feelings. It's extremely hard to play and Zhao Yingjuan has successfully achieved that.
All other cast members put up equally incredible acting. All the costumes and settings are beautiful, appropriate and believable.
My Verdict
The Promise of Chang'an reminds me why I didn't like to watch historical dramas in the old days, in particular the palace genre. This is because most of these stories are very heart-breaking, portraying all the pains of human life. I have become "braver" in the recent years, consuming historical dramas as soon as they're airing. Most of these are pretty light-hearted. The Promise of Chang'an is one of those once-in-a-blue-moon type - sad, depressing and yet realistic.
This is a heavy drama with a lot of torments and emotional turmoil. It is not recommended for viewers with depression or high blood pressure as the story may make you feel so helpless and hopeless which is indeed a rotten feeling. Having said that, this is a very well written and produced drama. There are no apparent plot holes nor flaws. Everything is tied up properly and concluded plausibly. Most of all, Xiao Qiyuan and Helan Mingyu have both redeemed themselves towards the end. Despite how some viewers have condemned the storyline and how unsatisfactory they feel some of the characters are being written, I have thoroughly enjoyed this drama. For me, this is how a drama should be written, directed and acted. This is a story of forbidden love, regrets and resignation. Power, duty and country take over.
At this end, I've always pondered, is it ever possible for a love like what Chengxu and Mingyu share, after everything that has happened between them, to last for decades till death, and hence how realistic this drama is? And yes, perhaps it does exist. I find the answer in the current British royal family, Prince Charles and Camila Bowles. Their story could be quite an excellent live example. Only that this British couple has a happily-ever-after ending.
Incredible story. Incredible production! TWO THUMBS UP!
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An extraordinary mixture - a fresh, fast-paced breeze, yet profound and multidimensional
"Military Prosecutor Doberman" brings a fresh, fast-paced breeze into the swamp of army power tussle and its entanglements with politics and business. The power tussle in this context is not new per se. But here it is convincing in proven, sophisticated, high-quality KDrama style. The story is critically focusing on the ruthless games of the mighty with honest ordinary people. By the way it is also shaking the noble, idealized concept of family -just a bit in passing by. Yet above all "Military Prosecutor Doberman" is impressively processing, disenchanting and denouncing the often (even without actual front war!) psychologically cruel everyday army life.As I mentioned before, the pace is quite high. There is cool talk and hip people. You´ll get action scenes as well. The soundtrack underlines the story pace with unusual hard beats and metallic sounds. But: nevertheless the KDrama wants to be emotionally profound and multidimensional. In case you consider that an imcompatible mixture, you're wrong. Here it works. And it's excitingly thrilling too.
"Military Prosecutor Doberman" creates an extraordinary blending. There is also a hint of romantic vibes. Just enough to round out the hard edges.
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An entertaining drama for someone who is unfamiliar with the story
First I want to say I'm coming to this drama without prior knowledge of the donhua or novel. So I am coming to this drama with a fresh pair of eyes and no preconceived ideas what the story should be like.I actually very much enjoyed the drama. I was a little worried at first because there was so much complaints from those who have read the source material complaining it wasn't true to the source and I found the first episode was all over the place. I admit almost dropped it after ep1, but by ep 5/6 I was thoroughly enjoying it. So my advice to give it a few eps before making a judgement.
In terms of the story line, it is very much about Tang San's journey to "level up" and the friendships he makes on the way. I found the pacing was good, the acting decent, and good enough character development that I truly cared about each of the main characters. The dynamic of the shrek seven and their head masters had some serious comedic moments that had me laughing out loud. And for all my worries about the ending knowing there was a second season I have to say I was satisfied with how it ended. I found it was a rather natural conclusion (like the end of a chapter) as opposed to something that felt rushed or like the writers didn't sloppily put together, nothing too jarring.
My only real complaint is I didn't really like the audio. Oftentimes there was a lot of unnecessary background noise, or suddenly the actors voices /volume would change. For those Xiao Zhan fans expecting him to sound like his character in the untamed, get ready for a shock! His voice is much deeper here, and it took a little getting used to, but he did do his own dubbing in this drama so that's commendable. And his voice's tone and timber gets way more natural by the midway point (again I blame this more on the sound director).
Overall I found this to be a very enjoyable drama, I hope it gets the greenlight for that season two and they can invite the original actors back. I am looking forward to seeing more of TS and his journey.
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This review may contain spoilers
* SPOILERS AHEAD. READ ONLY IF YOU'VE WATCHED THE SERIES* Things that annoyed me about Innocent Man:
1) The heroine that was used as little more than a beauty prop. The heroine is basically introduced to us as this badass, ruthless businesswoman who's the sole heir to a multi-national company. She is supposed to be a complete WOP, strutting in her high heels donning a zero-fucks-given attitude. And at first, she legit got me shouting, 'That's ma girl!' And, then ofc it all came to an end as soon as the guy walked in. From there onward, started the four-staged transition of our heroine from a boss ass bitch to just another irrelevant not-that-pretty face. Dx
Stage 1: When we realize that all the talk about her supposed badassery was just that, talk. For, when she is given a chance to actually prove her worth; she, despite being a Harvard graduate, famous child prodigy and an all-around genius, spends all her time banging her head against a desk and then, passes out in the garden. Whereas, the hero; a med school drop-out who doesn’t know the ABC of business, freaking flies from another country, learn everything about accounting and marketing on an hour-long phone call with his dumb best friend. And overnight, devises a fool-proof and practical investment plan. Like, m888 pls there's pushing it and then there is freaking bullshitting it to Hades and back. Ofc, all the while the heroine just stared at him; tongue wagging and hearty eyes shining.
Stage 2: Now obv, no-one can resist heartless badboys, so ofc she instantly falls in love with him. He is, unsurprisingly, using her for a revenge scheme against his ex (who's coincidentally also the heroine's step mom/sugar daddy's arm piece who wants to steal all her fortune) and ends up breaking her heart. Just seconds after the breakup, she gets a call that her father is on his death bed and wants her there with him but because she is just so fucking heartbroken, instead of going to her dying father she says fuck my privileged life and deliberately crashes into an oncoming car. (Ofc the car belonged to the hero and both of them then, dab their broken bones into the ICU)
Stage 3: Then came a nice dramatic twist where she loses all her memories 'cause of the car crash -joy- and is quickly transformed into a fragile, wimpy, spineless walking talking sob story who constantly whines about how much of a fragile, wimpy, spineless walking talking sob story she is. Double joy with happy tears on top.
Stage 4: Finally after 5, hour consuming episodes, she gets her memories back. And at this point, I was all pumped up and was like "Okay girl, let's bring the swag back on. This is your time to conquer and get back the billion-dollar company that was rightfully yours and show 'em who's the boss". But alas, I just got a stuck up, self-pitying brat who, instead of bringing her best revenge game just pouted, screamed and walked around with her arms crossed. #RIP Not to mention that after she gets her memories back and she finally remembers all that shit the hero did (he basically ruined her life), all she does is show a lil attitude and even in that duration, half of her thoughts are spent on pining after the dude. #RIPx2
2) The highly unnecessary martyr syndrome:
So at the end, both of our MC's realize that they can't live without each other (shocker), and they run around the city, tryna find the other when at last, their eyes connect over a heavily trafficked road. So, the red signal comes up and while all the other obviously dumb pedestrians rush to cross the road, these two geniuses start their slo-mo jaywalk towards each other. Conveniently, the killer (who wants to stab the heroine and take over her company) arrives just when they're steps away from embracing and then outta nowhere the hero magically lights nitrous under his ass, does a fancy little twirl in the air -where he spins the heroine a full 360 degree, while simultaneously giving her a bear hug- and gets stabbed in her place. BRAVO. I mean, I get that he needed his sixty seconds of stardom but in the time he did all that shit, he coulda just pushed her to the side and saved both of their sorry asses. #AllHailGlory
3) The horribly put together ending.
Like, if you're gonna invest in producing 30 hours of screen-time, the least you could do is film a proper ending. Instead, everything is wrapped up in a measly 15 minutes. We are teleported to seven years later; where apparently, it's the hero's turn to lose all his memories. LMAO. 100% Dead-ass. It is revealed that the accident they were involved in had apparently caused him some brain damage too (just like the heroine) and his surgery caused memory loss. How divine. So, basically, he forgets everything that happened and is now starting over with the heroine in a rural town. WTF.
There is no inkling as to where the multinational company (which was the whole focus of the show) went to. The heroine, who was a billionaire in her own right and was basically built to lead the business, is reduced to a giggling girl who spends her time baking horrible goods at a cheap store (that nobody buys) and not-so-discreetly snapping pictures of the hero. They also show the fail killer walking somewhere out of his own volition (hopefully to jail) and the drama ends with a "Love trumps all" moral.
So yes, Innocent Man does come with its fair share of flaws but it still wrenched a 7.0 rating out of me because even despite all of its ludicrousness, I somehow ended up enjoying the drama. The acting is satisfactory. Not a single episode is boring and it would keep you at the edge of your seat till the end. Even though Eun Chae lost her character half way through the show, she had got me on her side with her personality in the beginning and so I was still cheering her on till the end. Kang Ma Roo also had his moments.
Moon Chae Won and Soon Joong Ki are both good actors and even though they did appear rather blank sometimes, I feel like they played their roles nicely. Won't rewatch it all but I might revisit some of the more interesting scenes in the future. Who knows?
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Reason 1. Jong Hyun Soo/ Dong Ha . The villian in this drama did outstanding job, this is the first time I followed specific character, witch is not the lead with such intencity!He actually was the one who kept my interest to this drama, and the only one who I really wanted to know more about! I just have no words. If he doesn't get an award, it will be final disapointment in SBS after they missed Lee Joon Gi last year!
Reason 2 The office team scenes. I truly enjoyed every single moment of them, they were hilarious and pleasure to watch! Great interaction and chemistry between all cast!
Reason 3 Ji Chang Wook and Choi Tae Joon - and I don't mean just looks, but acting :)
The rest.. I'll just say, starting from the middle of drama there were more and more moments, were I felt bored, except scenes with Jong Hyun Soo... And the worst for me was the last episode.. After great ep 37 and 38, two last ones were just.. well, I would't miss anything if I wouldn't watch them.. And it's a pity, because last episode is the one that leaves final impact from drama, and unfortunatly I felt nothing... But overall there were a lot of moments that I enjoyed, laughed and cared. And all the actors dida great job! It wasn't a bad drama, but it didn't left strong feelings in me...
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One of my favourite contemporary dramas
Rising With The Wind explicitly presents the reality in both the investment and manufacturing industries, and the unruliness that comes with it. It explores the conflict of interest that arises as two people with different nature collides, and also exhibits the difficulty of keeping business and personal life separately.The script writing is compelling. I thoroughly found the dialogues refreshing, and the variety of flawed (or rather dynamic) characters make for a more interesting viewing. The plot knows its theme well and did not go astray into any unnecessary tropes. It gave perfect balance between the following genre: business, romance, and life. The business aspect was intriguing and got me emotionally invested throughout. I enjoyed the flirty banters that the leads had from the beginning, the friendship that they formed while being business partners, and ultimately their seamless progression into being in a relationship. I like the chemistry between the leads, but I had to admit that their relationship was not ideal given their career situation.
What I like most about this show was our heroine (Jiang Hu) and her resiliency. She’s smart, capable, passionate about her work, and true to what she believes in. She’s not someone who puts romance first. She sets her priorities straight and someone who could quickly come back up again after every obstacle. SHE’S A QUEEN!
The performance of the cast was exceptional. I had a bit of a prejudice with Gong Jun after watching him in The Love Equations. But this drama made me a big fan! He nailed his acting as the ruthless investor from BaoXing, while on the other hand giving out the most loving expressions after falling in love with Jiang Hu. The portrayal of Chu Xi as Jiang Hu was also amazing -- her natural acting as a fallen heiress was perfect and made me sympathize with her character throughout.
I love the friendships that were interwoven with the main characters. These supporting characters were not just there to take up some of the screen time. You could see how they were used as emotional support in multiple ways. Not often do we see such healthy family/friendship/platonic relationships be presented in dramaland, so yes this is very much appreciated.
The production quality was above average, and the only problem I had with it (as always with the censorship) was how certain scenes had to be cut, which eventually resulted into awkward scene transitions.
Overall, this has been an addicting watch and 40 episodes seemed like nothing! I could see myself rewatching this again some time in the future.
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Basically this drama is about a women who works at an advertising company as she enters a crossfire of various love interests including her ex-boyfriend. Despite this, it's a hilarious comedy that looks into how she copes with her work and personal life.
The Good
Can I give a huge hug to the writers for not dragging on this drama at all compared to like 99.99% of the other dramas i watched?? Like damn, considering the 20 episodes- one wouldve thought that 'oh no... there must be some dragging on going around' but don't be deceived! Each episode is around 20 min; hence the reason why there are 20 episodes, but there is never a dull moment!
I seriously loved the storyline as everything gets resolved at the end and the main character isn't as annoying as other female leads. The actors and actresses were spot on! I loved their chemistry and their acting as they got along pretty well and portrayed their character well!
The music was fun and light and all the tracks were enjoyable!
The Bad
There's not much to say about the bad- but imho, i think that whenever there was a 'sick' scene where someone is coughing or sneezing- it was very obviously fake and not well done. I would prefer if they could somehow made the sneezing and coughing scenes not as forceful.
Overall? This drama really is good since it's light and not as melodramatic. If you want something to pass time with or something that doesnt make your brain hurt too much, i seriously recommend this drama!
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1Although some people had commented it becomes all stale and boring in the long run, I don’t see that. All I see is Song Hye Kyo and that cute chemistry she had with Rain. The bickering and never ending I-hide-my-feelings-because-I-think-I’m-falling-for-you-now charade is what made me love it more. It was a romantic comedy which made me laugh my ass out and then squirm in the insides for the main character’s cat and dog antics.
I’m starting to like you. You’re starting to like me. BUT we’re SO not going to tell each other about these absurd feelings.
That's the whole concept of the main character's convoluted feelings.
In Full House, it was all fair in love and… eerrr debt? That’s how everything started. A contract (oh what a cliché!) and the jealousy induced acting between strangers. In the story, the ever bright Han Ji-Eun is a wacky lead female which lead to a ridiculous story line. Crazy as her character is, Lee Young-jae is the logical one but eventually becomes irrational when it comes to Ji-Eun.
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Like a refreshing lemonade in the Summer
My very first review! Watched this with a bit of prejudice as age-gap romance was there. But I'm glad I did.Instead of rushing into everything, the writer gives us a slow-burn romance that is both logically and dramatically appealing.
Happy to see both the Male and Female leads having strong personalities. Entire cast gave their best performance. Everything fit perfectly and we have a closure after completing this series.
Thanks to the entire team of Melancholia for this treat. Would re-watch again in the future.
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Great acting from the cast, in particular, from the leads, in which this film was their acting debut. Shawn Dou was great as the hunky lead male (great smile!) and Zhou Dongyu was lovely as the naive lead female. My only gripe: the male lead character seemed to be a bit too perfect and angelic and it would have been nice to have some more dimension to his character.
Even though the film is set during the end of the Cultural Revolution, there isn't too much emphasis on politics. This is a pure love story at its best with the interactions between the main characters at the forefront.
The film also has amazing cinematography. The color palette isn't striking but there is a nice contrast between the village and the city landscapes.
Recommended for those who enjoy those simple and pure love stories.
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It’s a shame that this drama didn’t get the right international attention despite the fact that this is one of the best produced K-dramas back in 2012.
This is a journey in the harsh world of political schemes and the higher ups power struggle where the jungle law is effective: “the strong consumes the weak”. However, a man defies that law and starts his own journey of justice to defend his beliefs accompanied by fellows and confronted by whoever who gets hold of power. The Chaser’s screenwriting is almost flawless if we exclude some events, nothing less from a genius writer named Park Kyeong Soo who never fails in delivering delicious witty dialogues full of wisdom quotes. The thrilling events will keep you at the edge of your seat; just get ready to throw yourself into a ride of consuming twists and endless turns because that’s the core of this drama: Extremely Intense screenwriting.
If I have to talk about acting, I would say it’s high-class and very penetrating especially the main leads’. With veteran charismatic actors like Kim Sang Joong and Son Hyun Joo, you’re bound to expect perfect roles’ portrayal and astonishing acting skills. Other actors were also fitting and quite enjoyable to watch.
As for the characters, you will find yourself compassionate towards the protagonist and not hating the evil figure mainly because he succeeds at making you understand his motives. The rest of characters were appreciated especially their development but if I have to mention the most absorbing character in this drama, I would say Chairman Seo Dong Hwan. He had such a complex character that can be described as a man of wisdom, who represented power but those qualities can also be interpreted as filthy power and misleading wisdom.
It's a given that intense dramas with several twists would lose its factor of surprise once it's rewatched that's why its value is low.
To summarize, you should watch this if you’re looking for a good thriller, unique plot, cliché-free storyline, top-notch acting, powerful screenwriting and deep characters. However, if you’re searching for a romantic plot, cheesy events, light drama or idol actors then you shouldn’t be reading this in the first place.
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This review may contain spoilers
This drama is a rather different republican drama, it's not about espionage, not about the civil war or fighting against the Japanese, it's not even about glamourous Shanghai. It's set between 1915 till 1921, but majority of the story happen between 1917 till 1919 and revolves around the New Culture Movement (or May Fourth Movement) and mostly set in Peking University. It's about young people trying to find a way to save their country, it's about introducing new ideas and changing customs that had been there for thousand of years.A little background first, Qing Dynasty was overthrown in 1911 and Republic of China was established, but life didn't change much. Most ports and a lot of important railways were under colonial control because China had lost multiple wars in the past century and Qing's government had been on a decline. Even with the new government, it was still rather chaotic times, there were warlords abound (and they continue to be influential and powerful in their various regions until Second Sino-Japanese war), the government was far more interested in infighting and power grabbing (as depicted in multiple cabinet changes throughout the drama), and there were many that wished Qing would come back.
I had imagine the drama would be relatively hard to get into, but it's actually not! The beginning loosely revolved around the creation and publishing of Xinqingnian/New Youth/La Jeunesse, which was a magazine created by our protagonist Chen Duxiu, and promotes science and democracy. It slamed Confucianism and classical Chinese while promoting using vernacular Chinese. It's during these times, the famed Lu Xun wrote his first vernacular Chinese novel, a short story called Diary of a Madman, where the narrator sees the traditional customs as "man-eating". Vernacular Chinese would end up making education much much more accessible to the common people. The drama even had someone that wanted everyone to abandon characters altogether and adopt latin alphabet. While this didn't end up happening, it set the grounds for the modern pinyin system that students use to learn characters \nowadays.
With some of these rather outrageous suggestions, there's of course some opposition, there's some that support the return of the emperor, there's understandably some that doesn't want to abandon thousand year old traditions and customs, there's those that sing praise to beauty and simplification of classical Chinese. These technical "antagonists" were portrayed respectfully and even somewhat adorably. They weren't backwards dimwits, multiple of them were well respected professors who had sound ideas and were remarkable in their respective fields. e,g, Gu Hongming was a notable polyglot and translator who studied for decade and half in UK and knew western culture as well as he knew Chinese culture, but he was a staunch conservative because he deeply believed in preserving the roots, he gave my favourite speech in the entire drama!
Like the movement itself, the drama mentioned and showed various political philosophy. The drama started with students arguing if constitutional monarchy or democracy was better, Hu Shi who idolises experimentalism was prominent part of the drama, anarchism and mutual aid was explore quite a bit through the Chen brothers (Chen Duxiu's sons), and of course Marxism comes into play late in the drama too. Despite my description, the drama wasn't like a dry political lesson, it was times of multiple parties debate and tried to see what fits China, I don't know how to describe the joy of seeing some of these debates. It helped that it featured so many well known people that pioneered or made great contribution to various fields in modern China. Seriously, some one off cameo might be a well known revolutionist :P
The culmination of the New Culture Movement is May Fourth Movement. After end of WWI, Treaty of Versailles was signed, but the German concession in Shandong province was transferred to Japan (due to Twenty One demands that's mentioned in ep 1), instead of given back to China, despite the fact China had sent tens of thousands of workers to the frontlines and contributed greatly to the war. It was the first time in a century that China was part of the victor's side, and everyone had hoped that might be the start of fighting back against colonial control. Unfortunately, the government had failed them, they simply didn't have enough power to demand it back, nor did the other countries care to get involve when it didn't concern them. This caused mass demonstrations all around China, starting with students and not long after workers as well, eventually this led to the government refusing to sign the peace treaty, the first time in recent history where China tried to fight back in diplomacy. May Fourth movement further promoted new ethics system, mobilised students and workers to express their dissatisfaction and protect their interest, led to reorgnisation of KMT, and contributed to the start of Chinese Communist Party.
Normally I wouldn't spend so much time essentially spoilering the show, but this is all history, and rather complicated history that I personally didn't know much about (besides May Fourth), so I thought I'd go over the gist while gushing. It was a lot of fun wiki‘ing while watching the drama, and I'm glad it ended at 1921, since that way the drama was mostly uplifting. I'd say avoid wiki'ing if you don't want to know who meets their early demise (many do), but the drama will tell you when they appear for the last time anyways. The drama was surprisingly light despite the chaotic background and heavy historical basis, the humour was fairly natural and the characters were mostly very smart even though they argued a lot, the young people were super relatable and a fair few end up being world changing. These were 90s and 00s kids of the previous century and I can't begin to imagine doing some of the amazing things they do despite being the same age or even younger.
I actually love so many of the characters that I don't know where to begin, the Chen brothers were probably my favourite though, since they were rarely portrayed in dramas before this. They were resilient and idealistic, had a rather complicated relationship with their father that was portrayed pretty thoroughly throughout the drama. It's one of the biggest deviation from actual history, historically they would have been estranged for most part of their lives, and they likely wouldn't have been around for most the drama if it stuck closer to history. Zhang Wanyi and Ma Qiyue did amazing in this drama, I look forward to Zhang Wanyi's role in Daylight Ent's drama with Bai Yu + Mao Xiaotong + Song Zu'er, Ma Qiyue was only 14 when he played Qiaonian (who's 13~18 in the drama) so he has a bright future ahead of him! The acting was all around splendid, especially Yu Hewei who played Chen Duxiu amazingly (and won Magnolia award for it woohoo!) and Ma Shaohua who played the adorable University principal Cai Yuanpei that facilitate the awesome environment where various ideals could flourish.
Unfortunately, one of the few female characters with significant role started off rather terribly, playing a spoilt and unreasonable girl, she comes around rather quickly but it was jarring. I think her acting/her character was one of the few flaws of the drama, but she still have some shining scenes here and there, most notably a play that acts out the debates they've been having and notes the oppression that women have been facing. The other minor flaw was female characters don't get much screen time, a lot of well known female revolutionists weren't in Beijing at the time (they were in France or Hunan province, there are other dramas that do feature them), and they mostly weren't relevant to New Culture Movement. The few older women around were wives regulated to homemaking roles (despite one being educated and could be portrayed less stereotypically), younger women tend to play more active roles (all fictionalised) since students were first supporters of the movement.
Lastly, I must applaud the drama for the absolutely spectacular directing! Hot damn, I was big fan of the director after Advisor Alliance (do rec! Fun retelling of Three kingdoms!), but now I'm a super fan and will gobble everything Zhang Yongxin puts out (also got a Magnolia!). He has amazing eye for framing shots, he filled the drama with symbolism that I don't know how to interpret sometimes. I loved the astounding sequence that introduced Lu Xun and clearly referenced his story "Medicine", the goose bump inducing scene of Li Dazhao encountering a crying bride without a groom (likely a ghost marriage), the incredible usage of wide angle shots + heavy clouds to create heart aching scene that broke Chen Duxiu near the end of the drama, and of course the montage of Chen brothers as they leave for France stayed with me months after I finished the drama. The soundtrack was super memorable, the distinctive art used to denotes some important events was gorgeous, and I just love the aesthetics of the drama in general.
I've been sitting on this review for whooping 3 months because I don't know how to begin, I feel like all my words pale in comparison, sometimes explaining a scene without seeing it seems to make it lose all of its magic. This is the first time I found the entire drama just screams art to me, and I love it so so much that I want to recommend it to everyone. Please give it a try! I'm dump some interesting tidbits in the comment below, may or may not be spoilery.
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Authentic! The people, the stories, the setting. Affectionate, humorous & true to life characters
"Diary of a Prosecutor" is an extremely delightful, unconventional and, despite all the sometimes snappy, sometimes cheerful, sometimes pitch black, sometimes heartful humor, it also offers a quite serious, profound examination of jurisdiction and practically handling the law. This embedded in the simple everyday work-life of ordinary people, told from the perspective of a provincial prosecutor. The script is based on the essay "Civil War Prosecutor", written by a real prosecutor and inspired by his personal experiences.So it is primarily about the everyday life on the office floors and behind the office doors of the public prosecutor's office. First and foremost, this is about profane workdays that often last until late, including dinner and drinks with colleagues. However, this is also about a noble task, the juggling with legal regulations, the ideals of a just society and the diplomatic basics in dealing with superiors in the strict hierarchy from the bottom to the top. And last but not least, this is a potpourri of different individual stories of quite ordinary people who face the challenges of their inconspicuous lives every day anew, and eventually grow from them - as it is in life...
In other words, you get: a variety of people you grow fond of as you get to know them better; a job-portrait that is subject to the highest expectations, but whose credibility in the country is still not easy. And a (fictional) outskirts - a town at the seaside, famous for its oyster harvest. The filming took place in Tonyeong-si in the very south of the country, where practically the entire crew (around 150 people, including cast) stayed during the five-month shooting period... Provincial life is thus breathing from every pore of the KDrama - everything is a bit more relaxed, closer to nature. Seoul is far away…
Conclusion: Authentic! The people, the stories, the setting. The dramaturgical 'trick': the greater narrative of the omniscient narrator. The humor that comes along with it. Sometimes ironic, sometimes satirical, sometimes bone dry. Bottom line: funny and complex at the same time. Affectionate, humorous and true to life personality portraits. In script and play. The cases and the ethical questions involved go deep at times. And yet it is people who deal with it. Colleagues. Eventually in competition at times. Imperfect people, with weaknesses, even if they wear robes. Yet, people who can excel themselves at times, too. Other than that, the days, weeks, months and years go by, case after case, team dinner after team dinner...
As far as Korean life and culture is concerned, with this KDrama you can get pretty close to the people and their everyday world in many ways. Because of this and a wonderful overall concept, whose good spirit works on all scales, I consider “Diary of a Prosecutor” highly valuable.
Maybe it's a bit unusual at first. Don't let it irritate you. Keep going. I´d say it is worth it...
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